Tag: Soft Cell

Soft Cell – Torch (Germany 12″) (1982)

Burning The Ground Exclusive

As Pride Month continues, The Soundtrack of Pride turns its attention to one of the most poignant and emotionally devastating songs ever recorded by Soft Cell. While the duo is forever associated with dance floor staples and synth-pop provocations, “Torch” revealed another side of Marc Almond and David Ball, one filled with longing, heartbreak, and romantic obsession.

Released in the UK in April 1982, with the extended 12-inch single arriving in May, “Torch” quickly captured the public’s imagination. By mid-June, it had climbed to number two on the UK Singles Chart, held from the top spot by Dexys Midnight Runners’ “Come On Eileen.” It would go on to rank as the 45th biggest-selling single in the UK for 1982.

Audiences who expected another dark electronic dance anthem in the wake of “Tainted Love” and “Bedsitter” instead discovered something altogether different. “Torch” was a torch song in the truest sense of the word.

Built around dramatic piano chords, sweeping strings, and David Ball’s elegant synthesizer arrangements, the track showcased Marc Almond at his most vulnerable. His theatrical vocal performance captures the anguish of unrequited love with startling honesty. The lyrics paint the portrait of someone trapped in emotional limbo, desperately waiting for affection that may never be returned.

Adding to the song’s emotional intensity is a striking trumpet solo by John Gatchell, whose performance gives “Torch” an almost cinematic quality. The arrangement feels rooted as much in classic cabaret and film noir as it does in synth-pop, elevating the song into something timeless and deeply affecting.

As the song reaches its climax, another unexpected voice enters the story. Marc Almond duets with Cindy Ecstasy, an American clubgoer whom Soft Cell had met the previous year at the legendary after-hours Club Berlin in New York City. Her appearance is brief but unforgettable, providing a ghostly counterpoint to Almond’s aching vocal. The exchange feels intimate and spontaneous, as if we are eavesdropping on two lonely souls searching for connection in the early hours of the morning.

The song’s title itself is a nod to the tradition of torch songs, ballads of lost love and impossible desire that stretch back through decades of popular music. From Billie Holiday to Dusty Springfield, these songs gave voice to hearts left bruised and broken. Marc Almond embraced that lineage, channeling old Hollywood glamour and cabaret drama through the lens of early 1980s synth-pop.

For many LGBTQ+ listeners, “Torch” resonated on an even deeper level.

At a time when openly queer representation in mainstream music was rare, Marc Almond brought an unmistakable sense of outsider emotion to his performances. He often resisted labels and preferred ambiguity in his art, yet the feelings embedded within songs like “Torch” felt deeply familiar to those who had experienced loving from a distance, hiding their true selves, or longing for connections that society didn’t always permit them to express openly.

Pride isn’t only about celebration. It is also about acknowledging the emotional journeys that shape our lives. The first crushes we couldn’t talk about. The relationships that existed in secret. The heartbreaks that taught us resilience. The hope that someday our love stories could be lived honestly and without fear.

“Torch” understands all of that.

More than four decades later, it remains one of Soft Cell’s finest achievements. It stands as proof that synth-pop could be sophisticated, cinematic, and emotionally fearless. It reminds us that vulnerability can be its own form of strength.

As we continue celebrating The Soundtrack of Pride, “Torch” honors those quieter moments of our shared experience. The tears shed behind closed doors. The dreams that kept us going. The courage it took to keep loving, even when love seemed impossible.

Because sometimes Pride isn’t found beneath the disco ball.

Sometimes, Pride is carrying a flame through the darkness and refusing to let it go out.

SIDE A:
Torch 8:30
Trumpet – John Gatchell

SIDE B:
Insecure Me 8:17
Tenor Saxophone – Dave Tofani

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

Chart Performance – Soft Cell: Torch (1982) Peak position
Australia (Kent Music Report) 68
Belgium (Ultratop 50 Flanders) 6
Ireland (IRMA) 7
Netherlands (Single Top 100) 12
UK Singles (OCC) 2
West Germany (GfK) 75

RELEASE INFORMATION:
Label: Vertigo – 6400 618Vertigo – 64 00 618
Format: Vinyl, 12″, 45 RPM, Maxi-Single, Stereo
Country: Germany
Released: 1982
Genre: Electronic
Style: Synth-pop

CREDITS:

NOTES:
Made in West Germany

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for BURNING THE GROUND

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus: Ortofon Concorde Music Black
Phono Pre-amp: Pro-Ject Tube Box DS2
Phono Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
Audio Interface: MOTU M4
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Cleaning Solution: Turgikleen Record Cleaning Solution
Scanner: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi


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Dave Ball (1959 – 2025)

Today we pause to celebrate the life, work, and legacy of Dave Ball — the visionary behind much of the sound of Soft Cell and a quietly adventurous pioneer of electronic music.

From Blackpool To Art College

Born David James Ball in 1959 in Chester and raised in Blackpool, Dave was drawn early to electronics. Self-taught on guitar and synthesizer, he was fascinated by the energy of Northern Soul and the precision of Kraftwerk.

While studying at Leeds Polytechnic, he met Marc Almond, and their unlikely pairing — Almond’s theatrical flair and Ball’s machine-minded precision — became the creative nucleus of Soft Cell. Ball once reflected that he was “just desperate to get away and start my own life.” That restlessness fueled a career that would redefine pop music.

The Soft Cell Era: Innovation, Pop & Edge

With Soft Cell, Dave Ball crafted a sonic landscape that was minimal yet emotionally rich — built on icy synths, mechanical rhythms, and club-driven textures wrapped around Almond’s provocative lyrics.

Their 1981 cover of “Tainted Love” became a global phenomenon, marking the moment when underground club culture collided with mainstream pop.

Ball’s background as a fine-art student shaped his approach — transforming pop into art, and art into pop. “We were just a couple of oiks from art college,” he once said, “doing gigs every weekend.”

Soft Cell pushed boundaries thematically and sonically, touching on nightlife, decadence, frustration, and euphoria. Dave’s synthesizer rig was the engine behind it all — sleek, dark, and unforgettable.

Beyond Soft Cell: The Grid, Production & Experimentation

After Soft Cell’s initial split in 1984, Ball continued to innovate. He formed The Grid with Richard Norris, fusing acid-house and dance-pop to create hits that defined a new era of electronic music.

He also delved into ambient and experimental soundscapes, notably the 2025 album Photosynthesis with Jon Savage — a rich tapestry of vintage analogue tones.

In his autobiography Electronic Boy: My Life In and Out of Soft Cell, Dave recounted his journey with humor, honesty, and deep insight into the evolution of electronic pop.

Legacy & Impact

  • Dave Ball helped define the sound of early 1980s synth-pop, inspiring generations of musicians and producers.

  • His work with Soft Cell reimagined pop as something darker, cooler, and more emotionally complex.

  • His later projects — from The Grid to his solo work — showcased his versatility, creativity, and boundless curiosity.

  • His later projects — from The Grid to his solo work — showcased his versatility, creativity, and boundless curiosity

A Personal Reflection

What stands out about Dave Ball is the delicate balance he struck between machine and emotion. He mastered circuitry and sequencers, yet his music always carried a deeply human pulse — introspective, cinematic, and quietly rebellious.

From shy art student to pop innovator to ambient explorer, his life reminds us that true creativity is never static. It evolves, questions, and surprises.

Final Thought

Dave Ball leaves behind a body of work that continues to resonate — songs we still dance to, synth lines that still shimmer, and a legacy that echoes through every artist who dares to fuse art and technology.

Rest in peace, Dave Ball — a true electronic original.
Your music will forever light up the dark corners of the dance floor.

-DjPaulT

Soft Cell – What (Germany 12″)

Burning The Ground Exclusive 1982

“What” is a song written by H. B. Barnum, originally performed by Melinda Marx and released in 1965.

British synth-pop/new wave duo Soft Cell released a cover of the song in July 1982 as the only single from their remix EP Non Stop Ecstatic Dancing. It became their fifth UK top-ten chart hit, peaking at number 3 on the UK Singles Chart.

SIDE A:
What 6:10
Engineer –  Don Wershba
Mixed By – Harvey Goldberg
Performer [Instruments] – Dave Ball
Vocals – Marc Almond
Written-By – H.B. Barnum

SIDE B:
So 8:48
Engineer – Bill Clarke
Producer, Performer, Written-By – Dave Ball

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Vertigo – 6400 674
Format: Vinyl, 12″, 45 RPM, Maxi-Single
Country: Germany
Released: 1982
Genre: Electronic
Style: Synth-pop

CREDITS:
Design [Sleeve Design], Artwork [Hand Colouring] – Huw Feather

Photography By [Front Cover] – Eugine Adebari*

NOTES:
H.B. Barnum (as credited on the sleeve) is credited as H.P. Barnum on the label.
Dave Ball (as credited on the sleeve) is credited as David Ball on the label.

Track A recorded at The Camden Cell
Track B recorded in The Box, West Yorks

Front cover taken from the forthcoming “Non-Stop Exotic Video Show”
One nice pop song – from two nice people

Made in West Germany

Find the 12″ at DISCOGS

VINYL TRANSFER & RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge/Stylus: Ortofon 2M Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC only available for seven days!


Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.

Soft Cell – Loving You, Hating Me (US 12″ Promo)

BURNING THE GROUND EXCLUSIVE 1983

“Loving You, Hating Me” was the proposed third UK single from the album The Art of Falling Apart by English synth-pop duo Soft Cell. It was never actually released in the UK and only saw release as a single in the US. The “Special Mix” contained in this US 12″ promo is unique to this release and has not appeared on CD. The duration of this track is printed on the sleeve as 6:59 while the label lists 7:50. The label is correct.

“Loving You Hating Me” is a song about the battle of the sexes – a punch up rather than a full blown war! In a January 1983 interview with Soft Cell published in Melody Maker, Marc Almond explained: “Everybody has sadomasochistic tendencies, most people love to be hurt because of the drama and it’s pleasurable hurting somebody else because, afterward, you can feel really sorry for them”.

SIDE A:
Loving You, Hating Me (Special Mix) 7:50

SIDE B:
Heat 6:14
Loving You, Hating Me (LP Version) 4:20

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Sire – Sire ‎– PRO-A-1096, Some Bizzare ‎– PRO-A-1096
Format: Vinyl, 12″, 45 RPM, Promo
Country: US
Released: 1983
Genre: Electronic
Style: Synth-pop

CREDITS:
Producer – Mike Thorne, Soft Cell
Written-By – Ball*, Almond*

NOTES:
From The Sire album The Art Of Falling Apart
Made in the U.S.A.

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7 TubeGold Pins
Soundcard:
Novation Audiohub 2×4 Audio Interface
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi