Category: New Order

Englandneworder – World In Motion… (US 12″) (1990)

Burning The Ground Exclusive

With the 2026 FIFA World Cup currently taking place, this felt like the perfect time to revisit one of the most unlikely, and most successful, football records ever released.

When a football record works, it is usually because it forgets to be a football record for a few minutes. World In Motion is exactly that. On paper, the whole idea sounds like a disaster waiting to happen. New Order, one of Manchester’s coolest and most unlikely pop institutions, teamed up with the England national football team for the 1990 FIFA World Cup in Italy.

Somehow, it worked. Not only did it work, but it also became one of the best football songs ever recorded.

Credited as Englandeworder, World In Motion was released in May 1990. It arrived at just the right moment. The band had come off the success of Technique, UK dance culture was everywhere, and football was about to have one of its most emotional summers.

What makes World In Motion so special is that it still sounds like a New Order single. The bright synths, steady dance rhythm, Peter Hook’s bass, and Bernard Sumner’s understated vocal all sit perfectly in place. The football chants are there, but they never take over. Even the squad vocals feel like part of the record instead of a cheap add-on.

Then, of course, there is John Barnes.

His rap near the end of the song has become part of UK pop culture in its own right. It is joyful, awkward, charming, and strangely perfect. It should not work as well as it does, but Barnes delivers it with enough confidence to make it unforgettable. In a genre filled with novelty football records, this one had rhythm, wit, and a real pulse.

The 12-inch single is especially interesting because it treats the song like a proper club release. My US 12-inch does not include The B-Side, which appeared on other editions, but instead focuses on the remixes. The Subbuteo Mix and Subbuteo Dub by Graeme Park and Mike Pickering give the track a more club-ready feel, while Andrew Weatherall and Terry Farley’s Carabinieri Mix and No Alla Violenza Mix take things even further into the dancefloor.

That roster alone tells you this was not being handled like a throwaway sports tie-in. This was New Order, football culture, and the club scene meeting at the exact right moment.

World In Motion became New Order’s only UK No. 1 single, spending two weeks at the top and 12 weeks on the Official Singles Chart. It also reached No. 1 on the UK Indie chart and found success in several other countries.

More than three decades later, World In Motion still has that rare glow. It captures a moment when pop, football, club music, and national hope all collided without becoming corny. England did not win the World Cup in 1990, but this record gave them a song that has outlived the tournament itself.

Now, with the 2026 FIFA World Cup underway, it feels like the right record at the right time all over again.

It is funny, bright, emotional, and completely of its time. It is also still a fantastic New Order single.

And really, how many football records can you honestly say that about?

AWAY SIDE:
World In Motion… (Carabinieri Mix) 5:54
Mixed By – Andrew WeatherallTerry Farley

World In Motion… (No Alla Violenza Mix) 5:36
Mixed By – Andrew WeatherallTerry Farley

HOME SIDE:
World In Motion… (Subbuteo Mix) 5:08
Producer [Additional Production By], Remix [Remix By] – Graeme ParkMike Pickering

World In Motion… (Subbuteo Dub) 5:08
Producer [Additional Production By], Remix [Remix By] – Graeme ParkMike Pickering

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

Chart Performance – New Order: World In Motion (1990) Peak Position
UK Singles Chart 1
UK Indie Chart 1
Eurochart Hot 100 2
Finland 4
Ireland 7
New Zealand 8
Australia 21
Switzerland 27
US Modern Rock Tracks 5
US Dance Club Songs 10

RELEASE INFORMATION:
Label: Qwest Records – 0-21582Qwest Records – 9 21582-0Warner Bros. Records – 0-21582Warner Bros. Records – 9 21582-0
Format: Vinyl, 12″, 33 ⅓ RPM, Maxi-Single
Country: US
Released: May 1990
Genre: Electronic
Style: House, Synth-pop

CREDITS:

NOTES:
Artist on sleeve & spine: Englandneworder
Artist on labels: New Order
Both labels say “Side 1”.

A1, A2 mixed at the Townhouse

Made in U.S.A.

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for BURNING THE GROUND

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus: Ortofon Concorde Music Black
Phono Pre-amp: Pro-Ject Tube Box DS2
Phono Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
Audio Interface: MOTU M4
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Cleaning Solution: Turgikleen Record Cleaning Solution
Scanner: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi


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New Order – True Faith (US 12″) (1987)

Burning The Ground Exclusive

Released in July 1987, “True Faith” stands as one of New Order’s most enduring and critically acclaimed singles. Written specifically for their compilation Substance 1987, the track marked a creative peak for the band—seamlessly blending moody post-punk sensibilities with polished synth-pop and club-ready beats. It soared to #4 on the UK Singles Chart and became their first real breakthrough in the U.S., peaking at #32 on the Billboard Hot 100.

Co-produced with Stephen Hague (best known for his work with Pet Shop Boys and OMD), “True Faith” is layered with shimmering synths, dynamic drum programming, and Bernard Sumner’s unmistakably detached vocal delivery. The lyrics, while cryptic, are widely interpreted as reflecting personal struggles, particularly with addiction and emotional disconnection.

The single’s success was amplified by its surreal, artful music video directed by French choreographer Philippe Decouflé, featuring colorfully costumed performers in bizarre, theatrical movement—a staple of late-’80s MTV.

Included here is the 12″ remix by Shep Pettibone, whose club credentials need no introduction. His rework maintains the song’s brooding elegance while enhancing its rhythmic pulse for the dancefloor—striking a balance between underground edge and commercial appeal.

This post is particularly special as it marks the first vinyl transfer using the Ortofon Concorde Music Black cartridge, bringing out an even greater level of clarity, warmth, and precision in this pressing. The result is a faithful and dynamic reproduction of one of the most iconic singles of the era.

SIDE A:
True Faith (The Morning Sun Extended Remix) 9:02

SIDE B:
True Faith (Alternate Faith Dub) 10:44
1963 5:31

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1987 True Faith U.S. Billboard Hot 100 #32
1987 True Faith U.S. Billboard 12-Inch Singles Sales #10
1987 True Faith U.S. Billboard Hot Dance Music /  Club Play #3

RELEASE INFORMATION:
Label: Qwest Records – 0 – 20733Qwest Records – 9 20733-0
Format: Vinyl, 12″, 33 ⅓ RPM, Maxi-Single, ARC Pressing
Country: US
Released: 1987
Genre: Electronic
Style: Synth-pop

CREDITS:

NOTES:
True Faith (The Morning Sun Extended Remix) is the same mix as “True Faith (Remix)” & “True Faith (Alternate Faith Dub)” is the same as “True Dub” from the UK remix 12″.

From the New Order album “Substance” on Qwest Records 1 – 25621

Made in USA

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.



New Order – Shellshock (US 12″ Promo)

Burning The Ground Exclusive 1986

NEW 2022 Transfer!
NEW Meticulous Audio Restoration!

Originally posted April 11, 2012

“Shellshock” is a single released by British group New Order in March 1986. The song originally appeared on the soundtrack to the movie Pretty in Pink one month prior to its single release. Production is credited to New Order and John Robie, and is loosely inspired by the 1983 Robie-produced R&B club hit, “One More Shot” – a studio project where Robie performed under the band name, C-Bank, and featuring vocals by Jenny Burton.

The single had differing B-sides; in the UK the 7″ came with the recycled “Thieves Like Us Instrumental” which also turned up in the movie Pretty in Pink (although not on the soundtrack), while the US 12″ promo included a “Dub Mix”.

“Shellshock” was an international hit, making the mainstream chart in the UK, Ireland, Australia and New Zealand.

The 12-inch boasts an extended remix of the song running nearly ten minutes, New Order’s longest single not based on a track from one of their studio albums (discounting remixes of legacy songs) behind the 22.5-minute uncut release of “Video 5 8 6”. For the release of the popular singles compilation Substance, the original Pretty in Pink soundtrack version was not used, as is widely believed, but an edited version of the 12-inch remix cut down to six-and-a-half minutes, omitting an entire verse of vocals. It is this version that appears most often on CD. The 9:41 single remix does not appear on any subsequent New Order compilations.

SIDE A:
Shellshock (Extended Version) 9:41

SIDE B:
Shellshock (Dub Version) 7:35

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

CHARTS:

Year Single Chart Position
1986 Shellshock U.S. Billboard Hot Dance Music/Club Play #14
1986 Shellshock U.S. Billboard Hot Dance Singles Sales #26

RELEASE INFORMATION:
Label:A&M Records – SP-12174
Format: Vinyl, 12″, Promo, 45 RPM
Country: US
Released: 1986
Genre: Electronic, Rock
Style: Alternative Rock, New Wave, Synth-pop

CREDITS:
Producer – John Robie
Written-By – John RobieNew Order

NOTES:
Promotion Copy – Not For Sale
(Original version appears on the Original Motion Picture Soundtrack “Pretty In Pink” SP-5113)
New Order courtesy of Factory Records.

Find the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge/Stylus: Ortofon 2M Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.

New Order – Ceremony (UK 12″)

BURNING THE GROUND EXCLUSIVE 1981

“Ceremony” is a song by Joy Division, released as New Order’s debut single in 1981. The song and its B-side, “In a Lonely Place”, were written and recorded as Joy Division prior to the death of Ian Curtis. Both were re-recorded and carried over to Joy Division’s re-formation under the name New Order.

New Order released the song as a single twice, firstly in January 1981 and secondly in September 1981 featuring new member Gillian Gilbert.

After the death of Ian Curtis, the remaining members of Joy Division regrouped as New Order. Their first release was a re-recording of “Ceremony” as a stand-alone single backed with “In a Lonely Place”, with guitarist Bernard Sumner taking over lead vocals. Because Curtis had never transcribed the lyrics to “Ceremony” and because his singing was muted to the point of near-inaudibility on all surviving recordings, Sumner reportedly had to put them through a graphic equalizer to approximate the lyrics.

In January 1981, the first version of “Ceremony” was released on Factory Records (FAC 33). Initially released as a 7″ single, it was reissued as a 12″ two months later. Martin Hannett (Joy Division’s producer) produced the record and Peter Saville designed the sleeve artwork for both releases.

The 7″ record was issued in a stamped gold-bronze sleeve. The 12″ sleeve was a completely separate design: gold typography on a green background.

SIDE A:
Ceremony (Version 1) 4:35

SIDE B:
In A Lonely Place (Original Mix) 6:13

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1981 Ceremony U.S. Billboard Hot Dance Music/Club Play #61

 

RELEASE INFORMATION:
Label: Factory ‎– FAC. 33, Factory ‎– FAC 33/12
Format: Vinyl, 12″, 45 RPM, Single
Country: UK
Released: Mar 1981
Genre: Electronic
Style: New Wave

CREDITS:
Plated By – EG*
Producer – Martin Hannett
Written-By – Joy Division

NOTES:
Mastered At – The Town House

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck
DAC/Phono Pre-amp:
Alpha Design Labs GT40a USB DAC
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

Username: btg
Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.