Category: E.G. Daily

E.G. Daily – Love In The Shadows (US 12″)

BURNING THE GROUND EXCLUSIVE 1986

“Love In the Shadows” is the second single by American singer–songwriter E. G. Daily from her debut album Wild Child. It was first recorded in 1984 for the soundtrack to the movie Thief of Hearts, but it was later re-recorded for the Wild Child album, then released as a single in 1986.

In the United States “Love In The Shadows” peaked at #6 on the Billboard Dance Chart on August 30, 1986 spending ten weeks on the survey. Internationally the song reached #37 on the Dutch singles chart.

SIDE A:
Love In The Shadows (Special Remixed Version) 8:43

SIDE B:
Love In The Shadows (Dub Version) 4:46

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1986 Love In The Shadows U.S. Billboard Hot Dance Music/Club Play #6
1986 Love In The Shadows U.S. Billboard Hot Dance Music/ Maxi-Singles Sales #14

 

RELEASE INFORMATION:
Label: A&M Records ‎– SP-12187
Format: Vinyl, 12″, 45 RPM, Single
Country: US
Released: 1986
Genre: Electronic
Style: Synth-pop

CREDITS:
Engineer – Brian Reeves
Engineer [Assistant Engineer] – Jay Healy
Engineer [Remix Engineer] – Michael Hutchinson
Engineer [Second Engineer] – Dave Cooke*
Mixed By [Mix-Down] – Brian Reeves, Harold Faltermeyer
Producer, Arranged By – Harold Faltermeyer
Remix – Bob Miro, Jellybean*
Written-By –E.G. Daily, Harold Faltermeyer

NOTES:
Original version appears on the A&M album “WILD CHILD”

Recorded at Arco Studios, Munich, May/June 1985.
Remixed for Jellybean Productions, Inc.
Remixed at The Hit Factory, NYC.

Printed in the U.S.A.

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7 TubeGold Pins
Soundcard:
Novation Audiohub 2×4 Audio Interface
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

E.G. Daily – Say It, Say It (US 12″ Promo)

BURNING THE GROUND EXCLUSIVE 1985

“Say It, Say It” is the debut single by American singer-songwriter (and future voice actress) E. G. Daily. It was released in 1986 as the lead single from her debut album Wild Child. The single went to number one on the U.S. Dance Club Play chart for one week. On other US charts, “Say It, Say It” went to number seventy-one on the soul chart and number seventy on the Hot 100.

The music video for the song is a take on the 1962 film, Lolita.

SIDE A:
Say It, Say It (Extended Version) 6:48

SIDE B:
Say It, Say It (Single Version) 4:36
Say It, Say It (Dub Version) 4:35

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1985 Say It, Say It U.S. Billboard Hot 100 #70
1985 Say It, Say It U.S. Billboard Hot R&B/Hip-Hop Singles #71
1985 Say It, Say It U.S. Billboard Hot Dance Music/Club Play #1

 

RELEASE INFORMATION:
Label: A&M Records ‎– SP-12175
Format: Vinyl, 12″, 45 RPM, Promo
Country: US
Released: 1985
Genre: Electronic, Pop
Style: Synth-pop

CREDITS:
Arranged By – Stephen Bray, Toni C.
Engineer [Remix Engineer] – Glen Rosenstein*, Michael Hutchinson
Producer – Jellybean*
Written-By – E. G. Daily*, Stephen Bray, Toni C.

NOTES:
Original version appears on the LP “WILD CHILD”
Promo copy not for sale

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7 TubeGold Pins
Soundcard:
Novation Audiohub 2×4 Audio Interface
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

E.G. Daily – Mind Over Matter (US 12″)

BURNING THE GROUND EXCLUSIVE 1987

Originally posted August 16th, 2010

“Mind Over Matter” single by American singer–songwriter E.G. Daily. The song was recorded in 1987 for the soundtrack to the movie Summer School starring Mark Harmon. “Mind Over Matter” debuted on the U.S. Billboard Dance Chart on September 12, 1987 spending nine weeks on the survey peaking at #7.

Debbie Harry recorded the track for the movie, but was not legally able to appear on the A&M soundtrack due to her own record company contracts with Chrysalis & Geffen, instead E.G. Daily was brought in to re-record the track.

SIDE A:
Mind Over Matter (Remix) 7:02

SIDE B:
Mind Over Matter (Edit) 6:19

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1987 Mind Over Matter U.S. Billboard Hot Dance Music/Club Play #7
1987 Mind Over Matter U.S. Billboard Dance Music/Maxi-Singles Sales #16

 

RELEASE INFORMATION:
Label: A&M Records ‎– SP-12246
Format: Vinyl, 12″, 45 RPM, Single
Country: US
Released: 1987
Genre: Electronic
Style: Hi-NRG, Synth-pop

CREDITS:
Producer – Stock Aitken Waterman*
Written-By – M. Jay*, R. Palombi*

NOTES:
Taken from the soundtrack Album “SUMMER SCHOOL”

Find the 12″ on DISCOGS

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Various – Hot Tracks Series 6 Issue 9 (US 12″)

BURNING THE GROUND EXCLUSIVE 1987

Side A

Side B

HALLOWEEN ISSUE!

“Hot Tracks” Series 6, Issue 9 was a special Halloween Issue released in 1987. This set includes frightening remixes and mind melting dance hits. One of the coolest things about this release is the inclusion of “He’s Back (The Man Behind The Mask)” by Alice Cooper taken from the film “Friday The 13th, Part VI: (Jason Lives)”. This track never had a 12″ remix and has really been overlooked. So glad Hot Tracks remixed this one! Dim the lights have some candy corn and enjoy this double 12″ from Hot Tracks!

Below are the linear notes from the original release:

SIDE A:
Alice Cooper – He’s Back (The Man Behind The Mask) (Steve Bourasa “Late Night Edit”) 5:25
Remix – Steve Bourasa
Written-By – A. Cooper*, B. Hill*, K. Roberts*
BPM 120 COLD DRAG

From the movie “Friday The 13th, Part VI: (Jason Lives)…Steve worked from the CD, the original length was 3:50 and he extended the track to 5:28. He added a 64 beat intro and a 32 beat outro and the traditional cold end. Who would ever believe Alice Cooper on Hot Tracks???

Chantoozies, The – Witch Queen (Halloween Mix) 7:00
Remix – Steve Bourasa
Written-By – L. Vegas*, P. Vegas*
BPM 126 FADE

Steve had fun with this mix; using last years Hot Tracks (Series 5, Issue Nine), he laced this track with the special effects to spice it up for Halloween. Also, to be noted, we wish to thank Lisa at Mushroom Records in Sydney, Australia for her help on this project.

SIDE B:
Full House – Communicate (Brian Middleton Extended Edit) 6:53
Remix – Brian Middleton
Written-By – D. Wilson*, R. Patterson*
BPM 120 COLD

Brian is new to our editing staff and we wish him a warm welcome. The edit description was not available at press time; but in listening to the edit, one can tell a good technical job was done and the track is quite workable. Here’s one for those D.J.’s who wrote in and said “more male vocals please”.

Claudja Barry – Secret Affair (Mike Carroll Edit) 6:50
Remix – Mike Carroll
Written-By – C. Barry*, J. Korduletsch*
BPM 122 COLD

So many version, so little time!!…This record came supplied with four mixes. We worked with three of them to come up with this tasty version. By the way, who’s that girl carrying on like that, after the break? (certainly not Madonna!) Mike Carroll goes cryptic….

SIDE C:
E.G. Dailey* – Mind Over Matter (Mike Carroll Edit) 6:55
Remix – Mike Carroll
Written-By – M. Jay*, R. Palombi*
BPM 126 COLD

This record was given a smooth intro and builds quickly into the vocal section. The track then follows witha straightforward break, (unlike the commercial 12″) and finishes up with an extended outro. (our apologies for mis-spelling E.G.Daily on the labels & stickers)

Diodati* – Terrorist Attack (Hostage Edit) 7:00
Remix – Mark Watkins
Written-By –  Diodati*
BPM 128 COLD ECHO

Mark combined the four mixes to give it a “Stock/Aitken/Waterman” sound. He then restructured the song to create a dance floor-terror, (straight from his laboratory); it could only end ….cold. Nice to hear from you again Mark, where have you been??

SIDE D:
Musical Reporters – Blow Job (Jim “Hip Hop” Hopkins Edit) 6:50
Remix – Jim “Hip Hop” Hopkins*
Written-By – C. Inger*, Van Oekel*, Pragakhan*
BPM 118 COLD DRAG

Jim used the import 12″ and rearranged all those tasty words to recreate a new story for us. The intro was completely reconstructed, the break: extended to 64 beats and the outro was redone and extended to 64 beats; consequently, “Blow Job” comes to a cold end….. You will want to listen to this one a few times before programming.

Nasty Boys, The – Nasty Relations (FHA Edit) 5:31
Remix – Glenn Cattanach
Written-By – D. Melotti*, L. Genovesi*
BPM 120 COLD

Utilizing both the vocal and house mixes from the Italian 12″, Glenn combined the two to bring us this Hot Tracks FHA Edit. This version is “Tightened up” and includes all the things needed to make it work on your floor: long intro, mid-point break and 16 measure outro with a cold end. Get down, Get nasty!!

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Hot Tracks ?– SA 6-9
Format: 2 × Vinyl, 12″, 45 RPM
Country: US
Released: 1987
Genre: Electronic, Rock, Funk / Soul, Pop
Style: Disco, House, Garage House, Glam, Electro, Synth-pop, New Beat
Credits: Compilation Producer – Michael Lewis*
Mastered By – George Horn

NOTES:
DJ Subscription Service
Double 12″ vinyl set with (1) red & (1) black Hot Tracks logo sleeve. Includes 4 page flyer with track remix details & subscription information, including DJ stickers with BPM’s for DJ’s notes.

Enclosed flyer listed title of this release as “Halloween Issue”.

Find The 12″ On DISCOGS

Side C

 

Side D

EQUIPMENT USED:
Turntable: Pro-Ject Debut III
Cartridge: Ortofon Super
Stylus: Ortofon OM Stylus 30
Pro-Ject Acryl-It platter
Pro-Ject Speed Box S
Bellari VP130 Tube Phono Preamp
Soundcard: ESI Juli@
VPI HW 16.5 Record Cleaning Machine
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Adobe Audition 3.0 (Recording)
Adobe Photoshop CS5
ClickRepair
dBpoweramp
Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
Downsampled to 24bit/96kHz and16bit /44kHz using iZotope RX Advanced 2
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi