Tag: 1987

Theresa – Last Time (US 12″) (1987)

Burning The Ground Exclusive

Debuting on Club Nouveau leader Jay King’s RCA-distributed label, King Jay Records, Theresa was a Sacramento, California–based duo made up of singer Theresa King and keyboardist Victor Porter. Their sound blended smooth mid-80s R&B with the polished production and melodic sensibilities that defined Jay King’s musical circle.

In 1987, the duo released their debut album Broken Puzzle, which reached #62 on Billboard’s R&B Albums Chart. The LP’s production roster read like a who’s who of late-’80s R&B: Jay King, along with Thomas McElroy and Denzil Foster—the powerhouse production team that would soon make waves as part of Foster & McElroy, crafting hits for artists like Tony! Toni! Toné! and En Vogue.

The album’s standout single, “Last Time,” became Theresa’s breakthrough moment. Peaking at #18 on Billboard’s Hot Black Singles Chart, it spent an impressive 17 weeks on the chart—marking the duo’s highest and only major chart success. The song’s sleek grooves, soulful vocals, and synth-driven production perfectly captured the late-’80s R&B radio sound—refined, heartfelt, and dancefloor-ready.

Though Theresa never followed up with another album, Broken Puzzle remains a hidden gem from a fertile era of West Coast R&B, when Jay King’s creative network helped shape the sound of modern soul.

SIDE A:
Last Time (Radio Version) 4:22
Last Time (Dub Mix) 2:49

SIDE B:
Last Time (Club Mix) 5:43

VINYL GRADE:
Vinyl Near Mint
Sleeve: Near Mint

Chart Performance — Theresa: Last Time (1987)
Chart Peak Position Date
US Billboard Hot Black Singles #18 1987

RELEASE INFORMATION:
Label: RCA Victor – 6489-1-RDXKing Jay Records – 6489-1-RDX
Format: Vinyl, 12″, 33 ⅓ RPM, Single
Country: US
Released: 1987
Genre: Electronic, Funk / Soul
Style: RnB/Swing, Electro, Funk

CREDITS:

NOTES:
“Theresa” is Theresa King & Victor Porter

Produced for 2-Tuff-E-Nuff Productions
From the forthcoming album, “Broken Puzzle”
Made in U.S.A.

Nuy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for BURNING THE GROUND

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.


Brenda K. Starr – Breakfast In Bed (US 12″) (1987)

Burning The Ground Exclusive

In 1987, Brenda K. Starr served up a delicious slice of late-’80s dance-pop with her single “Breakfast In Bed,” the lead release from her self-titled sophomore album on MCA Records. Hot on the heels of her debut I Want Your Love, this track firmly established Starr as one of the key voices of the freestyle and dance scene of the era.

Produced with a slick, club-ready sheen that captured the sound of New York’s Latin freestyle explosion, “Breakfast In Bed” blended smooth synth textures, irresistible rhythm programming, and Brenda’s soulful, passionate vocals. It’s a perfect example of the crossover potential of freestyle at the time—equal parts pop charm and club energy.

The single made a strong showing on the U.S. charts, peaking at #18 on Billboard’s Hot Dance Music/Club Play chart, where it spent 8 weeks spinning on dance floors across the country. It also climbed to #29 on the Hot Dance Music/Maxi-Singles Sales chart, further proving Starr’s growing fan base among DJs and club-goers.

Notably, Brenda also recorded a Spanish-language version of the song, “Desayuno De Amor,” which became a hit in its own right—reaching #6 on Billboard’s Latin Songs chart. This version showcased her Puerto Rican roots and helped expand her appeal to Latin audiences long before her later transition into salsa music in the 1990s.

“Breakfast In Bed” remains a shining moment in Brenda K. Starr’s early career—a warm, inviting dance track that’s both romantic and rhythmically infectious. Whether you remember it from your favorite nightclub or MTV rotation, it’s a perfect reminder of the era when freestyle ruled the airwaves.

SIDE A:
Breakfast In Bed (12″ Extended) 7:42

SIDE B:
Breakfast In Bed 7:49
Breakfast In Bed (Bonus Beats) 4:29

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

Chart Performance – Brenda K. Starr: Breakfast In Bed (1987)
Chart Peak Position Date
US Billboard Hot Dance Club Songs #18 1987
US Billboard Hot Dance Maxi-Singles Sales #29 1987

RELEASE INFORMATION:
Label: MCA Records – MCA-23796
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1987
Genre: Electronic
Style: Freestyle, Electro, Synth-pop

CREDITS:

NOTES:
From the MCA LP “Brenda K. Starr”

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for BURNING THE GROUND

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.


Will To Power – Dreamin’ (US 12″) (1987)

Burning The Ground Exclusive

Released in 1987, “Dreamin’” was the debut single from Miami-based dance-pop and freestyle group Will to Power, the project led by producer, DJ, and songwriter Bob Rosenberg. The track would go on to become a regional sensation in South Florida before breaking nationally—establishing Rosenberg’s reputation and setting the stage for Will to Power’s later chart-topping success.

A Song from the Heart

Behind its shimmering synths and club-ready rhythm lies a deeply personal story. Rosenberg wrote “Dreamin’” as a tribute to his twin sister Robin, who had passed away. The song’s yearning tone and heartfelt lyrics capture the emotional complexity of loss, remembrance, and faith in something beyond the tangible. This emotional core gives “Dreamin’” a depth not always found in freestyle music—transforming it from a simple dance record into something profoundly human.

Originally released locally on Rosenberg’s own Thrust Records, “Dreamin’” became an underground hit on Miami radio stations like Power 96. Its sustained popularity in the region—reportedly remaining on Power 96’s playlist for more than 30 weeks—caught the attention of Epic Records, who reissued the track nationally in 1987.

Sound and Production

“Dreamin’” perfectly embodies the sound of late-’80s freestyle: crisp drum programming, layered synth melodies, and emotionally expressive vocals. Rosenberg handled much of the production himself, assisted by Derrick Rahming, Fro Sosa, and Keith Morrison.

Background vocals were performed by two of the original members of Exposé, Alejandra “Ale” Lorenzo and Laurie Miller. Their smooth harmonies and emotive delivery elevate the song, blending beautifully with Rosenberg’s lead vocal and adding warmth to its wistful tone.

Several remixes accompanied the release, including the Extended Mix and Manhattan Mix, which amplified the song’s dancefloor appeal without losing its emotional edge.

Chart Success

While not a massive Top 40 hit, “Dreamin’” performed well enough to signal that Will to Power was a group to watch. It reached #15 on Billboard’s Hot Dance/Club Play chart and #1 on the Dance Singles Sales chart, while peaking at #50 on the Billboard Hot 100.

In the freestyle community, however, “Dreamin’” was far more than a chart entry—it was an anthem. Its success marked a turning point for Miami’s local dance scene, helping to bring regional freestyle acts to national attention.

Themes and Emotion

The song’s lyrics speak of longing, disbelief, and the thin line between dreams and reality: a voice calling out for connection even when it seems lost. Lines like “Tell me that I’m dreamin’, don’t you stop me from believin’” resonate as both romantic and spiritual—an expression of love, hope, and grief intertwined.

Knowing the story behind the song, listeners can hear it as Rosenberg’s personal way of keeping his sister’s memory alive. Yet it also works universally: anyone who has lost someone or held onto a fading connection can relate to its message.

Legacy

“Dreamin’” remains a cornerstone of Will to Power’s catalog and a defining record of the freestyle era. Its blend of heartfelt storytelling and club-ready production captures the dual nature of so much late-’80s dance music—music that could make you move while breaking your heart just a little.

The record also paved the way for greater things: Will to Power’s self-titled debut album followed in 1988, spawning their #1 pop hit “Baby, I Love Your Way / Freebird Medley.” But “Dreamin’” stands apart as the moment where Rosenberg’s vision—personal, melodic, and distinctly Miami—first came to life.

Final Thoughts

“Dreamin’” by Will to Power is more than a freestyle classic—it’s a love letter, a memory, and a dream preserved in vinyl grooves. Beneath the glossy synths and driving beat lies something rare in dance music: sincerity. Decades later, it still moves both the heart and the feet, proving that sometimes the best songs are born from both loss and hope.

SIDE A:
Dreamin’ (Manhattan Mix) 7:20
Dreamin’ (Instrumental) 4:09

SIDE B:
Dreamin’ (New Mix) 7:40
Dreamin’ (Dub) 3:46

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

Chart Performance — Will To Power: Dreamin’ (1987)
Chart Peak Position Date
US Billboard Hot 100 #50 1987
US Billboard Dance Music / Club Play #15 1987
US Billboard Hot Black Singles #40 1987

RELEASE INFORMATION:
Label: Epic – 49 06830
Format: Vinyl, 12″, 33 ⅓ RPM, Stereo
Country: US
Released: 1987
Genre: Electronic
Style: Freestyle

CREDITS:

NOTES:
Mastered at CBS

From the LP “Will To Power”

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for BURNING THE GROUND

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.


State Of The Art – Love Remains A Rebel (Germany 12″) (1987)

Burning The Ground Exclusive

Here’s another gem pulled from the Closet 80s — the 1987 debut single “Love Remains A Rebel” by German synth-pop group State Of The Art.

Released on both 7-inch and 12-inch formats, “Love Remains A Rebel” arrived at a time when electronic pop was branching in many directions. The song carries that unmistakable late–’80s European sound: polished synth layers, dramatic vocals, and a driving programmed beat that made it an instant candidate for club play. Fans of Alphaville, Camouflage, and Cetu Javu will feel right at home here, though State Of The Art bring their own mix of cool detachment and melodic urgency.

The extended 12-inch version really lets the track breathe — the sequencers pulse, the synth lines shimmer, and the chorus grows more insistent with each repeat. While the single didn’t make much commercial noise on release, it has since become a sought-after find for collectors of obscure synth and minimal wave. Like so many Closet 80s tracks, it’s one of those songs that might have slipped past you back in the day, only to hit hard once rediscovered decades later.

What makes “Love Remains A Rebel” stand out is its balance of mood and movement — it’s brooding enough for the headphones but still danceable for the floor. A perfect example of the kind of overlooked 12″ that fueled the underground clubs of the era.

Do you remember this one from its original release, or is it a fresh discovery from the Closet?

SIDE A:
Love Remains A Rebel (Extended Mix) 5:04

SIDE B:
Fighting For Spaces 3:46
Love Remains A Rebel (7″ Version) 4:00

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Polygram – 888 490-1
Format: Vinyl, 12″, 45 RPM, Maxi-Single
Country: Germany
Released: 1987
Genre: Electronic, Pop
Style: Synth-pop

CREDITS:

NOTES:
Made In West Germany

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for BURNING THE GROUND

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.