Tag: US

Was (Not Was) – Walk The Dinosaur (US 12″)

BURNING THE GROUND EXCLUSIVE 1988

a-front

“Walk the Dinosaur” is a song by Was (Not Was), released in 1987, from their 1988 album, What Up, Dog?.

The song features a tight, funky sound, punctuated by horns and a cowbell, along with what sounds like cavepeople chanting in the background.

When released in the UK in 1987, the song reached no. 10 on the singles chart, becoming the group’s first UK top 10 hit. The music video featured four scantily clad ‘cavewomen’ dancing to the song while a Flintstones style TV played clips from Daffy Duck and the Dinosaur. Modern people danced to the song in the “Everybody kill the dinosaur” part. The video received heavy rotation on MTV. The song reached no. 7 on the US chart in 1989, two years after its UK success. The song became the band’s biggest hit single in their home country.

According to an interview with co-writer Randy Jacobs, it “was an infectious sing-along with a Flintstonesque video that probably got played on MTV way too much. But even that seemingly good-time anthem had a dark side. The song’s about nuclear Armageddon. It became a dance (anthem) because of the video. They connected it with the girls in the little Pebbles and Bam-Bam outfits. All the sudden it became, like, ‘do the mashed potato’ or ‘the twist.'”

“Walk the Dinosaur” was also featured in the soundtrack of 1989 film The Dream Team.

SIDE A:
Walk The Dinosaur (The New York Dangerous Version) 6:58
Mixed By [Final Mix], Producer [Additional] – Bruce Forest

Walk The Dinosaur (Bruce’s Prehistoric Dub) 6:43
Mixed By [Final Mix], Producer [Additional] – Bruce Forest

SIDE B:
Walk The Dinosaur (The Debunking Of Uri Geller Mix) 5:06
Mixed By – Don Was, Jamie Muhoberac

Walk The Dinosaur (7″ Version) 3:38

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1989 Walk The Dinosaur U.S. Billboard Hot 100 #7
1989 Walk The Dinosaur U.S. Billboard Hot Dance Music/ Maxi-Singles Sales #36
1989 Walk The Dinosaur U.S. Billboard Hot Dance Music/Club Play #11
1989 Walk The Dinosaur U.S. Billboard Modern Rock Tracks #30

 

RELEASE INFORMATION:
Label: Chrysalis ‎– 4V9 43332
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1988
Genre: Electronic, Funk / Soul, Pop
Style: Electro, Synth-pop, Pop Rock

CREDITS:
Management –Kushnick Passick Management
Producer – The Was Bros*
Written-By – David Was, Don Was, Randy Jacobs

NOTES:
Original version appears on the LP “What Up, Dog?”

Find the 12″ on DISCOGS

b-back

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon OM Stylus 30
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Red Flag – Russian Radio (US 12″)

BURNING THE GROUND EXCLUSIVE 1989

a-front

“Russian Radio” is a song by the American synthpop band Red Flag. It was released as a single in 1988. The song charted highly on the US Billboard Hot Dance Club Play chart, peaking at #11. Released at the time of seminal new wave/synthpop group Depeche Mode’s greatest success, it drew comparisons as being stylistically similar to that group’s recordings, featuring extensive use of synthesizers and dance beats, and vocals that were generally deep and gloomy in mood. “Russian Radio” was taken from the band’s debut album Naive Art.

SIDE A:
Russian Radio (Razormaid Club Mix) 6:13
Remix – Joseph Watt, Razormaid

Russian Radio (Fresh Club Mix) 3:41
Remix – Joseph Watt, Razormaid

Russian Radio (12″ Dub Mix) 6:44
Edited By – Art Maharg
Remix – Joseph Watt, Razormaid

SIDE B:
Russian Radio (Glasnost Club Mix) 7:28
Remix – Paul Robb

Russian Radio (Tremont And Webster Mix) 4:40
Remix –Paul Robb

Russian Radio (Radio Moscow Edit) 3:43
Remix – Paul Robb

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1989 Russian Radio U.S. Billboard Hot Dance Music/Club Play #11

 

RELEASE INFORMATION:
Label: Enigma Records (3) ‎– 7 75519-0
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1989
Genre: Electronic
Style: Electro, Synth-pop

CREDITS:
Producer – Jon St. James
Producer [Additional Post Production] – Paul Robb
Written-By – Reynolds*, Reynolds*

NOTES:
Original version appears on the LP “NAIVE ART”

Find the 12″ on DISCOGS

b-back

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon OM Stylus 30
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

The Cure – The Love Cats (US 12″)

BURNING THE GROUND EXCLUSIVE 1983

a-front

“The Love Cats” (sometimes rendered as “The Lovecats”) is a song by English band The Cure, released as a stand-alone single in October 1983.

It was the band’s first Top 10 hit in the UK, peaking at number 7, and number 6 in Australia. It later appeared on the compilation album Japanese Whispers.

At the time the song was written, Robert Smith was very interested in the work of Australian author Patrick White. According to a number of his fans, Smith was inspired to write “The Love Cats” after reading White’s novel The Vivisector (1970), although this claim is difficult to verify. In the novel, the protagonist, Hurtle, is appalled when his lover’s husband drowns a sack of stray cats. White draws a parallel between the way in which the cats are discarded, and the treatment of certain characters in the book; by extension, the cats symbolize the most innocent and vulnerable members of society, and the casual cruelty with which they sometimes meet their fate.

SIDE A:
The Love Cats (Extended Version) 4:38
Written-By – Smith*

SIDE B:
Speak My Language 2:41
Written-By – Tolhurst*, Smith*

Mr. Pink Eyes 2:44
Written-By – Tolhurst*, Smith*

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Sire ‎– 0-20161, Sire ‎– 20161-0A
Format: Vinyl, 12″, 45 RPM, Maxi-Single
Country: US
Released: Oct, 1983
Genre: Rock
Style: New Wave

CREDITS:
Bass [Double] – Phil Thornally*
Cover – Parched Art
Drums – Andy Anderson
Engineer – Phil Thornalley
Engineer [Assistant] – Jean Yres*
Producer – Chris Parry, Phil Thornalley, The Cure
Vibraphone [Vibes] – Laurence Tolhurst
Voice, Guitar, Piano – Robert Smith

NOTES:
Made in USA

Find the 12″ on DISCOGS

b-back

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon OM Stylus 30
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Blue Mercedes – I Want To Be Your Property (DEF B4 Dishonour Mix) (US 12″)

BURNING THE GROUND EXCLUSIVE 1987

a-front

“I Want to Be Your Property” is a 1988 dance hit by British duo Blue Mercedes. The single was most successful on the dance charts, making it to number one for four weeks and was the most successful dance single of 1988. “I Want to Be Your Property” was a crossover hit on the pop singles chart, and broke into the top 30 on the UK singles chart reaching #23.

SIDE A:
I Want To Be Your Property (Street Latin Wolff Mix) 7:15
Remix [Mixed By] – Mixmaster Phil Harding*

SIDE B:
I Want To Be Your Property (DEF B4 Dishonour Mix) 6:49
Remix [Mixed By] – Mixmaster Phil Harding*

I Want To Be Your Property (Terence Yo-Yo Mix) 4:21
Remix – Terence Yo-Yo
Remix [Credited To] – Mixmaster*, The Yo Boy*

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1988 I Want To Be Your Property U.S. Billboard Hot 100 #63
1988 I Want To Be Your Property U.S. Billboard Hot Dance Music/Club Play #1

 

RELEASE INFORMATION:
Label: MCA Records ‎– MCA-23817
Format: Vinyl, 12″, Single
Country: US
Released: 1987
Genre: Electronic
Style: Latin, Synth-pop, House

CREDITS:
Producer – Phil Harding And Ian Curnow*
Written-By – Titlow*, Duncan Millar

NOTES:
From the LP “RICH AND FAMOUS”

Find the 12″ on DISCOGS

b-back

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon OM Stylus 30
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi