Tag: Daniel Miller

October 16, 2018

Fad Gadget – Make Room (UK 7″)

BURNING THE GROUND EXCLUSIVE 1981

-DjPaulT Recommended 7″

“Make Room” is a 1981 one-off single on Mute Records, by British avant-garde electronic musician and vocalist Francis John Tovey (8 September 1956 – 3 April 2002), known also by his stage name Fad Gadget. He was a proponent of both new wave and early industrial music, fusing together a unique blend of pop-structured songs mixed with mechanized experimentation.

The b-side “Lady Shave”, went on to become “one of his most iconic tracks”.

SIDE A:
Make Room 4:04
Bass Guitar – Pete Balmer
Drums – Robert Gotobed
Vocals [Extra] – B.J. Frost, Pete Balmer*, Sarah Pirozek
Written-By – Fad Gadget, PBalmer*

SIDE B:
Lady Shave 5:48
Synthesizer, Electronic Drums [Drum Machine] – Daniel Miller
Written-By – D Miller*, Fad Gadget

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Mute ‎– MUTE 012
Format: Vinyl, 7″, Single, 45 RPM
Country: UK
Released: Mar 1981
Genre: Electronic
Style: New Wave, Synth-pop

CREDITS:
Lacquer Cut By – Porky (5)
Photography By – B.J. Frost*
Plated By – Max*
Synthesizer – David Simmonds
Vocals – Fad Gadget

NOTES:
Recorded at Blackwing Studios All Hallows Church, London 1981.
Studio: Fad Gadget, D. Miller
Distributed by Rough Trade & Spartan

Find the 7″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp: Bellari VP130 Tube Phono Preamp
Tube: Mullard 12AX7 Preamp Vacuum Tube Pins
Soundcard: Novation Audiohub 2×4 Audio Interface
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

October 3, 2017

Depeche Mode – Strangelove (US 12″)

BURNING THE GROUND EXCLUSIVE 1987

“Strangelove” is a single by Depeche Mode from their sixth studio album Music for the Masses. It reached number 16 on the UK Singles Chart, number 2 in West Germany and in South Africa, and was a Top 10 success in several other countries, including Sweden and Switzerland. In the US it reached number 50 on the Billboard Hot 100 and was the first of 9 number-ones on the US Dance charts, where it stayed for three weeks at the top.

The b-side “Pimpf” is a dark instrumental that is mostly piano, named after a magazine of the Hitler Youth organizations. “Pimpf” later shows up as the final track on Music for the Masses. There is also a remix available on some “Strangelove” single releases called “Fpmip” (“Pimpf” backwards).

This is the first US 12″ release for “Strangelove” released May 20th, 1987.

Significant to the US 12 inch single release (20696-0) is the “Blind Mix”. Unlike every other release of this mix worldwide, the US release fades the mix out prematurely (by a little under a minute). This abnormal mastering job was also available on the Sire Records promotional CD compilation “Hit It”, and on other US releases of the remix, until the 1991 CD single box sets.

SIDE A:
Strangelove (Maxi-Mix) 6:31
Strangelove (Midi-Mix) 1:40

SIDE B:
Strangelove (Blind Mix Edit) 6:09
Remix – Daniel Miller, Rico Conning

Fpmip 5:19

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year	Single	Chart	Position
1987	Strangelove	U.S. Billboard Hot 100	#50
1987	Strangelove	U.S. Billboard Hot dance Music/Club Play	#1
1987	Strangelove	U.S. Billboard Hot Dance Music/Maxi-Singles Sales	#5

RELEASE INFORMATION:
Label: Sire ‎– 0-20696, Sire ‎– 9 20696-0, Mute ‎– 0-20696, Mute ‎– 9 20696-0
Format: Vinyl, 12″, 45 RPM, Maxi-Single
Country: US
Released: May 20, 1987
Genre: Electronic
Style: Synth-po

CREDITS:
Design, Photography By – T&CP Assoc.*
Producer – David Bascombe, Depeche Mode
Written-By – M.L. Gore*

NOTES:
Original version appears on the LP “MUSIC FOR THE MASSES”

Find the 12″ on DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp: Bellari VP130 Tube Phono Preamp
Tube: Sovtek 12AX7LPS Vacuum Tube
Soundcard: ESI Juli@
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Epson Workforce WF-7610 Professional Printer/Scanner

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

August 29, 2017

I Start Counting – Letters To A Friend (UK 12″)

BURNING THE GROUND EXCLUSIVE 1984

-DjPaulT Recommended 12″

“Letters To A Friend” is the debut single by electronic music duo from North London. The band consisted of David Baker and Simon Leonard.

In 1984, the duo was signed by Mute and released its debut single, the quirky “Letters to a Friend.” “Letters to a Friend” easily distinguished itself from the glut of synthesizer-laden records from the mid-’80s with Baker’s distinctly British talk-sing style and the psychedelic feel of the keyboards. The single was produced by British producer and founder of Mute Records Daniel Miller.

I Start Counting gained a significant cult following in the U.K. and the U.S., especially among American suburban teens who were discovering Depeche Mode and Kraftwerk in dance clubs.

In 1985 the duo released their debut album My Translucent Hands.

SIDE A:
Letters To A Friend (Sunrise Mix) 8:04
Engineer – Trigger (6)

SIDE B:
Adman’s Dream (Admix) 4:58
Engineer – John Fryer

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Mute ‎– 12 MUTE 034
Format: Vinyl, 12″, 45 RPM
Country: UK
Released: 1984
Genre: Electronic
Style: Synth-pop

CREDITS:
Artwork [Still From “Topology And Mechanics: Flows On The Torus.”] – David Laidlaw, Hüseyin Koçak, Prof. Tom Banchoff*
Mastered By – timtom* (tracks: A), TY* (tracks: B)
Photography By – David Margolis
Producer – Daniel Miller

NOTES:
Dying Art
Track A engineered at Aosis Studios
Track B engineered at Blackwing Studios

Still from “Topology and Mechanics: Flows on the Torus”. Courtesy Prof. Tom Banchoff, David Laidlaw and Hüseyin Koçak.

Find the 12″ on DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp: Bellari VP130 Tube Phono Preamp
Tube: Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard: ESI Juli@
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Epson Workforce WF-7610 Professional Printer/Scanner

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

May 25, 2017

Erasure – Victim Of Love (Limited Edition Remix) (US 12″)

BURNING THE GROUND EXCLUSIVE 1987

“Victim of Love” is a song by British synthpop duo Erasure, released in May 1987 as their sixth single overall.

It was the third single to be lifted from the duo’s second album, The Circus, released six weeks earlier, and was remixed for single release.

The song was written by band members Vince Clarke and Andy Bell and incorporates the signature Erasure sound of uptempo rhythm, analog synthesizer and a prominent acoustic guitar. Bell’s lyrics pertain to one’s apprehension when entering into a new love relationship. The song’s protagonist doesn’t “want to look like some kind of fool” or become a “victim of love”.

Upon its release, “Victim of Love” became the second UK Top 10 single for Erasure, peaking at number seven. “Victim of Love” also hit number one on the U.S. Hot Dance Music/Club Play chart (Clarke and Bell would have to wait eighteen years before their second U.S. Dance chart-topper “Breathe”).

The song remains one of Erasure’s signature tunes and is a concert favorite.

SIDE A:
Victim Of Love (Vixenvitesse Mix) 5:41
Remix – Daniel Miller, Rico Conning

Soldier’s Return (Machinery Mix) 5:00
Producer – Erasure, E.C. Radcliffe*
Remix – E.C. Radcliffe*

SIDE B:
Victim Of Love (Extended Mix) 6:56
Mixed By – Mr. Mixmaster Phil Harding*

Victim Of Love (Dub Mix) 3:24
Mixed By – Mr. Mixmaster Phil Harding*

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year	Single	Chart	Position
1987	Victim Of Love	U.S. Billboard Hot Dance Music/Club Play	#1
1987	Victim Of Love	U.S. Billboard Hot Dance Music/Maxi-Singles Sales	#37

RELEASE INFORMATION:
Label: Sire ‎– 0-20740, Sire ‎– 9 20740-0
Format: Vinyl, 12″, 45 RPM, Maxi-Single
Country: US
Released: 1987
Genre: Electronic
Style: Synth-pop

CREDITS:
Design [Designed By] – Me Co.*
Producer – Flood (tracks: A1, B1, B2)
Written-By – Clarke/Bell

NOTES:
Track A1 remixed at Guerilla.
Tracks B1 and B2 remixed at P.W.L.

Original version of “Victim Of Love” available on the Erasure album ‘The Circus’ on Sire Records.

Find the 12″ on DISCOGS

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp: Bellari VP130 Tube Phono Preamp
Tube: Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard: ESI Juli@
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi