Tag: 1983

Eurythmics – Sweet Dreams (Are Made Of This) (US 12″) (1983)

Burning The Ground Exclusive

NEW 2026 Transfer
NEW Meticulous Audio Restoration

Original post date: May 10, 2017

Certain songs instantly define an era, and “Sweet Dreams (Are Made Of This)” by Eurythmics is unquestionably one of them. Released in early 1983 as the title track from the duo’s second studio album, the single transformed Annie Lennox and Dave Stewart from underground cult favorites into international pop icons almost overnight.

Built around one of the most recognizable synthesizer riffs ever recorded, “Sweet Dreams (Are Made Of This)” sounded unlike anything else on radio at the time. Cold, hypnotic, mechanical, yet incredibly infectious, the track helped redefine the direction of pop music in the early 1980s and became one of the signature recordings of the synth-pop movement.

Written and produced by Annie Lennox and Dave Stewart, the song emerged during a difficult period for the duo following the commercial disappointment of their debut album In the Garden. Working from a modest home studio with limited equipment, the pair created a minimalist electronic masterpiece driven by pulsing synths, drum machine rhythms, and Lennox’s commanding vocal delivery.

Lyrically, the song explores ambition, manipulation, desire, and survival in a world where “everybody’s looking for something.” Annie Lennox delivers the lines with a detached coolness that only adds to the song’s mysterious power.

Of course, the song’s impact was amplified by its unforgettable music video. Annie Lennox’s sharply tailored menswear, cropped orange hair, and androgynous appearance became one of the defining visual statements of the MTV era. At a time when pop culture was becoming increasingly image-driven, Lennox challenged conventions in a way that felt bold, modern, and completely original.

The single became a worldwide smash, reaching No. 1 on the Billboard Hot 100 in the United States and establishing Annie Lennox and Dave Stewart as major international stars.

This post features a new 2026 Transfer and meticulous audio restoration taken from my US 12-inch pressing. The 12-inch is especially notable because it contains the full-length version of “Sweet Dreams (Are Made Of This).” Most LPs, CDs, and 7-inch singles contain the shorter 3:36 edit, making the 12-inch mix the preferred version for many fans and collectors.

Another interesting detail is the B-side, “I Could Give You a Mirror,” which differs from the version found on the Sweet Dreams (Are Made Of This) album, giving this US 12-inch additional collector appeal.

From a club perspective, the extended 12-inch version is absolutely definitive. The longer runtime allows the hypnotic groove to fully develop, emphasizing the icy atmosphere and relentless electronic pulse that made the song so revolutionary. Even today, it still sounds futuristic blasting from a turntable.

More than four decades later, “Sweet Dreams (Are Made Of This)” remains one of the most influential and instantly recognizable songs of the 1980s, a landmark recording that continues to inspire artists across pop, electronic, and alternative music.

SIDE A:
Sweet Dreams (Are Made Of This) (Full Length Version) 4:55
Producer – David A. Stewart

SIDE B:
I Could Give You (A Mirror) (Alternate Version) 3:57
Producer – StewartCrash

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

Chart Performance – Eurythmics: Sweet Dreams (Are Made Of This) (1983) Peak Position
Australia (Kent Music Report) 6
Austria (Ö3 Austria Top 40) 9
Belgium (Ultratop 50 Flanders) 3
Canada (The Record Retail Singles) 1
Canada Top Singles (RPM) 1
Finland (Suomen virallinen lista) 6
Iceland (Íslenski Listinn) 1
Ireland (IRMA) 2
Japan (Oricon) 89
Netherlands (Dutch Top 40) 9
Netherlands (Single Top 100) 10
New Zealand (Recorded Music NZ) 2
South Africa (Springbok Radio) 5
Spain (AFYVE) 3
Switzerland (Schweizer Hitparade) 8
UK Singles (OCC) 2
US Billboard Hot 100 1
US Adult Contemporary (Billboard) 36
US Dance Club Songs (Billboard) 2
US Mainstream Rock (Billboard) 16
US Cash Box Top 100 1
West Germany (GfK) 4

RELEASE INFORMATION:
Label: RCA Victor ‎– PD-13502
Format: Vinyl, 12″, Single, 33 ⅓ RPM
Country: US
Released: 1982
Genre: Electronic, Pop
Style: Synth-pop

CREDITS:

NOTES:
From the album “Sweet Dreams (Are Made Of This)“, AFL1-4681

Buy the 12” at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for BURNING THE GROUND

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon Concorde Music Black
Phono Pre-amp: Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
Audio Interface: MOTU M4
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.


Yaz – Nobody’s Diary / State Farm (US 12″) (1983)

Burning The Ground Exclusive

Released in May 1983, “Nobody’s Diary” was the final single by British synth-pop duo Yazoo—known as Yaz in North America—and the only single taken from their second and final studio album You and Me Both (1983). It also marked the final chapter of one of the most influential synth-pop partnerships of the early ’80s: Alison Moyet and Vince Clarke.

Written by Alison Moyet when she was just 16 years old, “Nobody’s Diary” carries a raw emotional honesty that makes it one of Yazoo’s most enduring songs. At the time, Moyet was still playing in local bands around South East Essex, and even then the song had the lyrical maturity and emotional depth that would later define her solo work. Although written years earlier, it became one of the last tracks recorded for You and Me Both. Vince Clarke later recalled that it immediately stood out as the obvious choice for a single.

Recorded at Eric Radcliffe’s Blackwing Studios and produced by Yazoo, Eric Radcliffe, and Daniel Miller, the track perfectly balances Clarke’s icy synth precision with Moyet’s rich, soulful vocal delivery. That contrast between emotional vulnerability and machine-like rhythm is exactly what made Yazoo so special.

Lyrically, “Nobody’s Diary” is about privacy, emotional distance, and the pain of being misunderstood or exposed. Moyet delivers every line with conviction, making the song both intensely personal and universally relatable at the same time. It remains one of her finest recorded performances.

The single reached #3 on the UK Singles Chart, becoming one of Yazoo’s biggest hits and a fitting final statement before the duo split.

The original sleeve artwork is also memorable. Designed by Steven Appleby with the sleeve produced by Acrobat Design, the cover depicts what was described as a “rather hip young man in a bathtub” who seems so lost in his private thoughts that he has forgotten to turn off the water. It’s a clever visual metaphor for the song’s themes of introspection and emotional isolation.

Mute Records also issued a second, limited-edition 12-inch single in the UK featuring “Situation” on the flip side. “Situation,” of course, became one of Yazoo’s signature club tracks and appeared on the U.S. version of Upstairs at Eric’s, though it was only added to later UK pressings of that album.

My copy is the U.S. Sire Records 12-inch, where “Nobody’s Diary” was issued as a double A-side with “State Farm.” In the UK, “State Farm” served as the standard B-side to “Nobody’s Diary” and did not appear on the UK version of You and Me Both. It was later included on the North American version of the album, making it a natural pairing for the U.S. release.

“State Farm” is one of Yazoo’s darker and moodier tracks, with a stark electronic atmosphere that contrasts beautifully with the emotional sweep of “Nobody’s Diary.” Together, they made a perfect club package for American DJs.

That strategy paid off—the double A-side “Nobody’s Diary” / “State Farm” reached #1 on the Billboard Hot Dance Club Play chart in July 1983, giving Yazoo one final U.S. dancefloor triumph.

Even decades later, “Nobody’s Diary” still sounds timeless. It captures everything that made Yazoo extraordinary: sharp songwriting, emotional honesty, inventive production, and that unique tension between heartbreak and synthesizers.

It was the end of the duo—but what a beautiful way to say goodbye.

SIDE A:
Nobody’s Diary (Extended Version) 6:08

SIDE B:
State Farm (Extended Version) 6:38

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

Chart Performance — Yaz: Nobody’s Diary / State Farm (1983)
Chart Peak Position Date
US Billboard Dance Club Songs #1 1983

RELEASE INFORMATION:
Label: Sire – 0-20121Sire – 9 20121-0 AMute – 0-20121Mute – 9 20121-0 A
Format: Vinyl, 12″, 45 RPM, Specialty Pressing
Country: US
Released: 1983
Genre: Electronic
Style: Synth-pop

CREDITS:

NOTES:
Recorded at Blackwing Studios 1983.

Made in U.S.A.

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for BURNING THE GROUND

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon Concorde Music Black
Phono Pre-amp: Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
Audio Interface: MOTU M4
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.


The Weather Girls – Dear Santa (Bring Me A Man This Christmas) (US 12″ Promo) (1983)

Burning The Ground Exclusive

NEW 2025 Transfer
NEW Meticulous Audio Restoration

Original post date: December 13, 2013

“Dear Santa (Bring Me A Man This Christmas)” is a holiday song recorded by The Weather Girls for their 1983 album Success. Paul Jabara and Paul Shaffer wrote the song. It mixes a Christmas theme with a disco-driven sound that fits the group’s early 1980s dance output.

The track had a quiet release. It was issued in the US and the UK as a promotional single and did not chart. This was the case even though a music video was filmed. As a result, the song remained hard to find and easy to miss during its original run.

The Weather Girls began as Two Tons o’ Fun and featured Izora Armstead and Martha Wash. Both singers brought gospel power and strong presence to the dance floor. The duo scored several dance hits, with their biggest success coming in 1982.

That peak arrived with “It’s Raining Men,” a song that became a defining moment in dance music. “Dear Santa (Bring Me A Man This Christmas)” followed soon after and shows the same mix of humor and confidence, set against a festive backdrop.

For this holiday season, I have given this disco banger a meticulous new audio transfer. It brings new clarity to a track that has long deserved a closer listen.

SIDE A:
Dear Santa (Bring Me A Man This Christmas) (Vocal) 6:30

SIDE B:
Dear Santa (Bring Me A Man This Christmas) (Instrumental) 6:14

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Columbia – AS 1790
Format: Vinyl, 12″, Promo, 33 ⅓ RPM
Country: US
Released: 1983
Genre: Electronic, Funk / Soul
Style: Hi NRG, Disco

CREDITS:

NOTES:
Demonstration Not For Sale
Taken From The Columbia/Entertainment Co. LP “Success” BEC 38997

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for BURNING THE GROUND

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.


Fad Gadget – For Whom The Bells Toll (UK 12″) (1983)

Burning The Ground Exclusive

As October draws to a close and the nights grow longer, it feels like the perfect time to turn to one of the darker corners of early electronic music. Today’s Spooky Season Spin comes from one of synthpop’s most eccentric and influential pioneers — Fad Gadget — and his haunting single “For Whom the Bells Toll.”

Released in 1983 as the eighth single by Frank Tovey under his Fad Gadget moniker, the track appears on his third album Under The Flag (Mute Records). By this time, Tovey had refined his sound from the raw, experimental edges of his early singles into something more structured yet equally unsettling — a perfect fit for the eerie pulse of Halloween week.

The 12-inch single features “For Whom The Bells Toll (III)” on the A-side and “Love Parasite (II)” on the flip — both featuring backing vocals by Alison Moyet, who was also on the Mute label at the time as one half of Yazoo. Moyet’s soulful voice adds a surprisingly human element to Fad Gadget’s dystopian electronics, giving both tracks a unique emotional depth beneath the cold, metallic textures.

The A-side runs for approximately 8:19 before spiraling into a locked groove, creating a hypnotic, endless toll that feels almost ritualistic — as if the record itself refuses to stop ringing. On digital reissues, however, the versions differ slightly: “For Whom The Bells Toll III” cuts off abruptly at 8:03, while “Love Parasite II” fades out early at 6:32.

Adding to the mystique, it’s been reported that the original master tape for this 12-inch extended version (III) was lost by the record company, meaning that the vinyl copies circulating today may be the only remaining source of this haunting mix.

So as those Halloween bells toll, dim the lights, cue up the 12-inch, and let this one echo through your speakers — a haunting reminder that the ghosts of synthpop’s past are never too far away.

Of note:
I manually faded out the locked groove on Side A, extending the track to 9:21. The vinyl noise during the locked groove portion is intentional, as it preserves the record’s original atmosphere.

SIDE A:
For Whom The Bells Toll III 9:21

SIDE B:
Love Parasite II 6:53

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Mute – 12 MUTE 026
Format: Vinyl, 12″, 45 RPM, Single, Special Cut
Country: UK
Released: Jan 1983
Genre: Electronic
Style: Synth-pop

CREDITS:

NOTES:
Distribution – Rough Trade and Spartan

Track A has a continuous locked groove at the end.

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for BURNING THE GROUND

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.