Burning The Ground Exclusive
I thought I would throw everyone another curveball today! We have lost so many great artists this year, and there are still quite a few I haven’t had the opportunity to pay tribute to here at Burning the Ground. Today, I want to shine the spotlight on one of the most unforgettable entertainers of our time, the legendary Tim Curry, who passed away on August 25, 2026, at the age of 80.
CHART PERFORMANCE (1979–1980)
| Chart | Peak Position | Weeks |
|---|---|---|
| Austria (Ö3 Top 40) | #9 | 6 |
| West Germany (Official Singles Chart) | #26 | 14 |
| US Cash Box Top 100 | #85 | 3 |
| US Billboard Hot 100 | #91 | 3 |
For many of us, Tim Curry will forever be remembered as the outrageous Dr. Frank-N-Furter in the 1975 cult classic “The Rocky Horror Picture Show.” Others may remember his memorable performances in “Annie” (1982), “Clue” (1985), “Legend” (1985), or his terrifying portrayal of Pennywise the Clown in the 1990 television adaptation of Stephen King’s “It.” But beyond his remarkable acting career, Curry was also a gifted singer with a powerful voice, a wicked sense of humor, and a theatrical style that made him unlike anyone else.
While his acting career often overshadowed his musical endeavors, Curry released three solo albums for A&M Records: “Read My Lips” (1978), “Fearless” (1979), and “Simplicity” (1981). Each album gave him an opportunity to explore a different side of his musical personality, blending rock, pop, and theatrical flair with his unmistakable vocal delivery.
In 1979, Curry released his second album, “Fearless,” produced by Dick Wagner and Michael Kamen. The album became his most commercially successful, reaching No. 53 on the Billboard 200. Its standout single, “I Do The Rock,” became his biggest U.S. chart hit, peaking at No. 91 on the Billboard Hot 100.
Co-written by Curry and Michael Kamen, “I Do The Rock” is a wonderfully eccentric slice of late-’70s rock filled with sharp humor, clever wordplay, and a dizzying collection of pop culture references. From John Travolta and Farrah Fawcett to Albert Einstein and Friedrich Nietzsche, Curry name-drops his way through the song with the kind of sarcastic wit and theatrical delivery that only he could pull off. Backed by a driving rock arrangement, the song is equal parts satire, attitude, and pure Tim Curry.
Although “I Do The Rock” barely cracked the Billboard Hot 100, reaching No. 91, and fared only slightly better on the Cash Box Top 100 at No. 85, the record found a much more enthusiastic audience overseas. In 1980, the single climbed all the way to No. 9 in Austria, spending six weeks on the chart. It also reached No. 26 in West Germany, where it enjoyed an impressive 14-week chart run. Not bad for a record that received relatively little attention on American radio!
It’s interesting that European audiences seemed to connect with Curry’s unusual brand of rock more than listeners here in the States. Perhaps his theatrical personality and offbeat sense of humor were simply better appreciated across the Atlantic. Whatever the reason, “I Do The Rock” remains one of those wonderfully strange records that could only have come from an artist like Tim Curry.
For today’s post, I am featuring the 1979 U.S. promotional 12″ single released by A&M Records (SP-17093), titled “Specially Edited Selections From Fearless.” In addition to “I Do The Rock,” the record includes “Paradise Garage (Edited Remix)” and “Charge It (Edit).” This promotional pressing is an interesting piece of Curry’s recording history and a nice collectible for fans who appreciate the more obscure corners of his discography.
While “I Do The Rock” may not have set the American charts on fire, it certainly demonstrated that Curry’s talents extended far beyond the stage and screen. His recordings captured the same fearless personality that made his acting performances so memorable. Whether he was playing a flamboyant mad scientist, a sinister clown, or delivering a tongue-in-cheek rock song, Curry always knew how to command an audience.
With Halloween just around the corner, it also seems especially fitting to remember the man who gave us not one, but two of pop culture’s most unforgettable characters, Dr. Frank-N-Furter and Pennywise. Few performers could make us laugh, sing along, and scare the daylights out of us quite like Tim Curry.
His passing is another heartbreaking loss in a year that has already taken far too many beloved entertainers. Thankfully, he leaves behind an incredible collection of films, television appearances, stage performances, and recordings that will continue entertaining generations to come.
Rest in peace, Tim Curry (1946–2026). Thank you for the music, the movies, the laughter, and all those wonderfully strange characters that made you one of a kind. You will be greatly missed.
I hope everyone enjoys today’s unexpected selection. If you’ve only known Tim Curry from his acting career, give this one a spin. You might just discover another side of this remarkable entertainer!
SIDE A:
A1. I Do The Rock 4:45
Written-By – Michael Kamen
SIDE B:
B1. Paradise Garage (Edited Remix) 4:00
Written-By – Bob Babbitt, Charles Collins, Dick Wagner
B2. Charge It (Edit) 3:58
Written-By – Dick Wagner
VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint
RELEASE INFORMATION:
Label: A&M Records – SP-17093
Format: Vinyl, 12″, 33 ⅓ RPM, Promo
Country: US
Released: 1979
Genre: Rock
Style: Classic Rock
CREDITS:
- Mastered By – RL*
- Producer – Dick Wagner, Michael Kamen
- Written-By – Tim Curry
- Mastered At – Masterdisk
- Pressed By – Columbia Records Pressing Plant, Santa Maria
NOTES:
Promotion Not For Sale
From the A&M Album “FEARLESS”
buy the 12″ at DISCOGS
VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for BURNING THE GROUND
THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus: Ortofon Concorde Music Black
Phono Pre-amp: Pro-Ject Tube Box DS2
Phono Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
Audio Interface: MOTU M4
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Cleaning Solution: Turgikleen Record Cleaning Solution
Scanner: Epson Workforce WF-7610 Professional Printer/Scanner
SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator
RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi
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Back in the mid-80s, when DJ-only remix services were just beginning to carve out their space, one UK collective quickly became a favorite among club jocks—Music Factory Mastermix. Founded in 1985, the Sheffield-based promotional service specialized in delivering creative edits, themed mixes, and exclusive reworks of chart hits and dance classics. Their productions weren’t intended for commercial release but for the hands of DJs who wanted something unique to spin on the dancefloor.
