Tag: US

Will To Power – Dreamin’ (US 12″) (1987)

Burning The Ground Exclusive

Released in 1987, “Dreamin’” was the debut single from Miami-based dance-pop and freestyle group Will to Power, the project led by producer, DJ, and songwriter Bob Rosenberg. The track would go on to become a regional sensation in South Florida before breaking nationally—establishing Rosenberg’s reputation and setting the stage for Will to Power’s later chart-topping success.

A Song from the Heart

Behind its shimmering synths and club-ready rhythm lies a deeply personal story. Rosenberg wrote “Dreamin’” as a tribute to his twin sister Robin, who had passed away. The song’s yearning tone and heartfelt lyrics capture the emotional complexity of loss, remembrance, and faith in something beyond the tangible. This emotional core gives “Dreamin’” a depth not always found in freestyle music—transforming it from a simple dance record into something profoundly human.

Originally released locally on Rosenberg’s own Thrust Records, “Dreamin’” became an underground hit on Miami radio stations like Power 96. Its sustained popularity in the region—reportedly remaining on Power 96’s playlist for more than 30 weeks—caught the attention of Epic Records, who reissued the track nationally in 1987.

Sound and Production

“Dreamin’” perfectly embodies the sound of late-’80s freestyle: crisp drum programming, layered synth melodies, and emotionally expressive vocals. Rosenberg handled much of the production himself, assisted by Derrick Rahming, Fro Sosa, and Keith Morrison.

Background vocals were performed by two of the original members of Exposé, Alejandra “Ale” Lorenzo and Laurie Miller. Their smooth harmonies and emotive delivery elevate the song, blending beautifully with Rosenberg’s lead vocal and adding warmth to its wistful tone.

Several remixes accompanied the release, including the Extended Mix and Manhattan Mix, which amplified the song’s dancefloor appeal without losing its emotional edge.

Chart Success

While not a massive Top 40 hit, “Dreamin’” performed well enough to signal that Will to Power was a group to watch. It reached #15 on Billboard’s Hot Dance/Club Play chart and #1 on the Dance Singles Sales chart, while peaking at #50 on the Billboard Hot 100.

In the freestyle community, however, “Dreamin’” was far more than a chart entry—it was an anthem. Its success marked a turning point for Miami’s local dance scene, helping to bring regional freestyle acts to national attention.

Themes and Emotion

The song’s lyrics speak of longing, disbelief, and the thin line between dreams and reality: a voice calling out for connection even when it seems lost. Lines like “Tell me that I’m dreamin’, don’t you stop me from believin’” resonate as both romantic and spiritual—an expression of love, hope, and grief intertwined.

Knowing the story behind the song, listeners can hear it as Rosenberg’s personal way of keeping his sister’s memory alive. Yet it also works universally: anyone who has lost someone or held onto a fading connection can relate to its message.

Legacy

“Dreamin’” remains a cornerstone of Will to Power’s catalog and a defining record of the freestyle era. Its blend of heartfelt storytelling and club-ready production captures the dual nature of so much late-’80s dance music—music that could make you move while breaking your heart just a little.

The record also paved the way for greater things: Will to Power’s self-titled debut album followed in 1988, spawning their #1 pop hit “Baby, I Love Your Way / Freebird Medley.” But “Dreamin’” stands apart as the moment where Rosenberg’s vision—personal, melodic, and distinctly Miami—first came to life.

Final Thoughts

“Dreamin’” by Will to Power is more than a freestyle classic—it’s a love letter, a memory, and a dream preserved in vinyl grooves. Beneath the glossy synths and driving beat lies something rare in dance music: sincerity. Decades later, it still moves both the heart and the feet, proving that sometimes the best songs are born from both loss and hope.

SIDE A:
Dreamin’ (Manhattan Mix) 7:20
Dreamin’ (Instrumental) 4:09

SIDE B:
Dreamin’ (New Mix) 7:40
Dreamin’ (Dub) 3:46

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

Chart Performance — Will To Power: Dreamin’ (1987)
Chart Peak Position Date
US Billboard Hot 100 #50 1987
US Billboard Dance Music / Club Play #15 1987
US Billboard Hot Black Singles #40 1987

RELEASE INFORMATION:
Label: Epic – 49 06830
Format: Vinyl, 12″, 33 ⅓ RPM, Stereo
Country: US
Released: 1987
Genre: Electronic
Style: Freestyle

CREDITS:

NOTES:
Mastered at CBS

From the LP “Will To Power”

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for BURNING THE GROUND

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.


Will To Power – Say It’s Gonna Rain (US 12″) (1988)

Burning The Ground Exclusive

“Say It’s Gonna Rain” is a song by American dance-pop group Will to Power. The original version appeared on their self-titled debut album, released in 1988. Written and produced by Miami-based DJ and producer Bob Rosenberg, the track features Suzi Carr on lead vocals.

A 12-inch single was issued to clubs the same year, featuring extended and remixed versions that became a massive hit in dance circles. The remix went on to become the group’s first of two number-one hits on the Billboard Hot Dance Club Play chart, where it held the top spot for two weeks in August and September 1988. It also crossed over to the Billboard Hot 100, peaking at number 49 that July.

Built on a sleek freestyle groove and shimmering synth layers, “Say It’s Gonna Rain” perfectly captures the late-’80s Miami club sound—melodic, emotional, and irresistibly danceable. Suzi Carr’s soulful, yearning delivery gives the song a romantic core beneath its pulsating beats.

While Will to Power later found mainstream pop success with their chart-topping medley “Baby, I Love Your Way/Freebird,” “Say It’s Gonna Rain” remains their defining club anthem—a staple of freestyle compilations and a time capsule of the 1988 dancefloor scene.

*Note: On Side B, the tracks are listed separately on the label; however, they are actually mixed together. To preserve the flow and integrity of the original vinyl, I have not separated the tracks.

For those who lived through the era, this one instantly conjures flashing lights, smoke machines, and that unmistakable 808 rhythm echoing through packed dance clubs on a humid summer night.

SIDE A:
Say It’s Gonna Rain (Extended Mix) 6:38

SIDE B:
Say It’s Gonna Rain (Instrumental Mix)/
Say It’s Gonna Rain (808 Capella) 7:25 *

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

Chart Performance – Will To Power: Say It’s Gonna Rain 1988
Chart Peak Position Date
Canada (RPM) Dance #8 1988
US Billboard Hot 100 #49 1988
US Billboard Hot Dance / Club Play #1 1988
US Billboard Hot Dance / Maxi-Singles Sales #3 1988

RELEASE INFORMATION:
Label: Epic – 49 07589
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1988
Genre: Electronic
Style: Freestyle

CREDITS:

NOTES:
From the LP “Will To Power”

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for BURNING THE GROUND

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.


3 Speed / Maria Vidal – Once Bitten / Just One Kiss (US 7″) (1985)

Burning The Ground Exclusive

NEW 2025 Transfer
NEW Meticulous Audio Restoration

I originally posted this single back in October 2014, but for Spooky Season Spins 2025 I’m proud to share a brand-new, meticulously restored transfer — crisp, clean, and better than ever.

Spooky Season Spins Begins! 🎃💀🕸️

October is here, and that means it’s time to dust off the cobwebs, dim the lights, and turn up the volume — Spooky Season Spins officially begins today on Burning The Ground!

To kick things off, I’m featuring a rare and fascinating 7″ single pairing two tracks that perfectly capture that eerie ‘80s edge: 3 Speed – “Once Bitten” backed with Maria Vidal – “Just One Kiss.”

Released in 1985, this promo single was tied to the cult horror-comedy Once Bitten, starring a young Jim Carrey and Lauren Hutton. The A-side, “Once Bitten” by 3 Speed, brings that quintessential mid-80s movie soundtrack energy — upbeat, synthy, and a little bit dangerous. Flip it over, and Maria Vidal (best known for her hit “Body Rock”) delivers “Just One Kiss,” a sultry, atmospheric cut that’s dripping with vampiric allure.

3 Speed, a synth-rock band formed in Boston, enjoyed considerable success following the release of the Once Bitten soundtrack. At one point, they were even opening for Pat Benatar. Despite this momentum, MCA Records never petitioned the band to record a full-length LP, commissioning them instead to write songs for other soundtracks — including Rad and Savage Streets.

Both tracks on this single — “Once Bitten” and “Just One Kiss” — were written by legendary songwriting duo Billy Steinberg and Tom Kelly, who went on to craft some of the biggest hits of the 1980s and 1990s, including “Like A Virgin,” “True Colors,” “So Emotional,” and “Eternal Flame.”

“Just One Kiss” had actually been recorded earlier, in 1982, by Rick Springfield for his album Success Hasn’t Spoiled Me Yet — making the Once Bitten versions a fascinating bridge between early ‘80s pop-rock and mid-decade soundtrack synth-pop.

This record is one of those under-the-radar soundtrack gems that never got a wide release, making it a real treat for collectors and spooky-season DJs alike.

So cue the fog machine, light a few candles, and let’s sink our teeth into this one — the first Spooky Season Spin of 2025.

🩸 Stay tuned all month long for more hauntingly good 12″ and 7″ treats from the darker corners of the 1980s dancefloor.

SIDE A:
Once Bitten 3:39
Performed By – 3-Speed*

SIDE B:
Just One Kiss 4:00
Performed By – Maria Vidal

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Curb Records – MCA-52717, MCA Records – MCA-52717
Format: Vinyl, 7″, 45 RPM
Country: US
Released: 1985
Genre: Electronic, Rock
Style: New Wave, Pop Rock

CREDITS:

NOTES:
From the MCA/CURB LP, MCA-6154, “Music From The Motion Picture Soundtrack “Once Bitten.”

Buy the 7″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for BURNING THE GROUND

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.


Jody Watley – When A Man Loves A Woman (US 12″ Promo) (1994)

Burning The Ground Exclusive

Released in 1994 as the final single from her fourth album, Intimacy (1993), Jody Watley’s When a Man Loves a Woman stands out as one of the most intriguing singles of her career. Co-written with Larry Campbell, the song paired Watley’s poetic, philosophical spoken-word style with a sultry midtempo R&B/hip-hop groove, offering something bold and different from her previous chart-toppers.

Charts

The single became a success on both sides of the Atlantic. In the U.S., it climbed to #11 on the Billboard R&B Singles Chart, while in the UK, it reached #33 on the Singles Chart, becoming Watley’s first Top 40 hit there since “Friends” in 1989. In clubs, it fared even better, soaring to the top of the UK Club Chart, thanks in part to strong remixes.

Critical Reception

Critics praised the single’s originality and risk-taking:

  • Billboard (Larry Flick): Called it a “clever and unusual single,” noting Watley “waxes poetic and philosophical about relationships, chatting over an insinuating, midtempo hip-hop groove,” enhanced by “imaginative, format-stretching remixes.”

  • Gavin Report (Bill Speed & John Martinucci): Described it as “a monologue observing key elements of an unconditional relationship between a man and a woman.”

  • Music Week (Andy Beevers): Awarded four out of five stars and Pick of the Week in Dance, praising the BBG remixes that “have taken the track to the top of the RM Club Chart.”

  • Music & Media: Highlighted the socially conscious lyrics, noting the subtle message about AIDS and fidelity.

  • Record Mirror (James Hamilton): Called it a “mumbling slinky swayer (not the Percy Sledge classic),” remarking on its “sultrily muttered instructions about the right ways to treat the one you love without giving them AIDS.

Music Video

The music video for When a Man Loves a Woman marked Jody Watley’s directorial debut, giving her the chance to craft her own visual vision to accompany the single.

US Promo Release

In the U.S., at least three promo 12″ singles were issued, all featuring exclusive remixes never released commercially. Most of these versions have not appeared digitally or on CD, making them rare and highly collectible among Watley fans.

Legacy

Though not as universally recognized as her chart-topping hits Looking for a New Love or Real Love, When a Man Loves a Woman reflects Jody Watley’s artistry at its most daring—merging spoken-word poetry, house and R&B grooves, social commentary, and creative independence. It remains an essential piece of her catalog, a track that connected powerfully with audiences in clubs and on the charts while showcasing her growth as both an artist and visionary.

SIDE A:
When A Man Loves A Woman (D.J.’s Club Mix) 7:33
Producer [Additional Production], Remix – Darryl James
Written-By – Jody WatleyLarry “Rock” Campbell

When A Man Loves A Woman (D.J.’s Bentley’s Mix) 6:07
Producer [Additional Production], Remix – Darryl James
Written-By – Jody WatleyLarry “Rock” Campbell

SIDE B:
When A Man Loves A Woman (D.J.’s Dub Mix) 5:01
Producer [Additional Production], Remix – Darryl James
Written-By – Jody WatleyLarry “Rock” Campbell

When A Man Loves A Woman (D.J.’s Other Dub Mix) 5:33
Producer [Additional Production], Remix – Darryl James
Written-By – Jody WatleyLarry “Rock” Campbell

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

Chart Performance – Jody Watley: When A Man Loves A Woman (1994)
Chart Peak Position Date
US Billboard Dance Club Songs #8 1994
US Billboard Under Hot 100 15 1994
US Billboard R&B Singles #1 1994
UK Club Chart (Music Week) #1 1994
UK Dance (Music Week) #2 1994
UK Singles (OCC) #33 1994

RELEASE INFORMATION:
Label: MCA Records – MCA8P 2976
Format: Vinyl, 12″, 33 ⅓ RPM, Single, Promo
Country: US
Released: 1994
Genre: Electronic, Hip-Hop
Style: House, Garage House, Downtempo

CREDITS:

NOTES:
Original version appears on the Jody Watley album “Intimacy”

Housed inside MCA Records 12″ Single die-cut sleeve

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for BURNING THE GROUND

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.