Tag: Steve Thompson And Michael Barbiero

Icehouse – Electric Blue (US 12″ Promo)

BURNING THE GROUND EXCLUSIVE 1988

“Electric Blue” is a 1987 hit single by the Australian rock / synthpop band Icehouse and was co-written by Iva Davies of Icehouse and John Oates of the U.S. band Hall & Oates. The single reached number one on the Australian singles chart on 16 November 1987, #7 on the American Billboard Hot 100 singles chart on 21 May 1988, #10 on the Canadian Singles Chart and #53 on the UK singles charts. Released in August 1987, it was the second single from their number one album Man of Colours.

John Oates became involved with Davies after contacting him to state he was a fan. The resulting collaboration produced this song and Oates has stated that if Davies had not released the song under the Icehouse name then it would have been a Hall and Oates track.

The “Instrumental” and “ST Edit” are exclusive to this U.S. 12″.

SIDE A:
Electric Blue (Extended Mix) 7:33
Electric Blue (Dub Mix) 5:03

SIDE B:
Electric Blue (Instrumental) 5:48
Electric Blue (ST Edit) 4:11

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1988 Electric Blue U.S. Billboard Hot 100 #7
1988 Electric Blue U.S. Billboard Mainstream Rock Tracks #10
1988 Electric Blue U.S. Billboard Hot Adult Contemporary #36

 

RELEASE INFORMATION:
Label: Chrysalis ‎– VAS 1014
Format: Vinyl, 12″, 33 ⅓ RPM, Promo
Country: US
Released: 1988
Genre: Electronic, Pop
Style: Synth-pop

CREDITS:
Producer – David Lord
Producer [Additional Production], Remix – Steve Thompson And Michael Barbiero*
Written-By – I. Davies*, J. Oates*

NOTES:
For Promotional Use Only
Original version on the LP/Cassette/CD “Man Of Colours”

Find the 12″ on DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7 TubeGold Pins
Soundcard:
Novation Audiohub 2×4 Audio Interface
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Models – Out Of Mind Out Of Sight (US 12″)

BURNING THE GROUND EXCLUSIVE 1985

“Aussie Aussie Aussie, Oi Oi Oi”

“Out Of Mind Out Of Sight” is the title single by Australian new wave rock band Models from their album of the same name. It was released in July 1985 and was their most successful single, which peaked at No. 1 on the Australian Kent Music Report Singles Chart. The album followed in August on Mushroom Records with Nick Launay, Reggie Lucas and Mark Opitz producing and reached No. 3 on the related albums chart.

“Out Of Mind Out Of Sight”, peaked at No. 37 on the U.S. Billboard Hot 100 singles chart. The band toured the US in November supporting Orchestral Manoeuvres in the Dark.

SIDE A:
Out Of Mind Out Of Sight (Extended Dance Mix) 6:19
Mixed By – Steve Thompson And Michael Barbiero*
Written-By – James Freud

SIDE B:
Seeing Is Believing 3:36
Written-By – Sean Kelly

Tropic Of Cancer 4:28
Written-By – Models (2)

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1985 Out Of Mind Out Of Sight U.S. Billboard Hot 100 #37

 

RELEASE INFORMATION:
Label: Geffen Records ‎– 0-20435
Format: Vinyl, 12″, 45 RPM, Maxi-Single
Country: US
Released: 1985
Genre: Rock
Style: New Wave, Pop Rock

CREDITS:
Photography – Paul Clarke
Producer – Mark Opitz

Find the 12″ on DISCOGS

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Aretha Franklin & George Michael – I Knew You Were Waiting (For Me) (Netherlands 12″)

BURNING THE GROUND EXCLUSIVE 1986

I originally posted this 12″ on December 30, 2011. Like many of my older transfers from the period 2010-13 I was using ClikRepair and inferior equipment. So I am happy to be able to give this record a meticulous 2017 re-rip/remaster.

“I Knew You Were Waiting (For Me)” is a Grammy Award-winning number-one song performed by Aretha Franklin and George Michael as a duet in 1987. It was written by Simon Climie and Dennis Morgan. It also stands as Franklin’s biggest hit at the Adult Contemporary chart, spending several weeks at number two.

The song was a one-off project that helped Michael achieve his ambition to sing with one of his favorite artists, and it reached number-one in both the UK Singles Chart and Billboard Hot 100. The song was Franklin’s first and only UK number-one hit, and only her fourth top ten achievement in the country since “I Say a Little Prayer”, nearly two decades earlier. This was also the last of Franklin’s seventeen top 10 hits in the Billboard Hot 100.

For Michael, it became his third consecutive number-one in the UK since going solo, following 1984’s “Careless Whisper” (though the single was actually from the Wham! album Make It Big) and 1986’s “A Different Corner”. In the US, it was Michael’s fourth number-one hit, counting his Wham! days.

The single was the first Michael had recorded (as a lead artist) that he had not written himself. The co-writer, Simon Climie, was unknown at the time, although he later had success as a performer with Climie Fisher in 1988. On the US Billboard Hot 100, “I Knew You Were Waiting (For Me)” debuted at number 59, the week of February 21, 1987, reaching number-one in its ninth week, April 18, 1987, and remaining there for two consecutive weeks.

SIDE A:
I Knew You Were Waiting (For Me) (Extended Remix) 7:30

SIDE B:
I Knew You Were Waiting (For Me) (Percappella) 5:14
I Knew You Were Waiting (For Me) (Edited Remix) 5:29

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1987 I Knew You Were Waiting (For Me) U.S. Billboard Hot 100 #1
1987 I Knew You Were Waiting (For Me) U.S. Billboard Adult Contemporary #2
1987 I Knew You Were Waiting (For Me) U.S. Billboard Hot Dance Club Songs #12
1987 I Knew You Were Waiting (For Me) U.S. Cashbox Top 100 Singles #1

 

RELEASE INFORMATION:
Label: Epic ‎– EPC 650253 6, Epic ‎– 650253 6
Format: Vinyl, 12″, 45 RPM, Maxi-Single
Country: Netherlands
Released: 1986
Genre: Electronic, Funk / Soul
Style: Synth-pop, Soul

CREDITS:
Keyboards [Additional] – Ed Terry
Producer, Arranged By – Narada Michael Walden
Remix, Producer [Additional] – Steve Thompson And Michael Barbiero*
Written-By – Morgan*, Climie*

NOTES:
Special versions from the LP “ARETHA”
Aretha Franklin appears courtesy of Arista Records.

Find the 12″ on DISCOGS

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi