Month: April 2018

Billy Idol – Mony Mony (US 12″ Promo)

BURNING THE GROUND EXCLUSIVE 1987

“Mony Mony” is a song originally released in 1968 by American pop rock band Tommy James and the Shondells.

British rock artist Billy Idol released a cover version in 1981 (on the Don’t Stop EP). Along with the track “Baby Talk”, Idol’s version of “Mony Mony” went to #7 on the Billboard dance chart. A live recording of the song became a hit for Idol in 1987 as well while promoting his then-forthcoming compilation work Vital Idol. The live version went to No. 1, coincidentally displacing Tiffany’s cover of another Tommy James song, “I Think We’re Alone Now”, from the top spot. It also finished directly behind the Tiffany song at #19 in the 1987 year-end Billboard chart.

Idol’s version gave rise to an interesting custom. When the song was performed live in concert or played at a club or dance, people would shout a certain formulaic (and usually obscene) phrase in the two measures following each line, for example, “Hey! Get laid, get fucked!” This led to the song being banned at high-school dances across North America, although the custom continues at Idol concerts today.

SIDE A:
Mony Mony (“Hung Like A Pony Remix”) 7:00
Remix – Tom Lord-Alge

Mony Mony (“Steel Toe Cat Dub”) 6:35
Remix – Tom Lord-Alge

SIDE B:
Mony Mony (Live) 4:10
Mony Mony (Single Edit) 5:02

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
19887 Mony Mony U.S. Billboard Hot 100 #1
19887 Mony Mony U.S. Billboard Mainstream Rock Tracks #27

 

RELEASE INFORMATION:
Label: Chrysalis ‎– 4V9 43159
Format: Vinyl, 12″, 33 ⅓ RPM, Promo
Country: US
Released: 1987
Genre: Rock
Style: Pop Rock

CREDITS:
Mixed By – Tom Lord-Alge
Producer – Keith Forsey

NOTES:
For Promotional Use Only.

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
Burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7 TubeGold Pins
Soundcard:
Novation Audiohub 2×4 Audio Interface
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Robert Palmer – I Didn’t Mean to Turn You On (US 12″)

BURNING THE GROUND EXCLUSIVE 1986

“I Didn’t Mean to Turn You On” is a song written by Jimmy Jam and Terry Lewis and originally performed by Cherrelle in 1984. In 1986, “I Didn’t Mean to Turn You On” was covered by Robert Palmer. Palmer’s cover fared better on the pop charts while Cherrelle’s version was a hit on the R&B charts.

Robert Palmer recorded a cover one year later and it was released as the fifth single from his 1985 album Riptide. The single hit No. 2 on the Billboard Hot 100 in 1986, only behind “Amanda” by Boston, and the music video, which featured women much like the ones from “Addicted to Love”, hit No. 1 on MTV on October 17, 1986. In the U.K. the single reached no. 9.

SIDE A:
I Didn’t Mean To Turn You On (Extended Dance Mix) 6:39
I Didn’t Mean To Turn You On (A Cappella Beats) 2:02

SIDE B:
I Didn’t Mean To Turn You On (Dub Version) 4:32
Addicted To Love (LP Version) 6:00

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1986 I Didn’t Mean To Turn You On U.S. Billboard Hot 100 #2
1986 I Didn’t Mean To Turn You On U.S. Billboard Hot Dance Music/Club Play #26

 

RELEASE INFORMATION:
Label: Island Records ‎– 0-96804
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1986
Genre: Electronic, Rock
Style: Pop Rock, Synth-pop

CREDITS:
Producer – Bernard Edwards
Remix – Bruce Forrest* (tracks: A1 to B1)
Written-By – J. Harris, T. Lewis* (tracks: A1 to B1), R. Palmer* (tracks: B2)

NOTES:
Written for Flyte Tyme Productions.
From the LP “RIPTIDE”

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7 TubeGold Pins
Soundcard:
Novation Audiohub 2×4 Audio Interface
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Face To Face – Under The Gun (US 12″)

BURNING THE GROUND EXCLUSIVE 1984

“Under The Gun” is a single by new wave quintet from Boston, Massachusetts Face to Face, produced by Highly influential American producer/DJ/remixer/musician Arthur Baker. The track was taken from the band’s self-titled debut album. “Under The Gun” peaked at #14 on the U.S. Dance Chart.

SIDE A:
Under The Gun (Dance Mix) 7:02

SIDE B:
Run From The Shot (Dub Mix) 8:39

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1984 Under The Gun U.S. Billboard Hot Dance Music/Club Play #14

 

RELEASE INFORMATION:
Label: Epic ‎– 49-05033
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1984
Genre: Electronic
Style: New wave, Electro

CREDITS:
Design [Cover Design] – Chris Lione
Edited By [The Latin Rascals] – Albert Cabrera, Tony Moran
Executive-Producer – Dick Wingate
Management [Direction] – Hart & Hinkle Management
Mixed By – Arthur Baker, Chris Lord-Alge
Performer [Face To Face Is] – Angelo*, William Beard*, John Ryder (2), Laurie Sargent, Stuart Kimball
Photography By [Back Cover Photo] – Carrie Branovan
Photography By [Cover Photo] – Image Bank*, Lawrence Fried (2)
Producer –Arthur Baker
Written-By – A. Baker*, Face To Face (3)

NOTES:
Special version from the Epic LP “Face To Face”

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7 TubeGold Pins
Soundcard:
Novation Audiohub 2×4 Audio Interface
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Queen – A Kind Of Magic (Extended Version) (Germany 12″)

BURNING THE GROUND EXCLUSIVE 1986

“A Kind of Magic” is the title track of the 1986 album of the same name by the British rock band Queen. It was written by the band’s drummer, Roger Taylor, for the film Highlander. The single reached number three on the UK Singles Chart, top ten in a number of European countries, and #42 on the US Billboard Hot 100. The song is the opening track on the band’s compilation albums, Greatest Hits II, and Classic Queen.

The phrase “a kind of magic” is used in Highlander by Connor MacLeod (Christopher Lambert) as a description of his immortality. Roger Taylor liked the phrase so much that he used it as inspiration for the song. There are references to the film in the lyrics: “one prize, one goal”; “no mortal man”; and “there can be only one”. The single’s cover art features an image of Clancy Brown in character as the film’s villain, The Kurgan.

Taylor wrote the melody and chords for the version that appeared in the film, which Brian May described as “quite lugubrious and heavy”. Freddie Mercury composed a new bass line, added instrumental breaks, and changed the song’s order to make it more chart-friendly. Mercury and David Richards produced this new version. The song was still credited only to Taylor. Whilst Taylor’s version is at the end of the film, Mercury’s version appears on the album. Taylor’s version of A Kind of Magic did not see an official release until it was included on the extra EP for the 2011 special edition of the album.

The b-side track is an instrumental version of Don’t Lose Your Head.

SIDE A:
A Kind Of Magic (Extended Version) 6:25

SIDE B:
A Dozen Red Roses For My Darling 5:03

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1986 A Kind Of Magic U.S. Billboard Hot 100 #42

 

RELEASE INFORMATION:
Label: EMI ?– 1C K 060-20 1119 6, EMI ?– 12 QUEEN 7
Format: Vinyl, 12″, 45 RPM, Maxi-Single
Country: Germany
Released: 1986
Genre: Rock
Style: Pop Rock

CREDITS:
Design – Richard Gray (2)
Photography By – David James (20)
Producer – David Richards, Queen
Written-By – Roger Taylor

NOTES:
From the film Highlander – There Can Be Only One

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7 TubeGold Pins
Soundcard:
Novation Audiohub 2×4 Audio Interface
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi