New Order – Fine Time (US 12″)

BURNING THE GROUND EXCLUSIVE 1989

“Fine Time” is a song by New Order released in 1988 and the first single from their 1989 album Technique. The B-side “Fine Line” is simply the A-side without Bernard Sumner’s vocals.

On the naming of the track, Stephen Morris said, “my car had been towed away and I had to remind myself to go and pay the fine. I just wrote “Fine Time” on this piece of paper to remind myself to go get it and thought, that’s a good title.”

In the U.K. the single peaked at #11. “Fine Time” was a major club hit in the United States where it reached #2 on the Billboard Dance chart.

The song was recorded in the Mediterranean Studios, Ibiza.

SIDE A:
Fine Time (7 Inch Edit) 3:09
Edited By – Michael Johnson, New Order

Fine Time (LP Mix) 4:43
Fine Line 4:43

SIDE B:
Fine Time (Silk Mix) 6:19
Engineer – Grant Austin
Remix, Producer [Additional Production], Edited By – Steve ‘Silk’ Hurley*

Fine Time (Messed Around Mix) 4:37
Engineer – Grant Austin
Remix, Producer [Additional Production], Edited By – Steve ‘Silk’ Hurley*

Don’t Do It 4:29

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1989 Fine Time U.S. Billboard Hot Dance Music/Club Play #2
1989 Fine Time U.S. Billboard Mainstream Rock Tracks #3
1989 Fine Time U.S. Billboard Hot Dance Music/Maxi-Singles Sales #3

 

RELEASE INFORMATION:
Label: Qwest Records ‎– 0-21107, Qwest Records ‎– 9 21107-0
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1989
Genre: Electronic
Style: House, Synth-pop

CREDITS:
Cover – Peter Saville Associates, Trevor Key
Mixed By – Alan Meyerson
Painting [Cover After A Painting By] – Richard Bernstein
Recorded By – Michael Johnson
Written-By, Producer – New Order

NOTES:
B1 & B2 remixed and engineered at Tanglewood Recording Studios.
Made in USA

Find the 12″ on DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Sovtek 12AX7LPS Vacuum Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Sugarhill Gang – Rapper’s Delight (Germany 12″)

BURNING THE GROUND EXCLUSIVE 1979

REQUEST

“Rapper’s Delight” is a hip-hop song released in September 1979 by The Sugarhill Gang, and produced by ex-Mickey and Sylvia member Sylvia Robinson.

While it was not the first single to include rapping, it is generally considered to be the song that introduced hip hop music to audiences in the United States and around the world (and the very first full-length rap song, which featured rapping parts throughout the entire song, unlike the first single). The song is ranked number 251 on the Rolling Stone magazine’s list of The 500 Greatest Songs of All Time and number 2 on VH1’s 100 Greatest Hip-Hop Songs. It is also included in NPR’s list of the 100 most important American musical works of the 20th century. It was preserved into the National Recording Registry by the Library of Congress in 2011. Songs on the National Recording Registry are “culturally, historically, or aesthetically significant.”

The song also notably includes musical parts from Chic’s “Good Times”, resulting in band members Nile Rodgers and Bernard Edwards suing Sugar Hill Records over copyright; a settlement reached allowed the two to receive songwriter credits.

The song was recorded in a single take. There are three versions of the original version of the song: 14:35 (12″ long version), 6:30 (12″ short version), and 3:55 (7″ shortened single version).

In the U.S. the song reached #36 on the Billboard Hot 100. Internationally “Rappers Delight” hit #1 Netherlands, #1 Canada and #3 U.K. while also making the top five inseveral other European countries.

SIDE A:
Rapper’s Delight (Long Version) 14:35

SIDE B:
Rapper’s Delight (Short Version) 6:35

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1979 Rapper’s Delight U.S. Billboard Hot 100 #36

 

RELEASE INFORMATION:
Label: Metronome ‎– 0930.002
Format: Vinyl, 12″, 45 RPM, Single, Special Disco-Version
Country: Germany
Released: 1979
Genre: Hip Hop, Funk / Soul
Style: Disco

CREDITS:
Producer – Sylvia Inc.*
Written-By – G. O’Brien*, H. Jackson*, M. Wright*, S. Robinson*

NOTES:
[Front cover]
Super Disco Sound Single 30 cm
Special Disco-Version

[Back cover]
Music taken form [sic] “Good Times” by CHIC

Made In Germany

Find the 12″ on DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Sovtek 12AX7LPS Vacuum Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

The Human League – Don’t You Want Me (UK 12″)

BURNING THE GROUND EXCLUSIVE 1981

“Don’t You Want Me” is a single by British synthpop group The Human League, released on 27 November 1981 as the fourth single from their third studio album Dare (1981).

It is the band’s best known and most commercially successful recording and was the 1981 Christmas number one in the UK, where it has since sold over 1,560,000 copies, making it the 23rd most successful single in UK Singles Chart history. It later topped the Billboard Hot 100 in the US on 3 July 1982 where it stayed for three weeks. In 2015 the song was voted by the British public as the nation’s 7th favourite 1980s number one in a poll for ITV.

The lyrics were originally inspired after lead singer Philip Oakey read a photo-story in a teen-girl’s magazine. Originally conceived and recorded in the studio as a male solo, Oakey was inspired by the film A Star Is Born and decided to turn the song into a conflicting duet with one of the band’s two teenage female vocalists. Susan Ann Sulley was then asked to take on the role. Up until then, she and the other female vocalist Joanne Catherall had only been assigned backing vocals; Sulley says she was chosen only through “luck of the draw”. Musicians Jo Callis and Philip Adrian Wright created a synthesizer score to accompany the lyrics which was much harsher than the version that was actually released. Initial versions of the song were recorded but Virgin Records-appointed producer Martin Rushent was unhappy with them. He and Callis remixed the track, giving it a softer, and in Oakey’s opinion, “poppy” sound. Oakey hated the new version and thought it the weakest track on Dare, resulting in one of his infamous rows with Rushent. Oakey disliked it so much that it was relegated to the last track on side two of the (then) vinyl album.

Before the release of Dare, three of its tracks—”The Sound of the Crowd”, “Love Action (I Believe in Love)”, and “Open Your Heart”—had already been released as successful singles. With a hit album and three hit singles in a row, Virgin’s chief executive Simon Draper decided to release one more single from the album before the end of 1981. His choice, “Don’t You Want Me”, instantly caused a row with Oakey who did not want another single to be released because he was convinced that “the public were now sick of hearing The Human League” and the choice of the “poor quality filler track” would almost certainly be a disaster, wrecking the group’s new-found popularity. Virgin were adamant that a fourth single would be released and Oakey finally agreed on the condition that a large colour poster accompany the 7″ single, because he felt fans would “feel ripped off” by the ‘substandard’ single alone.

The Human League often added cryptic references to their productions and the record sleeve of “Don’t You Want Me” featured the suffix of “100”. This was a reference to The 100 Club, a restaurant/bar in Sheffield.

Today, the song is widely considered a classic of its era. In a retrospective review, Stephen Thomas Erlewine, senior editor for AllMusic, described the song as “a devastating chronicle of a frayed romance wrapped in the greatest pop hooks and production of its year.” Oakey still describes it as over-rated, but acknowledges his initial dismissal was misguided and claims pride in the track. Oakey is also at pains to point out another misconception: that it is not a love song, but “a nasty song about sexual power politics”.

“Don’t You Want Me” was released in the UK on 27 November 1981. The B side was “Seconds” another track lifted straight from the Dare album. Like previous singles, a 12″ version was also issued featuring the original version of “Don’t You Want Me” and “Seconds” on the A side and an “extended dance mix” lasting seven and a half minutes on the B side. This mix is also features on the Love and Dancing album released under the name of The League Unlimited Orchestra in 1982.
To the amazement of the band (and especially Oakey), it entered the UK Singles Chart at No.9 and shot to number one the following week, remaining there over the Christmas period for a total of five weeks. It ultimately became the biggest selling single to be released in 1981, and the fifth biggest selling single of the entire decade. Its success was repeated six months later in the US, with “Don’t You Want Me” hitting No. 1 on the Billboard Hot 100 for three weeks. Billboard magazine ranked it as the sixth-biggest hit of 1982. The single was certified Gold by the RIAA the same year for sales of a million copies. It is notable as the first song featuring the revolutionary Linn LM-1 drum machine to hit No. 1 on the UK charts and also the first LM-1 track to top the Billboard Hot 100.

SIDE A:
Don’t You Want Me 3:57
Seconds 4:58

SIDE B:
Don’t You Want Me (Ext. Dance Mix) 7:30

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1981 Don’t You want Me U.S. Billboard Hot 100 #1
1981 Don’t You want Me U.S. Billboard Mainstream Rock Tracks #3
1981 Don’t You want Me U.S. Billboard Hot Dance Music/Club Play #4

 

RELEASE INFORMATION:
Label: Virgin ‎– VS 466-12, Virgin ‎– VS466-12
Format: Vinyl, 12″, 45 RPM, Single
Country: UK
Released: 23 Nov 1981
Genre: Electronic
Style: Synth-pop

CREDITS:
Producer – Martin Rushent, The Human League
Written-By – Callis*, Wright*, Oakey*

NOTES:
Thank you Gangsters restaurant, Sheffield.

Side A: Taken from the album “DARE”

Mastered at The Town House

Find the 12″ on DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Sovtek 12AX7LPS Vacuum Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Pet Shop Boys – Suburbia (The Full Horror) (US 12″)

BURNING THE GROUND EXCLUSIVE 1986

“Suburbia” is a song by UK synthpop duo Pet Shop Boys. It was remixed and released as the fourth single from the album Please in 1986 and became the band’s second UK Top 10 hit, peaking at number 8.

The song’s primary inspiration is the 1984 Penelope Spheeris film Suburbia, and its depiction of violence and squalor in the suburbs of Los Angeles; in addition, the tension of the Brixton riots of 1981 and of 1985 hanging in recent memory led Neil Tennant of the duo to thinking about the boredom of suburbia and the underlying tension among disaffected youth that sparked off the riots at the least provocation.

“Suburbia” was partly inspired by the film, ‘Suburbia’, a New World Production, produced by Roger Corman, directed by Penelope Spheeris.

SIDE A:
Suburbia (The Full Horror) 8:57
Keyboards [Fairlight] – Andy Richards
Producer – Julian Mendelsohn
Saxophone – Gary Barnacle

SIDE B:
Suburbia (Edited Version) 4:03
Keyboards [Fairlight] – Andy Richards
Producer – Julian Mendelsohn
Saxophone – Gary Barnacle

Jack The Lad 4:31
Engineer – David Jacob
Keyboards [Fairlight] – Adrien Cook
Producer – Pet Shop Boys

VINYL GRADE:
Vinyl: Near Mint
Inner Sleeve: Near Mint
Outer Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1986 Suburbia U.S. Billboard Hot 100 #70
1986 Suburbia U.S. Billboard Ho Dance Music/Club Play #36
1986 Suburbia U.S. Billboard Hot Dance Music/Maxi-Singles Sales #17

 

RELEASE INFORMATION:
Label: EMI America ‎– V-19226, EMI America ‎– V19226
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 22 Sep 1986
Genre: Electronic
Style: Synth-pop

CREDITS:
Design – Mark Farrow, PSB*
Photography By – Eric Watson (3)
Written-By – Tennant-Lowe*

NOTES:
Track B2 titled ‘Suburbia (7″ Edit)’ on the sleeve.

Track A: Album version can be heard on the LP, “Please” – PW-17193
Track B2: Not available on the LP, “Please” – PW-17193

Printed in U.S.A.

Find the 12″ on DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Sovtek 12AX7LPS Vacuum Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi