Tag: Narada Michael Walden

Jermaine Stewart – Jody (US 12″)

BURNING THE GROUND EXCLUSIVE 1986

“Jody” is a song by American singer Jermaine Stewart, released in 1986 as the third single from his album Frantic Romantic. It was written by Stewart, Narada Michael Walden, and Jeffrey Cohen, and produced by Walden.

In America, the single became Stewart’s most successful single on the dance charts, peaking at #9, and became his third single to enter the Billboard Hot 100, peaking at #42. In Canada, the single made a brief appearance on the chart, peaking at #81.

“Jody” was inspired by Jody Watley of American music group Shalamar, for which Stewart had been a backing vocalist and dancer in the early 1980s.

Watley went on to co-write two singles on Stewart’s 1988 follow-up album, Say It Again: “Don’t Talk Dirty to Me” and “Is It Really Love?,” both of them with her husband of the time André Cymone, who co-produced and performed on the album.

The B-side for the single, “Dance Floor”, was also taken from the album Frantic Romantic. It was written by Stewart and Roy Carter.

SIDE A:
Jody (Dance Mix) 5:34
Jody (Dub Mix) 6:10

SIDE B:
Dance Floor (Extended Version) 6:40
Edited By [Edits] – Chep Nunez*
Producer – John “Jellybean” Benitez

Jody (Single Version) 3:38

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1986 Jody U.S. Billboard Hot 100 #42
1986 Jody U.S. Billboard Hot Dance Music/Club Play #9
1986 Jody U.S. Billboard Hot R&B/Hip-Hop Songs #18

 

RELEASE INFORMATION:
Label: Arista ‎– AD1-9477
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1986
Genre: Electronic
Style: Electro, Synth-pop

CREDITS:
Arranged By, Producer, Other [Reduced] – Narada Michael Walden (tracks: A1-A2, B2)
Edited By [Edits] – Benji Candelario (tracks: A1-A2)
Engineer [Remix Engineer] – Alan Meyerson (tracks: A1-A2)
Producer [Additional Production], Remix – Arthur Baker (tracks: A1-A2)
Supervised By [Mix Supervision] – Ed Eckstine (tracks: A1-A2)

NOTES:
Special versions from the LP “FRANTIC ROMANTIC”

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck
DAC/Phono Pre-amp:
Alpha Design Labs GT40a USB DAC
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

Username: btg
Password: burningtheground

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Sister Sledge – We Are Family (1984 Remix) (Germany 12″)

BURNING THE GROUND EXCLUSIVE 1984

R.I.P. Joni Sledge (September 13, 1956 – March 10, 2017)

“We Are Family” is a 1979 dance hit song by Sister Sledge, composed by Bernard Edwards and Nile Rodgers. Rodgers and Edwards offered the song to Atlantic Records; although the record label initially declined, the track was released as a single from the album of the same name and quickly began to gain club and radio play. It eventually went Gold, becoming the number one R&B and number two pop song on the US charts in 1979. Along with the tracks, “He’s the Greatest Dancer” and “Lost in Music”, “We Are Family” reached number one on the disco charts. It was also the theme song for the 1979 Pittsburgh Pirates.

In 1984 the song was remixed by Bernard Edwards and re-released where it chated again in the UK at #33.

SIDE A:
We Are Family (Long Version) (1984 Remix) 7:12
Remix – Bernard Edwards
Producer – Bernard Edwards & Nile Rodgers

SIDE B:
My Guy / Canadian Sunset 3:43
Producer – Sister Sledge

All American Girls 4:43
Producer – Narada Michael Walden
Co-producer – Sister Sledge

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Cotillion – 796 910-0
Format: Vinyl, 12″, 45 RPM
Country: Germany
Released: 1984
Genre: Electronic
Style: Disco

NOTES:
Original version appears on the LP “WE ARE FAMILY”

Find the 12″ on DISCOGS

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Aretha Franklin & George Michael – I Knew You Were Waiting (For Me) (Netherlands 12″)

BURNING THE GROUND EXCLUSIVE 1986

I originally posted this 12″ on December 30, 2011. Like many of my older transfers from the period 2010-13 I was using ClikRepair and inferior equipment. So I am happy to be able to give this record a meticulous 2017 re-rip/remaster.

“I Knew You Were Waiting (For Me)” is a Grammy Award-winning number-one song performed by Aretha Franklin and George Michael as a duet in 1987. It was written by Simon Climie and Dennis Morgan. It also stands as Franklin’s biggest hit at the Adult Contemporary chart, spending several weeks at number two.

The song was a one-off project that helped Michael achieve his ambition to sing with one of his favorite artists, and it reached number-one in both the UK Singles Chart and Billboard Hot 100. The song was Franklin’s first and only UK number-one hit, and only her fourth top ten achievement in the country since “I Say a Little Prayer”, nearly two decades earlier. This was also the last of Franklin’s seventeen top 10 hits in the Billboard Hot 100.

For Michael, it became his third consecutive number-one in the UK since going solo, following 1984’s “Careless Whisper” (though the single was actually from the Wham! album Make It Big) and 1986’s “A Different Corner”. In the US, it was Michael’s fourth number-one hit, counting his Wham! days.

The single was the first Michael had recorded (as a lead artist) that he had not written himself. The co-writer, Simon Climie, was unknown at the time, although he later had success as a performer with Climie Fisher in 1988. On the US Billboard Hot 100, “I Knew You Were Waiting (For Me)” debuted at number 59, the week of February 21, 1987, reaching number-one in its ninth week, April 18, 1987, and remaining there for two consecutive weeks.

SIDE A:
I Knew You Were Waiting (For Me) (Extended Remix) 7:30

SIDE B:
I Knew You Were Waiting (For Me) (Percappella) 5:14
I Knew You Were Waiting (For Me) (Edited Remix) 5:29

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1987 I Knew You Were Waiting (For Me) U.S. Billboard Hot 100 #1
1987 I Knew You Were Waiting (For Me) U.S. Billboard Adult Contemporary #2
1987 I Knew You Were Waiting (For Me) U.S. Billboard Hot Dance Club Songs #12
1987 I Knew You Were Waiting (For Me) U.S. Cashbox Top 100 Singles #1

 

RELEASE INFORMATION:
Label: Epic ‎– EPC 650253 6, Epic ‎– 650253 6
Format: Vinyl, 12″, 45 RPM, Maxi-Single
Country: Netherlands
Released: 1986
Genre: Electronic, Funk / Soul
Style: Synth-pop, Soul

CREDITS:
Keyboards [Additional] – Ed Terry
Producer, Arranged By – Narada Michael Walden
Remix, Producer [Additional] – Steve Thompson And Michael Barbiero*
Written-By – Morgan*, Climie*

NOTES:
Special versions from the LP “ARETHA”
Aretha Franklin appears courtesy of Arista Records.

Find the 12″ on DISCOGS

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Sheena Easton – Eternity (Shep Pettibone Mix) (US 12″)

BURNING THE GROUND EXCLUSIVE 1987

A. Front

Re-Rip Remaster

Originally I posted this one on November 17, 2010. But for those who may have missed it or if you are a new reader just discovering BTG. I decided to give this one a new rip with my newer Ortofon 30 stylus. This 12″ is also being posted in 24 bit flac for the very first time!

“Eternity” was the first and only single released from Sheena Easton’s eighth studio album “No Sound But Heart”, the album’s original U.S. release was canceled, but the album was issued in Canada and Mexico. The album was eventually reissued in 1999 by the One Way Records label, marking the first time it has been officially available in the United States.

‘Eternity” was written and produced by Prince and remixed by Shep Pettibone. Prince also plays guitar on the track under the alias Freddie “The Phantom”. The single failed to chart and was Easton’s final release on the EMI label, where she had started her career. She subsequently moved to MCA Records the following year in 1988.

The b-side “Shockwave” is a non-lp track written by Narada Michael Walden and guitarist Jesse Johnson.

VINYL GRADE:
Vinyl: Near Mint
Cover: Near Mint

SIDE A:
Eternity (Shep Pettibone Mix)  6:24
Coordinator [Production] – Lorraine Rebidas
Engineer [Assistant] – David Knight
Engineer [Mixing] – Michael Hutchinson
Producer – David Leonard
Producer [Additional Production], Mixed By [Additional Mixing] – Shep Pettibone
Written-By – Prince

Eternity (Single Version)  3:50
Arranged By [Vocal] – Randy Petersen
Coordinator [Production] – Lorraine Rebidas
Engineer – David Leonard
Engineer [Assistant] – David Knight
Producer – David Leonard
Written-By – Prince

SIDE B:
Eternity (Dub)  6:16
Coordinator [Production] – Lorraine Rebidas
Engineer [Assistant] – David Knight
Engineer [Mixing] – Michael Hutchinson
Producer – David Leonard
Producer [Additional Production], Mixed By [Additional Mixing] – Shep Pettibone
Written-By – Prince

Shockwave 5:43
Engineer [Assistant] – Dana Jon Chappelle
Mixed By – David Frazer
Producer – Narada Michael Walden
Written-By – J. Johnson* , N. M. Walden* , Sheena Easton

RELEASE INFORMATION:
Label: EMI America – V-19223
Format: Vinyl, 12″
Country: US
Released: 1987
Genre: Electronic, Funk / Soul
Style: Synth-pop, Funk, Soul
Credits: Producer – David Leonard (tracks: A1, A2, B1)
Written By – Prince (tracks: A1, A2, B1)
Credits: Arranged By [Vocal Arrangements] – Randy Petersen (tracks: A1 to B1)
Art Direction – Henry Marquez
Cello – Todd Hemmenway (tracks: A1 to B1)
Design – Tommy Steele (2)
Guitar – Freddie “The Phantom” (tracks: A1 to B1)
Keyboards – Rocker Happyfeller (tracks: A1 to B1)
Keyboards, Synthesizer – Jeffrey Kim Bullard* (tracks: A1 to B1), Randy Waldman (tracks: A1 to B1)
Management [Personal Management] – Harriet Wasserman
Photography – Herb Ritz

NOTES:
Original version of “Eternity” can be heard on the LP “NO SOUND BUT HEART”

Find The 12″ On DISCOGS

B. Back

EQUIPMENT USED:
Turntable: Pro-Ject Debut III
Cartridge: Ortofon Super
Stylus: Ortofon OM Stylus 30
Bellari VP130 Tube Phono Preamp
Soundcard: ESI Juli@
VPI HW 16.5 Record Cleaning Machine
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Adobe Audition 3.0 (Recording)
Adobe Photoshop CS5
ClickRepair
dBpoweramp
Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
Downsampled to 24bit/96kHz and16bit /44kHz using iZotope RX Advanced 2
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi