Bigod 20 / TGT (The Genetic Terrorists) – Industrial Assault (US 12″ Promo) (1989)

Burning The Ground Exclusive

Razormaid Digital Mixes by Art Maharg and Joseph Watt
A DJPaulT Custom 12″ Single.

Spooky Season Spins kicks off today with something a little different.

October does not always have to mean ghosts, vampires, and horror movie themes. Sometimes the right atmosphere comes from something colder, harsher, and far more mechanical. For this installment, we are heading straight into the factory with a custom 12″ that I have titled Industrial Assault.

This two-track single brings together Bigod 20 and TGT (The Genetic Terrorists), with both selections originally appearing on Razormaid Chapter R-25.

Opening Side A is Bigod 20 with “America,” re-edited by Razormaid co-founder Art Maharg.

Bigod 20 was part of the German Electronic Body Music and Industrial scene, and “America” has exactly the kind of atmosphere I wanted for an October post. It is dark, repetitive, confrontational, and driven by electronics that feel more like machinery than traditional instrumentation.

Maharg’s Razormaid treatment pushes that feeling even further. The track moves with a relentless pulse, using repetition and carefully placed edits to make the whole thing feel increasingly tense.

There may not be a monster hiding in the shadows here, but the track still feels threatening.

For Spooky Season Spins, that counts.

Flip the record over, and things become even more brutal.
“Machine Gun” by TGT, or The Genetic Terrorists, was re-edited for Razormaid by Joseph Watt.

The title gives you a pretty good indication of what is coming. Hard electronic percussion, samples, repetition, and a cold mechanical rhythm dominate the track.

Watt’s edit has that classic Razormaid DJ sensibility. Rather than simply stretching the original recording, the arrangement uses its strongest rhythmic elements to keep the track moving. It is sparse in places, aggressive in others, and never particularly interested in making the listener comfortable.

That is exactly why it works here.

Both “America” and “Machine Gun” were taken from Razormaid Chapter R-25, which also gives this custom single a nice connection. Side A represents Art Maharg, while Side B represents Joseph Watt, bringing both Razormaid co-founders together on one very Industrial piece of vinyl.
So for this edition of Spooky Season Spins, forget the haunted houses and graveyards for a moment.

Welcome to the factory.

Cold steel. Concrete. Smoke stacks. Machines running somewhere in the darkness.

SIDE A:
Bigod 20 – America 6:31
Edited By [Re-edited] –  Art Maharg

SIDE B:
Genetic Terrorists* – Machine Gun 5:14
Edited By [Re-edited] – Joseph Watt

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Razormaid Records – RM-LP-r25
Format: Vinyl, 12″, 45 RPM, Promo
Country: US
Released: 1989
Genre: Electronic
Style: EBM, Industrial

CREDITS:
Custom Sleeve Artwork [Design] – DjPaulT

NOTES:
For Promotional Use Only

Both tracks taken from: Razormaid Chapter r-25

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for BURNING THE GROUND

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus: Ortofon Concorde Music Black
Phono Pre-amp: Pro-Ject Tube Box DS2
Phono Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
Audio Interface: MOTU M4
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Cleaning Solution: Turgikleen Record Cleaning Solution
Scanner: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi


PLEASE READ

There are two 24-Bit links; if one does not work, try the other

**24-bit FLAC Only Available For SIX Days!

Password: burningtheground


You can help show your support for this blog by donating using PayPal.

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Soul II Soul – Back To Life (Club Mix) (US 12″) (1989)

Burning The Ground Exclusive

Released in 1989, “Back To Life (However Do You Want Me)” became one of the defining records of the closing months of the 1980s. Built around Caron Wheeler’s unforgettable vocal, the record combined soul, R&B, hip-hop rhythms, strings, and the laid-back club sound that made Soul II Soul stand apart from almost everything else on the radio at the time.

Led by Jazzie B, Soul II Soul had already scored a major hit earlier in the year with “Keep On Movin’,” also featuring Wheeler. “Back To Life,” however, took the group to another level.

One of the most interesting things about the song is that the version everyone knows was not originally included on the group’s debut LP, Club Classics Vol. One, in that familiar form. The album contained a mostly a cappella version of “Back To Life,” with the rhythm entering near the end as the track moved into “Jazzie’s Groove.” Jazzie B and producer Nellee Hooper later returned to the song and rebuilt it for single release, adding the shuffling beat, piano, strings, and other elements that turned it into the classic we know today.

The result was massive.

“Back To Life” reached No. 1 on the UK Singles Chart in June 1989 and remained there for four weeks. In the United States, the single reached No. 4 on the Billboard Hot 100 and No. 1 on the R&B chart.

Chart (1989) Peak Position
UK Singles Chart 1
US Billboard Hot 100 4
US Billboard Hot R&B Singles 1
US Billboard Dance Club Play 1
Eurochart Hot 100 1
Canada RPM Top Singles 11
Canada RPM Dance/Urban 1
Netherlands 1
New Zealand 4
West Germany 4
Ireland 6
Sweden 3
Switzerland 2
Belgium 4
Austria 13
Finland 14

The song also earned Soul II Soul featuring Caron Wheeler the 1990 Grammy Award for Best R&B Performance By A Duo or Group with Vocal. Soul II Soul also picked up a second Grammy that year for the instrumental “African Dance.”

For today’s post, I am featuring the US 12″ single released by Virgin Records, catalog number 0-96537.

This pressing is particularly nice because Virgin packed five different versions onto the record.

The centerpiece is the 7:37 “12″ Mix.” This full-length club treatment gives that familiar rhythm and bass groove plenty of room to breathe. Instead of simply stretching the radio version, the mix lets the arrangement unfold slowly, making Caron Wheeler’s vocal sound even more powerful when it enters.

The 3:29 “A Cappella Intro Version” is also included, an interesting link between the song’s a cappella beginnings and the finished single.

The 3:50 “LP Version” takes us back toward the original album presentation, making the contrast between the original concept and the hit single especially interesting when all of the versions are heard together.

Flip the record over and things get even more DJ-friendly.

“Jam & The Groove,” running 5:08, takes the familiar elements of the record and rearranges them into a more groove-centered workout, while the 4:38 “Bonus Beats” puts the rhythm section front and center. In 1989, mixes like these were made with DJs in mind, giving them extra material for mixing and extending a track on the dance floor.

SIDE A:
A1. Back To Life (12″ Mix) 7:37
A2. Back To Life (A Cappella Intro Version) 3:29
A3. Back To Life (LP Version) 3:50

SIDE B:
B1. Back To Life (Jam & The Groove) 5:08
B2. Back To Life (Bonus Beats) 4:38

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

The five-track configuration and running times are specific to this 1989 US Virgin 12″ pressing.

More than three decades later, “Back To Life” still sounds remarkably fresh. That deep rolling beat, the sweeping strings, the sparse arrangement, and Wheeler’s voice gave the record a sound that was unmistakably Soul II Soul.

And then there is that opening.

The moment you hear “Back to life, back to reality,” you know exactly what record is coming.

For those of us who love the 12″ format, Virgin 0-96537 is also a great example of why these singles are worth preserving. You are not getting one extended mix with a throwaway B-side. You get several different ways of hearing one of 1989’s most important records, including mixes that show how the track developed from its unusual a cappella beginnings into an international hit.

Enjoy!

RELEASE INFORMATION:
Label: Virgin – 0-96537, Virgin – 96537-0
Format: Vinyl, 12″, 33 ⅓ RPM, Stereo
Country: US
Released: 1989
Genre: Funk / Soul
Style: Contemporary R&B, Downtempo

CREDITS:

NOTES:
From the album ‘Keep On Movin” available on Virgin Records, Cassettes, and CD’s

Buy the 12 at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for BURNING THE GROUND

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus: Ortofon Concorde Music Black
Phono Pre-amp: Pro-Ject Tube Box DS2
Phono Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
Audio Interface: MOTU M4
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Cleaning Solution: Turgikleen Record Cleaning Solution
Scanner: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi


PLEASE READ

There are two 24-Bit links; if one does not work, try the other

**24-bit FLAC Only Available For SIX Days!

Password: burningtheground


You can help show your support for this blog by donating using PayPal.

I appreciate your help.

 

October Fundraiser 2026: We Did It! Thank You BTG Family

Hello, BTG family.

We did it!

The October Fundraiser has officially reached the $1,500 goal, so I am closing the fundraiser.

Thank you to everyone who donated. Your generosity has covered the $422.14 two-year hosting renewal and will also help with the other expenses involved in keeping Burning The Ground online.

Every donation, no matter the amount, helped us reach the goal, and I truly appreciate each and every one of you who contributed.

I also want to thank everyone who visits BTG, leaves comments, shares memories, and continues to support the site.

The next fundraiser will be in April. Until then, it is time to get back to the music.

Thank you for helping keep Burning The Ground online and the turntable spinning.

Paul
Burning The Ground

October Fundraiser Update: We’re Halfway There!

Hello, BTG family.

I wanted to share a quick update on this year’s October fundraiser and thank everyone who has donated so far.

As of this morning, we have reached $750, which brings us halfway to the $1,500 goal.

I am incredibly grateful for your support, kindness, and generosity.

This year’s fundraiser is especially important because I need to cover my two-year hosting renewal, which is $422.14, along with the other ongoing costs involved in keeping Burning The Ground online and running smoothly.

  If you would still like to help with this year’s fundraiser, you can make a secure donation via PayPal using the Donation Page or by clicking any of the yellow Donate buttons throughout the site.

Please know that every donation, no matter the amount, truly helps and is very much appreciated.

Thank you again to everyone who has contributed so far, and thank you to all of you for continuing to support Burning The Ground.

I’m very thankful to have such a wonderful community here.

Paul
Burning The Ground