Burning The Ground Exclusive
Smooth R&B Meets Street-Corner Drama
Released in 1986, The Rain by Oran ‘Juice’ Jones became one of the most memorable and unconventional R&B hits of the decade. Blending smooth soul with a spoken-word monologue that unfolds like a dramatic confrontation, the track stood apart from nearly everything else on radio at the time. Its cinematic storytelling and unforgettable mid-song breakdown helped make it an instant classic of 80s R&B.
An Unlikely Hit for Def Jam
Jones, born in Houston, Texas, was among the first R&B artists signed to Def Jam Recordings, the pioneering label founded by Russell Simmons and Rick Rubin. During the mid-80s, Def Jam was primarily known for groundbreaking hip-hop acts such as LL Cool J and Beastie Boys, making Jones’ polished R&B sound somewhat of an outlier on the roster.
Still, the label took a chance—and it paid off. “The Rain” showcased that Def Jam could reach beyond hip-hop and deliver a crossover R&B smash.
The Monologue That Made History
Musically, the song begins as a slick mid-80s soul groove built on drum machines, shimmering synths, and Jones’ smooth vocals. But halfway through, the track takes an unexpected turn when Jones launches into a spoken tirade after catching his girlfriend with another man.
The monologue—equal parts heartbreak, anger, and biting humor—plays out like a late-night street argument set against a rainy city backdrop. Lines like “I saw you—and him—walking in the rain…” instantly became part of pop culture lore, giving the song a theatrical edge rarely heard in mainstream R&B.
Chart Success and MTV Rotation
Despite its unusual structure, the single was a massive hit. “The Rain” topped the Billboard Hot Black Singles chart and reached #9 on the Billboard Hot 100 in the United States.
The dramatic music video—featuring Jones confronting his unfaithful lover in the rain—became a staple on MTV, further cementing the song’s place in 80s pop culture.
From the Album Juice
“The Rain” was the standout single from Jones’ debut LP Juice. While the album produced a few additional singles, none matched the cultural impact or staying power of his breakout hit.
A Timeless 80s Moment
Nearly four decades later, “The Rain” remains one of the most distinctive singles of the 1980s. Its blend of smooth R&B, storytelling, and spoken-word drama turned what could have been a typical slow jam into something unforgettable.
Whether remembered for its catchy groove or its legendary spoken confrontation, “The Rain” still stands as one of the most unique hit records of its era.
SIDE A:
The Rain (Remix) 5:12
Juice’s Groove (Bonus Beats) 2:46
SIDE B:
The Rain 5:09
VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint
| Chart | Peak Position | Date |
|---|---|---|
| US Billboard Hot 100 | #9 | 1986 |
| US Billboard Hot R&B / Hip-Hop | #1 | 1986 |
| US Billboard Hot Dance Music / Club Play | #7 | 1986 |
| Australia (Kent Music Report) | #85 | 1986 |
| UK Singles Chart | #4 | 1986 |
RELEASE INFORMATION:
Label:Def Jam Recordings – CAS 2496, Columbia – CAS 2496
Format: Vinyl, 12″, 33 ⅓ RPM, Single, Promo, Stereo
Country: US
Released: 1986
Genre: Hip Hop, Funk / Soul
Style: Rhythm & Blues
CREDITS:
- Producer – Russell Simmons, Vincent F. Bell*
NOTES:
Demonstration Not For Sale.
Taken from the Def Jam/Columbia LP Oran “Juice” Jones
Buy the 12″ at DISCOGS
VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for BURNING THE GROUND

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus: Ortofon Concorde Music Black
Phono Pre-amp: Pro-Jec Tube Box DS2
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Audio Interface: MOTU M4
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Epson Workforce WF-7610 Professional Printer/Scanner
SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator
RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi
**24bit FLAC Only Available For Seven Days!
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Thank you, Paul.
Thank you, Paul, for this! I was all smiles when this came up! It’s a great record!
Jeff
Thank you Paul. Every 80s DJ had this 12″ in his case and it was an absolute Floorfiller. Now we need Miss Thang : Thunder And Lightning.
Such a great groove and landmark video Paul! I always loved how stylish Oran “Juice” Jones was with his custom-tailored shiny suits. Thank you so much Paul for this rare promo!!
Just a small add on to DjPaulT’s writeup. The “Remix” for The Rain was never commercially available anywhere. It was only issued as a vinyl promo. This song also sparked a couple of female answer records. Miss Thang – Thunder & LightningChocolate “Milk” Mama – The Rain (The Answer) Miss Thang’s version was the most notable with with a monologue from her directly answering his monologue, which made it a must have. I remember the “Remix” being a grail to the DJ’s like myself because it was very scarce and most people, even to this day never knew it existed.… Read more »
Hi Nick, Great addition—thanks for sharing that. You’re absolutely right about the Remix being promo-only. Copies were issued strictly to DJs on vinyl and never saw a commercial release, which definitely helped give it that holy grail status back in the day. I also remember hearing about the response records that followed the success of The Rain. The Miss Thang – “Thunder & Lightning” track in particular was a clever concept, especially with the monologue answering Oran’s side of the story. Those kinds of back-and-forth records were such a fun part of the era. And you nailed something younger collectors… Read more »
This is such a down tempo chill track! It was never a go to for me by any means but I have come to enjoy it as time has passed. That smooth groove has such a catchy beat that is irresistible. The tirade monologue (tiradologue?!) that confused me originally is so unique and funny and entertaining when you really listen. Thanks for this one Dj Paul, I enjoyed all the different versions on this vinyl. The ‘remix’ is a bit too stripped back for me, but it’s fascinating listening to it back to back with the original version. “Silly rabbit,… Read more »
Hi JP, I know exactly what you mean. “The Rain” was never really a big dancefloor track, but it has this laid-back groove that pulls you in the more you listen to it. Over time it really grows on you. And yes—the monologue! “Tiradologue” might actually be the perfect word for it. At first it almost feels strange when the music drops back and he launches into that whole confrontation, but that’s exactly what makes the record so memorable. It’s like a little mini-drama playing out in the middle of the song. I’m glad you enjoyed hearing the different versions… Read more »
When Donald Glover hosted SNL in 2018, there was a random spoof on this song/video.
https://youtu.be/Q06tcRae13k
Hilarious, thank you for sharing. It just goes to show the cultural impact the song had.
oh that mid section! It wasn’t pleasent back then and hasn’t aged any better 40 years later. It’s a GREAT shame as otherwise it’s a brilliant haunting song.
Paul, I think the midsection monologue is what made the track unique. I think it was made to be a bit cheeky. 🙂
Oh. My. Goodness. Who isn’t hearing “..and him…” in their inner monologue now?
Classic, it was an outlier song (is it a song or an audio drama?) that had no business being a single or a hit ‘on paper’ (& definitely to corporate shirts), but in a way that is EXACTLY what made the ’80’s such an interesting time for music and creativity.
Love it, especially the way he gets his revenge…
“You’s with THE JUICE!”
What was she thinking about?
Great post!!!!
Hi ING, Right? Once you hear it, that “…and him…” line just lives in your head rent-free. It’s impossible not to hear the whole scene play out after that. You make a great point too—on paper this record really shouldn’t have worked as a hit single. It’s part smooth R&B slow jam and part spoken-word soap opera. But that’s exactly why the ’80s were such a fascinating time in music. There was still room for something quirky and unexpected to slip through and become a genuine hit. And that revenge moment at the end is priceless. When he drops the… Read more »
Wow…this is like 2 times in a month that I’ve said this: The original is far better than the remix. In this case, the “remix” was really just the removal of some of the instrumentation…almost the exact length and organization of the regular LP mix…which a)I think is hardly ethical to call a “remix” 🙂 and b)just doesn’t sound good at all. However, on the positive feedback here, this song was such a classic. It owned the airwaves and everybody quoted it. This song was used SO WELL in the Ultimix 1986 Flashback Medley starting at 4:17 and every time… Read more »
You’re welcome, Fred. Thanks for sharing your opinion and the link. You are right, the track fits well in the medley.
I think this was my request
Thank you, Paul
You’re welcome, I know it has taken a while 🙂
smooth as silk….
Hi Raymond,
Perfect way to describe it—smooth as silk. The groove is so laid-back and effortless that it just glides along, even with all the drama happening in the middle.
It’s one of those tracks where the atmosphere really pulls you in.
Thanks for listening!
—Paul
Thank you, Paul! Such a classic, and yet I’ve never seen the video or paid attention to the hilarious spoken passage! I hope that’s included in the remixes.
I was thinking that I don’t recall ever have seen the video… I wonder if it would ruin the video I made up in my head every time I heard the song??! 🤔🤯
You are in luck, Axel. The spoken passage is in the remix. Hope you like it 🙂
Woah what a nice surprise! We loved this tune when it dropped on MTV. Catchy music and hilarious video. Thanks for the time warp Paul!
“Silly rabbit, Trix are for kids!”
Hi Mikey-D,
Yeah, the video really helped push this one over the top. Seeing the whole scene play out on MTV made the song even more memorable—it was like watching the drama unfold in real time.
And you’re right, it’s such a catchy groove underneath all that storytelling. That combination of smooth R&B and over-the-top monologue is what makes it so much fun even today.
Glad you enjoyed the little time warp!
And of course… “Silly rabbit, Trix are for kids!”
Thanks for stopping by!
—Paul