Tag: Pascal Gabriel

S-Express – Theme From S-Express (US 12″)

Burning The Ground Exclusive 1988

A. Front

Request

NEW 2024 Transfer
NEW Meticulous Audio Restoration

Originally posted August 18, 2016

“Theme from S-Express” is a defining track in the acid house genre, showcasing the innovative sampling techniques of the late 1980s. Released by S’Express, the song features a catchy blend of samples, particularly drawing from Rose Royce’s “Is It Love You’re After” and TZ’s “I Got the Hots for You.” The use of the hi-hat from an aerosol spray adds a unique touch.

The title references the 42nd Street Shuttle in New York City, linking the song to urban culture. While it achieved significant success in the UK, hitting number one for two weeks, its performance in the US was more modest, peaking at number 91 on the Billboard Hot 100 but reaching the top of the Hot Dance Club Play chart. The track also made an international impact, ranking well in Australia and West Germany. Its influence remains evident in the dance music scene today.

In the U.S.A. versions, an unnamed vocalist provided replacements for some of the vocal samples (“Uno, dos, uno dos tres quatro!”, “No, that’s good!”, and scream for daddy near the end that turned into “scream for mommy”.)

*De-notes vinyl-only

PLATFORM 1:
Theme From S-Express (12″ U.S.A. Mix)* 5:57
Theme From S-Express (7″ U.S.A. Mix) 3:56

PLATFORM 2:
The Trip (Microdot House Mix) 5:41

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1988 Theme From S-Express U.S. Billboard Hot 100 #91
1988 Theme From S-Express U.S. Billboard Hot Dance Music/Club Play #1

RELEASE INFORMATION:
Label: Capitol Records – V-15377Rhythm King – V-15377
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1988
Genre: Electronic
Style: Acid House

CREDITS:

NOTES:
S-Express samples courtesy of:

Karen Finley “Tales Of Taboo”

T-Z “I Got The Hots For You”

Rhythm King Music
Recorded in England

Printed in U.S.A.

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

B. Back
THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon 2M Black PnP MkII
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.



Bryan Ferry – Limbo (US 12″)

Burning The Ground Exclusive 1988

Limbo” is a song by English singer Bryan Ferry, the former lead vocalist for Roxy Music. It was released as the third and final single from his seventh album Bête Noire in 1988, and was his twenty-seventh single. The song failed to enjoy as much success as the two previous singles from the album; it peaked at No. 86 on the UK Singles Chart. It also appears in the ill-fated film Big Time, starring Paul Guilfoyle.

The song, like the other singles released from the album (“The Right Stuff” and “Kiss and Tell”), features The Smiths’ lead guitarist Johnny Marr.

The song was co-produced by Patrick Leonard, who was recognized as co-writer and producer of many of Madonna’s songs from the earlier half of her career.

The promotional video for the song was directed by style and fashion guru Michael Roberts, a longtime friend of Ferry. The models are Nathaly Coualy and Regina Monte.

SIDE A:
Limbo (Latin Mix) 6:38
Mixed By – Emilio PasquezPascal Gabriel

SIDE B:
Bete Noire (Instrumental) 5:01
Mixed By – Alan Meyerson

Limbo (Brooklyn Mix) 8:38
Mixed By – Alan Meyerson

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Reprise Records – 0-20846, Reprise Records – 9 20846-0
Format: Vinyl, 12″, 33 ⅓ RPM, Maxi-Single
Country: US
Released: 1988
Genre: Electronic, Rock
Style: Synth-pop

CREDITS:

NOTES:
From the Reprise album Bête Noire

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon 2M Black PnP MkII
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.



Erasure – The Circus (US 12″)

BURNING THE GROUND EXCLUSIVE 1987

“The Circus” is a song by British synthpop duo Erasure, released in September 1987 as the band’s seventh single overall. It is also the title track on their second album, The Circus.

The album version clocks at 5.30 minutes, so the song was remixed for the single release to a much more radio-friendly 3:50 minutes. Mute Records issued it as the fourth and final single from the album.

Written by Erasure members Vince Clarke and Andy Bell, “The Circus” was a departure from the shiny pop of their six previous singles, creating a more down-tempo and melancholy mood. Essentially a synthpop track, the music is accentuated by acoustic guitar and a continuous circus-like accordion. The lyrics touch on social issues, rare for the duo, and center on the lament of “working men”, whose bright futures and job securities are left shattered in the modern world of greedy corporations and technology.

The song’s distinctive and unusual sound is said to have been inspired by Bell hearing a record being played backward.

Despite its haunting quality and dark lyrical content, “The Circus” became Erasure’s third UK Top 10 hit, peaking at number six.

SIDE A:
The Circus (Gladiator Mix) 6:08
Remix – Dave Powell

The Circus (Decay Mix) 5:33
Remix – Paul Kendall

SIDE B:
The Circus (Bareback Mix) 6:36
Mixed By – Pascal Gabriel

The Circus (DJ Mix) 3:52
Remix – Flood

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Sire ‎– 0-20822, Mute ‎– 0-20822, Sire ‎– 9 20822-0
Format: Vinyl, 12″, 33 ⅓ RPM, Maxi-Single
Country: US
Released: 1987
Genre: Electronic
Style: Synth-pop

CREDITS:
Artwork – Company Me*
Backing Vocals – Derek Smith (3), Steve Myers
Mastered By [Side 2 Runout Etching ⁀⁀ ⁀⁀] – Brian Gardner
Producer – Flood
Written-By – Clarke/Bell

NOTES:
A1 remixed at Konk.
A2 remixed at Blackwing.
B2 remixed at Trident Studios. Flood’s DJ Mix is an edit of the album version that is faster and pitched higher.

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Schiit Mani
Soundcard:
Novation Audiohub 2×4 Audio Interface
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Username: btg
Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.

S-Express – Superfly Guy (US 12″ Promo)

BURNING THE GROUND EXCLUSIVE 1988

Side 1

In both the US and Europe “Superfly Guy” was released with seperate alternate 12″ mixes, however the US 12″ promo included an exclusive remix titled “Superfly Guy (Do The Bourasa Mix)” which is similar to the original but Steve Bourasa who worked with Hot Tracks and Rhythm Stick remix services added some cool edits and thrown in snippets of “Theme From S-Express” and Curtis Mayfield’s “Superfly”. This mix is extremely rare and only appears on this release.

The “Fluffy Bagel Mix” and “Visitor Mix” were both released in Europe as a limited edition 12″. The “Visitor Mix” is a very muffled dub sounding remix by Baby Ford.

SIDE A:
Superfly Guy (Fluffy Bagel Mix) 6:58
Remix – The Marks Brothers

Superfly Guy (Visitor Mix) 6:19
Programmed By [Additional Keyboard Programming] – Mr. Salt*
Remix – Baby Ford

SIDE B:
Superfly Guy (Do The Bourasa Mix) 6:20
Edited By, Producer [Additional Production] – Steve Bourasa
Mixed By – The Marks Brothers

Theme From Funky Killer 4:55
Mixed By – Mark Moore, Pascal Gabriel

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Capitol Records ‎– SPRO-79432, Capitol Records ‎– SPRO-79433
Format: Vinyl, 12″, Promo, 45 RPM
Country: US
Released: 1988
Genre: Electronic
Style: Acid House, House

CREDITS:
Producer, Written-By – Mark Moore, Pascal Gabriel

NOTES:
Superfly Guy (Do The Bourasa Mix) is exclusive to this release.

Recorded In England

Find the 12″ on DISCOGS

Side 2

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon OM Stylus 30
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi