Category: The Boomtown Rats

☘️ St. Patrick’s Day Special: Irish Artists Who Shaped the Sound of the ’80s

For today’s post, I wanted to do something a little different. In honor of St. Patrick’s Day, I thought it would be a good time to take a look at the impact Irish artists had on the sound of the 1980s. While Ireland is often associated with traditional music, the decade saw a wave of bands and performers who helped shape everything from post-punk and alternative rock to atmospheric pop—leaving a lasting mark on the music many of us still spin today.

Leading the charge were U2, who emerged from Dublin with a sound that fused post-punk urgency with arena-sized ambition. With albums like War and The Joshua Tree, they didn’t just dominate charts—they brought a sense of purpose and social consciousness to mainstream rock. Tracks like “New Year’s Day” and “Pride (In the Name of Love)” became defining moments of the decade.

Equally impactful, though sonically very different, were The Cranberries’ predecessors in atmospheric and emotional expression—most notably Sinéad O’Connor. Her late-80s work, including The Lion and the Cobra, introduced a voice that was both haunting and confrontational, setting the stage for one of the most distinctive careers to follow in the next decade.

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On the darker edge of the spectrum, The Virgin Prunes pushed boundaries with avant-garde performance art and experimental soundscapes. Closely associated with the early Dublin scene that also gave rise to U2, they offered a more confrontational and theatrical take on post-punk.

Meanwhile, The Boomtown Rats, fronted by Bob Geldof, had already made waves at the tail end of the ’70s but continued their influence into the early ’80s. Songs like “I Don’t Like Mondays” carried over into the new decade, blending new wave sensibilities with sharp storytelling.

Of course, no discussion would be complete without Clannad, who bridged traditional Irish music with modern production. Their ethereal sound—especially on tracks like “Theme from Harry’s Game”—introduced a global audience to a uniquely Irish sonic atmosphere that would later influence artists like Enya, herself a former member of the group.

And then there’s Thin Lizzy. While they peaked in the ’70s, their influence carried strongly into the ’80s, particularly through the legacy of Phil Lynott. Their twin-guitar sound and storytelling approach would go on to shape countless rock and metal acts throughout the decade.

From politically charged rock to atmospheric pop and experimental art rock, Irish artists didn’t just participate in the 1980s music scene—they helped define it.

So this St. Patrick’s Day, whether you’re spinning a 12-inch remix or revisiting a classic LP, raise a glass to the Emerald Isle—a small country with an outsized impact on the soundtrack of a generation. ☘️

-DjPaulT

Band Aid – Band Aid Special (Japan LP)

BURNING THE GROUND EXCLUSIVE 1985

Probably my biggest undertaking to date since I usually do not transfer full albums. I have been working on this off and on over the last rew days and I think it turned out nicely. The Japan pressings always sound very good. I realize this album was released on CD however I prefer vinyl and for those of you who share that love I really hope you enjoy this collection.

Happy, Merry Christmas! -DjPaulT

“Band Aid Special” is a 1985 album compiled by Mercury Records in Japan, released on March 31, 1985 a few months after the release of the single “Do They Know It’s Christmas?”. This compilation contains all three mixes of “Do They Know It’s Christmas?”that were originally released on 12” single. The rest of the album was filled artists that were involved with the recording of “Do They Know It’s Christmas?”, along with other artists to fill out the album.

The album was re-issued in December 1985 under the title “Rock ‘Now” 12 Hits!”.

Band Aid is a charity supergroup featuring mainly British and Irish musicians and recording artists.was founded in 1984 by Bob Geldof and Midge Ure to raise money for anti-famine efforts in Ethiopia by releasing the song “Do They Know It’s Christmas?” for the Christmas market that year. On 25 November 1984, the song was recorded at Sarm West Studios in Notting Hill, London, and was released in the UK four days later. The single surpassed the hopes of the producers to become the Christmas number one on that release. The 12″ version was mixed by Trevor Horn.

SIDE A:
Band AidDo They Know It’s Christmas? (12″ Mix) 6:13
Engineer – Trevor Horn
Producer – Midge Ure, Trevor Horn
Remix – Trevor Horn
Written-By – Geldof*, Ure*

Big CountryIn A Big Country 3:52
Producer – Steve Lillywhite
Written-By – Big Country

Marilyn Calling Your Name 4:04
Producer – Clive Langer & Alan Winstanley
Written-By – Marilyn, Caplin*

Status QuoMarguerita Time 3:27
Producer – Quo*
Written-By – Frost*, Rossi*

The Boomtown Rats Tonight 3:53
Producer – The Boomtown Rats
Written-By – Bob Geldof

GenesisThat’s All  4:23
Producer – Genesis, Hugh Padgham
Written-By – Genesis

SIDE B:
Band AidDo They Know It’s Christmas? 3:53
Engineer – Steve Lipsom*
Producer – Midge Ure, Trevor Horn
Written-By – Geldof*, Ure*

BBon JoviRunaway 3:51
Producer – Lance Quinn, Tony Bongiovi
Written-By – G. Karak*, J. Bon Jovi*

Elton JohnSad Songs (Say So Much) 4:48
Producer – Chris Thomas
Written-By – Elton John & Bernie Taupin

ABCThe Look Of Love 3:29
Producer – Trevor Horn
Written-By – ABC

Tears For FearsMothers Talk 3:54
Backing Vocals – Stevie Lange
Producer – Chris Hughes
Written-By – Ian Stanley

Band AidFeed The World 4:16
Engineer – Steve Lipsom*
Producer – Midge Ure, Trevor Horn
Written-By – Geldof*, Ure*

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint
OBI: Near Mint
Insert: Near Mint

RELEASE INFORMATION:
Label: Mercury – 25PP-161
Format: Vinyl, LP, Compilation
Country: Japan
Released: 1985
Genre: Electronic, Rock, Pop
Style: Alternative Rock, New Wave, Pop Rock, Synth-pop

NOTES:
Among super hits of prominent names included on this special compilation album are songs by The Boomtown Rats, Big Country, Genesis, Status Quo, and Marilyn who participated in the Band Aid project.

℗ 1985 Phonogram International, B.V.
Manufactured and Distributed by Nippon Phonogram Co., Ltd.
Made in Japan

Find the LP on DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7 TubeGold Pins
Soundcard:
Novation Audiohub 2×4 Audio Interface
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi