Tag: Orchestral Manoeuvres In The Dark

Orchestral Manoeuvres In The Dark – Dreaming (US 12″)

BURNING THE GROUND EXCLUSIVE 1988

A. Front

“Dreaming” is a song by British band Orchestral Manoeuvres in the Dark released in 1988 as a single from their compilation album, The Best of OMD. It was the last single before the band split-up, with only Andy McCluskey to carry on working under the OMD banner, and not releasing another record for three years. While not overly successful in the UK (where it barely made the top 50), the song was the band’s second most successful chart entry on the US Billboard Hot 100, reaching #16.

Stewart Mason, in a positive review for Allmusic, described the song as “dynamite”, and wrote: “[‘Dreaming’] is easily the group’s best single since 1983’s ‘Telegraph’…It’s a near-perfect pop song, perhaps the last great single by an ’80s synth-pop band.”

The cover art was designed by Stylorouge, with photography by Andrew Catlin.

All the single versions include “Satellite” as a B-side. The other B-side, “Gravity Never Failed”, was a bonus track on the CD single. This song was originally titled “Georgia” and dates back to the 1981 Architecture & Morality sessions. However, the band lost their favour with the song and was thus shelved, and the title “Georgia” was given to a new song and featured on the album.

SIDE A:
Dreaming (Club Mix) 7:13
Dreaming (Radio Edit) 3:54

SIDE B:
Dreaming (Dub Mix) 4:29
Satellite 5:10

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1988 Dreaming U.S. Billboard Hot 100 #16
1988 Dreaming U.S. Billboard Hot Dance Music/Club Play #6

 

RELEASE INFORMATION:
Label: A&M Records ‎– SP-12258
Format: Vinyl, 12″, 45 RPM, Single
Country: US
Released: 1988
Genre: Electronic
Style: Synth-pop

CREDITS:
Composed By, Producer – OMD*
Design – Stylorouge
Photography – Andrew Catlin
Producer [Additional Production] – Bruce Forest, Frank Heller
Remix – OMD*

NOTES:
“Dreaming” Original version appears on the A&M album
“The Best Of O.M.D.”

Find The 12″ On DISCOGS

B. Back

EQUIPMENT USED:
Turntable: Pro-Ject Debut III
Cartridge: Ortofon Super
Stylus: Ortofon OM Stylus 30
Platter: Pro-Ject Acryl-It platter
Speed Control: Pro-Ject Speed Box S
Phono Pre-amp: Bellari VP130 Tube Phono Preamp
Tube: Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard: ESI Juli@
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removeal: ClickRepair (DeClick Level 3)
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Orchestral Manoeuvres In The Dark – Secret (US 12″)

BURNING THE GROUND EXCLUSIVE 1988

A. Front

“Secret” is a single by Orchestral Manoeuvres in the Dark originally released as a single from their 1985 album Crush. It is sung by Paul Humphreys, who most often functions as keyboard player and backing vocalist. The single became their second US Billboard Hot 100 entry, peaking at #63 (1985). It also made the top 40 in the UK at #34 (1985).

In 1988 “Secret” was remixed and re-released in the US to promote the OMD compilation “The Best Of OMD”. The song was relesed on both 12″ and 7″ formats featuring new remixes.

SIDE A:
Secret (New 12″ Remix) 5:52
Secret (New 7″ Remix) 3:46

SIDE B:
Secret (Old 12″ Remix) 6:14

Telegraph (Live) 3:58
Producer – OMD*

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1985 Secret U.S. Billboard Hot 100 #63
1988 Secret U.S. Billboard Hot 100 did not chart

 

RELEASE INFORMATION:
Label: A&M Records ‎– SP-12272
Format: Vinyl, 12″, Single, 45 RPM
Country: US
Released: 1988
Genre: Electronic
Style: Synth-pop

CREDITS:
Composed By – OMD*
Producer – Stephen Hague (tracks: A1 to B1)
Remix – OMD* (tracks: A1, A2)

NOTES:
“Secret” Original version appears on the A&M album “The Best Of OMD”

Find The 12″ On DISCOGS

B. Back

EQUIPMENT USED:
Turntable: Pro-Ject Debut III
Cartridge: Ortofon Super
Stylus: Ortofon OM Stylus 30
Platter: Pro-Ject Acryl-It platter
Speed Control: Pro-Ject Speed Box S
Phono Pre-amp: Bellari VP130 Tube Phono Preamp
Tube: Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard: ESI Juli@
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removeal: ClickRepair (DeClick Level 3)
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Orchestral Manoeuvres In The Dark – (Forever) Live And Die (US 12″)

BURNING THE GROUND EXCLUSIVE 1986

A. Front

“(Forever) Live and Die” is a song by British synthpop band Orchestral Manoeuvres in the Dark (OMD), released as the first single taken from their 1986 album, The Pacific Age. It is sung by Paul Humphreys, who ordinarily functions as keyboard player and backing vocalist. The single narrowly missed the Top 10 of the UK Singles Chart, peaking at #11, but was a significant radio hit. It was a Top 10 hit in Canada and many European territories, and a Top 20 hit in the United States, Australia, New Zealand and Ireland. It was the last of the group’s singles to reach the UK Top 20 before Humphreys left in 1989, and Andy McCluskey continued OMD on his own.

Producer Stephen Hague had made his production debut the previous year on OMD’s Crush. He is also known for his work with the Pet Shop Boys, often using a chorus effect on Neil Tennant’s voice, as he did with Humphreys on this song.

The b-side “This Town” is a non-lp track.

SIDE A:
(Forever) Live And Die (Extended Mix) 5:55
Remix – Tom Lord-Alge

SIDE B:
(Forever) Live And Die (7″ Version) 3:36
This Town 3:46

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1986 (Forever) Live And Die U.S. Billboard Hot 100 #19
1986 (Forever) Live And Die U.S. Billboard Hot Adult Contemporary #25
1986 (Forever) Live And Die U.S. Billboard Hot Dance/Club Play #37

 

RELEASE INFORMATION:
Label: A&M Records ‎– SP-12202
Format: Vinyl, 12″, 45 RPM
Country: US
Released: 1986
Genre: Electronic
Style: Synth-pop

CREDITS:
Artwork By – Mick Haggerty
Engineer [Production] – Tom Lord-Alge
Producer – Stephen Hague
Written-By – O.M.D.*

NOTES:
“(Forever) Live And Die” From the A&M album “The Pacific Age”

Find The 12″ On DISCOGS

B. Back

EQUIPMENT USED:
Turntable: Pro-Ject Debut III
Cartridge: Ortofon Super
Stylus: Ortofon OM Stylus 30
Platter: Pro-Ject Acryl-It platter
Speed Control: Pro-Ject Speed Box S
Phono Pre-amp: Bellari VP130 Tube Phono Preamp
Tube: Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard: ESI Juli@
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removeal: ClickRepair (DeClick Level 3)
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Orchestral Manoeuvres In The Dark – One Mad Day Mix (US 12″ Promo)

BURNING THE GROUND EXCLUSIVE 1991

Side One

Euro-Mixx is a US based label that had formerly released bootleg singles under the name ON-Usound. This 12″ is a nicely done Megamix titled “One Mad Day Mix” of British New Wave group OMD (Orchestral Manoeuvres in the Dark).

Founding members, Andy McCluskey (vocals, bass guitar) and Paul Humphreys (keyboards, vocals), are originally from the Wirral Peninsula, England. The band rose to fame with their fourth single “Enola Gay”, which became a major hit throughout Europe in 1980, and achieved worldwide popularity the following year with their third album Architecture & Morality. Regarded as the band’s seminal work,[1] it spawned three international hit singles and propelled them to superstar status in their home country. OMD, whose music frequently eschewed traditional pop music arrangements in favour of experimentation, were retrospectively described by AllMusic’s Ned Raggett as having been “in the enviable position of at once being creative innovators and radio-friendly pop giants.”

Record sales began to decrease in the UK during the latter half of the 1980s, as did critical support, but the group remained popular. Concurrently, they reached their US peak and had a series of hits, the most notable being 1986’s “If You Leave”, written for the film Pretty in Pink.

On April 16, 2013 the band will release their twelfth studio album “English Electric”, featuring the first single “Metroland” which is out now.

SIDE A:
One Mad Day Mix (Part One) 12:25
Pandoras Box
Speed Of Light
Call My Name
Locomotion
Secret
So In Love
If You leave
Sailing On The Seven Seas

SIDE B:
One Mad Day Mix (Part Two) 15:10
Secret
If You Leave
So In Love
Talking Loud And Clear
Locomotion
Genetic Engineering
Tesla Girls
Telegraph
Enola Gay
Electricity

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint (generic)

RELEASE INFORMATION:
Label: Euro-Mixx ‎– OMD-24
Format: Vinyl, 12″, 33 RPM, Mixed, Unofficial Release
Country: US
Released: 1991
Genre: Electronic
Style: New Wave, Synth-pop

NOTES:
For Radio Play Only

Find The 12″ On DISCOGS

Side Two

EQUIPMENT USED:
Turntable: Pro-Ject Debut III
Cartridge: Ortofon Super
Stylus: Ortofon OM Stylus 30
Bellari VP130 Tube Phono Preamp
Soundcard: ESI Juli@
VPI HW 16.5 Record Cleaning Machine
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Adobe Audition 3.0 (Recording)
Adobe Photoshop CS5
ClickRepair
dBpoweramp
Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
Downsampled to 24bit/96kHz and16bit /44kHz using iZotope RX Advanced 2
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi