Tag: US

July 10, 2026

Barbra Streisand – Promises (US 12″ Promo) (1980)

Burning The Ground Exclusive

NEW 2026 Transfer
NEW Meticulous Audio Restoration

Original post date: June 26, 2015

Released in May 1981, “Promises” was the fourth and final single taken from Barbra Streisand’s hugely successful album Guilty.

Written by Barry Gibb and Robin Gibb, the song carries the polished pop sound that defined much of the album. Barry and Robin also appear on backing vocals, adding those unmistakable Gibb harmonies behind Streisand’s commanding lead.

While “Promises” narrowly missed the Top 40 on the US Billboard Hot 100, peaking at number 48, it found greater success with adult contemporary listeners. The single reached number 8 on the US Adult Contemporary chart and climbed to number 5 in Canada.

A commercial 12″ single was released in both the United States and Europe, featuring a 5:55 “Special Version.” To my knowledge, this extended version has never appeared on CD or through digital services and remains exclusive to vinyl.

“Promises” also marked an interesting point in Streisand’s singles history. It was her first commercially released 12″ single as a solo artist. It followed her 1979 duet with Donna Summer, “No More Tears (Enough Is Enough),” along with promotional 12″ releases for “Shake Me, Wake Me (When It’s Over)” in 1975 and “The Main Event/Fight” in 1979.

The “Special Version” does not radically remake the song. Instead, it gives the arrangement more room to breathe, extending the smooth production and allowing the backing vocals, rhythm section, and instrumental details to stand out. It is a subtle extension, but one that works beautifully with the sleek sound of the Guilty era.

This post features a brand-new 2026 meticulous audio transfer and restoration taken from the US 12″ promotional pressing. The record contains the same 5:55 version on both sides.

For Streisand collectors, Gibb fans, and anyone who appreciates the refined sound of early 1980s pop, this vinyl-only version of “Promises” is a lovely addition to the collection.

SIDE A:
Promises (Special Version) 5:55

SIDE B:
Promises (Special Version) 5:55

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

Chart Performance – Barbra Streisand: Promises (1981)	Peak Position
Canada RPM Adult Contemporary	#5
U.S. Billboard Hot 100	#48
U.S. Billboard Adult Contemporary	#8
U.S. Cash Box Top 100	#48

RELEASE INFORMATION:
Label: Columbia – 43 02089
Format: Vinyl, 12″, 33 ⅓ RPM, Promo
Country: US
Released: 1980
Genre: Pop
Style: Vocal, Disco

CREDITS:

Executive-Producer – Charles Koppelman
Producer – Albhy Galuten, Barry Gibb, Karl Richardson
Written-By – B. Gibb*, R. Gibb*

NOTES:
DEMONSTRATION
NOT FOR SALE
Special Version Of The Columbia Lp: “GUILTY” FC 36750
Taken from The Columbia Lp: “GUILTY” FC 36750
Same track both sides.

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for BURNING THE GROUND

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus: Ortofon Concorde Music Black
Phono Pre-amp: Pro-Ject Tube Box DS2
Phono Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
Audio Interface: MOTU M4
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Cleaning Solution: Turgikleen Record Cleaning Solution
Scanner: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

PLEASE READ

There are two 24-Bit links; if one does not work, try the other

**24-bit FLAC Only Available For SIX Days!

Password: burningtheground

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July 8, 2026

Peabo Bryson – D.C. Cab (US 12″) (1984)

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Remembering the late Peabo Bryson today with a bit of an overlooked soundtrack cut from 1983.

“D.C. Cab” was the title track from the Motion Picture Soundtrack D.C. Cab, the cult comedy directed by Joel Schumacher and starring Mr. T, Adam Baldwin, Gary Busey, and Marsha Warfield. The soundtrack was a very 1983 affair, packed with R&B, pop, and dance names including Irene Cara, Shalamar, DeBarge, Stephanie Mills, Karen Kamon, and Giorgio Moroder.

Peabo Bryson’s contribution sits in a fun little corner of his catalog. Most listeners know him for those smooth, romantic ballads and his later Disney classics, but “D.C. Cab” gives us a different side of Peabo. This one has more street-level sparkle, more movie-theme energy, and a bright early ’80s R&B bounce that fits the film’s scrappy, oddball charm.

As the title track, “D.C. Cab” had the job of selling the attitude of the movie. It is not trying to be a grand ballad. It is not trying to pull tears from the balcony. Instead, it rolls along with that soundtrack polish, a little bit of grit, and Peabo’s unmistakable voice giving the whole thing more class than a film about a wild taxi company probably deserved.

Released as the fourth and final single from the soundtrack, “D.C. Cab” spent nine weeks on the Billboard Black Singles chart. In the February 11, 1984 issue of Billboard, the single reached its peak at #53.

It may not be one of Peabo Bryson’s best-known singles, but that is part of the fun. Soundtracks from this era often tucked away these little surprises, songs that lived between radio formats, movie marketing, and the clubs. “D.C. Cab” is one of those records. It captures a moment when movie soundtracks could be wonderfully strange, tossing together big voices, rising acts, disco veterans, and studio pros to create something that could only have happened in the early ’80s.

A music video was not released for this single.

Peabo Bryson left behind a huge legacy, from quiet storm favorites to pop duets that became part of music history. “D.C. Cab” may be a smaller stop on that ride, but it is still worth pulling over for.

SIDE A:
D. C. Cab (Remixed Version) 5:38

SIDE B:
D. C. Cab (Dub Version) 5:04

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: MCA Records – MCA-13988
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1984
Genre: Electronic, Funk / Soul, Pop, Rock
Style: Hi NRG, Synth-pop

CREDITS:

Executive Producer – Ronny Vance
Producer, Written-By – Larry John McNally, Richard Feldman, Rick Kelly

NOTES:
From the original Motion Picture Soundtrack “D.C. Cab”
An RKO-Universal Picture
“Peabo Bryson appears courtesy of Elektra / Asylum Records

Buy the 12” at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for BURNING THE GROUND

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

PLEASE READ

There are two 24-Bit links; if one does not work, try the other

**24-bit FLAC Only Available For SIX Days!

Password: burningtheground

You can help show your support for this blog by donating using PayPal.

I appreciate your help.

July 7, 2026

Rob Base – Turn It Out (Go Base) (US 12″) (1989)

Burning The Ground Exclusive

Remembering Rob Base.

“Turn It Out (Go Base)” was the first single taken from Rob Base’s 1989 solo album The Incredible Base, released on Profile Records. Coming off the huge success of It Takes Two with DJ E-Z Rock, Rob Base had already left a permanent mark on late 80s hip-hop and dance floors everywhere. That record was one of those moments where rap, club music, and pop culture all crashed into each other in the best way possible.

By the time “Turn It Out (Go Base)” arrived, expectations were high. How do you follow a monster like “It Takes Two”? That is never an easy job. Instead of trying to remake that record note-for-note, Rob came back with another party-ready track built for movement. It has that late 80s Profile Records punch, big drums, plenty of call-and-response energy, and the kind of groove that sounds right at home on a 12-inch single.

The Incredible Base was released in November 1989 and became Rob Base’s only solo studio album. While it did not match the massive success of It Takes Two, the LP still performed well, reaching #50 on the Billboard 200 and #20 on Billboard’s Top R&B/Hip-Hop Albums chart. It was also certified Gold in the United States.

Although “Turn It Out (Go Base)” did not reach the Billboard Hot 100, it did find action on several genre charts. The single peaked at #4 on the Billboard Hot Rap Singles chart, #16 on the Hot R&B/Hip-Hop Songs chart, and #23 on the Dance Club Songs chart. It also reached #88 on the UK Singles Chart.

That feels about right. Some records are made for pop radio. Others are made for the floor. This one lands firmly in the second camp.

There is also something bittersweet about hearing it now after Rob Base’s passing. He had one of those voices that could fill a room without trying too hard. Confident, direct, and full of fun. He did not sound like he was asking the party to start. He sounded like he had already walked in and flipped the switch.

“Turn It Out (Go Base)” may not be the first song most people reach for when they think of Rob Base, but that is part of what makes revisiting it so much fun. It is a reminder that there was more to his catalog than one giant anthem. For collectors, DJs, and fans of late 80s hip-hop 12-inch singles, this is a nice piece of the story.

A quick note about the lyrics: the track does include the word “retard,” a term that was used more casually in 1989 but is now considered offensive and hurtful. The record is presented here as originally released, but I did not want to ignore that the word carries a much different weight today.

Rest in peace, Rob Base. Thanks for helping make the dance floor louder, happier, and a lot more fun.

SIDE A:
Turn It Out (Go Base) (Sky King Remix) 8:02
Engineer [Remix] – Rob Paustian
Producer [Additional Production], Remix, Edited By – Gail “Sky” King
Programmed By [Additional Keyboard Programming] – Joe Moskowitz*

Turn It Out (Go Base) (Percapella) 3:06

SIDE B:
Turn It Out (Go Base) (Sky King Dub) 6:34
Engineer [Remix] – Rob Paustian
Producer [Additional Production], Remix, Edited By – Gail “Sky” King
Programmed By [Additional Keyboard Programming] – Joe Moskowitz*

Turn It Out (Go Base) (Album Version) 5:31

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

Chart Performance – Rob Base: Turn It Out (Go Base) (1989)	Peak Position
US Billboard Hot Rap Singles	#4
US Billboard Hot R&B/Hip-Hop Songs	#16
US Billboard Dance Club Songs	#23
UK Singles Chart	#88

RELEASE INFORMATION:
Label: Profile Records – PRO-7275
Format: Vinyl, 12″, 33 ⅓ RPM, Single, Stereo
Country: US
Released: 1989
Genre: Hip Hop
Style: Breakbeat, Hip-House, Electro

CREDITS:

Executive-Producer – William Hamilton
Lacquer Cut By – HW*
Mastered By – Howie Weinberg
Photography By – Chris Carroll (4)
Producer – Rob Base, William Hamilton
Written-By – R. Ginyard*

NOTES:
Executive produced for World to World Records, Inc.
Recorded at Hillside Sound Studio, Englewood, New Jersey.
Tracks A1 & B1 additionally produced, remixed and edited for In The Spin Productions.
Tracks A1 & B1 remixes engineered at Shakedown Sound, N.Y.

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for BURNING THE GROUND

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

PLEASE READ

There are two 24-Bit links; if one does not work, try the other

**24-bit FLAC Only Available For SIX Days!

Password: burningtheground

You can help show your support for this blog by donating using PayPal.

I appreciate your help.

July 3, 2026

Englandneworder – World In Motion… (US 12″) (1990)

Burning The Ground Exclusive

With the 2026 FIFA World Cup currently taking place, this felt like the perfect time to revisit one of the most unlikely, and most successful, football records ever released.

When a football record works, it is usually because it forgets to be a football record for a few minutes. World In Motion is exactly that. On paper, the whole idea sounds like a disaster waiting to happen. New Order, one of Manchester’s coolest and most unlikely pop institutions, teamed up with the England national football team for the 1990 FIFA World Cup in Italy.

Somehow, it worked. Not only did it work, but it also became one of the best football songs ever recorded.

Credited as Englandeworder, World In Motion was released in May 1990. It arrived at just the right moment. The band had come off the success of Technique, UK dance culture was everywhere, and football was about to have one of its most emotional summers.

What makes World In Motion so special is that it still sounds like a New Order single. The bright synths, steady dance rhythm, Peter Hook’s bass, and Bernard Sumner’s understated vocal all sit perfectly in place. The football chants are there, but they never take over. Even the squad vocals feel like part of the record instead of a cheap add-on.

Then, of course, there is John Barnes.

His rap near the end of the song has become part of UK pop culture in its own right. It is joyful, awkward, charming, and strangely perfect. It should not work as well as it does, but Barnes delivers it with enough confidence to make it unforgettable. In a genre filled with novelty football records, this one had rhythm, wit, and a real pulse.

The 12-inch single is especially interesting because it treats the song like a proper club release. My US 12-inch does not include The B-Side, which appeared on other editions, but instead focuses on the remixes. The Subbuteo Mix and Subbuteo Dub by Graeme Park and Mike Pickering give the track a more club-ready feel, while Andrew Weatherall and Terry Farley’s Carabinieri Mix and No Alla Violenza Mix take things even further into the dancefloor.

That roster alone tells you this was not being handled like a throwaway sports tie-in. This was New Order, football culture, and the club scene meeting at the exact right moment.

World In Motion became New Order’s only UK No. 1 single, spending two weeks at the top and 12 weeks on the Official Singles Chart. It also reached No. 1 on the UK Indie chart and found success in several other countries.

More than three decades later, World In Motion still has that rare glow. It captures a moment when pop, football, club music, and national hope all collided without becoming corny. England did not win the World Cup in 1990, but this record gave them a song that has outlived the tournament itself.

Now, with the 2026 FIFA World Cup underway, it feels like the right record at the right time all over again.

It is funny, bright, emotional, and completely of its time. It is also still a fantastic New Order single.

And really, how many football records can you honestly say that about?

AWAY SIDE:
World In Motion… (Carabinieri Mix) 5:54
Mixed By – Andrew Weatherall, Terry Farley

World In Motion… (No Alla Violenza Mix) 5:36
Mixed By – Andrew Weatherall, Terry Farley

HOME SIDE:
World In Motion… (Subbuteo Mix) 5:08
Producer [Additional Production By], Remix [Remix By] – Graeme Park, Mike Pickering

World In Motion… (Subbuteo Dub) 5:08
Producer [Additional Production By], Remix [Remix By] – Graeme Park, Mike Pickering

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

Chart Performance – New Order: World In Motion (1990)	Peak Position
UK Singles Chart	1
UK Indie Chart	1
Eurochart Hot 100	2
Finland	4
Ireland	7
New Zealand	8
Australia	21
Switzerland	27
US Modern Rock Tracks	5
US Dance Club Songs	10

RELEASE INFORMATION:
Label: Qwest Records – 0-21582, Qwest Records – 9 21582-0, Warner Bros. Records – 0-21582, Warner Bros. Records – 9 21582-0
Format: Vinyl, 12″, 33 ⅓ RPM, Maxi-Single
Country: US
Released: May 1990
Genre: Electronic
Style: House, Synth-pop

CREDITS:

Design [Uncredited], Art Direction [Uncredited] – Peter Saville Associates
Producer [Produced By], Recorded By – Stephen Hague
Written-By – Keith Allen, New Order

NOTES:
Artist on sleeve & spine: Englandneworder
Artist on labels: New Order
Both labels say “Side 1”.

A1, A2 mixed at the Townhouse

Made in U.S.A.

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for BURNING THE GROUND

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

PLEASE READ

There are two 24-Bit links; if one does not work, try the other

**24-bit FLAC Only Available For SIX Days!

Password: burningtheground

You can help show your support for this blog by donating using PayPal.

I appreciate your help.