Tag: Francois Kevorkian

The Smiths – This Charming Man (New York) (UK 12″)

BURNING THE GROUND EXCLUSIVE 1983

“This Charming Man” is a song by the English band the Smiths, written by guitarist Johnny Marr and singer Morrissey. Released as the group’s second single in October 1983 on the independent record label Rough Trade, it is defined by Marr’s jangle pop guitar riff and Morrissey’s characteristically morose lyrics, which revolve around the recurrent Smiths themes of sexual ambiguity and lust.

Feeling detached from the early 1980s mainstream gay culture, Morrissey wrote “This Charming Man” to evoke an older, more coded and self-aware underground scene. The singer said of the song’s lyrics: “I really like the idea of the male voice being quite vulnerable, of it being taken and slightly manipulated, rather than there being always this heavy machismo thing that just bores everybody.”

Although only moderately successful on first release—the single peaked at number 25 on the UK Singles Chart, “This Charming Man” has been widely praised in both the music and mainstream press. Re-issued in 1992, it reached number 8 on the UK Singles Chart (making it the Smiths’ biggest UK hit by chart position). In 2004, BBC Radio 2 listeners voted it number 97 on the station’s “Sold on Song Top 100” poll. Mojo magazine journalists placed the track at number 1 on their 2008 “50 Greatest UK Indie Records of All Time” feature. It was certified Silver by the British Phonographic Industry in 2015.

SIDE A:
This Charming Man (New York Vocal) 5:34

SIDE B:
This Charming Man (New York Instrumental) 4:18

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Rough Trade ‎– RTT 136 NY, Rough Trade ‎– RTT 136 (NY)
Format: Vinyl, 12″, 45 RPM
Country: UK
Released: 1983
Genre: Rock
Style: Pop Rock, Indie Rock

CREDITS:
Mastered By – timtom*
Producer – John Porter
Remix – Francois Kevorkian*
Written-By – Marr*, Morrissey

NOTES:
Remixed at Right Track Studios New York.
Mastered at CBS Studios, UK.

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7 TubeGold Pins
Soundcard:
Novation Audiohub 2×4 Audio Interface
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Midnight Oil – Power And The Passion (Special Version) (US 12″)

BURNING THE GROUND EXCLUSIVE 1983

“Power and the Passion” is the second single from Midnight Oil’s 1982 album 10, 9, 8, 7, 6, 5, 4, 3, 2, 1 (following “US Forces”). The song is one of the band’s most famous, and it was performed on every Midnight Oil tour since the issue of 10, 9, 8, 7, 6, 5, 4, 3, 2, 1 as well as at the WaveAid concert.

The lyrics mention former Australian prime minister Gough Whitlam and his dismissal in 1975, as well as the Pine Gap spy base, which remains controversial issues in Australia to this day. The song also makes reference to the McDonald’s Big Mac and paraphrases Emiliano Zapata with the line “It’s better to die on your feet than to live on your knees.”

The song includes a drum solo by Rob Hirst; it is the only studio recording by Midnight Oil to feature a drum solo.

n May 2001 the Australasian Performing Right Association (APRA), as part of its 75th Anniversary celebrations, named “Power and the Passion” as one of the Top 30 Australian songs of all time. It was the second Midnight Oil song in the list with “Beds Are Burning” declared third behind the Easybeats’ “Friday on My Mind” and Daddy Cool’s “Eagle Rock”.

It was performed by the band at the 2009 Sound Relief concert in Melbourne.

The US 12-inch single release features a little-known specially remixed version, mixed by Francois Kevorkian and Dominic Malta at RPM Sound Studios specifically for the North American market. This special version, which runs for 6:42, did not appear on the 12-inch single as released elsewhere in the world, including in Australia, whose 12-inch single featured the standard album version which runs for 5:38. The remix features echo effects added to Peter Garrett’s vocals and a continuation or reprise of Rob Hirst’s drum solo after the nominal ending of the song.

SIDE A:
Power And The Passion (Special Version) 6:42
Engineer, Mixed By – Dominic Maita*, François Kevorkian
Mixed By [Assistant] – Mike Krowiak
Written-By – Moginie*, Garrett*, Hirst*

SIDE B:
Glitch Baby Glitch (Power And The Passion Dub) 4:44
Engineer, Mixed By – Dominic Maita*, François Kevorkian
Mixed By [Assistant] – Mike Krowiak
Remix – François Kevorkian
Written-By – Moginie*, Garrett*, Hirst*

Wedding Cake Island 3:08
Engineer, Mixed By – Nick Launay
Written-By – Midnight Oil

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Columbia ‎– 44 04976
Format: Vinyl, 12″, 45 RPM
Country: US
Released: 1983
Genre: Rock
Style: Alternative Rock, New Wave

CREDITS:
Producer –Midnight Oil, Nick Launay

NOTES:
Special version from the Columbia Lp: “10,9,8,7,6,5,4,3,2,1”

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7 TubeGold Pins
Soundcard:
Novation Audiohub 2×4 Audio Interface
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Mick Jagger – Lucky In Love (US 12″)

BURNING THE GROUND EXCLUSIVE 1985

“Lucky in Love” is a song written and performed by English singer-songwriter Mick Jagger released as the second as single from his debut solo album, She’s the Boss, in 1985. “Lucky in Love” peaked at #91 on the UK singles chart. In the United States, the single did much better entering the top 40 on the Billboard Hot 100 peaking at #38. The single was a top five hit on the Billboard Mainstream Rock chart, reaching #5, it also reached #11 on the US Dance chart.

SIDE A:
Lucky In Love (Dance Mix) 6:31

SIDE B:
Lucky In Love (Dub Mix) 6:19
Lucky In Love (Single Mix) 4:47

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1985 Lucky In Love U.S. Billboard Hot 100 #38
1985 Lucky In Love U.S. Billboard Mainstream Rock Tracks #5
1985 Lucky In Love U.S. Billboard Hot Dance Music/Club Play #11
1985 Lucky In Love U.S. Billboard Hot Dance Music/Club Play Maxi-Singles Sales #35

 

RELEASE INFORMATION:
Label: Columbia ‎– 44-05214, Columbia ‎– 44 05214
Format: Vinyl, 12″, 45 RPM, Maxi-Single
Country: US
Released: 1985
Genre: Rock, Pop
Style: Alternative Rock

CREDITS:
Co-producer – Bill Laswell
Producer – Mick Jagger
Producer [Assistant], Remix [Assistant] – Tim Crich
Remix, Producer [Additional] – Francois Kevorkian*, Ron St. Germain
Written-By – C. Alomar*, M. Jagger*

NOTES:
Special Version From The Columbia Lp: “SHE”S THE BOSS”

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7 TubeGold Pins
Soundcard:
Novation Audiohub 2×4 Audio Interface
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

The Cure – Hot Hot Hot !!! (US 12″)

BURNING THE GROUND EXCLUSIVE 1988

“Hot Hot Hot!!!” was the fourth single released from the album Kiss Me, Kiss Me, Kiss Me by British band The Cure. In early 1988, it spent three weeks in the UK Singles Chart, peaking at number 45 on 20 February of that year. In the United States, the song reached number 68 on the Billboard Hot 100, while a remix of the track by François Kevorkian charted at numbers 11 and 50 on the Dance Music/Club Play Singles and the Hot Dance Music/Maxi-Singles Sales charts, respectively. It reached its highest chart position in Spain, peaking at number 8; the song was also a hit in Ireland, spending two weeks there and making number 18 on 18 February 1988. It spent three weeks on the Dutch charts, reaching number 79 there. As with many other singles, the video was directed by Tim Pope, and has been described as “intentionally ridiculous”. Filmed in black and white, it featured the band as “dwarves” dressed in 1950’s clothes.

SIDE A:
Hot Hot Hot !!! (Extended Remix) 7:02
Remix [Remixed By] – Francois Kevorkian*, Ron St Germain*

SIDE B:
Hot Hot Hot !!! (Remix) 3:34
Remix [Remixed By] – Francois Kevorkian*, Ron St Germain*

Hey You !!! (Extended Remix) 4:07
Mixed By – Alan Gregorie, Francois Kevorkian*

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1984 Hot Hot Hot !!! U.S. Billboard Hot 100 #68
1984 Hot Hot Hot !!! U.S. Billboard Hot Dance Music/Club Play #11
1984 Hot Hot Hot !!! U.S. Billboard Hot Dance Music/ Maxi- Singles Sales #50

 

RELEASE INFORMATION:
Label: Elektra ‎– 0-66783
Format: Vinyl, 12″, 33 ⅓ RPM, Single
Country: US
Released: Feb 1988
Genre: Electronic, Rock
Style: New Wave, Synth-pop

CREDITS:
Mastered By – Sam Feldman
Producer [Produced By] – Dave Allen*, Robert Smith
Written-By – Williams*, Tolhurst*, Thompson*, Smith*, Gallup*

NOTES:
A & B1: Remixed at Right Track, NYC.
B2: Mixed at Axis Studios.

The Elektra album “Kiss Me, Kiss Me, Kiss Me” also available.

Printed in U.S.A.

Find the 12″ on DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7 TubeGold Pins
Soundcard:
Novation Audiohub 2×4 Audio Interface
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi