Tag: Naked Eyes

Naked Eyes – Always Something There To Remind Me (US 12″ Promo) (1982)

Burning The Ground Exclusive

Yesterday I posted the UK 12″ of “Always Something There To Remind Me,” featuring the 5:43 “American Remix” by John “Jellybean” Benitez. Today we’re staying with Naked Eyes for a companion release that helps complete the story of this classic single and its sometimes confusing assortment of mixes.

Today’s record is the U.S. promotional 12″ issued by EMI America, catalog numbers SPRO-9891 and SPRO-9892.

Unlike yesterday’s Jellybean remix, this promo contains the earlier extended version produced and mixed by Tony Mansfield.

The A-side is simply titled “Long Version” and runs 6:13.

This is the Tony Mansfield extended mix of “Always Something There To Remind Me,” the version that has sometimes been referred to over the years as the original UK 12″ mix. It predates Jellybean’s later remix and takes a different approach to extending the song.

Rather than radically rebuilding the track, Mansfield expands his original production and gives the arrangement more room to breathe. The familiar electronic textures, percussion, keyboards, and those unmistakable chimes are all given additional space without losing the character of the original recording.

For me, that is part of what makes this version so appealing. It sounds like an extended version from the era when a 12″ mix did not necessarily have to completely reinvent a song. Sometimes you simply wanted more of the record you already loved.

And at 6:13, that is exactly what you get.

The flip side contains the appropriately titled “Short Version,” running 3:40. With both versions on the same promotional disc, American radio programmers and DJs could choose between the longer mix and the more compact version depending on what they needed.

This promo also clears up another part of the mix confusion discussed in yesterday’s post.

SPRO-9891 contains the 6:13 “Long Version,” which is the Tony Mansfield mix.

A later U.S. promotional 12″, SPRO-9924, contains the approximately 5:41 “Remixed Version” by John “Jellybean” Benitez. That Jellybean remix was later issued in the UK as the “American Remix,” which is the 5:43 version I posted yesterday.

So if you’re trying to keep all of this straight, the easiest way is by running time:

The 6:13 “Long Version” is the Tony Mansfield mix.

The approximately 5:41 to 5:43 “Remixed Version” or “American Remix” is the John “Jellybean” Benitez mix.

Simple enough once you know what you’re looking for. Getting there is another story.

The confusion has not been helped by various compilations and reissues over the years assigning the wrong mix names or credits. That is one reason I wanted to post these two records together. Hearing them directly from the original vinyl makes the differences much easier to identify.

It also gives us another opportunity to celebrate the work of producer Tony Mansfield.

Mansfield was an important part of the early Naked Eyes sound. His production helped give “Always Something There To Remind Me” that combination of polished pop, electronics, and drama that still jumps out of the speakers more than forty years later.

Of course, at the center of it all is Pete Byrne’s vocal.

Following the sad news of Byrne’s passing on September 14, listening to these records has taken on added meaning. Yesterday’s post was dedicated to his memory, and I wanted to continue that tribute today with another important piece of the Naked Eyes catalog.

It is remarkable how a recording can instantly transport you back to a certain time. For many of us, “Always Something There To Remind Me” is permanently tied to 1983, MTV, radio, and that wave of British synth-pop that seemed to arrive almost overnight.

And with both the Tony Mansfield and Jellybean mixes now represented here on Burning The Ground, we can finally hear two very different extended interpretations of the record from the original vinyl.

Which one do you prefer?

The Tony Mansfield 6:13 “Long Version,” or Jellybean’s punchier 5:43 “American Remix”?

For me, there is room for both.

Rest in peace, Pete Byrne.

SIDE A:
Always Something There To Remind Me (Long Version) 6:16

SIDE B:
Always Something There To Remind Me (Short Version) 3:41

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: EMI America – SPRO-9891, EMI America – SPRO-9892
Format: Vinyl, 12″, 33 ⅓ RPM, Promo, Stereo
Country: US
Released: 1982
Genre: Electronic
Style: New Wave, Synth-pop

CREDITS:

NOTES:
Recorded in England.

Promo
Not For Sale

(from the LP “Naked Eyes” ST-17089)

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for BURNING THE GROUND

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus: Ortofon Concorde Music Black
Phono Pre-amp: Pro-Ject Tube Box DS2
Phono Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
Audio Interface: MOTU M4
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Cleaning Solution: Turgikleen Record Cleaning Solution
Scanner: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi


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Naked Eyes – Always Something There To Remind Me (American Remix) (UK 12″) (1982)

Burning The Ground Exclusive

Today’s post is dedicated to the memory of Pete Byrne, lead vocalist and co-founder of Naked Eyes, who passed away peacefully in Los Angeles on September 14, 2026, after a brief illness. He was 74. News of his passing was announced this week.

For anyone who came of age during the early days of MTV, Byrne’s voice is instantly recognizable. Along with keyboardist Rob Fisher, he created some of the most memorable British synth-pop to cross the Atlantic during the early ’80s.

Naked Eyes formed in Bath, England, with Byrne and Fisher emerging from the earlier band Neon. As Naked Eyes, the pair signed with EMI and began working with producer Tony Mansfield. Their debut album, Burning Bridges, arrived in the UK in 1983 and was released in a slightly altered form in the United States simply as Naked Eyes.

Their breakthrough was a dramatic electronic remake of the Burt Bacharach and Hal David composition “Always Something There To Remind Me.”

The song already had a long history by the time Naked Eyes recorded it. Lou Johnson first released it in 1964, while Sandie Shaw took her version all the way to No. 1 in the UK later that year. Naked Eyes took the familiar song and rebuilt it for the synthesizer generation, surrounding Byrne’s vocal with programmed rhythms, keyboards, and Tony Mansfield’s polished production.

While Naked Eyes never became a major chart act in their native country, America was another story. “Always Something There To Remind Me” climbed to No. 8 on the Billboard Hot 100 in 1983, followed by another major U.S. hit, “Promises, Promises,” which reached No. 11.

Ironically, the record that helped define the early-’80s British synth-pop sound was much less successful in Britain. After being re-promoted following its American success, “Always Something There To Remind Me” entered the UK Singles Chart in July 1983 and peaked at No. 59.

Today’s record is the UK 12″ on EMI, catalog number 12EMI 5334, backed with the non-LP track “Pit Stop.”

And this is where things get interesting.

The A-side is the “American Remix,” and my copy runs exactly 5:43. This is the John “Jellybean” Benitez remix, though the history of the various mixes has become surprisingly muddled over the years.

The original extended version of “Always Something There To Remind Me,” mixed as part of Tony Mansfield’s original production, runs approximately 6:13. It was issued in the United States on the promotional 12″ SPRO-9891 as the “Long Version.”

A second U.S. promotional 12″, SPRO-9924, contained a newer “Remixed Version” by John “Jellybean” Benitez. That version runs approximately 5:41 and, unlike the earlier mix, begins with drums. The Jellybean mix was subsequently issued in the UK as the “American Remix.” My UK pressing runs 5:43, putting it squarely in this Jellybean remix family.

If that sounds confusing, it gets worse.

Over the years, reissues and compilations have sometimes mixed up the credits. The One Way/EMI collection Everything And More reportedly included the Jellybean mix while identifying it as the Tony Mansfield 12″ mix. Other discographies have also attributed the UK “American Remix” to Mansfield. The more recent Chrysalis edition of the debut album identifies the approximately 5:40 version as the “Jellybean Extended Remix.”

So, for collectors keeping score:

The approximately 6:13 version is the earlier Tony Mansfield long version.

The approximately 5:41 to 5:43 version beginning with drums is the John “Jellybean” Benitez remix.

Sometimes the grooves tell the story better than the liner notes.

The B-side, “Pit Stop,” was written by Pete Byrne and Rob Fisher and produced by Tony Mansfield. It was not included on the original UK Burning Bridges LP, making it another reason this 12″ is worth having.

Sadly, both halves of the original Naked Eyes partnership are now gone. Rob Fisher died in 1999. Pete Byrne continued making music and eventually revived Naked Eyes, performing the songs for audiences who had never forgotten them.

There is something especially poignant about listening to “Always Something There To Remind Me” following Pete Byrne’s passing. A song written decades before Naked Eyes recorded it became forever linked to his voice, and its words about memory and the things we can never quite leave behind seem particularly appropriate today.

Pete Byrne helped give the early ’80s a distinctive voice. Thankfully, the records remain.

Rest in peace, Pete Byrne.

SIDE A:
Always Something There To Remind Me (American Remix) 5:43
Remix – John “Jellybean” Benitez
Written-By – Bacharach & David*

SIDE B:
Pit Stop 3:30
Written-By – Byrne, Fisher

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

Chart (1983) Peak Position
Australia (Kent Music Report) 7
Canada Top Singles (RPM) 9
New Zealand (RIANZ) 2
UK Singles (Official Charts) 59
US Billboard Hot 100 8
US Billboard Adult Contemporary 31
US Billboard Dance/Disco 37
US Cash Box Top 100 7

RELEASE INFORMATION:
Label: EMI – 12EMI 5334
Format: Vinyl, 12″, 45 RPM
Country: UK
Released: 1982
Genre: Electronic
Style: New Wave, Synth-pop

CREDITS:

NOTES:
Taken from the LP and Cassette “Burning Bridges”

Manufactured in the UK by EMI Records Limited.

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for BURNING THE GROUND

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus: Ortofon Concorde Music Black
Phono Pre-amp: Pro-Ject Tube Box DS2
Phono Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
Audio Interface: MOTU M4
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Cleaning Solution: Turgikleen Record Cleaning Solution
Scanner: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi


PLEASE READ

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Naked Eyes – (What) In The Name Of Love (US 12″)

BURNING THE GROUND EXCLUSIVE 1984

“(What) In The Name Of Love” was the first single taken from the second album “Fuel For The Fire” by British new wave band Naked Eyes.

Produced by Arthur Baker, “(What) In The Name Of Love” reached #39 on the US Billboard Hot 100 and, #35 on the Dance chart. In the bands native UK, the song did not have any impact which prompted their record label not release any further singles from the album. Shortly after Naked Eyes disbanded.

The “Instrumental Version” is exclusive to the US 12″.

SIDE A:
(What) In The Name Of Love (Extended Version) 6:01

SIDE B:
(What) In The Name Of Love (Instrumental Version) 5:58
(What) In The Name Of Love (Single Version) 3:54

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1984 (What) In The Name Of Love U.S. Billboard Hot 100 #35
1984 (What) In The Name Of Love U.S. Billboard Hot Dance Music/Club Play #35

 

RELEASE INFORMATION:
Label: EMI America ‎– V-7832
Format: Vinyl, 12″, Single, 33 ⅓ RPM
Country: US
Released: 1984
Genre: Electronic, Pop
Style: Synth-pop

CREDITS:
Edited By – The Latin Rascal* (tracks: B1)
Engineer [Remix] – Jay Burnett
Mastered By – Greg Calbi
Producer, Mixed By – Arthur Baker
Written-By – P. Byrne*, R. Fisher*

NOTES:
Recorded in England.

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Mullard 12AX7 Preamp Vacuum Tube Pins
Soundcard:
Novation Audiohub 2×4 Audio Interface
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Username: btg
Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.