Tag: Jason Corsaro

a-ha – The Living Daylights (Germany 12″)

BURNING THE GROUND EXCLUSIVE 1987

NEW 2020 Transfer!
Meticulously Remastered!

Originally posted March 26, 2011

“The Living Daylights” is a song performed by Norwegian pop group A-ha for the 1987 James Bond film of the same name. It was written by guitarist Pål Waaktaar. After first appearing in the context of the film, a revised version was included in the band’s Stay on These Roads studio album, which came out in 1988.

John Barry was listed on the credits as co-writer and producer, and the initial release of the song was his version. A second version of the song, re-worked by A-ha in 1988, later appeared on their third album, Stay on These Roads.

When interviewed on a late-night show in 1987, Barry said that he found working with the band exhausting secondary to the band’s insistence on using their own version of the song for release. In an interview with Hot Rod Magazine, keyboardist Magne Furuholmen said that “[the band’s] fight with Barry left a rather unpleasant aftertaste. Apparently, he compared us to Hitlerjugend in a newspaper interview.” Waaktaar stated that although Barry produced the track, he never contributed to the songwriting process and should not have been credited as such (the band Duran Duran made similar claims after they worked briefly with Barry on the theme to the previous Bond film, “A View to a Kill”, in 1985). However, Waaktaar has also said: “I loved the stuff he [John Barry] added to the track. I mean, it gave it this sort of really cool string arrangement. That’s when it, for me, started to sound like a Bond thing.”

“The Living Daylights” was released in the summer of 1987. The song peaked at number five in the United Kingdom and number one in Norway. In the United States, the single failed to chart.

The song remains one of A-ha’s most played songs in live concerts and has often been extended into a “sing-along” with the audience, as featured on the live album How Can I Sleep with Your Voice in My Head. In live performances, Paul Waaktaar often included the main James Bond Theme in his guitar solo.

SIDE A:
The Living Daylights (Extended Version) 6:50

SIDE B:
The Living Daylights (7 Inch Version) 4:15
The Living Daylights (Instrumental) 4:41

VINYL GRADE:
Vinyl: Near Mint
Cover: Near Mint

RELEASE INFORMATION:
Label: Warner Bros. Records ‎– 920 736-0
Format: Vinyl, 12″, 45 RPM
Country: Germany
Released: 1987
Genre: Electronic, Pop
Style: Synth-pop

CREDITS:
Design – Bill Smith Studio
Lacquer Cut By – JK (28)
Photography By [A-ha Photography] – Paul Rider (4)
Producer – Jason Corsaro, John Barry, Mags (2), Pal Waaktaar*
Written-By – John Barry, Pal Waaktaar*

NOTES:
From the album “The Living Daylights (Original Motion Picture Soundtrack)”

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck
DAC/Phono Pre-amp:
Alpha Design Labs GT40a USB DAC
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

Username: btg
Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.

Duran Duran – Ordinary World (US Cassette Single)

BURNING THE GROUND EXCLUSIVE 1993

“Ordinary World” is the first single from Duran Duran’s self-titled 1993 album, commonly known as The Wedding Album. The single reached number one on the US Billboard Mainstream Top 40, the Canadian RPM Top Singles chart and the Italian Singles Chart. It also peaked at number three on the Billboard Hot 100, number two in Iceland and Sweden and number six on the UK Singles Chart.

The song won an Ivor Novello Award in May 1994. Lead vocalist Simon Le Bon sang the song with Luciano Pavarotti at a benefit concert for War Child.

By the early 1990s, Duran Duran’s popularity had faded. Their album Liberty had proved a commercial failure, its two singles failing to make a significant showing on the British or American charts. It was not until Capitol leaked “Ordinary World” to a radio station in Jacksonville, Florida during the second half of 1992 that it seemed like Duran Duran would find a resurgence in popularity. To their surprise, the single proved so popular that Capitol had to push the US release date up, ultimately releasing it in December.

The keyboards in the song were arranged and performed by Nick Rhodes and John Jones. The drums were played by Steve Ferrone at Maison Rouge. The guitar solo that characterizes this song was arranged and performed by Warren Cuccurullo, a former player with Frank Zappa. His instrumental rock trio version became a staple of his solo shows and was included on one of his solo albums “Roadrage”.

The music video was filmed by director Nick Egan at Huntington Gardens in San Marino, California and the song later featured in the soundtrack to the film Layer Cake in 2005.

Simon LeBon later performed the song with Pavarotti at a WarChild benefit. The performance was released on home video as Pavarotti & Friends: Together for the Children of Bosnia.

The lyric to “Ordinary World” was written by Simon Le Bon as the second of a trilogy of songs for his late friend David Miles; the others being “Do You Believe in Shame?” (1988) and “Out of My Mind” (1997).

“Ordinary World” is one of two Cuccurullo-era songs (“Come Undone” being the other) which were played when Duran Duran did their reunion tour, both Andy Taylor and Roger Taylor insisting on playing it. Cuccurullo was brought in to teach Andy Taylor how to play it. It has remained in the setlist ever since.

The “Acoustic Version” was more correctly the “Acoustic Mix” and was created using the studio guitar & vocal tracks and adding specially arranged string orchestration.

Dolby B NR was used for this transfer.

SIDE A/B:
Ordinary World 5:39
Producer – John Jones
Written-By, Producer – Duran Duran

Ordinary World (Acoustic Version) 5:12
Producer – John Jones
Written-By, Producer – Duran Duran

Save A Prayer (‘Till The Morning After) (Live) 6:16
Engineer [Live Recording] – George Tutko
Mixed By – Jason Corsaro
Producer – Duran Duran
Written By – Duran Duran

CASSETTE GRADE:
Cassette: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1993 Ordinary World U.S. Billboard Hot 100 #3
1993 Ordinary World U.S. Billboard Adult Contemporary #14
1993 Ordinary World U.S. Billboard Alternative Songs #2
1993 Ordinary World U.S. Billboard Mainstream Top 40 #1

 

RELEASE INFORMATION:
Label: Capitol Records ‎– 4KM 0777 7 44908 4 9
Format: Cassette, Single Dolby HX Pro, B NR
Country: US
Released: 1993
Genre: Electronic, Rock, Pop
Style: Synth-pop

CREDITS:
Art Direction – Duran Duran
Art Direction, Design – Nick Egan
Design – Eric Rionestad*
Management – Left Bank Management
Photography By – Dean Chamberlain (2)

NOTES:
Same Program Repeats On Both Sides
Track 1 from the compact disc and cassette “Duran Duran”
Track 3 from the compact disc and cassette and LP “Arena”

Find the Cassette at DISCOGS

CASSETTE RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Cassette Deck: Nakamichi BX-300 Discrete 3 Head Cassette Deck
DAC/Phono Pre-amp Line In:
Alpha Design Labs GT40a USB DAC
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
Cassette transfer was recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

Username: btg
Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.

Steve Winwood – Higher Love (UK 12″)

BURNING THE GROUND EXCLUSIVE 1986

“Higher Love” is a 1986 song by English singer Steve Winwood. It was the first single released from his fourth solo LP, Back in the High Life. It was written by Winwood and Will Jennings, and produced by Russ Titelman and Winwood. The female vocals on the song were performed by Chaka Khan, who also appeared in the promotional music video.

“Higher Love” was Winwood’s first Billboard Hot 100 number-one hit, topping the chart for one week. It was preceded by Madonna’s “Papa Don’t Preach” and followed by “Venus” by Bananarama. The song also spent four weeks atop the US Billboard Album Rock Tracks chart. It peaked at number 13 in the United Kingdom, his highest charting solo hit there. It also earned two Grammy Awards for Record of the Year and Best Male Pop Vocal Performance.

SIDE A:
Higher Love (Remix) 7:40

SIDE B:
Higher Love (Instrumental) 6:04
And I Go 4:10

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1986 Higher Love U.S. Billboard Hot 100 #1
1986 Higher Love U.S. Billboard Mainstream Rock Tracks #7
1986 Higher Love U.S. Billboard Adult Contemporary #2

 

RELEASE INFORMATION:
Label: Island Records ‎– 12 IS 288
Format: Vinyl, 12″, 45 RPM
Country: UK
Released: 1986
Genre: Rock
Style: Pop Rock

CREDITS:
Edited By – Malcolm Pollack (tracks: A)
Engineer – Jason Corsaro (tracks: A), Tom Lord Alge* (tracks: A, B1)
Producer – Russ Titelman (tracks: A, B1), Steve Winwood
Remix – Tom Lord Alge* (tracks: A, B1)
Written-By – Steve Winwood, Will Jennings

NOTES:
“HIGHER LOVE” From the LP “BACK IN THE HIGH LIFE”

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7 TubeGold Pins
Soundcard:
Novation Audiohub 2×4 Audio Interface
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Duran Duran – The Wild Boys (Japan 12″)

BURNING THE GROUND EXCLUSIVE 1984

“The Wild Boys” is the twelfth single by Duran Duran, released in October 1984.

The song was the only studio track on the live album Arena, and was produced by Nile Rodgers, who had previously remixed the single “The Reflex”. It was recorded at the end of July 1984 at Maison Rouge studios in London.

“The Wild Boys” became one of the band’s biggest hits, reaching #2 on the American Billboard Hot 100 for four weeks, behind “Out of Touch” by Hall & Oates and “Like a Virgin” by Madonna and also hitting #1 on the Cash Box Top 100 chart. It peaked at #2 on the UK Singles Chart, and also reached the top position in Germany and on the Canadian CHUM Chart.

It became the band’s biggest charting single in Australia, reaching #3. The band’s parent album, “Arena”, was certified Double Platinum in the United States.

The idea for the song came from longtime Duran Duran video director Russell Mulcahy, who wanted to make a full-length feature film based on the surreal and sexual 1971 novel The Wild Boys: A Book Of The Dead by William S. Burroughs. He suggested that the band might create a modern soundtrack for the film in the same way that Queen would later provide a rock soundtrack for Mulcahy’s 1986 movie Highlander. Singer Simon Le Bon began writing some lyrics based on Mulcahy’s quick synopsis of the book, and the band created a harsh-sounding instrumental backdrop for them.

The single was issued with six separate collectible covers – one featuring each individual band member and one of the band collectively.

The B-side, “(I’m Looking For) Cracks In The Pavement (Live)”, was recorded at the 5 March 1984 show at Maple Leaf Gardens in Toronto. This is the same concert where the video for “The Reflex” was filmed.

SIDE A:
The Wild Boys (Wilder Than Wild Boys) (Extended Mix) 8:00
Producer – Nile Rodgers

SIDE B:
The Wild Boys (45) 4:16
Producer – Nile Rodgers

(I’m Looking For) Cracks In The Pavement (1984) 4:09
Engineer [Live Recording] – George Tutko
Engineer, Mixed By – Jason Corsaro

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1984 The Wild Boys U.S. Billboard Hot 100 #2
1984 The Wild Boys U.S. Billboard Hot Dance Music/Club Play #27

 

RELEASE INFORMATION:
Label: EMI ‎– S14-102
Format: Vinyl, 12″, Maxi-Single, 45 RPM
Country: Japan
Released: 21 Nov 1984
Genre: Electronic, Pop
Style: Synth-pop

CREDITS:
Engineer – Jason Corsaro
Photography By [Front] – Francesco Scavullo
Producer, Arranged By, Written-By – Duran Duran
Sleeve [Sleeve Producer] – Assorted Images

NOTES:
Track B2 recorded live on tour 1984.
Mastered at Masterdisk.

From the LP “ARENA”

Find the 12″ on DISCOGS

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi