Tag: Bruce Forest

Pretty Poison – Catch Me (I’m Falling) (US 12″) (1987)

Burning The Ground Exclusive

NEW 2026 Transfer
NEW Meticulous Audio Restoration

For today’s Ladies Of The 80s: Soundtrack Edition, we are heading back to 1987 for a record that seemed to be everywhere once it caught fire.

Pretty Poison’s “Catch Me (I’m Falling)” was featured in the comedy Hiding Out and became one of the biggest dance-pop crossover hits of the late 1980s.

This is also another new 2026 transfer.

I originally posted this single way back in January 2014. More than twelve years later, I returned to the vinyl and recorded it again from scratch using my current equipment and restoration process.

This is not a remaster of the files posted in 2014. It is a completely new transfer.

Pretty Poison formed in Philadelphia in the early 1980s, with Jade Starling on lead vocals and Whey Cooler as one of the group’s principal musicians and songwriters. Their early material leaned toward new wave before they moved into the electronic dance sound that would bring them national attention.

They had already found some club success with “Nighttime,” which reached number 14 on Billboard’s Dance chart in 1984.

But “Catch Me (I’m Falling)” changed everything.

Written by Jade Starling and Whey Cooler and produced by Kae Williams Jr. and Kurt Shore, the song became a regional hit around Philadelphia, selling roughly 20,000 copies through the independent Svengali label. Its success caught the attention of Virgin Records, which gave the record a much larger platform.

Its appearance in the 1987 comedy Hiding Out helped push it even further.

Directed by Bob Giraldi, Hiding Out stars Jon Cryer as Andrew Morenski, a twenty-nine-year-old Boston stockbroker hiding from organized crime who disguises himself as a high-school student named Maxwell Hauser.

Yes, you read that correctly.

Jon Cryer is a twenty-nine-year-old stockbroker pretending to be a teenager.

Only in the ’80s.

The soundtrack was actually quite strong, with Boy George, Public Image Ltd., Hue & Cry, Scarlett & Black, and Roy Orbison with k.d. lang joining Pretty Poison. “Catch Me (I’m Falling)” appears during a roller-rink sequence, which is about as perfectly 1987 as anything could be.

The song itself is pure late-’80s dance-pop and freestyle.

Electronic drums hit hard, synthesizers sparkle, and a thick bassline drives everything forward. Over it all is Jade Starling, delivering a playful, urgent vocal that sounds as though falling in love is happening at full speed.

The chorus is ridiculously infectious. Once “Catch me, I’m falling” gets into your head, good luck getting it back out.

The timing was perfect. Freestyle was moving from the clubs into mainstream pop, and Pretty Poison fit naturally into that world while still sounding like themselves.

The club audience got there first.

“Catch Me (I’m Falling)” reached number one on Billboard’s Dance Club chart in September 1987. Pop radio soon followed, sending the single all the way to number eight on the Billboard Hot 100 by December.

For a group that had recently been selling records independently around Philadelphia, reaching the national Top 10 was quite a leap.

The single had less impact in the UK, peaking at number 85 in early 1988. It later appeared on Pretty Poison’s 1988 debut album, also titled Catch Me I’m Falling.

For 12-inch collectors, however, the single is where the real fun begins.

The 12″ Mix runs approximately 6:10, while the Dub Mix runs about 5:05. Both received additional production and remixing by New York DJ Bruce Forest, with Frank Heller engineering. The Dance Mix and Radio Mix retain the original production by Kae Williams Jr. and Kurt Shore.

Bruce Forest’s 12″ Mix gives the record more room without losing what made it work. The intro stretches out, the rhythm moves forward, and the electronic details have time to breathe before Jade takes over.

The Dub Mix pushes further into the production, breaking the track apart and spotlighting the percussion, keyboards, vocal fragments, and effects.

It is easy to hear why DJs embraced this record.

Even surrounded by all that production, Jade remains the center of attention. Her voice has enough personality to cut through every drum hit and synthesizer.

That may be one reason the record has aged so well.

It is completely, unapologetically 1987.

The drums are huge.

The synthesizers are bright.

The hair was probably even bigger.

Perfect.

Pretty Poison would score another Hot 100 hit with a new version of “Nighttime,” which reached number 36, but “Catch Me (I’m Falling)” remained the song that defined them for the widest audience.

For this new 2026 transfer, I went back to the vinyl and started over. My goal was to preserve the punch of the percussion, the depth of the bass, the layers of synthesizers, and Jade’s soaring vocal while bringing out as much detail as possible.

Pretty Poison may have started with a regional Philadelphia dance record, but “Catch Me (I’m Falling)” refused to stay regional.

The clubs caught it.

Virgin caught it.

Hiding Out caught it.

Then Top 40 radio caught it.

Now, more than twelve years after I first posted it on Burning The Ground, I’m catching it one more time.

Are you ready?

Here it comes.

CLUB REMIX SIDE:
Catch Me (I’m Falling) (12″ Mix) 6:13
Engineer – Frank Heller
Producer [Additional], Remix – Bruce Forest

Catch Me (I’m Falling) (Dub Mix) 5:18
Engineer – Frank Heller
Producer [Additional], Remix – Bruce Forest

RADIO MIX SIDE:
Catch Me (I’m Falling) (Dance Mix) 5:54
Engineer – Mr. Mitch

Catch Me (I’m Falling) (Radio Mix) 4:23
Engineer – Mr. Mitch

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

Chart (1987–1988) Peak Position
US Billboard Hot Dance Club Play 1
US Billboard Hot 100 8
New Zealand Singles Chart 26
UK Singles Chart 85

RELEASE INFORMATION:
Label: Virgin ‎– 96752-0, Virgin ‎– 0-96752
Format: Vinyl, 12″, 45 RPM
Country: US
Released: 1987
Genre: Electronic, Pop
Style: Synth-pop, Freestyle, Dance-pop

CREDITS:

NOTES:
Recorded at Kajem/Victory Studios, Gladwyne, PA
Remixed at Sound Track Studios, NYC / Electric Lady Studios, NYC

Manufactured & distributed by WEA through arrangement with Atlantic Records

Taken from the Original Motion Picture Soundtrack of the DEG film “Hiding Out.”

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for BURNING THE GROUND

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus: Ortofon Concorde Music Black
Phono Pre-amp: Pro-Ject Tube Box DS2
Phono Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
Audio Interface: MOTU M4
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Cleaning Solution: Turgikleen Record Cleaning Solution
Scanner: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi


PLEASE READ

There are two 24-Bit links; if one does not work, try the other

**24-bit FLAC Only Available For SIX Days!

Password: burningtheground


You can help show your support for this blog by donating using PayPal.

I appreciate your help.

 

Waterfront – Cry (US 12″) (1989)

Burning The Ground Exclusive

Waterfront was a British pop duo made up of singer Phil Cilia and guitarist Chris Duffy. In 1988, the pair struck gold with their soulful debut single “Cry,” a heartfelt ballad that blended sophisticated pop with blue-eyed soul and a touch of adult contemporary polish. Released from their self-titled debut album, the song became an international hit and remains one of the most memorable one-hit wonders of the late 1980s.

Built around a smooth groove, emotional vocals, and a soaring chorus, “Cry” resonated strongly with radio audiences on both sides of the Atlantic. In the United States, the single climbed all the way to #10 on the Billboard Hot 100, making it Waterfront’s only American chart hit. The song also found success in their home country, reaching #17 on the UK Singles Chart.

What made “Cry” stand out in 1989 was its understated sophistication. While much of pop radio at the time leaned heavily toward flashy production and bombastic hooks, Waterfront delivered something more mature and emotionally grounded. Phil Cilia’s expressive vocal performance gave the song a sincerity that connected immediately with listeners, while Chris Duffy’s tasteful instrumentation added warmth and texture.

The success of “Cry” helped Waterfront gain considerable exposure during the late 1980s, especially in the United States where MTV and adult contemporary radio embraced the single. The duo followed up with additional releases, but none managed to recreate the crossover success of their debut hit.

Listening today, “Cry” still sounds timeless. Its blend of soulful melodies and polished production captures the best elements of sophisticated late-80s pop. For many fans, the track remains a hidden gem of the era, one of those songs that instantly transports you back to a specific moment in time.

Whether you remember hearing it on late-night radio, catching the video on MTV, or discovering it years later, “Cry” remains a beautifully crafted pop song that deserved every bit of its chart success.

SIDE A:
Cry (Extended Version) 7:05
Remix – Bruce Forest

Cry (7″ Version) 3:51

SIDE B:
Cry (Club Mix) 6:32
Edited By – Roger Pauletta
Engineer [Remix] – P. Dennis Mitchell
Keyboards [Additional Programming] – Merv De Teyer

Remix, Producer [Additional Production] – Gail “Sky” King

Cry (Dub) 4:54
Edited By – Roger Pauletta
Engineer [Remix] – P. Dennis Mitchell
Keyboards [Additional Programming] – Merv De Teyer

Remix, Producer [Additional Production] – Gail “Sky” King

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

Chart Performance – Waterfront: Cry (1989) Peak Position
Canada Top Singles (RPM) 7
Europe (Eurochart Hot 100) 61
Italy Airplay (Music & Media) 18
New Zealand (Recorded Music NZ) 30
UK Singles (OCC) 17
US Billboard Hot 100 10
US Adult Contemporary (Billboard) 2

RELEASE INFORMATION:
Label: Polydor – 889 251-1
Format: Vinyl, 12″, 33 ⅓ RPM, Single
Country: US
Released: 1989
Genre: Electronic, Rock
Style: New Wave, Synth-pop

CREDITS:

NOTES:
From the Polydor album 422 837 970-1 “WATERFRONT”

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for BURNING THE GROUND

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus: Ortofon Concorde Music Black
Phono Pre-amp: Pro-Ject Tube Box DS2
Phono Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
Audio Interface: MOTU M4
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Cleaning Solution: Turgikleen Record Cleaning Solution
Scanner: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi


PLEASE READ

There are two 24-Bit links; if one does not work, try the other

**24-bit FLAC Only Available For SIX Days!

Password: burningtheground


You can help show your support for this blog by donating using PayPal.

I appreciate your help.

 

Georgio – Lover’s Lane (Europe 12″) (1987)

Burning The Ground Exclusive

Released in 1987, “Lover’s Lane” by Georgio became one of the standout singles from his debut album Sex Appeal. Issued on Motown Records, the track perfectly captured the sleek, synth-driven Minneapolis funk sound that was dominating dance floors in the mid-to-late 1980s.

A Minneapolis, Minnesota native, Georgio emerged during the era when the so-called “Minneapolis Sound”—popularized by artists like Prince and Jimmy Jam and Terry Lewis—was reshaping R&B and dance music. Blending crisp drum machines, glossy synthesizers, and sensual vocals, “Lovers Lane” delivered a smooth yet club-ready groove that resonated strongly with DJs and dance audiences.

The single became Georgio’s biggest hit, climbing to #2 on the dance chart published by Billboard, while also crossing over to #26 on the R&B chart and #59 on the Billboard Hot 100. With this success, “Lover’s Lane” marked Georgio’s third consecutive Top 10 entry on the Billboard Dance Chart, further establishing him as one of the era’s notable club music artists.

Driven by its hypnotic rhythm and seductive atmosphere, “Lover’s Lane” remains a prime example of late-’80s Motown venturing into the contemporary dance and electro-funk landscape. The song’s shimmering production and romantic late-night vibe helped it become a favorite in clubs and on mix shows, solidifying Georgio’s place in the dance music scene of the decade.

Today, “Lover’s Lane” stands as a reminder of a time when Motown was embracing the electronic pulse of the dance floor—delivering sophisticated grooves that kept DJs spinning and dancers moving well into the night.

SIDE A:
Lover’s Lane (New After Hours Vocal Mix) 6:06
Remix – Bruce ForestFrank Heller

Lover’s Lane (Club Mix) 6:51
Remix – Bruce ForestFrank Heller

SIDE B:
Lover’s Lane (Georgio’s Love Dance Mix) 7:19
Remix – Georgio (2)

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

Chart Performance – Georgio: Lover’s Lane (1987)
Chart Peak Position Date
US Billboard Hot 100 #59 1987
US Billboard Hot Dance Music / Club Play #2 1987
US Billboard R&B / Hip-Hop Songs #26 1987

RELEASE INFORMATION:
Label: Motown – ZT41612
Format: Vinyl, 12″, 45 RPM, Maxi-Single, Stereo
Country: Europe
Released: 1987
Genre: Electronic, Funk / Soul
Style: House, Synth-pop

CREDITS:

  • Written-By, Directed By, Arranged By, Producer – Georgio (2)

NOTES:
MAXI-SINGLE 12 INCH

In Album: “Sexappeal”

Printed in Germany by Topac – Imprimé en Allemagne par Topac

Made from masters of Motown Record Corporation

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for BURNING THE GROUND

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon Concorde Music Black
Phono Pre-amp: Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
Audio Interface: MOTU M4
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.


Partland Brothers – Soul City (US 12″) (1987)

Burning The Ground Exclusive

Hitting That Sweet Spot of Pop-Rock

In 1986, The Partland Brothers—Chris and G.P.—emerged from Colgan, Ontario, into the bigger world of Toronto’s music scene. Their debut album Electric Honey featured “Soul City,” an anthemic pop-rock track that became their defining moment, earning a spot in the Top 30 in Canada and climbing to No. 27 on the U.S. Billboard Hot 100—making them true bona fide chart-hitters from the get-go.

Harmony & Production Worthy of Righteous Praise

What set “Soul City” apart was the duo’s intoxicating close-harmony vocals—drawing frequent comparisons to a modernized version of The Righteous Brothers. The production by Vini Poncia (known for working with McCartney, Lennon, Kiss, and more) polished the sound to gleaming perfection, ensuring their launch had all the hallmarks of a major new act.

Lyrics That Breathe Freedom and Adventure

At its heart, “Soul City” is about breaking free from the mundane—the thrill of the unknown. Lines like:

“Soul City, that’s where we’re heading
Dancing and singing ’til dawn…”

…paint a vivid picture of escapism, nightlife energy, and living without boundaries. The song urges listeners to step “into the moonlight,” chase the setting sun, and discover that state of mind—someone’s own Soul City—full of euphoria and possibility.

From Contest Winners to International Stages

Before the breakthrough, the brothers honed their chops in bands like Oliver Heaviside and even won the Q107 radio station’s Homegrown contest in 1983—an early spark that lit their path to Capitol Records in 1985. Following the release of Soul City, they toured with legends like The Moody Blues and The Beach Boys, and graced TV stages like American Bandstand and The Late Show with Arsenio Hall. They were also recognized at home with a Juno Awards nomination for Most Promising New Group in 1987.

A Brief Blaze, with Enduring Echo

Though “Soul City” remains their singular U.S. chart entry, its success opened doors—yet management setbacks delayed follow-ups. They released a handful of albums afterward (including Between Worlds in 1990 and Part Land, Part Water in 1993), but none reached the same heights.

Even so, the Partland Brothers persevered: backing music legend Ronnie Hawkins on stage and continuing to create and perform—even amidst personal challenges, like G.P.’s accident in recent years.

Final Thoughts

“Soul City” encapsulates that irresistible 1980s spirit—hopeful, escapist, and dance-fueled. With soaring harmonies, infectious rhythms, and lyrical zest, it’s not just a song—but an invitation: chase your soul’s ideal city, wherever music and freedom roam.

Whether you’re revisiting this gem or discovering it anew, “Soul City” stands timeless—for those who long to dance until dawn, live beyond the lines, and dare to follow the lights into the next great adventure.

SIDE A:
Soul City (Remix) 7:23

SIDE B:
Soul City (Instrumental) 6:12
Soul City (Single Version) 3:52

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1987 Soul City U.S. Billboard Hot 100 #27

RELEASE INFORMATION:
Label: Manhattan Records – V-56060
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1987
Genre: Rock
Style: Pop Rock

CREDITS:

NOTES:
From the Album, Cassette & Compact Disc “Electric Honey”

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.