Category: Erasure

Erasure – Oh L’Amour (Germany 12″)

BURNING THE GROUND EXCLUSIVE 1986

“Oh L’amour” is a song by English synthpop duo Erasure, released in April 1986 as their third single.

It was issued by Mute Records in the UK and Sire Records in the U.S. to herald the June release of Erasure’s debut album Wonderland, but became the third consecutive commercial failure for the band in both territories. Despite its low chart placing, “Oh L’amour” has proven to be one of Erasure’s signature songs, due to its popularity in dance clubs. It remains a favourite among fans, particularly when performed live.

The single reached #86 on the UK singles chart and #3 US dance chart.

First pressings came with a Thomas the Tank Engine logo on the back cover, which was withdrawn due to legal issues.

In Germany the 12″ was released including an ultra rare German version which featured vocals by Susanne Störrle.

SIDE A:
Oh L’Amour (PWL Funky Sisters Say ‘Ooh La La’ Mix) 7:13
Remix – Funky Sisters*
Written-By – Clarke/Bell

SIDE B:
Gimme! Gimme! Gimme! (Remix) 4:43
Producer – Erasure
Remix – Paul Kendall
Written-By – Benny Anderson*, Bjorn Ulvaeus*

Oh L’Amour (German Version) 3:33
Lyrics By [German Lyrics] – Daisy Dörmann
Producer – Flood
Vocals – Susanne Störrle
Written-By – Clarke/Bell

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1986 Oh L’Amour U.S. Billboard Hot Dance Music/Club Play #3

 

RELEASE INFORMATION:
Label: Mute ‎– INT 126.848, Mute ‎– L 12 Mute 45
Format: Vinyl, 12″, Maxi-Single, 45 RPM, Repress
Country: Germany
Released: 1986
Genre: Electronic
Style: Synth-pop

NOTES:
From the album “WONDERLAND”

Find the 12″ on DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Erasure – Victim Of Love (Limited Edition Remix) (US 12″)

BURNING THE GROUND EXCLUSIVE 1987

“Victim of Love” is a song by British synthpop duo Erasure, released in May 1987 as their sixth single overall.

It was the third single to be lifted from the duo’s second album, The Circus, released six weeks earlier, and was remixed for single release.

The song was written by band members Vince Clarke and Andy Bell and incorporates the signature Erasure sound of uptempo rhythm, analog synthesizer and a prominent acoustic guitar. Bell’s lyrics pertain to one’s apprehension when entering into a new love relationship. The song’s protagonist doesn’t “want to look like some kind of fool” or become a “victim of love”.

Upon its release, “Victim of Love” became the second UK Top 10 single for Erasure, peaking at number seven. “Victim of Love” also hit number one on the U.S. Hot Dance Music/Club Play chart (Clarke and Bell would have to wait eighteen years before their second U.S. Dance chart-topper “Breathe”).

The song remains one of Erasure’s signature tunes and is a concert favorite.

SIDE A:
Victim Of Love (Vixenvitesse Mix) 5:41
Remix – Daniel Miller, Rico Conning

Soldier’s Return (Machinery Mix) 5:00
Producer – Erasure, E.C. Radcliffe*
Remix – E.C. Radcliffe*

SIDE B:
Victim Of Love (Extended Mix) 6:56
Mixed By – Mr. Mixmaster Phil Harding*

Victim Of Love (Dub Mix) 3:24
Mixed By – Mr. Mixmaster Phil Harding*

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1987 Victim Of Love U.S. Billboard Hot Dance Music/Club Play #1
1987 Victim Of Love U.S. Billboard Hot Dance Music/Maxi-Singles Sales #37

 

RELEASE INFORMATION:
Label: Sire ‎– 0-20740, Sire ‎– 9 20740-0
Format: Vinyl, 12″, 45 RPM, Maxi-Single
Country: US
Released: 1987
Genre: Electronic
Style: Synth-pop

CREDITS:
Design [Designed By] – Me Co.*
Producer – Flood (tracks: A1, B1, B2)
Written-By – Clarke/Bell

NOTES:
Track A1 remixed at Guerilla.
Tracks B1 and B2 remixed at P.W.L.

Original version of “Victim Of Love” available on the Erasure album ‘The Circus’ on Sire Records.

Find the 12″ on DISCOGS

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Ferry Aid – Let It Be (US 12″)

BURNING THE GROUND EXCLUSIVE 1987

Although this single was recorded to help victims of a 1987 tragedy. Today we pray for those affected in Manchester, England.

Ferry Aid were a British-American ensemble group, brought together to record the song “Let It Be” in 1987. The single was released following the Zeebrugge Disaster, which had occurred on 6 March 1987 involving the capsizing of the MS Herald of Free Enterprise ferry, which killed 193 passengers and crew. All proceeds from sales of the single were donated to the charity set up in the aftermath of the disaster. The recording was organised by The Sun newspaper, after it had sold cheap tickets for the ferry on that day. “Let It Be” was written by Lennon–McCartney and originally recorded by The Beatles in 1969.

Garry Bushell, then with The Sun newspaper, organised the recording of the song by recruiting record producers Stock, Aitken and Waterman. They then put an invitation out to the music industry for artists to contribute their vocals to the song. Although many stars were initially reluctant to join forces with the newspaper, eventually artists such as Boy George, Kate Bush, Gary Moore and Mark Knopfler agreed to take part. Original writer, Paul McCartney also contributed to the song, although his performance (and section in the accompanying video) were recorded independently in his own studios. In fact, it was later revealed that McCartney used his voice of the original recording of the 1970 Beatles track and added it to the Ferry Aid recording. The song was recorded over three days between 14 and 16 March 1987 and the single was released on Monday 23 March 1987. The first artist to record his part was Mark King (who also played bass guitar on the song) on the Saturday morning, while the last was Paul King on Monday evening.

In the original Beatles recording George Harrison did the guitar solo but for the purposes of this song – as shown in the video – the solo was divided with Gary Moore first, then Mark Knopfler, then back to Gary Moore with Moore’s parts being more ‘rock’ and Knopfler’s being more laid-back.

“Let It Be” reached #1 in the UK Singles Chart in its first week on 4 April 1987, and remained at that position for three weeks. It was the 13th best selling single of the year in the UK; it was certified gold for shipping over 500,000 copies. The single was also a number one hit in Norway and Switzerland, and reached the top 10 in several European countries.

Artists to have contributed and performed solo spots on the song are as follows:

Paul McCartney
Boy George
Keren Woodward and Nick Kamen
Paul King
Mark King
Jaki Graham
Taffy
Mark Knopfler (guitar solo)
Andy Bell
Pepsi & Shirlie
Mel and Kim
Gary Moore (guitar solo)
Kim Wilde and Nik Kershaw
Edwin Starr
Ben Volpeliere-Pierrot
Ruby Turner
Kate Bush

The closing choruses of the song feature an ensemble choir featuring many of the above performers as well other recording artists. The back-up chorus consisted of:

The Alarm, John Altman, Debee Ashby, Al Ashton, Rick Astley, Bananarama, Simon Bates, Alison Bettles, Jenny Blythe, Errol Brown, Miquel Brown, Bucks Fizz, Jay Carly, The Christians, Nick Conway, Linda Davidson, Hazell Dean, Anne Diamond, Difford and Tilbrook, Doctor and the Medics, The Drifters, Drum Theatre, Frankie Goes to Hollywood, Roy Gayle, Go West, Carol Hitchcock, Felix Howard, Gloria Hunniford, Imagination, Jenny Jay, Ellie Laine, Annabel Lamb, Stephanie Lawrence, Loose Ends, Linda Lusardi, Ruth Madoc, Bobby McVey, Suzanne Mizzi, The New Seekers, Sadie Nine, The Nolans, Hazel O’Connor, Mike Osman, Su Pollard, Tim Polley, Pamela Power, Maxi Priest, Princess, Jimmy Pursey, Suzi Quatro, Mike Read, Sally Sagoe, Nejdet Salih, Ray Shell, Mandy Smith, Neville Stapleton, Alvin Stardust, Steve Strange, Sylvia Tella, Terraplane, Bonnie Tyler, Maria Whittaker, Working Week.

SIDE A:
Let It Be 6:30
Engineer – Mark McGuire
Mixed By – Burni Adams, Jamie Bromfield

SIDE B:
Let It Be (Mega Message Mix) 6:11
Mixed By – Jamie Bromfield

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Profile Records ‎– PRO-7147
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1987
Genre: Pop
Style: Pop/Rock

CREDITS:
Bass – Mark King
Drums – A. Lynn
Guitar – Gary Moore, Mark Knopfler
Keyboards – Matt Aitken, Mike Stock
Producer – Stock/Aitken/Waterman*
Written-By – Lennon/McCartney*

NOTES:
Recorded at PWL Studios.
Special thanks to: Michael Jackson and Paul McCartney

Find the 12″ on DISCOGS

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Erasure – A Little Respect (US 12″ Promo)

BURNING THE GROUND EXCLUSIVE 1988

“A Little Respect” is a song written and recorded by British synthpop duo Erasure, released in September 1988 as their tenth single. It was issued as the third European (and second American) single from their album The Innocents.

Known as one of their signature songs, “A Little Respect” continued Erasure’s success on the UK Singles Chart, where it hit number four to become the band’s fifth Top 10 single. It was also Erasure’s second consecutive Top 20 hit on the Billboard Hot 100, where it climbed to number 14, and hit number two on the U.S. Hot Dance Club Songs chart. In the U.K. Mark Saunders and Phil Legg provided the remixes, for the U.S. the remixes were made by Justin Strauss.

Written by Erasure members Vince Clarke and Andy Bell, the heavily synthesized instrumentation is accentuated by acoustic guitar and Bell’s use of falsetto in the chorus. The lyrics are a plea to a lover to show compassion and respect.

This U.S. 12″ promo contains exclusive vinyl only mixes.

SIDE A:
A Little Respect (LP Version) 3:33
Engineer – Bob Kraushaar

A Little Respect (12″ Vocal) 6:26
Computer [Additional Programming] – Eric Kupper
Engineer – Hugh Dwyer*
Producer [Additional], Remix – Justin Strauss

A Little Respect (12″ Dub) 6:38
Computer [Additional Programming] – Eric Kupper
Engineer – Hugh Dwyer*
Producer [Additional], Remix – Justin Strauss

SIDE B:
A Little Respect (12″ Remix-UK) 6:35
Engineer – Bob Kraushaar
Remix – Mark Saunders

A Little Respect (12″ House Mix) 6:43
Computer [Additional Programming] – Eric Kupper
Engineer – Hugh Dwyer*
Producer [Additional], Remix – Justin Strauss

A Little Respect (12″ House Dub) 6:47
Computer [Additional Programming] – Eric Kupper
Engineer – Hugh Dwyer*
Producer [Additional], Remix – Justin Strauss

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1988 A Little Respect U.S. Billboard Hot 100 #14
1988 A Little Respect U.S. Billboard Hot Dance Music/Club Play #2

 

RELEASE INFORMATION:
Label: Sire ‎– PRO-A-3365
Format: Vinyl, 12″, 33 ⅓ RPM, Promo
Country: US
Released: 1988
Genre: Electronic
Style: Synth-pop

CREDITS:
Producer – Stephen Hague

NOTES:
Promotional copy housed in unique sleeve.
From the Erasure LP “THE INNOCENTS”

Find the 12″ on DISCOGS

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi