Tag: 1987

May 21, 2026

Meli’sa Morgan – If You Can Do It: I Can Too!! (US 12″) (1987)

Burning The Ground Exclusive

In 1987, American R&B vocalist Meli’sa Morgan returned with one of the sassiest and most confident singles of her career, “If You Can Do It: I Can Too!!” Taken from her second studio album, Good Love, the track showcased Morgan’s fiery personality and commanding vocal style, continuing her successful run on the R&B charts.

Following the massive success of her breakthrough hit “Do Me Baby,” Morgan quickly established herself as one of the premier female voices in contemporary R&B during the mid-to-late 1980s. “If You Can Do It: I Can Too!!” carried that momentum forward with a bold message of independence and equality wrapped inside a slick funk-driven production.

Produced and written by Paul Laurence Jones, the single blended hard-hitting drum programming, punchy synth bass, and layered backing vocals into an irresistible club-friendly groove. Morgan delivers the lyrics with attitude and confidence, responding to a nightlife-loving partner with a clear statement that she can play the same game just as well. The song’s assertive theme fit perfectly within the era’s growing wave of empowered female R&B anthems. The Los Angeles Times described the track as a “funky bill of rights” aimed at her wandering mate.

“If You Can Do It: I Can Too!!” became one of Morgan’s biggest hits. The single climbed to #2 on the US Billboard R&B chart in 1987, while also crossing over onto the Billboard Dance Chart, where it reached #27. Internationally, the song found success in the UK, peaking at #86 on the UK Singles Chart.

The parent album Good Love further solidified Morgan’s place in late 80s R&B. Released on, the album reached #11 on the US Billboard R&B Albums chart and also included the hit duet “Love Changes,” with Kashif.

Today, “If You Can Do It: I Can Too!!” remains a favorite among fans of classic 80s R&B and dance music. Its infectious groove, sharp production, and Morgan’s powerhouse vocal performance capture everything that made urban contemporary music during this period so exciting. More than three decades later, the song still sounds fresh, fearless, and unmistakably 1987.

SIDE A:
If You Can Do It: I Can Too!! (Extended) 4:50
If You Can Do It: I Can Too!! (Radio Edit) 3:54

SIDE B:
If You Can Do It: I Can Too!! (Club House Mix) 5:02
If You Can Do It: I Can Too!! (Dub Version) 4:25

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

Chart Performance – Meli’sa Morgan: If You Can Do It I Can Too!! (1987)
Chart	Peak Position	Date
US Billboard Hot R&B / Hip-Hop	#2	1987
US Billboard Hot Dance Music / Club Play	#27	1987
UK Singles Chart	#86	1987

RELEASE INFORMATION:
Label: Capitol Records – V-15345
Format: Vinyl, 12″, 45 RPM, Single
Country: US
Released: 1987
Genre: Electronic, Funk / Soul
Style: Contemporary R&B

CREDITS:

Artwork [Logo], Design – Phillis Cuington
Executive-Producer – Beau Huggins
Producer – Paul Laurence
Remix – Ron Banks (2), Zack Vaz
Written-By – Paul Laurence Jones*

NOTES:
From the Melissa Morgan LP “Good Love”

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for BURNING THE GROUND

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus: Ortofon Concorde Music Black
Phono Pre-amp: Pro-Ject Tube Box DS2
Phono Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
Audio Interface: MOTU M4
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Cleaning Solution: Turgikleen Record Cleaning Solution
Scanner: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

PLEASE READ

There are two 24-Bit links; if one does not work, try the other

**24-bit FLAC Only Available For SIX Days!

Password: burningtheground

You can help show your support for this blog by donating using PayPal.

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May 14, 2026

Curiosity Killed The Cat – Free (UK 12″) (1987)

Burning The Ground Exclusive

Released in 1987, “Free” was the fifth and final single taken from the debut album Keep Your Distance by the British sophisti-pop band Curiosity Killed the Cat. Formed in London in 1980, the group consisted of singer Ben Volpeliere-Pierrot, guitarist Julian Godfrey Brookhouse, bassist Nick Thorpe, and drummer Migi Drummond. While the band had already scored major UK success with singles like “Down to Earth” and “Misfit,” “Free” would become the closing chapter of an impressive run from their debut LP.

Built around a polished blend of funk-infused pop, soulful vocals, and sleek mid-80s production, “Free” showcased the band’s more reflective side. Ben Volpeliere-Pierrot’s unmistakable vocal style gives the track an emotional pull, while the sophisticated instrumentation perfectly captures the era’s smooth pop aesthetic. Although not as commercially successful as some of the group’s earlier singles, “Free” remains a favorite among fans of the band’s sophisticated sound.

“Free” reached #56 on the UK Singles Chart and climbed even higher in Ireland, peaking at #26. Interestingly, despite Curiosity Killed the Cat gaining some exposure internationally, the single was never released in the United States, making it somewhat of a hidden gem for American fans discovering the band years later through imports and compilations.

The parent album Keep Your Distance, released in 1986, became one of the defining sophisti-pop records of the decade. Produced by Stewart Levine, the LP delivered a string of stylish singles that blended pop hooks with jazz, funk, and soul influences. The album established Curiosity Killed the Cat as one of the standout British acts of the mid-80s scene.

The UK 12” single of “Free” featured a Dub version of the track along with additional versions that highlighted the band’s groove-oriented style. Like many British pop releases of the era, the extended format allowed the band’s musicianship and rhythmic arrangements more room to breathe, making it a sought-after release among collectors of 80s vinyl and extended mixes.

Though Curiosity Killed the Cat’s chart dominance would fade by the late 1980s, “Free” stands as a reminder of the elegance and sophistication that defined much of the UK pop scene during the decade. It remains a beautifully produced single that deserves rediscovery, especially for listeners who appreciate the refined sound of classic sophisti-pop.

SIDE A:
Free (Dub Master) 7:49

SIDE B:
Free 4:02
Free (Instrumental) 4:02

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

Chart Performance — Curiosity Killed The Cat: *Free* (1987)
Chart	Peak Position	Date
UK Singles Chart	#56	1987
Ireland	#26	1987

RELEASE INFORMATION:
Label: Mercury – CATX 5, Mercury – 888-784-1
Format: Vinyl, 12″, 45 RPM, Single
Country: UK
Released: 1987
Genre: Electronic, Funk / Soul, Pop
Style: Synth-pop, Pop Rock

CREDITS:

Management – The Last Laugh Production Co Ltd
Mixed By, Overdubbed By – Paul Staveley O’Duffy
Photography By [Black And White] – Dean Freeman
Producer – Sly Dunbar And Robbie Shakespeare*
Sleeve – The Unknown (20)
Written-By – Curiosity*, Anderson*

NOTES:
Taken From The Album KEEP YOUR DISTANCE, Also Available On CD And Cassette.

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for BURNING THE GROUND

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

PLEASE READ

There are two 24-Bit links; if one does not work, try the other

**24-bit FLAC Only Available For SIX Days!

Password: burningtheground

You can help show your support for this blog by donating using PayPal.

I appreciate your help.

April 29, 2026

Michael Jackson – Bad (US 12″) (1987)

Burning The Ground Exclusive

In 1987, Michael Jackson faced what seemed like an impossible task, following the biggest-selling album of all time, Thriller. Most artists would have played it safe. Jackson did the opposite. He came back louder, tougher, and with something to prove. The result was “Bad,” a song that wasn’t just a hit single, it was a statement.

Released on September 7, 1987, as the second single from the album of the same name, “Bad” introduced a sharper and more aggressive side of Jackson. Gone was some of the wide-eyed wonder of Off the Wall and Thriller. In its place was confidence, attitude, and swagger. Written by Jackson himself and co-produced with Quincy Jones, “Bad” was built to make an impact. It reached No. 1 on the Billboard Hot 100 on October 24, 1987, where it stayed for two consecutive weeks, becoming Jackson’s eighth U.S. No. 1 single.

