Burning The Ground Exclusive

Sister Fate: The Song That Dared Sheila E. to Change Everything

1985. The Purple Rain era is still smoldering. And Sheila E. is done being a spectacle.

There’s a moment in the music video for “Sister Fate” — a blink-and-you’ll-miss-it flash at the 3:06 mark — where an image of Prince is superimposed over a newspaper headline reading “WHO IS SHEILA E.’S MYSTERY LOVE?” It lasts exactly one second. It’s playful. It’s knowing. And it tells you everything about the tightrope Sheila E. was walking in the summer of 1985: close enough to Prince’s orbit to benefit from its gravity, but determined to step into her own light.

“Sister Fate” was the lead single from Romance 1600, Sheila E.’s second album, released on July 26, 1985. It was more than a song. It was a declaration of intent.

A New Image, a New Album, a New Statement

After the breakout success of The Glamorous Life in 1984, Sheila E. could have easily leaned into the formula: glamour, sequins, the thrill of being Prince’s most dazzling protégé. Instead, she did something counterintuitive. She cut her hair. She wore a long-sleeved blouse and long pants for the Romance 1600 campaign. She showed up as a musician first, a performer second.

“They thought the whole thing about the first album was to sell sex,” she later reflected. “But for the second album… I wanted to be seen as a strong musician.”

“Sister Fate” was the sonic embodiment of that shift. Written, produced, and arranged entirely by Sheila E. herself, the track came together quickly — basic tracks were laid down on January 9, 1985, at Cheshire Sound Studios in Atlanta, Georgia, the night after a show on the Purple Rain Tour. Overdubs followed on January 15th. The whole thing had that charged, live-wire energy of a band at its creative peak, running on tour adrenaline and studio instinct.

The Sound: A Prince-Produced Fever Dream

Musically, “Sister Fate” is a rich, layered piece of mid-80s R&B funk. Prince contributed keyboards — Yamaha DX7, Hammond organ, piano — bass guitar, Linn LM-1 drum machine, and handclaps. Sheila E. brought everything else: lead and backing vocals, drums, Simmons SDS-V electronic pads, congas, cowbells, timbales, shaker, and cymbal. The album version opens with an organ and percussion intro that sets a moody, almost cinematic tone before the track kicks into gear. The single version trims that intro entirely, opting for a more direct punch.

Steph Birnbaum added electric guitars. Eddie M. came in on saxophone. Benny Rietveld played bass on the album intro. The result was a textured, full-band R&B production that showcased Sheila’s percussive mastery while still carrying Prince’s unmistakable fingerprints.

The Video: Cloud Jackets and Hidden Messages

The music video, filmed at Greystone Park & Mansion in Beverly Hills and directed by Prince himself, introduced the world to a new Sheila E. aesthetic. Gone was the ultra-glam of “The Glamorous Life.” In its place: Sheila in a brocaded “cloud jacket,” a deliberate visual echo of Prince’s own “cloud suit” from the “Raspberry Beret” video, which was released around the same time. The two visuals were in conversation — a private joke made public, stitched into the fabric of both their images.

That one-second Prince cameo superimposed over the newspaper headline is the video’s sly centerpiece. It acknowledges the constant speculation about their relationship while refusing to actually answer it. It’s teasing. It’s artful. It’s very Prince.

The Charts: Underperformance That Changed Everything

Commercially, “Sister Fate” fell short of expectations. It reached only number 36 on the Hot Black Singles chart and peaked at number 8 on the Bubbling Under Hot 100, never breaking into the main Hot 100 at all. By the metrics of pop radio, it was a miss.

But that miss had consequences. Because “Sister Fate” underperformed, the album’s second single — “A Love Bizarre,” a sprawling duet featuring Prince — was rush-released to salvage momentum. It worked. “A Love Bizarre” climbed to number 11 on the Billboard Hot 100 and topped the Hot Dance Club Play chart, becoming one of the defining tracks of the era. In a strange way, the commercial stumble of “Sister Fate” cleared the path for its far more successful successor.

The Larger Legacy

Romance 1600 was released on August 26, 1985, on Warner Bros. Records and Paisley Park Records — one of the first albums released on Prince’s newly founded label. Sheila E. became one of the first artists to sign to Paisley Park, cementing a creative partnership that was more than mere proximity to a superstar.

On October 12, 1985, Sheila performed “Sister Fate,” “A Love Bizarre,” and “Holly Rock” on Soul Train. She appeared in the film Krush Groove that same fall. A concert film, Live Romance 1600, captured her band at the Warfield Theatre in San Francisco, with Prince and the Revolution making a special appearance.

“Sister Fate” may not have been the hit it was meant to be, but it was something more interesting: a turning point. It was the moment Sheila E. publicly chose artistic identity over commercial formula, even if the charts didn’t reward her for it right away. In that sense, it deserves to be heard not just as a song, but as a statement — a note left for history, signed by a woman who refused to be anyone’s sidekick.

A note on this transfer

This 12″ transfer marks the debut use of the new MOTU M4 Audio Interface — a fitting piece of gear to inaugurate with a record this rich in percussion and texture. You can expect the full warmth and detail of the extended mix to come through with exceptional clarity.

SIDE A:
Sister Fate (Extended Version) 5:48
Organ – Ken Grey
Saxophone – Eddie M (2)

SIDE B:
Save The People 8:30

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Paisley Park – 0-20359, Warner Bros. Records – 9 20359-0 A
Format: Vinyl, 12″, Maxi-Single, 45 RPM, Allied
Country: US
Released: 1985
Genre: Electronic, Funk / Soul
Style: Synth-pop, Funk, Soul

CREDITS:

• Arranged By, Producer, Written-By – Sheila E.
• Photography By – Rebecca Blake (2)

NOTES:
“Specially-Priced 2-Cut Maxi Single”

Original version of track A available on the Paisley Park album Romance 1600.

Made in U.S.A.
Printed in U.S.A.

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for BURNING THE GROUND

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon Concorde Music Black
Phono Pre-amp: Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
Audio Interface: MOTU M4
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!

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