Burning The Ground Exclusive
Razormaid Digital Mixes by Art Maharg and Joseph Watt
A DJPaulT Custom 12″ Single.
Spooky Season Spins kicks off today with something a little different.
October does not always have to mean ghosts, vampires, and horror movie themes. Sometimes the right atmosphere comes from something colder, harsher, and far more mechanical. For this installment, we are heading straight into the factory with a custom 12″ that I have titled Industrial Assault.
This two-track single brings together Bigod 20 and TGT (The Genetic Terrorists), with both selections originally appearing on Razormaid Chapter R-25.
Opening Side A is Bigod 20 with “America,” re-edited by Razormaid co-founder Art Maharg.
Bigod 20 was part of the German Electronic Body Music and Industrial scene, and “America” has exactly the kind of atmosphere I wanted for an October post. It is dark, repetitive, confrontational, and driven by electronics that feel more like machinery than traditional instrumentation.
Maharg’s Razormaid treatment pushes that feeling even further. The track moves with a relentless pulse, using repetition and carefully placed edits to make the whole thing feel increasingly tense.
There may not be a monster hiding in the shadows here, but the track still feels threatening.
For Spooky Season Spins, that counts.
Flip the record over, and things become even more brutal.
“Machine Gun” by TGT, or The Genetic Terrorists, was re-edited for Razormaid by Joseph Watt.
The title gives you a pretty good indication of what is coming. Hard electronic percussion, samples, repetition, and a cold mechanical rhythm dominate the track.
Watt’s edit has that classic Razormaid DJ sensibility. Rather than simply stretching the original recording, the arrangement uses its strongest rhythmic elements to keep the track moving. It is sparse in places, aggressive in others, and never particularly interested in making the listener comfortable.
That is exactly why it works here.
Both “America” and “Machine Gun” were taken from Razormaid Chapter R-25, which also gives this custom single a nice connection. Side A represents Art Maharg, while Side B represents Joseph Watt, bringing both Razormaid co-founders together on one very Industrial piece of vinyl.
So for this edition of Spooky Season Spins, forget the haunted houses and graveyards for a moment.
Welcome to the factory.
Cold steel. Concrete. Smoke stacks. Machines running somewhere in the darkness.
SIDE A:
Bigod 20 – America 6:31
Edited By [Re-edited] – Art Maharg
SIDE B:
Genetic Terrorists* – Machine Gun 5:14
Edited By [Re-edited] – Joseph Watt
VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint
RELEASE INFORMATION:
Label: Razormaid Records – RM-LP-r25
Format: Vinyl, 12″, 45 RPM, Promo
Country: US
Released: 1989
Genre: Electronic
Style: EBM, Industrial
CREDITS:
Custom Sleeve Artwork [Design] – DjPaulT
NOTES:
For Promotional Use Only
Both tracks taken from: Razormaid Chapter r-25
VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for BURNING THE GROUND
THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus: Ortofon Concorde Music Black
Phono Pre-amp: Pro-Ject Tube Box DS2
Phono Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
Audio Interface: MOTU M4
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Cleaning Solution: Turgikleen Record Cleaning Solution
Scanner: Epson Workforce WF-7610 Professional Printer/Scanner
SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator
RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi
PLEASE READ
There are two 24-Bit links; if one does not work, try the other
**24-bit FLAC Only Available For SIX Days!
Password: burningtheground
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