Honoring the Legacy of Quincy Jones: A Monumental Influence on Music

The music world has lost a true legend with the passing of Quincy Jones, an icon whose influence spanned genres, generations, and continents. Known for his unmatched contributions as a producer, composer, arranger, and visionary, Quincy Jones was a force of nature in the industry, forever changing the landscape of popular music.

A Career Like No Other

Quincy Jones’s career began in the 1950s, where he first made waves as a jazz trumpeter and later as a skilled arranger and composer. By the 1960s, he had expanded his talents, producing and arranging for legendary artists, including Frank Sinatra and Ray Charles. Over the decades, his work with Michael Jackson, most notably on the albums “Off the Wall”, “Thriller”, and “Bad”, cemented his place in music history. “Thriller” remains the best-selling album of all time, a testament to Jones’s genius for blending genres and elevating pop music to an art form.

But his achievements didn’t stop there. Jones was also a trailblazer in film and television scoring, creating soundtracks that were just as innovative and moving as his studio albums. He worked on classics like “The Italian Job” and the theme song for “Sanford and Son”, which showed his versatility and grasp of popular culture.

Shaping the Sound of the 80s

For those of us who treasure 80s and 90s music, Quincy Jones’s work was nothing short of magical. He helped shape the era with a distinct sound that was bold, innovative, and unapologetically modern. Tracks like “Billie Jean” and “P.Y.T.” set the dance floors ablaze, while songs like “Human Nature” and “The Lady in My Life” showed his talent for blending soul, jazz, and pop. His work was influential across all realms of music, from hip-hop sampling to electronic remixes, making his mark on countless 12” singles from that era.

A Lasting Legacy

Quincy Jones wasn’t just a music producer; he was a cultural ambassador, a man with an uncanny ability to bridge worlds and bring people together through music. He won 28 Grammy Awards over his lifetime, was a Kennedy Center Honoree, and earned countless accolades, but his impact was far greater than any award could capture. Quincy Jones created a legacy that will endure as long as music exists, inspiring artists to push boundaries, take risks, and speak to the heart of humanity.

The World Remembers

As we reflect on Quincy’s passing, we remember a man who never stopped innovating, who challenged what was possible, and who left an indelible mark on the world. From his early days in jazz clubs to his final productions, his contributions were nothing short of phenomenal. Let us celebrate the life and legacy of Quincy Jones, whose music will continue to inspire, uplift, and unite us all.

A Final Note

Quincy Jones’s influence on music and culture is impossible to overstate. He shaped decades of music and inspired generations of artists. His loss will be felt deeply, but his spirit lives on in every note, beat, and harmony he helped create. The music world mourns today, but his legacy will continue to burn bright.

Rest in peace, Quincy Jones, and thank you for everything.

-DjPaulT

Andy Gibb / David Shire – Shadow Dancing / Manhattan Skyline (US 12″ Promo)

Burning The Ground Exclusive 1978

NEW 2024 Transfer
NEW Meticulous Audio Restoration

Original post date: March 1, 2013

“Shadow Dancing” is a hit disco track by English singer Andy Gibb, which topped the Billboard Hot 100 for an impressive seven weeks in 1978. Produced and arranged by Albhy Galuten, with contributions from Barry Gibb, the song marked a peak in Andy’s chart success. In July of that year, Andy performed “Shadow Dancing” at Miami’s Jai-Alai Fronton Studios, where Barry, Robin, and Maurice Gibb unexpectedly joined him on stage. This was the first time all four Gibb brothers performed together live.

According to Billboard’s Book of Number One Hits, Andy Gibb became the first solo artist in U.S. pop history to see his first three singles reach the number-one spot. “Shadow Dancing” was not only the top single of 1978 on Billboard’s year-end chart but also peaked at number eleven on the soul chart, selling 2.5 million copies in the U.S. alone.

The song was a collaboration among Andy and his brothers—Barry, Maurice, and Robin Gibb—written in Los Angeles while the three elder brothers worked on the film Sgt. Pepper’s Lonely Hearts Club Band. Andy recalled, “One night, while we were relaxing, we started working on tracks for my album Shadow Dancing, which later reached #7 on the U.S. album chart. In just ten minutes, we had a group going with the chorus.” This track became Andy’s final U.S. chart-topper, though he would achieve three more Top 10 hits in America.

On March 5, 1988, Andy Gibb celebrated his 30th birthday in London, in the midst of working on a new album. Tragically, just five days later, on March 10, he passed away from myocarditis—an inflammation of the heart muscle brought on by a recent viral infection and worsened by his years of cocaine abuse.

The B-side of this 12″ release features “Manhattan Skyline,” an instrumental by American composer David Shire. This track, from the Saturday Night Fever soundtrack, reflects Shire’s expertise in film, television, and stage musicals.

  • Denotes vinyl-only

SIDE A:
Andy Gibb – Shadow Dancing (Special Disco Version)+ 6:06
Producer – Albhy GalutenBarry GibbKarl Richardson
Written-By – Andy GibbBarry Gibb-Robin Gibb-Maurice Gibb*

SIDE B:
David Shire – Manhattan Skyline (Instrumental) 4:43
Producer – Bill OakesDavid Shire
Written-By – David Shire

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1978 Shadow Dancing U.S. Billboard Hot 100 #1
1978 Shadow Dancing U.S. Billboard Hot Adult Contemporary Tracks #8
1978 Shadow Dancing U.S. Billboard Hot Soul Singles #11

RELEASE INFORMATION:
Label: RSO – RPO 1000
Format: Vinyl, 12″, 33 ⅓ RPM, Promo, Single
Country: US
Released: 1978
Genre: Funk / Soul, Pop
Style: Disco, Funk

NOTES:
12″ housed in a white jacket with front title/artist text. Gold stamped rear.

A:
Produced by arrangement with The Robert Stigwood Organisation.
Extended version from Andy Gibb’s forthcoming album “Shadow Dancing” RS-1-3034

B:
From the RSO Records Soundtrack Album “Saturday Night Fever” RS-2-4001

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon 2M Black PnP MkII
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.



Whodini – The Haunted House Of Rock (US 12″)

Burning The Ground Exclusive 1983

Halloween is finally here! and it’s time for one last Spooky Season Spin one such standout song is Whodini’s 1983 hit, “The Haunted House of Rock.” Released as a Halloween single, this song not only showcases Whodini’s lyrical style and creativity but also helps bridge the gap between hip-hop and seasonal novelty music.

Formed in Brooklyn in the early 80s, Whodini was one of the pioneering groups in hip-hop, blending R&B, funk, and early hip-hop styles. The trio, originally consisting of Jalil Hutchins, Ecstasy (John Fletcher), and DJ Drew Carter (aka Grandmaster Dee), made a name for themselves with their catchy hooks and fresh beats, standing out in a rapidly growing hip-hop scene. With hits like “Friends,” “Freaks Come Out at Night,” and “Five Minutes of Funk,” Whodini quickly established themselves as a key player in 80s hip-hop. “The Haunted House of Rock” was one of their earliest hits and brought something unexpected—a hip-hop track made specifically for Halloween.

Released in 1983, “The Haunted House of Rock”* was produced by Larry Smith, who also worked with Run-D.M.C. and helped shape the sound of early hip-hop. The song opens with a haunting synth line that immediately sets the tone. Its eerie yet funky beat lays the groundwork for the perfect Halloween track, blending 80s electronic vibes with Whodini’s unique style of storytelling rap.

The lyrics take listeners on a tour of a fictional haunted house party, where classic monsters like Dracula, the Mummy, and the Invisible Man join forces with Whodini for a night of eerie revelry. Hutchins and Fletcher use the song to describe a spooky yet entertaining scene full of thrills and chills, making it as fun as it is fantastical.

The production on “The Haunted House of Rock” is quintessentially 80s, leaning heavily into synthesizers, drum machines, and that unmistakable hip-hop groove. The song uses creative sound effects and samples that add to its supernatural theme. From creaky door sounds to ghostly moans, the production choices enhance the atmosphere, transforming the song into a haunted audio experience that fits right in with Halloween playlists. Larry Smith’s work on this track is a testament to his ability to blend genres, and his influence can be felt in many of Whodini’s subsequent works.

Upon its release, “The Haunted House of Rock” garnered attention for its creativity and originality. At a time when hip-hop was still finding its identity, Whodini dared to bring a fun, seasonal twist to the genre. The song remains a unique piece of hip-hop history—a Halloween-themed rap that set the stage for future holiday hits. While it may not have reached the chart-topping heights of Whodini’s later songs, it remains a beloved part of their catalog and a go-to Halloween track for hip-hop enthusiasts.

The song was later included on Whodini’s debut album, “Whodini,” which featured other hits that would go on to define the group’s career. Despite being a novelty track, “The Haunted House of Rock” has endured over the decades as a Halloween staple, making it a perfect addition to any spooky-themed playlist.

In an era where Halloween music often leans heavily on horror movie soundtracks and pop hits, Whodini’s “The Haunted House of Rock” stands out as one of the rare early hip-hop songs specifically for the holiday. Its playful lyrics, spooky vibes, and retro sound capture Halloween’s essence while offering a classic hip-hop taste that still resonates with fans today.

Whether you’re a hip-hop head or just looking to add some 80s flavor to your Halloween festivities, “The Haunted House of Rock” is a must-listen.

  • All tracks are vinyl-only

SIDE A:
The Haunted House Of Rock (Extended Version) 6:35
The Haunted House Of Rock (Haunted Mix) 4:33

SIDE B:
The Haunted House Of Rock (Vocoder Version) 5:29
The Haunted House Of Rock (Acapella) 1:55

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Jive – JD1-9026Arista – JD-1-9026
Format: Vinyl, 12″, 45 RPM
Country: US
Released: 1983
Genre: Hip Hop, Pop
Style: Electro, Boom Bap, Pop Rap

CREDITS:

NOTES:
From the LP “Whodini”

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon 2M Black PnP MkII
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.



Fat Boys – Are You Ready For Freddy (US 12″)

Burning The Ground Exclusive 1988

“Are You Ready for Freddy” is a single by the Fat Boys, released in 1988 to coincide with the release of “A Nightmare on Elm Street 4: The Dream Master.” This unique collaboration merges hip-hop with horror, as the song features Robert Englund himself, in character as Freddy Krueger, delivering his iconic lines. The track features the Fat Boys’ trademark humor and beatboxing style, making it both catchy and eerie.

In the song, Freddy raps alongside the Fat Boys, warning listeners to be “Ready for Freddy” as he claims his next victims. It’s a playful take on the horror genre, mixing Freddy’s menacing persona with the Fat Boys’ fun and energetic delivery.

In the video, Prince Markie Dee’s “Uncle Frederick” has died, and his lawyer (Bert Remsen) meets the group outside the Nightmare on Elm Street house. The lawyer informs Markie that he must spend the night inside Uncle Frederick’s home to earn his inheritance, so the group enters. Not long after, Freddy Krueger appears and begins to chase the band throughout the house, slashing with his claw while stopping to rap.

This track remains a memorable example of how hip-hop crossed over with other genres and pop culture phenomena in the 80s, creating unexpected and memorable pairings.

The song was also included in the Fat Boy’s LP “Coming Back Hard Again”.

+ All tracks are vinyl-only

SIDE A:
Are You Ready For Freddy (12″ Version) 7:00
Are You Ready For Freddy (7″ Version) 3:34

SIDE B:
Are You Ready For Freddy (Dub Version) 6:17
Back And Forth (12″ Version) 5:14

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Tin Pan Apple – 887 894-1
Format: Vinyl, 12″, 33 ⅓ RPM, Maxi-Single
Country: US
Released: 1988
Genre: Hip Hop
Style: Pop Rap

CREDITS:

NOTES:
Latin Rascals Productions Inc.
Special Thanks to Kevin Benson, Tony Bongiovi, Freddy Krueger, Bill Stettner, and Joe Zynczak.
Original Version on the Tin Pan Apple/Polydor LP “Coming Back Hard Again” (835809-1)
Samples “For The Love Of Money” by The O’Jays.

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon 2M Black PnP MkII
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.