Category: E.G. Daily

E.G. Daily – Mind Over Matter (US 12″) (1987)

Burning The Ground Exclusive

Before I take my own summer break on Friday, apparently I have to go back to school.

Summer School, that is.

Today begins the final three entries of Ladies Of The 80’s: Soundtrack Edition, and we are heading back to 1987 for E.G. Daily and “Mind Over Matter.”

This one was previously posted in 2017, but today’s post features a brand-new 2026 vinyl transfer. I went back to the original US 12-inch and recorded it again from scratch using my current equipment and restoration process.

This is not a remaster of the files posted in 2017.

Class is officially back in session.

Summer School was released in July 1987, directed by Carl Reiner and starring Mark Harmon as Freddy Shoop, a high-school gym teacher whose summer vacation plans are ruined when he is forced to teach remedial English. Kirstie Alley, Courtney Thorne-Smith, Dean Cameron, Gary Riley, and Patrick Labyorteaux are among the cast.

It is exactly the kind of premise that seemed perfectly reasonable in an ’80s comedy.

The soundtrack is also a wonderfully mixed bag of 1987 rock and dance music, with tracks by E.G. Daily, Elisa Fiorillo, Paul Engemann, The Fabulous Thunderbirds, Billy Burnette, Tone Norum, and others. Daily actually appears twice, contributing both “Mind Over Matter” and “Seduction.”

But “Mind Over Matter” has the really interesting story.

The song was written by Michael Jay and Rick Palombi, and an earlier version had already been recorded by Nikki Leeger before Summer School came along. Debbie Harry then recorded the song for the film project, but record-label complications prevented her version from becoming the soundtrack single. E.G. Daily was brought in to record a new version instead.

And who produced it?

Stock Aitken Waterman.

Now we’re talking.

Daily flew to London and recorded the track with Mike Stock, Matt Aitken, and Pete Waterman, giving “Mind Over Matter” that unmistakable PWL energy.

Big drums.

Bright synthesizers.

A relentless beat.

And E.G. Daily throwing herself into the vocal like summer vacation depends on it.

Considering this was 1987, Stock Aitken Waterman were just about to become completely unavoidable. Rick Astley’s “Never Gonna Give You Up” was exploding internationally, and Kylie Minogue was right around the corner.

“Mind Over Matter” sits right in the middle of that fascinating period when the PWL sound was becoming one of the defining pop sounds of the late ’80s.

The song also received a music video featuring several members of the Summer School cast, helping tie the record directly back to the movie. The clip received MTV exposure during the summer of 1987.

The US only 12-inch released by A&M Records gives us the Remix on Side A and the Edit on Side B.

The Remix runs just over seven minutes, giving the already energetic production considerably more room to stretch out.

And this is exactly the kind of record the 12-inch format was made for.

The rhythm keeps driving.

The synths keep coming.

E.G. keeps pushing.

Nobody is getting dismissed early from this class.

The record became a substantial US dance hit, reaching No. 7 on Billboard’s Hot Dance Music/Club Play chart.

It did not cross over to the Billboard Hot 100, but years later it has become one of those wonderfully recognizable pieces of late-’80s dance-pop that deserves another listen.

E.G. Daily herself is one of those artists whose career seems to turn up everywhere once you start looking. Music fans know her from records like “Say It, Say It,” “Love In The Shadows,” and her contributions to Better Off Dead. Movie fans know her as Dottie from Pee-wee’s Big Adventure. And an entirely different generation grew up hearing her as the voice of Tommy Pickles on Rugrats and Buttercup on The Powerpuff Girls.

That is quite a résumé.

But today we are staying in 1987.

One movie.

One US 12-inch.

One brand-new 2026 transfer.

And one lesson that apparently even summer school can teach us:

When the music is this good…

it really is Mind Over Matter.

SIDE A:
Mind Over Matter (Remix) 7:05

SIDE B:
Mind Over Matter (Edit) 6:22

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

“Mind Over Matter” Chart Performance 1987 Peak Position
New Zealand Singles Chart 37
UK Singles Chart 96
US Billboard Hot Dance Music/Club Play 7
US Billboard Hot Dance Singles Sales 17
US Cash Box Top 12″ Dance Singles 22

RELEASE INFORMATION:
Label: A&M Records – SP-12246
Format: Vinyl, 12″, 45 RPM, Single
Country: US
Released: 1987
Genre: Electronic
Style: Hi NRG, Synth-pop

CREDITS:

NOTES:
Taken from the soundtrack Album “Summer School”.

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for BURNING THE GROUND

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus: Ortofon Concorde Music Black
Phono Pre-amp: Pro-Ject Tube Box DS2
Phono Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
Audio Interface: MOTU M4
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Cleaning Solution: Turgikleen Record Cleaning Solution
Scanner: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi


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E.G. Daily – Love In The Shadows (US 12″)

BURNING THE GROUND EXCLUSIVE 1986

“Love In the Shadows” is the second single by American singer–songwriter E. G. Daily from her debut album Wild Child. It was first recorded in 1984 for the soundtrack to the movie Thief of Hearts, but it was later re-recorded for the Wild Child album, then released as a single in 1986.

In the United States “Love In The Shadows” peaked at #6 on the Billboard Dance Chart on August 30, 1986 spending ten weeks on the survey. Internationally the song reached #37 on the Dutch singles chart.

SIDE A:
Love In The Shadows (Special Remixed Version) 8:43

SIDE B:
Love In The Shadows (Dub Version) 4:46

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1986 Love In The Shadows U.S. Billboard Hot Dance Music/Club Play #6
1986 Love In The Shadows U.S. Billboard Hot Dance Music/ Maxi-Singles Sales #14

 

RELEASE INFORMATION:
Label: A&M Records ‎– SP-12187
Format: Vinyl, 12″, 45 RPM, Single
Country: US
Released: 1986
Genre: Electronic
Style: Synth-pop

CREDITS:
Engineer – Brian Reeves
Engineer [Assistant Engineer] – Jay Healy
Engineer [Remix Engineer] – Michael Hutchinson
Engineer [Second Engineer] – Dave Cooke*
Mixed By [Mix-Down] – Brian Reeves, Harold Faltermeyer
Producer, Arranged By – Harold Faltermeyer
Remix – Bob Miro, Jellybean*
Written-By –E.G. Daily, Harold Faltermeyer

NOTES:
Original version appears on the A&M album “WILD CHILD”

Recorded at Arco Studios, Munich, May/June 1985.
Remixed for Jellybean Productions, Inc.
Remixed at The Hit Factory, NYC.

Printed in the U.S.A.

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7 TubeGold Pins
Soundcard:
Novation Audiohub 2×4 Audio Interface
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

E.G. Daily – Say It, Say It (US 12″ Promo)

BURNING THE GROUND EXCLUSIVE 1985

“Say It, Say It” is the debut single by American singer-songwriter (and future voice actress) E. G. Daily. It was released in 1986 as the lead single from her debut album Wild Child. The single went to number one on the U.S. Dance Club Play chart for one week. On other US charts, “Say It, Say It” went to number seventy-one on the soul chart and number seventy on the Hot 100.

The music video for the song is a take on the 1962 film, Lolita.

SIDE A:
Say It, Say It (Extended Version) 6:48

SIDE B:
Say It, Say It (Single Version) 4:36
Say It, Say It (Dub Version) 4:35

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1985 Say It, Say It U.S. Billboard Hot 100 #70
1985 Say It, Say It U.S. Billboard Hot R&B/Hip-Hop Singles #71
1985 Say It, Say It U.S. Billboard Hot Dance Music/Club Play #1

 

RELEASE INFORMATION:
Label: A&M Records ‎– SP-12175
Format: Vinyl, 12″, 45 RPM, Promo
Country: US
Released: 1985
Genre: Electronic, Pop
Style: Synth-pop

CREDITS:
Arranged By – Stephen Bray, Toni C.
Engineer [Remix Engineer] – Glen Rosenstein*, Michael Hutchinson
Producer – Jellybean*
Written-By – E. G. Daily*, Stephen Bray, Toni C.

NOTES:
Original version appears on the LP “WILD CHILD”
Promo copy not for sale

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7 TubeGold Pins
Soundcard:
Novation Audiohub 2×4 Audio Interface
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Various – Hot Tracks Series 6 Issue 9 (US 12″)

BURNING THE GROUND EXCLUSIVE 1987

Side A

Side B

HALLOWEEN ISSUE!

“Hot Tracks” Series 6, Issue 9 was a special Halloween Issue released in 1987. This set includes frightening remixes and mind melting dance hits. One of the coolest things about this release is the inclusion of “He’s Back (The Man Behind The Mask)” by Alice Cooper taken from the film “Friday The 13th, Part VI: (Jason Lives)”. This track never had a 12″ remix and has really been overlooked. So glad Hot Tracks remixed this one! Dim the lights have some candy corn and enjoy this double 12″ from Hot Tracks!

Below are the linear notes from the original release:

SIDE A:
Alice Cooper – He’s Back (The Man Behind The Mask) (Steve Bourasa “Late Night Edit”) 5:25
Remix – Steve Bourasa
Written-By – A. Cooper*, B. Hill*, K. Roberts*
BPM 120 COLD DRAG

From the movie “Friday The 13th, Part VI: (Jason Lives)…Steve worked from the CD, the original length was 3:50 and he extended the track to 5:28. He added a 64 beat intro and a 32 beat outro and the traditional cold end. Who would ever believe Alice Cooper on Hot Tracks???

Chantoozies, The – Witch Queen (Halloween Mix) 7:00
Remix – Steve Bourasa
Written-By – L. Vegas*, P. Vegas*
BPM 126 FADE

Steve had fun with this mix; using last years Hot Tracks (Series 5, Issue Nine), he laced this track with the special effects to spice it up for Halloween. Also, to be noted, we wish to thank Lisa at Mushroom Records in Sydney, Australia for her help on this project.

SIDE B:
Full House – Communicate (Brian Middleton Extended Edit) 6:53
Remix – Brian Middleton
Written-By – D. Wilson*, R. Patterson*
BPM 120 COLD

Brian is new to our editing staff and we wish him a warm welcome. The edit description was not available at press time; but in listening to the edit, one can tell a good technical job was done and the track is quite workable. Here’s one for those D.J.’s who wrote in and said “more male vocals please”.

Claudja Barry – Secret Affair (Mike Carroll Edit) 6:50
Remix – Mike Carroll
Written-By – C. Barry*, J. Korduletsch*
BPM 122 COLD

So many version, so little time!!…This record came supplied with four mixes. We worked with three of them to come up with this tasty version. By the way, who’s that girl carrying on like that, after the break? (certainly not Madonna!) Mike Carroll goes cryptic….

SIDE C:
E.G. Dailey* – Mind Over Matter (Mike Carroll Edit) 6:55
Remix – Mike Carroll
Written-By – M. Jay*, R. Palombi*
BPM 126 COLD

This record was given a smooth intro and builds quickly into the vocal section. The track then follows witha straightforward break, (unlike the commercial 12″) and finishes up with an extended outro. (our apologies for mis-spelling E.G.Daily on the labels & stickers)

Diodati* – Terrorist Attack (Hostage Edit) 7:00
Remix – Mark Watkins
Written-By –  Diodati*
BPM 128 COLD ECHO

Mark combined the four mixes to give it a “Stock/Aitken/Waterman” sound. He then restructured the song to create a dance floor-terror, (straight from his laboratory); it could only end ….cold. Nice to hear from you again Mark, where have you been??

SIDE D:
Musical Reporters – Blow Job (Jim “Hip Hop” Hopkins Edit) 6:50
Remix – Jim “Hip Hop” Hopkins*
Written-By – C. Inger*, Van Oekel*, Pragakhan*
BPM 118 COLD DRAG

Jim used the import 12″ and rearranged all those tasty words to recreate a new story for us. The intro was completely reconstructed, the break: extended to 64 beats and the outro was redone and extended to 64 beats; consequently, “Blow Job” comes to a cold end….. You will want to listen to this one a few times before programming.

Nasty Boys, The – Nasty Relations (FHA Edit) 5:31
Remix – Glenn Cattanach
Written-By – D. Melotti*, L. Genovesi*
BPM 120 COLD

Utilizing both the vocal and house mixes from the Italian 12″, Glenn combined the two to bring us this Hot Tracks FHA Edit. This version is “Tightened up” and includes all the things needed to make it work on your floor: long intro, mid-point break and 16 measure outro with a cold end. Get down, Get nasty!!

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Hot Tracks ?– SA 6-9
Format: 2 × Vinyl, 12″, 45 RPM
Country: US
Released: 1987
Genre: Electronic, Rock, Funk / Soul, Pop
Style: Disco, House, Garage House, Glam, Electro, Synth-pop, New Beat
Credits: Compilation Producer – Michael Lewis*
Mastered By – George Horn

NOTES:
DJ Subscription Service
Double 12″ vinyl set with (1) red & (1) black Hot Tracks logo sleeve. Includes 4 page flyer with track remix details & subscription information, including DJ stickers with BPM’s for DJ’s notes.

Enclosed flyer listed title of this release as “Halloween Issue”.

Find The 12″ On DISCOGS

Side C

 

Side D

EQUIPMENT USED:
Turntable: Pro-Ject Debut III
Cartridge: Ortofon Super
Stylus: Ortofon OM Stylus 30
Pro-Ject Acryl-It platter
Pro-Ject Speed Box S
Bellari VP130 Tube Phono Preamp
Soundcard: ESI Juli@
VPI HW 16.5 Record Cleaning Machine
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Adobe Audition 3.0 (Recording)
Adobe Photoshop CS5
ClickRepair
dBpoweramp
Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
Downsampled to 24bit/96kHz and16bit /44kHz using iZotope RX Advanced 2
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi