Tag: U2

U2 – Discothèque (US 12″ Promo) (1997)

Burning The Ground Exclusive

When U2 returned in 1997 with “Discothèque,” it felt like a shock to the system—in the best possible way.

Released as the lead single from their ambitious album Pop, “Discothèque” saw the band diving headfirst into electronic dance music, club culture, and the glossy excess of the late ‘90s. Produced by Flood, Howie B, and Steve Osborne, the track fused U2’s signature anthemic sound with pulsing beats, distorted grooves, and a heavy dose of irony.

From the opening filtered guitar riff by The Edge, it’s clear this isn’t the same band that gave us The Joshua Tree. Instead, “Discothèque” leans into a sleazy, neon-lit atmosphere—more underground club than stadium rock. Bono delivers lyrics that flirt with decadence and spiritual longing, blurring the line between indulgence and introspection: “You can reach, but you can’t grab it…”

The single was a commercial success, hitting #1 in the UK and topping charts across Europe, while also making a strong showing on the Billboard Hot 100. In the U.S., it also became a major club hit, proving that U2 could successfully reinvent themselves yet again—this time for the dancefloor.

Of course, no discussion of “Discothèque” would be complete without its unforgettable video. Directed by Stéphane Sednaoui, the clip features the band dressed in outrageous costumes—most notably their appearance inside a giant mirrorball—poking fun at both themselves and club culture excess. It perfectly captured the era’s playful, anything-goes aesthetic while reinforcing the band’s willingness to take risks.

For longtime fans, “Discothèque” was initially divisive. Those expecting another With or Without You or One were instead met with a bold stylistic pivot. But in hindsight, that’s exactly what makes it so compelling. Much like their earlier reinvention during the Achtung Baby era, this track showed that U2 refused to stand still.

On the 12-inch and CD single formats, “Discothèque” truly came alive. Various remixes expanded the track’s club appeal, stretching its hypnotic groove into extended dancefloor workouts that fit perfectly alongside the late ‘90s electronic scene. The US 12″ promo that I am featuring today is especially noteworthy, as it includes the “Discothèque (DM Tec Club Mix),” which, as far as I know, remains exclusive to this particular release—making it a must-have for collectors and completists.

Nearly three decades later, “Discothèque” stands as one of the most daring singles in U2’s catalog. It’s a time capsule of late ‘90s experimentation, excess, and transformation—and a reminder that even the biggest bands can still surprise you when they’re willing to take risks.

SIDE A:
Discothèque (DM Deep Club Mix) 6:59

SIDE B:
Discothèque (DM Tec Club Mix) 7:20

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

Chart Performance – U2: Discothèque (1997)
Chart Peak Position Date
US Billboard Dance Club Songs #1 1997
US Billboard Hot 100 #10 1997
US Billboard Mainstream Rock #6 1997
UK Singles #1 1997
Scottland Singles #1 1997
Norway #1 1997
New Zealand #1 1997
Ireland #1 1997
Italy #1 1997
Finland #1 1997
Canada Top Singles (RPM) #2 1997
Canada Dance/Urban #1 1997
Canada Rock/Alternative #1 1997
Australia #3 1997

RELEASE INFORMATION:
Label: Island Records – PR12 7398-1
Format: Vinyl, 12″, 33 ⅓ RPM, Promo
Country: US
Released: 1997
Genres: Electronic, Pop
Styles: House

CREDITS:

NOTES:
For Promotional Use Only – Not For Sale

“Discothèque” contains samples from “Fane” by Freeform. Courtesy of Skam Records.

Mastered at Masterdisk – New York

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for BURNING THE GROUND

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon Concorde Music Black
Phono Pre-amp: Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
Audio Interface: MOTU M4
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.


☘️ St. Patrick’s Day Special: Irish Artists Who Shaped the Sound of the ’80s

For today’s post, I wanted to do something a little different. In honor of St. Patrick’s Day, I thought it would be a good time to take a look at the impact Irish artists had on the sound of the 1980s. While Ireland is often associated with traditional music, the decade saw a wave of bands and performers who helped shape everything from post-punk and alternative rock to atmospheric pop—leaving a lasting mark on the music many of us still spin today.

Leading the charge were U2, who emerged from Dublin with a sound that fused post-punk urgency with arena-sized ambition. With albums like War and The Joshua Tree, they didn’t just dominate charts—they brought a sense of purpose and social consciousness to mainstream rock. Tracks like “New Year’s Day” and “Pride (In the Name of Love)” became defining moments of the decade.

Equally impactful, though sonically very different, were The Cranberries’ predecessors in atmospheric and emotional expression—most notably Sinéad O’Connor. Her late-80s work, including The Lion and the Cobra, introduced a voice that was both haunting and confrontational, setting the stage for one of the most distinctive careers to follow in the next decade.

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On the darker edge of the spectrum, The Virgin Prunes pushed boundaries with avant-garde performance art and experimental soundscapes. Closely associated with the early Dublin scene that also gave rise to U2, they offered a more confrontational and theatrical take on post-punk.

Meanwhile, The Boomtown Rats, fronted by Bob Geldof, had already made waves at the tail end of the ’70s but continued their influence into the early ’80s. Songs like “I Don’t Like Mondays” carried over into the new decade, blending new wave sensibilities with sharp storytelling.

Of course, no discussion would be complete without Clannad, who bridged traditional Irish music with modern production. Their ethereal sound—especially on tracks like “Theme from Harry’s Game”—introduced a global audience to a uniquely Irish sonic atmosphere that would later influence artists like Enya, herself a former member of the group.

And then there’s Thin Lizzy. While they peaked in the ’70s, their influence carried strongly into the ’80s, particularly through the legacy of Phil Lynott. Their twin-guitar sound and storytelling approach would go on to shape countless rock and metal acts throughout the decade.

From politically charged rock to atmospheric pop and experimental art rock, Irish artists didn’t just participate in the 1980s music scene—they helped define it.

So this St. Patrick’s Day, whether you’re spinning a 12-inch remix or revisiting a classic LP, raise a glass to the Emerald Isle—a small country with an outsized impact on the soundtrack of a generation. ☘️

-DjPaulT

U2 – Desire (US 12″)

Burning The Ground Exclusive 1988

Released in September 1988, “Desire” was the lead single from U2’s album Rattle and Hum. With its pulsating rhythm inspired by the Bo Diddley beat and Bono’s impassioned lyrics, the song channeled the raw energy of rock and roll while addressing themes of ambition and social critique.

Produced by Jimmy Iovine, “Desire” is notable for its stripped-down, garage rock sound. The track captures the spirit of 50s and 60s rock influences while addressing themes of ambition, lust, and spirituality—hallmarks of U2’s storytelling.

Chart Performance:
“Desire” achieved significant commercial success. It became U2’s first #1 single, topping the UK Singles Chart. In the United States, the song peaked at #3 on the Billboard Hot 100 and secured the top spot on the Modern Rock Tracks chart, highlighting its cross-genre popularity and resonance with fans worldwide. It also reached #1 in Australia, Ireland, and New Zealand.

The track earned U2 their first Grammy Award for Best Rock Performance by a Duo or Group with Vocal in 1989, solidifying its place as one of the band’s most celebrated songs.

Legacy:
Over the years, “Desire” has remained a staple in U2’s live performances, often igniting concert audiences with its infectious rhythm and high-energy delivery. Its enduring appeal lies in how it blends the vintage rock sound with U2’s socially conscious and energetic style.

For 80s and 90s music fans, “Desire” represents an era when rock music was a driving force for entertainment and social commentary. It’s a testament to U2’s ability to evolve while staying true to their roots.

SIDE A:
Desire (Hollywood Remix) 5:23
Backing Vocals – Alexandra Brown*, Edna Wright
Engineer [Assistant] – Andy Batwinas
Engineer [Remix] – Taavi Mote
Producer [Additional], Programmed By [Additional] – Jeff Lorber
Remix [Remix Production By] – Louil Silas Jr., Taavi Mote

SIDE B:
Desire (7″ Version) 2:59
Mixed By – Shelly Yakus
Recorded By – Paul Barrett

Hallelujah (Here She Comes) 4:17
Mixed By, Engineer – David Tickle, Marc DeSisto
Other [Special Thanks To], Vocals [Additional], Organ [Hammond] – Billy Preston

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1988 Desire U.S. Billboard Hot 100 #3
1988 Desire U.S. Billboard Mainstream Rock Tracks #1

RELEASE INFORMATION:
Label: Island Records – 0-96600
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: Sep 1988
Genre: Rock
Style: Alternative Rock, Pop Rock

CREDITS:

  • Artwork By [Design Based On An Idea By] – Steve Averll Works, Associates
  • Artwork By [Designed By] – DZN, The Design Group
  • Lyrics By – Bono
  • Music By – U2
  • Photography – Anton Corbijn
  • Photography [Back Cover] – Bill Rubenstein
  • Producer – Jimmy Iovine

NOTES:
From the forthcoming Paramount Motion Picture,
Opening November 4th 1988,
and Island Records album
“U2 Rattle and Hum”.

Track A Remixed at Larrabee Sound.
Track B2 Recorded at STS Studio, Dublin.

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon 2M Black PnP MkII
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp: Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC: Alpha Design Labs GT40a USB DAC
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.



U2 – Two Hearts Beat As One (US 12″ Promo)

Burning The Ground Exclusive 1983

“Two Hearts Beat as One” is a song by Irish rock band U2. It is the seventh track on their 1983 album, War, and was released as its second single in the United States, United Kingdom, and Australia on 21 March 1983.

The music video was directed by Meiert Avis and was filmed outside the Basilica of Sacré Coeur de Montmartre in Paris in March 1983 and portrays the band performing the song, intercut with scenes of an acrobat and other scenes featuring Peter Rowen (the boy who appears on the album cover). The Parisian church is dedicated to the Sacred Heart of Jesus. Unlike the other videos from the album, it has never been included on any of the band’s video compilations.

It was released as the album’s second single in the US, UK and Australia, as opposed to “Sunday Bloody Sunday”, which was released only in the mainland of Europe. Both singles were released in Japan.

SIDE A:
Two Hearts Beat As One 5:54
Engineer – Glenn Rosenstein, Michael Hutchinson
Remix – François Kevorkian

SIDE B:
Two Hearts Beat As One (Album Version) 4:03

Two Hearts Beat As One (Edit) 3:52
Engineer –  Paul Thomas

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1983 Two Hearts Beat as One U.S. Billboard Bubbling Under Hot 100 #101
1983 Two Hearts Beat As One U.S. Billboard Mainstream Rock Tracks #12

RELEASE INFORMATION:
Label: Island Records – DMD 643
Format: Vinyl, 12″, Single, Promo, 45 RPM
Country: US
Released: 1983
Genre: Electronic, Rock
Style: Alternative Rock, New Wave

CREDITS:

NOTES:
“Promotional copy. Not For Sale”

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon 2M Black PnP MkII
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp: Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC: Alpha Design Labs GT40a USB DAC
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.