Cyndi Lauper – The Goonies ‘R’ Good Enough (Japan 12″) (1985)

Burning The Ground Exclusive

After beginning week four with the Pointer Sisters and Beverly Hills Cop, Ladies Of The 80s: Soundtrack Edition continues with another movie song that became inseparable from its film.

Today’s selection is Cyndi Lauper’s “The Goonies ‘R’ Good Enough” from the 1985 adventure classic The Goonies.

This is also a completely new 2026 meticulous audio transfer and restoration.

I previously posted this record in 2020. For this edition, I returned to the vinyl and recorded it again from the beginning using my current equipment and restoration process.

This is not a remaster of the files shared in 2020.

It is a new transfer from the Japanese 12-inch pressing.

The Goonies was directed by Richard Donner from a story by Steven Spielberg. The film follows a group of children who discover an old treasure map and set out to find the lost fortune of the pirate One-Eyed Willie. Along the way, they encounter underground tunnels, elaborate traps, a pirate ship, and the criminal Fratelli family.

It is one of those movies that could only have come from the 1980s.

The children are allowed to disappear for hours without mobile phones, tracking devices, or adults hovering over them.

They simply find a treasure map and go looking for a pirate ship.

Cyndi Lauper was asked by Steven Spielberg to serve as musical director for the soundtrack. She helped assemble a varied collection that included the Bangles, REO Speedwagon, Philip Bailey, Teena Marie, Luther Vandross, and the Goon Squad. The Bangles were still early in their career when Cyndi brought them into the project.

“The Goonies ‘R’ Good Enough” was written by Cyndi Lauper, Stephen Broughton Lunt, and Arthur Stead. It was produced by Cyndi and Lennie Petze. The song was reportedly written under the simpler title “Good Enough” before the movie’s name was added for promotional purposes.

The finished record sounds unmistakably like Cyndi at the height of her early success.

The synthesizers are bright, the drums are enormous, and the melody rises with the same colorful energy that made She’s So Unusual such a sensation. Cyndi’s voice moves from playful and vulnerable to powerful and determined, often within the same line.

The lyrics are not really about pirates, treasure maps, or underground caves. Instead, the song deals with expectations, self-doubt, and the feeling that something must be real before it can be good enough.

That gives it a life outside the film.

At the same time, the chorus fits the Goonies perfectly. These are young outsiders constantly being underestimated, yet they refuse to give up on one another.

Goonies are good enough.

The single became another major hit for Cyndi, reaching number ten on the Billboard Hot 100. It was her fifth solo Top 10 single in the United States and also reached the Top 10 in Australia and Canada. Surprisingly, it did not enter the UK Singles Chart.

The music video may be even more excessive than the movie.

Directed by Richard Donner, it was presented as a two-part mini-adventure lasting roughly thirteen minutes. Cyndi attempts to save her family’s business while crossing paths with pirates, professional wrestlers, and members of the Goonies cast.

The wrestling lineup includes Captain Lou Albano, Roddy Piper, Wendi Richter, the Fabulous Moolah, the Iron Sheik, Nikolai Volkoff, Freddie Blassie, and André the Giant. Steven Spielberg appears, while the Bangles turn up as a group of female pirates.

Cyndi’s mother even joins the adventure.

It is part music video, part wrestling event, part movie trailer, and completely over the top.

In other words, it is perfect.

Cyndi’s relationship with the song was complicated. She kept it out of her concerts and off her major compilations for many years. Fan demand eventually persuaded her to bring it back, and it finally appeared on The Essential Cyndi Lauper in 2003.

Sometimes an artist’s audience hears something in a song that the artist cannot immediately hear.

For many fans, “The Goonies ‘R’ Good Enough” was never simply a soundtrack assignment. It became tied to childhood, friendship, adventure, and the belief that being different could be a strength.

For this post, I am featuring the Japanese 12-inch pressing, complete with its colorful cover artwork and obi.

Side one contains the “Dance Re-Mix,” running approximately 5:26.

Side two contains the “Dub Version,” running approximately 5:36.

Both versions were remixed by Arthur Baker, one of the most important producers and remixers of the decade.

The Dance Re-Mix expands the rhythm while keeping the song’s pop structure intact. The percussion hits harder, the instrumental passages are extended, and Cyndi’s vocal is given more space to build toward the chorus.

Arthur Baker does not remove the song’s personality.

He makes everything larger.

The Dub Version travels further into the production. Vocals appear in fragments while the synthesizers, drums, effects, and backing voices take control. Without the full lead vocal guiding the arrangement, it becomes easier to hear how much detail is packed beneath the surface.

The two mixes make a perfect pair.

The Dance Re-Mix gives us the adventure.

The Dub Version lets us explore the hidden tunnels underneath it.

For this new 2026 transfer, I wanted to preserve the excitement of the Japanese vinyl while bringing out the weight of the drums, the layers of synthesizers, and the full character of Cyndi’s vocal.

This record is loud, colorful, slightly strange, and overflowing with personality.

Just like Cyndi.

Just like The Goonies.

I may have first posted it in 2020, but some treasures are worth digging up again.

After all, Goonies never say die.

SIDE A:
The Goonies ‘R’ Good Enough (Dance Re-Mix) 5:26
Edited By –The Latin Rascals

SIDE B:
The Goonies ‘R’ Good Enough (Dub Version) 5:36
Edited By –The Latin Rascals

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint
OBI: Near Mint

Chart (1985) Peak Position
Australia (Kent Music Report) 8
Canada Top Singles (RPM) 9
West Germany (Media Control) 49
New Zealand Singles Chart 22
US Billboard Hot 100 10
US Cash Box Top 100 14

RELEASE INFORMATION:
Label: Portrait ‎– 12·3P-647
Format: Vinyl, 12″, 45 RPM
Country: Japan
Released: Aug 1, 1985
Genre: Electronic, Rock, Pop
Style: Pop Rock, Synth-pop

CREDITS:

NOTES:
Taken from the Original Motion Picture Soundtrack LP: “The Goonies”

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for BURNING THE GROUND

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus: Ortofon Concorde Music Black
Phono Pre-amp: Pro-Ject Tube Box DS2
Phono Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
Audio Interface: MOTU M4
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Cleaning Solution: Turgikleen Record Cleaning Solution
Scanner: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi


PLEASE READ

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**24-bit FLAC Only Available For SIX Days!

Password: burningtheground


You can help show your support for this blog by donating using PayPal.

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Pointer Sisters – Neutron Dance / I’m So Excited (Japan 12″ Promo) (1984)

Burning The Ground Exclusive

BTG fans have spoken.

Ladies Of The 80s: Soundtrack Edition is officially returning for a fourth week!

To begin, we have the Pointer Sisters, one of the most successful and versatile female groups of the 1980s, with “Neutron Dance” from the blockbuster soundtrack to Beverly Hills Cop.

And because one Pointer Sisters classic is never enough, the flip side contains “I’m So Excited.”

Today’s record is a rare Japanese promotional 12-inch that pairs special extended versions of both hits. It is an unusual coupling that appears to have been created exclusively for the Japanese market.

What a way to begin week four.

“Neutron Dance” first appeared on the Pointer Sisters’ 1983 album Break Out. The album became the biggest commercial success of their career and produced an incredible run of singles, including “Automatic,” “Jump (For My Love),” “I’m So Excited,” and “Neutron Dance.”

Written by Allee Willis and Danny Sembello and produced by Richard Perry, “Neutron Dance” featured Ruth Pointer on lead vocals, with Anita and June supporting her.

Ruth was not immediately convinced by the song.

The word “neutron” made her think about bombs, violence, and the threat of nuclear war. Allee Willis encouraged her to stop worrying about the title and sing it with the same gospel spirit Ruth had developed in church.

That advice changed everything.

Ruth’s performance gives the track its soul. She does not simply sing over the electronic production. She attacks it with the force of a gospel performance, turning a strange title into a celebration of survival, determination, and joy.

The verses describe frustration and hardship, but the chorus refuses to surrender. Ruth sounds as though she is determined to keep moving no matter what happens around her.

Sometimes the best answer to trouble is to dance through it.

The song’s path to Beverly Hills Cop also involved a strange twist.

“Neutron Dance” had already appeared on Break Out when Allee Willis received a package from the movie’s producers. Inside was a copy of her own song, along with a request for new music that sounded like it.

Willis and Danny Sembello wrote Patti LaBelle’s “Stir It Up” for the film, but the producers also decided to use “Neutron Dance” itself.

Apparently, no one could write a better “Neutron Dance” than the original writers.

The song plays during the wild opening chase in Beverly Hills Cop. Eddie Murphy’s Axel Foley is caught in the back of a speeding truck as it smashes through traffic and leaves destruction across Detroit.

The scene moves fast.

The song moves faster.

Released in December 1984, Beverly Hills Cop became one of the defining comedies of the decade. Its soundtrack was equally successful, featuring Glenn Frey’s “The Heat Is On,” Patti LaBelle’s “New Attitude” and “Stir It Up,” Harold Faltermeyer’s “Axel F,” and the Pointer Sisters’ “Neutron Dance.” The album later won the Grammy Award for Best Score Soundtrack for Visual Media.

The movie gave “Neutron Dance” the push it needed to become a major single.

It reached number six on the Billboard Hot 100 in early 1985, becoming the fourth Top 10 hit released from Break Out and the final Top 10 pop hit of the Pointer Sisters’ career.

The music video continued the Beverly Hills Cop connection. Ruth, Anita, and June appear as unhappy movie-theater employees while scenes from the film play around them. Bronson Pinchot, who appeared in the movie as Serge, also joined the fun.

The record captures the Pointer Sisters at their commercial peak.

Ruth’s gospel-powered lead vocal is surrounded by synthesizers, electronic drums, handclaps, and a rhythm that never stops pushing forward. It sounds mechanical and human at the same time.

Then we turn the record over.

“I’m So Excited” had already lived more than one life before appearing on this Japanese promo.

Written by Anita, June, and Ruth Pointer with Trevor Lawrence, the song was originally released in 1982. That first release reached number 30 on the Billboard Hot 100.

A remixed version returned in 1984, was added to later pressings of Break Out, and climbed to number nine. It became one of the group’s signature recordings and remains nearly impossible to hear without singing along.

While “Neutron Dance” features Ruth out front, “I’m So Excited” belongs to Anita.

She begins with a controlled sense of anticipation, but that control does not last long. By the chorus, the sisters are practically exploding out of the speakers.

The Japanese promotional 12-inch gives both songs extra room.

“Neutron Dance” was mixed by Bill Schnee and edited by Michael Brooks. The extended arrangement stretches the introduction, emphasizes the electronic rhythm, and allows Ruth’s vocal ad-libs to build toward the chorus.

“I’m So Excited” was remixed by Gabe Veltri and Jim Tract, with Trevor Lawrence credited as associate producer. Their version expands the percussion, vocals, and instrumental passages without weakening the song’s immediate pop appeal.

This is not simply a soundtrack single with an unrelated B-side.

It is a snapshot of the Pointer Sisters at the height of their powers.

One side gives us the gospel-charged electronic rush of “Neutron Dance.”

The other gives us the unstoppable celebration of “I’m So Excited.”

The Pointer Sisters had already traveled through gospel, jazz, country, funk, soul, rock, and disco before conquering 1980s pop. Few groups could move between so many styles while keeping their identity intact.

That range makes them perfect for Ladies Of The 80s.

Week four is here.

The readers are excited.

The Pointer Sisters are excited.

And somewhere in Detroit, Axel Foley is hanging from the back of a runaway truck.

Let’s do the Neutron Dance.

SIDE A:
Neutron Dance (Special Extended Version) 5:36
Edited By – Michael Brooks
Producer – Richard Perry
Remix – Bill Schnee

SIDE B:
I’m So Excited (Special Extended Version) 5:41
Producer – Trevor Lawrence
Remix – Gabe VeltriJim Tract

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

Single Chart Peak Position
Neutron Dance Australia (Kent Music Report) 4
Neutron Dance Canada Top Singles (RPM) 1
Neutron Dance Germany Singles Chart 18
Neutron Dance Ireland Singles Chart 14
Neutron Dance UK Singles Chart 31
Neutron Dance US Billboard Hot 100 6
Neutron Dance US Billboard Hot Black Singles 13
Neutron Dance US Billboard Adult Contemporary 23
Neutron Dance US Billboard Hot Dance Club Play 4
I’m So Excited Canada Top Singles (RPM) 21
I’m So Excited Ireland Singles Chart 6
I’m So Excited UK Singles Chart 11
I’m So Excited US Billboard Hot 100 9
I’m So Excited US Billboard Adult Contemporary 25

RELEASE INFORMATION:
Label: Planet (15) – PLR-12002
Format: Vinyl, 12″, 45 RPM, Single
Country: Japan
Released: 1984
Genre: Electronic, Funk / Soul
Style: Synth-pop, Soul

NOTES:
Track A: From the Paramount motion picture “Beverly Hills Cop.”

Special Extended Version 45 RPM

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for BURNING THE GROUND

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus: Ortofon Concorde Music Black
Phono Pre-amp: Pro-Ject Tube Box DS2
Phono Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
Audio Interface: MOTU M4
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Cleaning Solution: Turgikleen Record Cleaning Solution
Scanner: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi


PLEASE READ

There are two 24-Bit links; if one does not work, try the other

**24-bit FLAC Only Available For SIX Days!

Password: burningtheground


You can help show your support for this blog by donating using PayPal.

I appreciate your help.

 

Are You Ready for Week Four?

When I started Ladies Of The 80s: Soundtrack Edition, I planned to make it a single-themed week.

Then one week became two.

Two became three.

And somehow, there are still plenty of soundtrack singles waiting in the wings.

Over the past three weeks, we have revisited familiar favorites, uncovered forgotten gems, explored rare 12-inch mixes, and returned to a few movies whose soundtracks were far more memorable than the films themselves.

The response has been wonderful, and I have enjoyed reading your memories, stories, and personal connections to these records.

So, I have one question.

Are you ready for a fourth week of Ladies Of The 80s: Soundtrack Edition?

There are still more ladies, more movies, more remixes, and more vinyl waiting to be heard.

Wednesday will be an off day because I have a few doctor appointments, but the series will return on Thursday.

Let me know in the comments.

Do you think the series should continue?

Pretty Poison – Catch Me (I’m Falling) (US 12″) (1987)

Burning The Ground Exclusive

NEW 2026 Transfer
NEW Meticulous Audio Restoration

For today’s Ladies Of The 80s: Soundtrack Edition, we are heading back to 1987 for a record that seemed to be everywhere once it caught fire.

Pretty Poison’s “Catch Me (I’m Falling)” was featured in the comedy Hiding Out and became one of the biggest dance-pop crossover hits of the late 1980s.

This is also another new 2026 transfer.

I originally posted this single way back in January 2014. More than twelve years later, I returned to the vinyl and recorded it again from scratch using my current equipment and restoration process.

This is not a remaster of the files posted in 2014. It is a completely new transfer.

Pretty Poison formed in Philadelphia in the early 1980s, with Jade Starling on lead vocals and Whey Cooler as one of the group’s principal musicians and songwriters. Their early material leaned toward new wave before they moved into the electronic dance sound that would bring them national attention.

They had already found some club success with “Nighttime,” which reached number 14 on Billboard’s Dance chart in 1984.

But “Catch Me (I’m Falling)” changed everything.

Written by Jade Starling and Whey Cooler and produced by Kae Williams Jr. and Kurt Shore, the song became a regional hit around Philadelphia, selling roughly 20,000 copies through the independent Svengali label. Its success caught the attention of Virgin Records, which gave the record a much larger platform.

Its appearance in the 1987 comedy Hiding Out helped push it even further.

Directed by Bob Giraldi, Hiding Out stars Jon Cryer as Andrew Morenski, a twenty-nine-year-old Boston stockbroker hiding from organized crime who disguises himself as a high-school student named Maxwell Hauser.

Yes, you read that correctly.

Jon Cryer is a twenty-nine-year-old stockbroker pretending to be a teenager.

Only in the ’80s.

The soundtrack was actually quite strong, with Boy George, Public Image Ltd., Hue & Cry, Scarlett & Black, and Roy Orbison with k.d. lang joining Pretty Poison. “Catch Me (I’m Falling)” appears during a roller-rink sequence, which is about as perfectly 1987 as anything could be.

The song itself is pure late-’80s dance-pop and freestyle.

Electronic drums hit hard, synthesizers sparkle, and a thick bassline drives everything forward. Over it all is Jade Starling, delivering a playful, urgent vocal that sounds as though falling in love is happening at full speed.

The chorus is ridiculously infectious. Once “Catch me, I’m falling” gets into your head, good luck getting it back out.

The timing was perfect. Freestyle was moving from the clubs into mainstream pop, and Pretty Poison fit naturally into that world while still sounding like themselves.

The club audience got there first.

“Catch Me (I’m Falling)” reached number one on Billboard’s Dance Club chart in September 1987. Pop radio soon followed, sending the single all the way to number eight on the Billboard Hot 100 by December.

For a group that had recently been selling records independently around Philadelphia, reaching the national Top 10 was quite a leap.

The single had less impact in the UK, peaking at number 85 in early 1988. It later appeared on Pretty Poison’s 1988 debut album, also titled Catch Me I’m Falling.

For 12-inch collectors, however, the single is where the real fun begins.

The 12″ Mix runs approximately 6:10, while the Dub Mix runs about 5:05. Both received additional production and remixing by New York DJ Bruce Forest, with Frank Heller engineering. The Dance Mix and Radio Mix retain the original production by Kae Williams Jr. and Kurt Shore.

Bruce Forest’s 12″ Mix gives the record more room without losing what made it work. The intro stretches out, the rhythm moves forward, and the electronic details have time to breathe before Jade takes over.

The Dub Mix pushes further into the production, breaking the track apart and spotlighting the percussion, keyboards, vocal fragments, and effects.

It is easy to hear why DJs embraced this record.

Even surrounded by all that production, Jade remains the center of attention. Her voice has enough personality to cut through every drum hit and synthesizer.

That may be one reason the record has aged so well.

It is completely, unapologetically 1987.

The drums are huge.

The synthesizers are bright.

The hair was probably even bigger.

Perfect.

Pretty Poison would score another Hot 100 hit with a new version of “Nighttime,” which reached number 36, but “Catch Me (I’m Falling)” remained the song that defined them for the widest audience.

For this new 2026 transfer, I went back to the vinyl and started over. My goal was to preserve the punch of the percussion, the depth of the bass, the layers of synthesizers, and Jade’s soaring vocal while bringing out as much detail as possible.

Pretty Poison may have started with a regional Philadelphia dance record, but “Catch Me (I’m Falling)” refused to stay regional.

The clubs caught it.

Virgin caught it.

Hiding Out caught it.

Then Top 40 radio caught it.

Now, more than twelve years after I first posted it on Burning The Ground, I’m catching it one more time.

Are you ready?

Here it comes.

CLUB REMIX SIDE:
Catch Me (I’m Falling) (12″ Mix) 6:13
Engineer – Frank Heller
Producer [Additional], Remix – Bruce Forest

Catch Me (I’m Falling) (Dub Mix) 5:18
Engineer – Frank Heller
Producer [Additional], Remix – Bruce Forest

RADIO MIX SIDE:
Catch Me (I’m Falling) (Dance Mix) 5:54
Engineer – Mr. Mitch

Catch Me (I’m Falling) (Radio Mix) 4:23
Engineer – Mr. Mitch

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

Chart (1987–1988) Peak Position
US Billboard Hot Dance Club Play 1
US Billboard Hot 100 8
New Zealand Singles Chart 26
UK Singles Chart 85

RELEASE INFORMATION:
Label: Virgin ‎– 96752-0, Virgin ‎– 0-96752
Format: Vinyl, 12″, 45 RPM
Country: US
Released: 1987
Genre: Electronic, Pop
Style: Synth-pop, Freestyle, Dance-pop

CREDITS:

NOTES:
Recorded at Kajem/Victory Studios, Gladwyne, PA
Remixed at Sound Track Studios, NYC / Electric Lady Studios, NYC

Manufactured & distributed by WEA through arrangement with Atlantic Records

Taken from the Original Motion Picture Soundtrack of the DEG film “Hiding Out.”

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for BURNING THE GROUND

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus: Ortofon Concorde Music Black
Phono Pre-amp: Pro-Ject Tube Box DS2
Phono Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
Audio Interface: MOTU M4
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Cleaning Solution: Turgikleen Record Cleaning Solution
Scanner: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi


PLEASE READ

There are two 24-Bit links; if one does not work, try the other

**24-bit FLAC Only Available For SIX Days!

Password: burningtheground


You can help show your support for this blog by donating using PayPal.

I appreciate your help.