Tag: 1986

Kim Wilde – Say You Really Want Me (US 12″) (1986)

Burning The Ground Exclusive

For today’s entry in Ladies Of The 80s: Soundtrack Edition, we are heading back to 1986 for a record that brought Kim Wilde together with some of the biggest names working behind the scenes in American pop and R&B.

“Say You Really Want Me” was recorded for the soundtrack of Running Scared, the action-comedy starring Billy Crystal and Gregory Hines as two Chicago police detectives hoping to retire before one last case pulls them back into danger. Directed by Peter Hyams, the movie was released in June 1986 and became a moderate box-office success.

The movie’s soundtrack was a major production in its own right. The nine-track album included Klymaxx’s “Man Size Love,” Michael McDonald’s “Sweet Freedom,” New Edition’s “Once In A Lifetime Groove,” Patti LaBelle’s “I Know What I Want,” and Kim Wilde’s “Say You Really Want Me.” It was released on MCA Records and runs for approximately 44 minutes.

“Say You Really Want Me” was written by Danny Sembello, Dick Rudolph, and Donnell Spencer Jr. Production was handled by Rod Temperton, Dick Rudolph, and legendary engineer Bruce Swedien, with Danny Sembello also playing keyboards.

That is quite a team.

Rod Temperton had written some of the most successful pop and R&B records of the period, including Michael Jackson’s “Rock With You” and “Thriller,” George Benson’s “Give Me The Night,” and several hits for Heatwave. Bruce Swedien was known for his recording and mixing work with Quincy Jones and Michael Jackson. Their involvement gave the song a polished American dance sound that was noticeably different from the records Kim had been making with her brother Ricki Wilde.

Kim later recalled receiving a telephone call from Temperton, who needed a female singer for a song being recorded for the movie. Her American record company suggested her, and she flew to Los Angeles to record it. She considered being selected a major honor, especially since the song could easily have gone to a more established American vocalist.

The result is one of the most unusual singles in Kim Wilde’s catalog.

“Say You Really Want Me” trades much of the cool new wave edge of her earlier records for a warmer mixture of dance-pop, funk, freestyle, and R&B. The rhythm is busy and glossy, the keyboards bounce between the beats, and Kim gives the song a playful vocal that becomes more forceful as the arrangement builds.

The lyric is direct. Kim is tired of waiting for someone to admit how he feels. There is no room for mixed signals or romantic games. Either say you really want her or get out of the way.

Her performance balances confidence with just enough frustration to keep the song from becoming too lightweight. Kim was never known as a big soul singer, but the production pushes her into a different vocal setting, and she sounds as though she is enjoying the challenge.

Ironically, the song has only a small presence in Running Scared. Kim later said that it can be heard briefly from a radio in the film. She was also not especially fond of the movie after finally seeing it, although the soundtrack placement was intended to raise her profile in the United States.

The soundtrack connection gave the song its beginning, but it did not remain confined to the film.

“Say You Really Want Me” was first released as a single in North America during 1986. An edited version was also included on Kim’s fifth studio album, Another Step. After the enormous international success of her cover of “You Keep Me Hangin’ On,” the song was given another chance in 1987, including a UK release with newly created remixes.

The 1987 release reached number 29 in the United Kingdom and remained on the chart for five weeks. It also reached number 44 in the United States, number 48 in Canada, and number 18 in Ireland.

Although those positions were respectable, the single never became one of Kim’s most widely remembered hits. It arrived between two very different stages of her career. The early new wave sound of “Kids In America” was behind her, while the polished international pop of the Close album was still ahead.

“Say You Really Want Me” captures her standing somewhere in the middle.

The record also became something of a puzzle for collectors. At least twelve separate versions have appeared, including different soundtrack and album edits, several radio versions, an instrumental, the David Todd Remix, a nearly ten-minute Video Remix, and new 1987 UK mixes by Ricki Wilde. Some versions differ only slightly, making running times and pressing information very important.

The music video gave the song another life in 1987. Directed by Greg Masuak, it presented a more sensual and adult Kim Wilde than audiences had seen in her earlier clips. Both regular and extended versions of the video were produced, with the longer cut using the nearly ten-minute remix.

Looking back, “Say You Really Want Me” feels like a fascinating experiment. It placed a British pop singer inside a slick Los Angeles production created by people closely connected to some of the biggest American records of the decade.

It should have been a much larger hit.

Instead, it became one of those soundtrack singles that dedicated fans remember, collectors chase across several pressings, and casual listeners are often surprised to rediscover.

Running Scared may have introduced the song, but Kim Wilde gave it a life well beyond the few seconds heard in the movie.

So, do not keep it to yourself.

Say you really want Kim.

SIDE A:
Say You Really Want Me (Extended Mix) 9:47
Remix – Louil Silas, Jr.*

SIDE B:
Say You Really Want Me 5:44
Remix – David Todd

Say You Really Want Me (Radio Edit) 5:08
Remix – Louil Silas, Jr.*

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

Chart Performance – Kim Wilde: Say You Really Want Me (1986-87) Peak Position
Canada Top Singles (RPM) 48
Ireland (IRMA) 18
UK Singles Chart 29
US Billboard Hot 100 44
US Billboard Hot Dance/Disco Club Play 32
US Cash Box Top 100 Singles 56

RELEASE INFORMATION:
Label: MCA Records – MCA-23678
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1986
Genre: Electronic
Style: Synth-pop

CREDITS:

NOTES:
From the Motion Picture Soundtrack, “Running Scared”, MCA-6169.
Remixed at Larrabee Sound, Hollywood, CA.

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for BURNING THE GROUND

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus: Ortofon Concorde Music Black
Phono Pre-amp: Pro-Ject Tube Box DS2
Phono Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
Audio Interface: MOTU M4
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Cleaning Solution: Turgikleen Record Cleaning Solution
Scanner: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi


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Frank Tovey – Luxury (US 12″ Promo) (1986)

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“Luxury” is a 1985 single by Frank Tovey, the man many of us first came to know as Fad Gadget.

Frank Tovey was one of those artists who never really fit into a neat little box. As Fad Gadget, he helped shape the darker, stranger side of early electronic music. He could be funny, disturbing, sharp, theatrical, and oddly catchy, sometimes all in the same song. By the mid-1980s, Tovey had put the Fad Gadget name aside and began releasing music under his own name.

“Luxury” was one of those moments where he stepped a little closer to pop without losing that bite.

Produced by Frank Tovey and Daniel Miller, with Flood engineering, “Luxury” has a bright, almost polished surface. But don’t let that fool you. Under the sheen, Tovey is still poking at greed, image, class, and all the shiny things people chase to feel important. The song moves with a sharp electronic snap, but there is a sly grin behind it. It is catchy, but it is not empty.

Chart-wise, “Luxury” did not break into the official UK Top 100, but it did make a respectable showing on the UK Independent Singles Chart, reaching No. 20 in 1985. That feels about right for Frank Tovey. Too strange for the mainstream, but right at home with the listeners and DJs who were paying attention.

My copy is the U.S. 12″ promotional pressing released by Sire Records in 1986. The A-side features both “Luxury (12″ Mix)” and the LP version of “Luxury,” giving DJs the choice between the extended mix and the album cut. The B-side pairs “Collapsing New People (London Mix),” recorded as Fad Gadget, with the LP version of “Concrete,” another Frank Tovey track from Snakes and Ladders.

That track listing is what makes this promo especially interesting. It does not just promote one single. It gives us Frank Tovey in transition, with his solo work sitting right next to one of the best-known Fad Gadget tracks.

“Collapsing New People” is tense, metallic, and very much tied to the early 1980s underground electronic scene. The “London Mix” gives the track a harder club push while keeping all of its strange, nervous energy intact. Placed next to “Luxury,” it also shows how much range Tovey had. He could move from abrasive electronic art-pop into something more streamlined and still sound completely like himself.

For me, that is what makes this 12″ such a cool piece. “Luxury” may be one of Tovey’s more accessible moments, but it still carries that restless spirit that made his work stand apart. Whether recording as Fad Gadget or under his own name, Frank Tovey always sounded like he was pushing against the walls.

This U.S. promo is a great little snapshot of that story.

SIDE A:
Frank ToveyLuxury (12″ Mix) 7:00
Engineer – Flood
Producer – Daniel MillerFrank Tovey
Recorded By [Additional] – Tony Harris
Remix – Alistair ClayFloodFrank Tovey

Frank ToveyLuxury (LP Version) 4:02
Producer – Daniel MillerFrank Tovey

SIDE B:
Fad GadgetCollapsing New People (London Mix) 9:21
Featuring – Einstürzende Neubauten
Producer – Daniel MillerFloodFrank ToveyGareth Jones

Frank ToveyConcrete (LP Version) 4:36
Engineer – E.C. Radcliffe
Producer – E.C. Radcliffe
Frank Tovey

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label:Sire – PRO-A-2573
Format: Vinyl, 12″, 33 ⅓ RPM, Promo
Country: US
Released: 1986
Genre: Electronic
Style: New Wave, Industrial, Synth-pop

NOTES:
Housed in a custom one-sided Sire Records picture sleeve

Original versions of “Luxury”, “Collapsing New People”, and “Concrete” are available on the Frank Tovey album “Snakes & Ladders” on Sire Records.

Promotional Copy Not For Sale

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for BURNING THE GROUND

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus: Ortofon Concorde Music Black
Phono Pre-amp: Pro-Ject Tube Box DS2
Phono Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
Audio Interface: MOTU M4
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Cleaning Solution: Turgikleen Record Cleaning Solution
Scanner: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi


PLEASE READ

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Ten Ten – When It Rains (Europe 12″) (1986)

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For today’s Closet 80s feature, we shine a light on a band that seemed poised to break through—but ultimately remained one of the decade’s more intriguing “what ifs.” Enter Ten Ten, a Richmond, Virginia-based New Wave outfit whose debut single “When It Rains” arrived in 1986 as a fully-formed statement of mood, melody, and transatlantic ambition.

Formed in 1984, Ten Ten—Mark Lewis (guitar/vocals), Peter Bell (bass), Don Ruzek (keyboards/guitar), and Lee Johnson (drums)—quickly found themselves in an unusual position for an American band. Rather than being compared to their U.S. contemporaries, the American press consistently drew parallels between Ten Ten and British acts. That association would ultimately shape the band’s trajectory.

Leaning into those comparisons, Ten Ten signed with the UK-based Chrysalis Records and focused much of their energy overseas. It was a strategic move that made perfect sense—their sound, driven by shimmering guitars and introspective lyricism, aligned naturally with the UK’s alternative and New Wave scenes of the time.

“When It Rains”, their debut single, encapsulates that aesthetic beautifully. There’s a cool, atmospheric restraint to the track—jangly guitars ripple across a steady rhythm while subtle keyboard textures add depth and mood. Mark Lewis delivers the vocal with a detached, almost wistful tone that enhances the song’s reflective quality. It’s not flashy—it’s immersive.

The single also benefited from a music video that received airplay on MTV in the spring of 1986, giving the band a valuable platform at a time when visual exposure could make or break a new act. While it didn’t catapult them into superstardom, it certainly helped cement their place within the alternative underground of the era.

Ten Ten’s momentum carried them onto some impressive tours. In autumn 1985, they hit the road with The Waterboys, followed by tours in 1986 supporting Simply Red and later Pete Shelley. These associations further reinforced their connection to the UK scene and exposed them to audiences that were already primed for their sound.

Despite these opportunities, Ten Ten never quite achieved the commercial breakthrough their music suggested was possible. Over the course of their career, they released just two singles and two albums, leaving behind a compact but compelling catalog. By 1991, after several years of playing club shows around their hometown of Richmond, the band quietly disbanded.

Listening back to “When It Rains” today, it’s easy to hear why Ten Ten stood out. The song captures a very specific mid-80s atmosphere—thoughtful, slightly melancholic, and deeply melodic—without sounding dated or overproduced. It’s the kind of track that rewards repeat listens, revealing more of its understated charm each time.

For collectors and fans of the era, Ten Ten represents one of those bands that slipped through the cracks—not for lack of talent, but perhaps due to timing, geography, or the unpredictable nature of the music industry.

If “When It Rains” is new to you, give it a spin and let it sink in. It’s a perfect example of why digging into the Closet 80s can be so rewarding—because sometimes the most memorable songs are the ones that never quite made it into the spotlight.

SIDE A:
When It Rains (Extended Version) 5:14

SIDE B:
Walk On (Live Version) 4:09
When It Rains (Edit) 4:17

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Chrysalis – 608 429
Format: Vinyl, 12″, 45 RPM, Maxi-Single
Country: Europe
Released: 1986
Genre: Electronic
Style: Synth-pop

CREDITS:

NOTES:
Ten Ten are: Mark Lewis (guitar/vocals), Peter Bell (bass), Don Ruzek (keyboards/guitar), and Lee Johnson (drums)

Printed In Germany

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for BURNING THE GROUND

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon Concorde Music Black
Phono Pre-amp: Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
Audio Interface: MOTU M4
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.


Two Girls – Another Boy In Town (Canada 12″) (1986)

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When it comes to obscure Hi-NRG gems of the mid-80s, few records capture that elusive blend of European flair and North American dancefloor ambition quite like “Another Boy In Town” by Two Girls. Released in 1986 on Popular Records in both the U.S. and Canada, this single stands as a one-off project under this name—but like many Italian productions of the era, the story behind it runs much deeper.

Two Girls was less a traditional group and more a studio creation, part of the rotating network of Italo-disco talent that thrived during the decade. The artists behind the project were also known under several aliases, including Caren Monique, Chip Chip, Clip Club, and Cristina Montanari—a common practice in the European dance scene where producers and vocalists moved fluidly between projects, leaving behind a trail of interconnected releases.

Musically, “Another Boy In Town” is pure mid-80s Hi-NRG bliss. Pulsating synth basslines, tight electronic drums, and a catchy, emotionally charged vocal drive the track forward with relentless energy. It’s polished, dramatic, and tailor-made for the club—exactly the kind of record DJs relied on to keep the floor moving.

What makes this release especially interesting—and highly collectible—is its remix history. Multiple versions of “Another Boy In Town” were issued internationally, each with subtle (and sometimes not-so-subtle) differences. The North American pressings in particular offer something unique.

My copy is the Canadian 12″ on Popular Records, and to the best of my knowledge, the remix featured on Side A is exclusive to this release. That kind of regional variation was fairly common at the time, with labels commissioning or selecting alternate mixes to better suit local club tastes. For collectors and DJs alike, these differences are part of the thrill—tracking down the version that hits just a little harder or takes the track in a slightly different direction.

It also speaks to how strong the Hi-NRG scene was in North America during this period. By 1985, there was a real appetite for European imports, and labels ensured these records were optimized for the booming club culture on both sides of the border.

Despite never becoming a major crossover hit, “Another Boy In Town” has all the ingredients of a classic—memorable hooks, driving rhythm, and that unmistakable Italo-meets-Hi-NRG production style. It remains a cult favorite, especially among collectors who appreciate the nuances between different pressings.

And while Two Girls may have only released this single under this name, their broader body of work—spread across multiple aliases—helped shape the sound of an era.

For me, this Canadian pressing is a standout—not just for the track itself, but for that exclusive Side A remix that makes it feel like a truly special find.

💿 Sometimes it’s the regional variations that make collecting so rewarding—one record, many stories, and a dancefloor legacy that still resonates today.

SIDE A:
Another Boy In Town (Special Underwater Remix) 6:50
Remix – Casey Jones

SIDE B:
Another Boy In Town 5:24

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Popular Records – KXD 001
Format: Vinyl, 12″, 45 RPM
Country: Canada
Released: 1986
Genre: Electronic
Style: Synth-pop, Hi-NRG, Italo Disco

CREDITS:

NOTES:
Mixed at Northcott Studios, NYC
Remixed for Volume Productions
Produced for Transparent Records

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for BURNING THE GROUND

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon Concorde Music Black
Phono Pre-amp: Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
Audio Interface: MOTU M4
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.