Musically, “Bad” is driven by a punchy bassline, sharp percussion, and one of Jackson’s most commanding vocal performances. He spits out the lyrics with urgency and bravado, delivering lines that feel more like challenges than pop hooks. It was Jackson stepping into a harder streetwise image, even if he was still unmistakably Michael.

The inspiration for the song reportedly came from a real-life story Jackson had read about a student from a private school who was killed after returning to his old neighborhood and trying to prove he still belonged there. Jackson took that idea and transformed it into a song about identity, respect, and survival. It became less about being “bad” in the criminal sense and more about strength and self-definition.

Of course, no discussion of “Bad” is complete without the short film. Directed by Martin Scorsese, the full 18-minute video was far more ambitious than the average music promo of the era. Set in New York and filmed in black and white, it starred a young Wesley Snipes in one of his earliest screen appearances. The film gave the song a cinematic edge and helped cement the visual identity of the entire Bad era.

The choreography also became iconic. Jackson once again turned movement into part of the song’s DNA. The snapping, the sharp footwork, the aggressive stance, it all made “Bad” instantly recognizable. It was one of those performances that people tried to imitate the minute they saw it.

The larger Bad album went on to make history, becoming the first album ever to produce five Billboard Hot 100 No. 1 singles, with “Bad” serving as one of its defining moments. It proved Jackson could survive the shadow of Thriller, even if critics at the time insisted on comparing the two.

Looking back now, “Bad” stands as one of the essential Michael Jackson singles. It was bold, stylish, and fearless. It showed that he wasn’t interested in repeating himself. He wanted to push forward, even under enormous pressure.

Nearly four decades later, “Bad” still sounds like an artist refusing to stand still.

Because sometimes the best response to impossible expectations is simple:

You ask, “Who’s bad?”

And Michael answers it himself.

SIDE A:
Bad (Dance Extended Mix Includes ‘False Fade’ ) 8:24
Remix – Bruce Swedien

Bad (7″ Single Mix) 4:08

SIDE B:
Bad (Dance Remix Radio Edit) 4:55
Remix – Bruce Swedien

Bad (Dub Version) 4:07
Bad (A Cappella) 3:49

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

Chart Performance – Michael Jackson: *Bad* (1987)
Chart (1987)	Peak position
Australia (Australian Music Report)	4
Austria (Ö3 Austria Top 40)	9
Belgium (Ultratop 50 Flanders)	1
Canada Retail Singles (The Record)	1
Canada Top Singles (RPM)	5
Canada Adult Contemporary (RPM)	1
Denmark (IFPI)	1
Europe (European Hot 100 Singles)	1
Finland (Suomen virallinen singlelista)	6
France (SNEP)	4
Hungary (MAHASZ)	6
Ireland (IRMA)	1
Italy (Musica e Dischi)	1
Italy Airplay (Music & Media)	6
Netherlands (Dutch Top 40)	1
Netherlands (Single Top 100)	1
New Zealand (Recorded Music NZ)	2
Norway (VG-lista)	2
South Africa (EMA)	4
Spain (AFYVE)	3
Sweden (Sverigetopplistan)	4
Switzerland (Schweizer Hitparade)	3
UK Singles (OCC)	3
US Billboard Hot 100	1
US Adult Contemporary (Billboard)	33
US Dance Club Songs (Billboard), Remix	1
US Dance Singles Sales (Billboard), Remix	1
US Hot Black Singles (Billboard)	1
US Hot Crossover (Billboard)	1
US Cash Box Top 100	1
US CHR/Pop Airplay (Radio & Records)	1
West Germany (GfK)	4

RELEASE INFORMATION:
Label: Epic – 49 07462
Format: Vinyl, 12″, 33 ⅓ RPM, Single
Country: US
Released: 1987
Genre: Electronic
Style: Dance-pop

CREDITS:

Art Direction – Nancy Donald, Tony Lane (2)
Co-producer, Written-By – Michael Jackson
Lettering [“Bad” Lettering] – Jeffrey Spear
Mastered By – Bernie Grundman
Photography By – Sam Emerson
Producer – Quincy Jones
Recorded By, Mixed By – Bruce Swedien

NOTES:
Also Available: Michael Jackson’s LP “Bad” on Epic Records, Cassettes and Compact Disc.

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for BURNING THE GROUND

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus: Ortofon Concorde Music Black
Phono Pre-amp: Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
Audio Interface: MOTU M4
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Epson Workforce WF-7610 Professional Printer/Scanner

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!

Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.

April 1, 2026

Lene Lovich – Lucky Number / New Toy (US 12″) (1987)

Burning The Ground Exclusive

Some songs define a moment—and then some songs feel like they arrived from an entirely different planet. “Lucky Number” by Lene Lovich is very much the latter.

Released in 1979 on the legendary Stiff Records, “Lucky Number” was Lovich’s breakthrough single and an early beacon of what would soon be labeled new wave. At a time when punk was beginning to splinter into more experimental forms, Lovich burst through with something theatrical, eccentric, and irresistibly catchy.

From the very first seconds, “Lucky Number” grabs hold with its hypnotic riff and off-kilter rhythm. But it’s Lovich’s voice—elastic, playful, and utterly unpredictable—that makes the track unforgettable. She yelps, coos, and leaps across octaves with a sense of controlled chaos, turning the song into a performance as much as a piece of music.

Co-written with Les Chappell, the track strikes a balance between its quirky sensibilities and a strong pop foundation. Beneath the art-school oddities lies a tight structure and undeniable hook—one that helped propel the single to No. 3 on the UK charts and introduced Lovich to a wider international audience.

What made “Lucky Number” so striking in 1979—and still today—is its refusal to conform. Lovich, with her wide-eyed stare and distinctive fashion (often described as a blend of cabaret and surrealist dream), stood apart from her contemporaries. While many artists were chasing either punk aggression or disco polish, she carved out a space that felt uniquely her own.

The song also became a staple of early music television, its quirky video perfectly matching Lovich’s persona. Long before MTV would dominate the landscape, artists like Lovich were already exploring how visual identity could amplify their sound.

For fans of 12-inch culture and extended mixes, “Lucky Number” is an interesting case. While it didn’t receive the same club-focused remix treatment that would dominate the early-to-mid ’80s, its punchy, concise arrangement is part of its charm. Every second feels intentional—there’s no excess, just pure, kinetic energy.

🔊 Special Note About This 12″ Release

This particular 12″ is the 1987 US reissue and features the “Slavic Dance Version” of “Lucky Number”—though interestingly, this mix is not indicated anywhere on the sleeve or label.

Even more exciting, this post features a brand new 2026 audio restoration and transfer, bringing fresh life and clarity to this unique version.

Longtime readers may remember that I originally posted this 12″ back on May 12, 2012—making this updated version a welcome revisit and upgrade for collectors and fans alike.

More than four decades later, “Lucky Number” still sounds fresh, strange, and exhilarating. It’s a reminder of a time when pop music was fearless, when individuality wasn’t just encouraged—it was the entire point.

For those digging through the roots of new wave, or simply looking for something delightfully different, “Lucky Number” remains exactly what its title promises: a rare and wonderful find.

SIDE A:
Lucky Number (Slavic Dance Version) 4:36
Written-By – Lovich, Chappell

SIDE B:
New Toy 3:20
Written-By – Dolby*

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: CBS Special Products – P 20135
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1987
Genre: Electronic, Rock
Style: New Wave, Synth-pop

CREDITS:

Art Direction – Michael Evanston

NOTES:
Manufactured by CBS Records/CBS Inc.

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for BURNING THE GROUND

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!

Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.