Tag: Francois Kevorkian

INXS – Devil Inside (US 12″)

BURNING THE GROUND EXCLUSIVE 1987

“Devil Inside” is a song by Australian band INXS. The song was written by Andrew Farriss and Michael Hutchence and is one of INXS’s best known songs.

It was released as a single in February 1988. The song was most successful in the US, going to #2 on the Billboard Hot 100 for two weeks, held out of the top spot by a combination of “Get Outta My Dreams, Get into My Car” by Billy Ocean and “Where Do Broken Hearts Go” by Whitney Houston. “Devil Inside” then went on to peak at #47 in the United Kingdom, #20 in France, #25 in Ireland and #6 in Australia.

Guitarist and saxophone player Kirk Pengilly stated in an interview that he did not like the music video for “Devil Inside,” because he thought that it was “too American.

The video was filmed in Balboa, California and directed by Joel Schumacher.

SIDE A:
Devil Inside (Remixed Version) 6:32
Producer – Chris Thomas
Remix – Francois Kevorkian*, Michael Hutchinson
Written-By – A. Farriss*, M. Hutchence*

SIDE B:
Devil Inside (Edited Version) 3:56
Mixed By – Bob Clearmountain, Chris Thomas
Producer – Chris Thomas
Written-By – A. Farriss*, M. Hutchence*

On The Rocks 3:07
Engineer – Andrew Scott, Kirk Pengilly
Mixed By – Andrew Scott
Producer, Performer – Kirk Pengilly
Written-By – K. Pengilly*

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1987 Devil Inside U.S. Billboard Hot 100 #2
1987 Devil Inside U.S. Billboard Mainstream Rock Tracks #2
1987 Devil Inside U.S. Billboard Hot Dance Music/Club Play #32

 

RELEASE INFORMATION:
Label: Atlantic ‎– 0-86622
Format: Vinyl, 12″, 33 ⅓ RPM, Single
Country: US
Released: 1987
Genre: Rock, Pop
Style: Pop Rock

CREDITS:
Design [Cover] – Tracy Veal
Illustration [Cover], Design [Cover] – Nick Egan
Lacquer Cut By – D.K.*
Photography By – Lynn Goldsmith

NOTES:
Track A Remix Version of Atlantic LP 81796 – “Kick”
Track B2 mixed at Rhinocereos Studios, Sydney.
Track B2 lists ‘Ken Pengilly’ as the producer by mistake.

Printed in U.S.A.

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Mullard 12AX7 Preamp Vacuum Tube Pins
Soundcard:
Novation Audiohub 2×4 Audio Interface
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Nick Heyward – You’re My World (UK 12″)

BURNING THE GROUND EXCLUSIVE 1988

“You’re My World” was the first single taken from third solo album by English singer-songwriter Nick Heyward titled I Love You Avenue. The single reached #67 on the UK singles chart.

SIDE A:
You’re My World (Extended Version) 6:50
Remix – François Kevorkian

SIDE B:
You’re My World (Edit) 4:03
Pizza Tears (LP Version) 4:03

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Warner Bros. Records ‎– 921040-0
Format: Vinyl, 12″, 45 RPM
Country: UK & Europe
Released: 1988
Genre: Electronic
Style: Synth-pop

CREDITS:
Producer – Graham Sacher (tracks: A, B1), Nick Heyward

NOTES:
Remix and additional production at Axis Studios, New York.

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Mullard 12AX7 Preamp Vacuum Tube Pins
Soundcard:
Novation Audiohub 2×4 Audio Interface
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

The Smiths – This Charming Man (New York) (UK 12″)

BURNING THE GROUND EXCLUSIVE 1983

“This Charming Man” is a song by the English band the Smiths, written by guitarist Johnny Marr and singer Morrissey. Released as the group’s second single in October 1983 on the independent record label Rough Trade, it is defined by Marr’s jangle pop guitar riff and Morrissey’s characteristically morose lyrics, which revolve around the recurrent Smiths themes of sexual ambiguity and lust.

Feeling detached from the early 1980s mainstream gay culture, Morrissey wrote “This Charming Man” to evoke an older, more coded and self-aware underground scene. The singer said of the song’s lyrics: “I really like the idea of the male voice being quite vulnerable, of it being taken and slightly manipulated, rather than there being always this heavy machismo thing that just bores everybody.”

Although only moderately successful on first release—the single peaked at number 25 on the UK Singles Chart, “This Charming Man” has been widely praised in both the music and mainstream press. Re-issued in 1992, it reached number 8 on the UK Singles Chart (making it the Smiths’ biggest UK hit by chart position). In 2004, BBC Radio 2 listeners voted it number 97 on the station’s “Sold on Song Top 100” poll. Mojo magazine journalists placed the track at number 1 on their 2008 “50 Greatest UK Indie Records of All Time” feature. It was certified Silver by the British Phonographic Industry in 2015.

SIDE A:
This Charming Man (New York Vocal) 5:34

SIDE B:
This Charming Man (New York Instrumental) 4:18

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Rough Trade ‎– RTT 136 NY, Rough Trade ‎– RTT 136 (NY)
Format: Vinyl, 12″, 45 RPM
Country: UK
Released: 1983
Genre: Rock
Style: Pop Rock, Indie Rock

CREDITS:
Mastered By – timtom*
Producer – John Porter
Remix – Francois Kevorkian*
Written-By – Marr*, Morrissey

NOTES:
Remixed at Right Track Studios New York.
Mastered at CBS Studios, UK.

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7 TubeGold Pins
Soundcard:
Novation Audiohub 2×4 Audio Interface
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Midnight Oil – Power And The Passion (Special Version) (US 12″)

BURNING THE GROUND EXCLUSIVE 1983

“Power and the Passion” is the second single from Midnight Oil’s 1982 album 10, 9, 8, 7, 6, 5, 4, 3, 2, 1 (following “US Forces”). The song is one of the band’s most famous, and it was performed on every Midnight Oil tour since the issue of 10, 9, 8, 7, 6, 5, 4, 3, 2, 1 as well as at the WaveAid concert.

The lyrics mention former Australian prime minister Gough Whitlam and his dismissal in 1975, as well as the Pine Gap spy base, which remains controversial issues in Australia to this day. The song also makes reference to the McDonald’s Big Mac and paraphrases Emiliano Zapata with the line “It’s better to die on your feet than to live on your knees.”

The song includes a drum solo by Rob Hirst; it is the only studio recording by Midnight Oil to feature a drum solo.

n May 2001 the Australasian Performing Right Association (APRA), as part of its 75th Anniversary celebrations, named “Power and the Passion” as one of the Top 30 Australian songs of all time. It was the second Midnight Oil song in the list with “Beds Are Burning” declared third behind the Easybeats’ “Friday on My Mind” and Daddy Cool’s “Eagle Rock”.

It was performed by the band at the 2009 Sound Relief concert in Melbourne.

The US 12-inch single release features a little-known specially remixed version, mixed by Francois Kevorkian and Dominic Malta at RPM Sound Studios specifically for the North American market. This special version, which runs for 6:42, did not appear on the 12-inch single as released elsewhere in the world, including in Australia, whose 12-inch single featured the standard album version which runs for 5:38. The remix features echo effects added to Peter Garrett’s vocals and a continuation or reprise of Rob Hirst’s drum solo after the nominal ending of the song.

SIDE A:
Power And The Passion (Special Version) 6:42
Engineer, Mixed By – Dominic Maita*, François Kevorkian
Mixed By [Assistant] – Mike Krowiak
Written-By – Moginie*, Garrett*, Hirst*

SIDE B:
Glitch Baby Glitch (Power And The Passion Dub) 4:44
Engineer, Mixed By – Dominic Maita*, François Kevorkian
Mixed By [Assistant] – Mike Krowiak
Remix – François Kevorkian
Written-By – Moginie*, Garrett*, Hirst*

Wedding Cake Island 3:08
Engineer, Mixed By – Nick Launay
Written-By – Midnight Oil

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Columbia ‎– 44 04976
Format: Vinyl, 12″, 45 RPM
Country: US
Released: 1983
Genre: Rock
Style: Alternative Rock, New Wave

CREDITS:
Producer –Midnight Oil, Nick Launay

NOTES:
Special version from the Columbia Lp: “10,9,8,7,6,5,4,3,2,1”

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7 TubeGold Pins
Soundcard:
Novation Audiohub 2×4 Audio Interface
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi