Tag: Goh Hotoda

Louie Louie – Sittin’ In The Lap Of Luxury (US 12″) (1990)

Burning The Ground Exclusive

The late ‘80s and early ‘90s were filled with larger-than-life personalities, and few embodied that flashy, genre-blending spirit quite like Louie Louie. A singer, dancer, and actor with undeniable charisma, Louie Louie carved out a unique space in pop with his 1990 hit “Sittin’ in the Lap of Luxury.” Now, with the news of his passing on March 20 at the age of 63, it feels like the right moment to revisit the song that brought him into the Top 40—and into the memories of pop fans everywhere.

Released as the lead single from his debut album The State I’m In, “Sittin’ in the Lap of Luxury” perfectly captured the slick, polished sound of its era. Built on a groove that blends pop, dance, and a touch of new jack swing attitude, the track showcased Louie Louie’s confident vocal style and flair for theatrical delivery. It wasn’t just a song—it was a statement. And audiences responded.

The single became Louie Louie’s only entry into the Billboard Hot 100 Top 40, peaking at #19 in 1990. While he never repeated that level of mainstream chart success, the track remains a defining moment of his recording career—a glossy, infectious anthem of indulgence and ambition that still sounds right at home alongside the era’s biggest dance-pop hits.

Before his recording career took off, Louie Louie paid his dues as a dancer in Las Vegas, where he honed the stage presence that would later define his performances. That same charisma caught the attention of pop royalty—he famously appeared as the love interest in Madonna’s iconic 1984 video for “Borderline,” a role that gave him early exposure on MTV and helped establish his on-screen appeal.

By the time he stepped into the spotlight as a recording artist, Louie Louie had already built a strong visual identity—and that carried over into the music video for “Sittin’ in the Lap of Luxury.” Directed by a then up-and-coming Michael Bay, the clip is a stylish, high-energy affair filled with striking imagery and attitude, hinting at the cinematic flair Bay would later bring to Hollywood blockbusters.

Over the years, Louie Louie released four albums and even found himself connected to the orbit of Prince through collaborations tied to the Paisley Park scene. While he never became a household name on the level of his contemporaries, his work reflects a fascinating cross-section of late ‘80s pop—where dance, R&B, and visual storytelling collided in bold, colorful ways.

“Sittin’ in the Lap of Luxury” stands today as both a time capsule and a testament: a reminder of an artist who brought style, ambition, and undeniable presence to everything he did. With his recent passing, the song takes on an added poignancy—capturing Louie Louie at his brightest, living out the very dream he sang about.

For those who remember it, it’s a nostalgic return to a vibrant moment in pop history. And for those discovering it now, it’s a perfect introduction to an artist who, if only for a moment, truly sat in the lap of luxury.

SIDE A:
Sittin’ In The Lap Of Luxury (Sheps Jam – Louie’s Fav) 6:48
Sittin’ In The Lap Of Luxury (Shep’s Dub Deluxe) 6:40

SIDE B:
Sittin’ In The Lap Of Luxury (Shep’s / Dizzy Acid Mix) 5:06
Sittin’ In The Lap Of Luxury (Urban 7″) 4:14
Sittin’ In The Lap Of Luxury (Shep’s Shortcut) 4:26

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

Chart Performance – Louie Louie: Sittin’ In The Lap Of Luxury (1990)
Chart Peak Position Date
US Billboard Hot 100 #19 1990
US Billboard Hot Dance Music / Club Play #11 1990
US Billboard Hot Dance Music / Maxi-Singles Sales #17 1990
US Billboard Hot R&B / Hip-Hop Singles #74 1990
Australia (ARIA) #51 1990
Canada Top Singles (RPM) #34 1990

RELEASE INFORMATION:
Label: WTG Records – 41 73168
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1990
Genre: Electronic, Funk / Soul, Pop
Style: New Jack Swing, Synth-pop

CREDITS:

Also available: “The State I’m In” on WTG cassettes, compact discs and records.

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for BURNING THE GROUND

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon Concorde Music Black
Phono Pre-amp: Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
Audio Interface: MOTU M4
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.


Janet Jackson – Alright (US 12″) (1990)

Burning The Ground Exclusive

12″ Single Released: March 4, 1990

“Alright” was the fourth single released from Janet Jackson’s groundbreaking Rhythm Nation 1814 album, and it brought with it a joyful, funky energy that stood out among the album’s harder-edged, socially conscious tracks. With bright horns, a classic swing vibe, and Janet’s signature layered vocals, “Alright” is a celebration of love and positivity wrapped in irresistible grooves.

The 12″ release is particularly special—packed with six different mixes, including standout work by remix legend Shep Pettibone, this record is a true gem for collectors and remix fans alike. Some of these versions, as far as I know, are vinyl-only, and getting them cleaned up properly was a labor of love.

I spent three days working on this 12″—most of the time went into visually removing clicks, pops, and other anomalies from the audio. It’s a meticulous process, but one I’m passionate about, and the end result is something I’m really proud of. In fact, I took most of yesterday off from posting just to focus entirely on this record.

I hope you enjoy the results as much as I do.

The song itself reached #4 on the Billboard Hot 100 and became Janet’s fourth consecutive #1 on the Billboard R&B chart. Its iconic video—directed by Julien Temple—was a loving tribute to 1930s musicals, featuring cameos from legends like Cab Calloway, Cyd Charisse, and the Nicholas Brothers. Stylish, timeless, and loaded with charm, “Alright” remains a highlight of Janet’s incredible career.

Whether you’re hearing these mixes for the first time or rediscovering them, I think you’ll agree—Janet sounds more than alright. She sounds phenomenal.

SIDE A:
Alright (12″ R&B Mix) 7:18
Vocals [Additional Vocals] – Heavy D.*

Alright (7″ R&B Mix) 4:34

Alright (A Cappella) 3:28

SIDE B:
Alright (12″ House Mix) 8:27
Vocals [Additional Vocals] – Heavy D.*

Alright (Hip House Dub) 6:36
Vocals [Additional Vocals] – Heavy D.*

Alright (House Dub) 5:58

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1990 Alright U.S. Billboard Hot 100 #4
1990 Alright U.S. Billboard Hot Dance Club Songs #1
1990 Alright U.S. Billboard Hot Dance Singles Sales #2
1990 alright U.S. Billboard Hot R&B / Hip-Hop Songs #2

RELEASE INFORMATION:
Label: A&M Records – SP-12351A&M Records – SP 12351
Format: Vinyl, 12″, 33 ⅓ RPM, Single
Country: US
Released: Mar 4, 1990
Genre: Electronic, Funk / Soul
Style: House, Hip-House, New Jack Swing, Contemporary R&B

CREDITS:

NOTES:
From the LP “Rhythm Nation 1814”

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon 2M Black PnP MkII
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.



The Pointer Sisters – Friends’ Advice (Don’t Take It) (US 12″) (1990)

 Burning The Ground Exclusive

By 1978, the Pointer Sisters had begun an eleven-year association with producer Richard Perry—first through his Planet Records label and later continuing their collaboration under RCA Records. During this period, they amassed eleven Top 40 hits, solidifying their place as one of the most successful vocal groups of the era. Their 1983 multi-platinum album Break Out was a major career highlight, producing four Top Ten hits, including a remixed version of “I’m So Excited,” which had first appeared on their 1982 album So Excited!. However, after this peak, the group’s commercial success gradually declined, leading to their departure from RCA in 1988.

In March 1989, reports emerged that the Pointer Sisters were negotiating with Motown Records—a label that had passed on signing them in 1971 but had later become home to original member Bonnie Pointer when she left for a solo career in 1977. By May 1989, the group officially signed with Motown, with June Pointer expressing their hope to help restore the label’s former glory. Unfortunately, neither their album Right Rhythm nor their Motown tenure proved to be the revival they had hoped for.

The first single from Right Rhythm, “Friends’ Advice (Don’t Take It),” was released in May 1990. The song was recorded at Prince’s famed Paisley Park Studios in Chanhassen, Minnesota, adding a layer of Minneapolis funk flavor to its polished R&B sound. The song, an upbeat R&B track, managed to reach #36 on the Billboard R&B charts but failed to break into the mainstream. The track was remixed by the legendary Shep Pettibone, known for his work with Madonna, Janet Jackson, and many other top artists of the era, adding a club-ready edge that made the song a favorite on dance floors despite its modest chart performance. The follow-up single, the ballad “After You,” also struggled to find a wide audience. A third single, a remixed version of “Insanity,” fared slightly better, peaking at #62 on the R&B charts and achieving a more notable #11 placement on the Billboard dance charts. Despite the group’s best efforts, Right Rhythm would ultimately be their only album with Motown.

While Friends’ Advice (Don’t Take It) may not have been a major hit, it remains a notable entry in the Pointer Sisters’ discography as part of their attempt to reinvent themselves in a changing musical landscape. It serves as a testament to their enduring artistry and willingness to take creative risks even as the music industry evolved around them.

Do you remember hearing “Friends’ Advice (Don’t Take It)” when it was released? Share your thoughts in the comments!

SIDE A:
Friends’ Advice (Don’t Take It) (Radio Edit) 4:03

Friends’ Advice (Don’t Take It) (Shep’s Advice Mix) 6:24

SIDE B:
Friends’ Advice (Don’t Take It) (Dub ‘Do Your Own Thing’ Mix) 4:51

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1990 Friends’ Advice (Don’t Take It) U.S. Billboard Hot Black Singles #36

RELEASE INFORMATION:
Label: Motown – MOT-4661
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: May 1990
Genre: Electronic, Funk / Soul
Style: House, Soul, Garage House

CREDITS:

NOTES:
Recorded at Paisley Park Studios, Chanhassan, MN

From the LP “Right Rhythm”

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon 2M Black PnP MkII
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.



Duran Duran – All She Wants Is (US 12″ Promo) (1988)

Burning The Ground Exclusive

By 1988, Duran Duran had moved well beyond their early-’80s new wave roots. Their album Big Thing signaled a shift toward a more experimental, club-oriented sound, and All She Wants Is, one of its standout singles, exemplified this transformation.

Released as the second single from Big Thing, All She Wants Is was one of the band’s most unconventional and daring tracks. Stripping away the glossy pop sheen of their earlier hits, the song embraced a darker, industrial-infused groove inspired by the house and dance music trends of the late ’80s. Produced by Duran Duran alongside Jonathan Elias and Daniel Abraham, it featured pulsing beats, distorted vocals, and an eerie, hypnotic atmosphere that set it apart from anything they had done before.

Despite its departure from their signature sound, All She Wants Is proved successful. It reached #9 on the UK Singles Chart and #22 on the Billboard Hot 100 in the U.S., reaffirming the band’s ability to evolve while still making compelling music. On the U.S. Billboard Dance chart, it soared to #1, thanks in part to Shep Pettibone’s remixes, which amplified its club appeal. The song’s hypnotic rhythm and haunting chorus made it a favorite on dance floors, while its surreal music video—directed by Dean Chamberlain—added to its mystique with stop-motion animation and eerie lighting effects.

Beyond its chart performance, All She Wants Is showcased Duran Duran’s willingness to push creative boundaries—a trait that has helped them stay relevant for decades. Even today, the track remains a striking entry in their discography, a bold electronic departure that still captures the essence of what made Duran Duran one of the most exciting bands of their era.

For fans of late-’80s dance music and darker, edgier pop, All She Wants Is remains a fascinating listen—proof that Duran Duran was far more than just their early MTV-era hits. The track was ahead of its time and still sounds fresh today.

Official Remixes

The U.S. 12″ promo featured five remixes by Shep Pettibone, including the exclusive Euro House Dub II, which remains a vinyl-only track. Below is a breakdown of the various official remixes, with mix titles varying slightly by country:

  • 45 Version / 7″ Version – Slight early fades of the album version, varying by release but only a few seconds shorter.

  • Euro House Mix / Euro Dub Mix – The same vocal house remix.

  • Euro House Dub I / House Dub – Identical instrumental house remixes.

  • Euro House Dub II – Exclusive to the U.S. promo 12″.

  • U.S. Master Mix – An electro/freestyle-inspired vocal remix.

  • U.S. Master Dub / Latino Dub – Identical instrumental remixes.

*Vinyl-only exclusive

SIDE A:
All She Wants Is (U.S. Master Mix) 7:21
All She Wants Is (U.S. Master Dub) 6:45

SIDE B:
All She Wants Is (Euro House Mix) 7:35
All She Wants Is (Euro House Dub I) 7:09
All She Wants Is (Euro House Dub II)* 5:44

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1988 All She Wants Is U.S. Billboard Hot 100 #22
1988 All She Wants Is U.S. Billboard Modern Rock Tracks #24
1988 All She Wants Is U.S. Billboard Hot Dance Music / Club Play #1

RELEASE INFORMATION:
Label: Capitol Records – SPRO-79482Capitol Records – SPRO-79483
Format: Vinyl, 12″, 33 ⅓ RPM, Promo, Gold sleeve
Country: US
Released: 1988
Genre: Electronic, Pop
Style: House, Synth-pop

CREDITS:

NOTES:
Issued in plain white, silver or gold generic die-cut jacket with info sticker.

Mix titles on sticker vary slightly from what is on the labels; the tracklist here is a combination of the two.

Info on sticker:
New Mixes by Shep Pettibone
Promotional use only. Not for sale.

Info on labels:
Remixed by Shep Pettibone for MasterMix Productions.
(Original version appears on the LP “Big Thing” C1-90958)

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon 2M Black PnP MkII
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.