As we welcome June, I want to take a moment to celebrate Pride Month and acknowledge the incredible impact that LGBTQ+ artists, producers, DJs, remixers, club owners, and fans have had on the music we love.
Burning The Ground was built on a passion for 12-inch singles, remixes, dance floors, and the artists who created the soundtrack to our lives. Many of those songs were born in clubs and communities where LGBTQ+ people found acceptance, friendship, self-expression, and freedom. The dance floor has always been more than just a place to hear great music. For many, it was a place to belong.
From disco pioneers and Hi-NRG innovators to synth-pop icons, freestyle legends, and house music trailblazers, LGBTQ+ artists and audiences helped shape the sound of the 1970s, 1980s, and 1990s. The extended mixes, dub versions, club edits, and remixes that we celebrate every day on Burning The Ground owe much of their existence to the creativity and energy that emerged from those communities.
Growing up, music provided an escape, a connection, and sometimes the courage to be yourself. Many of us have memories tied to a favorite song, a special club, a first dance, or a moment when a record seemed to understand exactly how we felt. Those experiences are part of what makes music so powerful.
Throughout Pride Month, we’ll continue celebrating the artists and music that brought us together, regardless of who we are, where we come from, or who we love. That’s one of the things I’ve always appreciated most about this community. People from all over the world gather here because of a shared love of music and the memories attached to it.
Thank you for being part of Burning The Ground. Thank you for your continued support, your stories, your comments, and your passion for preserving these incredible recordings.
Most importantly, thank you for helping make this community a welcoming place for everyone.
Just a quick heads-up that I’ll be taking a little vacation time starting Monday, May 25. The turntables will be spinning a bit slower around here while I recharge the batteries, hunt down some vinyl treasures, and probably listen to way too many extended mixes at unhealthy volume levels.
I’m planning to return sometime around June 8, give or take a few days depending on how far I drift into relaxation mode.
Until then, feel free to dig through the archives, revisit some old favorites, and keep the comments coming. I always enjoy reading them, even when I’m away.
Thank you all for the continued support, kindness, and for helping make Burning the Ground such a fun place to share music memories. You guys are the best.
See you soon, and keep those 12-inch singles spinning loud!
Today, we lost a true hip-hop pioneer. Rob Base has passed away at the age of 59 after a private battle with cancer.
For many of us, Rob Base wasn’t just part of the soundtrack of the late 80s; he was the soundtrack. When “It Takes Two” exploded in 1988, it changed everything. The energy, the beats, the call-and-response vocals, the pure party atmosphere, it became one of those rare records that crossed every line. Hip-hop, dance clubs, radio, roller rinks, house parties, cars with booming bass, everybody knew it. Decades later, the moment that beat drops still fills dance floors instantly.
Alongside DJ E-Z Rock, Rob helped bring hip-hop into the mainstream while keeping the music joyful, raw, and authentic. Songs like “Joy and Pain,” “Get On The Dance Floor,” and of course “It Takes Two” remain woven into pop culture and DJ history.
What made Rob Base special was that his music never felt dated. It still sounds alive. It still sounds fun. That kind of magic is rare.
It’s especially heartbreaking knowing he joins his longtime musical partner, DJ E-Z Rock, who passed away in 2014. Together, they created records that defined an era and continue to inspire artists, DJs, and music fans around the world.
Thank you, Rob, for the music, the memories, and for giving us some of the greatest party records ever pressed onto vinyl.
Rest in peace.
Robert Ginyard
May 18, 1967 – May 22, 2026
As Memorial Day weekend arrives in the US, marking the unofficial start of Summer, I thought it would be fun to showcase one of the ultimate late-80s Summer anthems, “Cars With The Boom” by L’Trimm. Few songs capture the feeling of cruising around with friends, windows down, and giant speakers rattling the neighborhood quite like this Miami bass classic.
Released in 1988, “Cars With The Boom” by American hip hop duo L’Trimm became one of the defining records of the Miami bass explosion. Issued on Atlantic Records and Time-X Records as the third single from the duo’s debut album Grab It!, the track was a playful, bass-heavy anthem that perfectly captured late-80s car audio culture and street party energy. Produced by David Stone Klein, the single became L’Trimm’s biggest commercial success, peaking at #54 on the Billboard Hot 100 and #39 on the Billboard Hot R&B/Hip-Hop Songs chart.
Consisting of Bunny D and Lady Tigra, L’Trimm emerged from Miami, Florida during a period when the city’s booming bass scene was starting to gain national attention. Their music combined 808-driven beats, playful rhymes, dancefloor hooks, and enough low-end to rattle car trunks for blocks. “Cars With The Boom” leaned fully into that culture, celebrating loud stereos, customized rides, and neighborhood cruising with an infectious sense of humor.
The track’s minimalist production is pure Miami bass. Heavy Roland 808 drums, simple synth stabs, and repetitive chants created a hypnotic groove that worked as well in clubs as it did blasting from car speakers. Unlike many hip hop records of the era that focused on lyrical complexity, L’Trimm delivered something intentionally fun and carefree. That approach helped the single stand out on radio and in clubs nationwide.
What made “Cars With The Boom” especially memorable was its personality. Bunny D and Lady Tigra traded playful verses and chants that felt spontaneous and unpolished in the best possible way. The chemistry between the two gave the song an authenticity that connected with listeners immediately. Even decades later, the hook remains instantly recognizable.
The music video became equally iconic. Filled with neon colors, customized cars, oversized fashions, and exaggerated humor, it perfectly reflected late-80s street culture and MTV aesthetics. Over time, the video became a cult favorite online and introduced the duo to a new generation of listeners.
The success of “Cars With The Boom” also helped push Miami bass further into the mainstream. At the time, the genre was still largely regional, thriving in Florida clubs and car culture scenes. Songs like this helped pave the way for later bass artists and Southern hip hop acts that would dominate throughout the 1990s and beyond.
The single appeared on the album Grab It!, originally released by Time-X Records before being licensed to Atlantic Records. The album itself reached the Billboard 200 and became a solid representation of the late-80s Miami bass sound.
For collectors, the original 7-inch and 12-inch singles remain sought-after pieces of late-80s hip hop history. The U.S. 7-inch, and 12-inch single featured “Don’t Come To My House” on the B-side.
So as Summer unofficially kicks off this Memorial Day weekend, crank up the volume, roll the windows down, and enjoy one of the most fun and unforgettable bass records of the 1980s. “Cars With The Boom” still sounds like sunshine, hot pavement, and giant speakers shaking the neighborhood.
SIDE A: Cars With The Boom (Hot Summer Boom Remix) 3:54
SIDE B: Don’t Come To My House (Cool Summer Remix) 4:27
VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint
Chart Performance — L’Trimm: The Cars With Boom (1988)
Chart
Peak Position
Date
US Billboard Hot 100
#54
1988
US Billboard Hot R&B / Hip-Hop
#39
1988
RELEASE INFORMATION:
Label: Atlantic – 0-86506
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1988
Genre: Electronic, Hip Hop
Style: Bass Music, Electro
