Burning The Ground Exclusive
Yesterday I posted the UK 12″ of “Always Something There To Remind Me,” featuring the 5:43 “American Remix” by John “Jellybean” Benitez. Today we’re staying with Naked Eyes for a companion release that helps complete the story of this classic single and its sometimes confusing assortment of mixes.
Today’s record is the U.S. promotional 12″ issued by EMI America, catalog numbers SPRO-9891 and SPRO-9892.
Unlike yesterday’s Jellybean remix, this promo contains the earlier extended version produced and mixed by Tony Mansfield.
The A-side is simply titled “Long Version” and runs 6:13.
This is the Tony Mansfield extended mix of “Always Something There To Remind Me,” the version that has sometimes been referred to over the years as the original UK 12″ mix. It predates Jellybean’s later remix and takes a different approach to extending the song.
Rather than radically rebuilding the track, Mansfield expands his original production and gives the arrangement more room to breathe. The familiar electronic textures, percussion, keyboards, and those unmistakable chimes are all given additional space without losing the character of the original recording.
For me, that is part of what makes this version so appealing. It sounds like an extended version from the era when a 12″ mix did not necessarily have to completely reinvent a song. Sometimes you simply wanted more of the record you already loved.
And at 6:13, that is exactly what you get.
The flip side contains the appropriately titled “Short Version,” running 3:40. With both versions on the same promotional disc, American radio programmers and DJs could choose between the longer mix and the more compact version depending on what they needed.
This promo also clears up another part of the mix confusion discussed in yesterday’s post.
SPRO-9891 contains the 6:13 “Long Version,” which is the Tony Mansfield mix.
A later U.S. promotional 12″, SPRO-9924, contains the approximately 5:41 “Remixed Version” by John “Jellybean” Benitez. That Jellybean remix was later issued in the UK as the “American Remix,” which is the 5:43 version I posted yesterday.
So if you’re trying to keep all of this straight, the easiest way is by running time:
The 6:13 “Long Version” is the Tony Mansfield mix.
The approximately 5:41 to 5:43 “Remixed Version” or “American Remix” is the John “Jellybean” Benitez mix.
Simple enough once you know what you’re looking for. Getting there is another story.
The confusion has not been helped by various compilations and reissues over the years assigning the wrong mix names or credits. That is one reason I wanted to post these two records together. Hearing them directly from the original vinyl makes the differences much easier to identify.
It also gives us another opportunity to celebrate the work of producer Tony Mansfield.
Mansfield was an important part of the early Naked Eyes sound. His production helped give “Always Something There To Remind Me” that combination of polished pop, electronics, and drama that still jumps out of the speakers more than forty years later.
Of course, at the center of it all is Pete Byrne’s vocal.
Following the sad news of Byrne’s passing on September 14, listening to these records has taken on added meaning. Yesterday’s post was dedicated to his memory, and I wanted to continue that tribute today with another important piece of the Naked Eyes catalog.
It is remarkable how a recording can instantly transport you back to a certain time. For many of us, “Always Something There To Remind Me” is permanently tied to 1983, MTV, radio, and that wave of British synth-pop that seemed to arrive almost overnight.
And with both the Tony Mansfield and Jellybean mixes now represented here on Burning The Ground, we can finally hear two very different extended interpretations of the record from the original vinyl.
Which one do you prefer?
The Tony Mansfield 6:13 “Long Version,” or Jellybean’s punchier 5:43 “American Remix”?
For me, there is room for both.
Rest in peace, Pete Byrne.
SIDE A:
Always Something There To Remind Me (Long Version) 6:16
SIDE B:
Always Something There To Remind Me (Short Version) 3:41
VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint
RELEASE INFORMATION:
Label: EMI America – SPRO-9891, EMI America – SPRO-9892
Format: Vinyl, 12″, 33 ⅓ RPM, Promo, Stereo
Country: US
Released: 1982
Genre: Electronic
Style: New Wave, Synth-pop
CREDITS:
- Mixed By – Tony Mansfield
- Producer – Tony Mansfield
- Written-By – B. Bacharach-H. David*
NOTES:
Recorded in England.
Promo
Not For Sale
(from the LP “Naked Eyes” ST-17089)
Buy the 12″ at DISCOGS
VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for BURNING THE GROUND
THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus: Ortofon Concorde Music Black
Phono Pre-amp: Pro-Ject Tube Box DS2
Phono Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
Audio Interface: MOTU M4
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Cleaning Solution: Turgikleen Record Cleaning Solution
Scanner: Epson Workforce WF-7610 Professional Printer/Scanner
SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator
RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi
PLEASE READ
There are two 24-Bit links; if one does not work, try the other
**24-bit FLAC Only Available For SIX Days!
Password: burningtheground
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Thank you DjPaullT
More Naked-ness? How far can my fantasy go?
I’ll listen to this and compare. Thanks, Paul!
Thanks for these two Nekkid Eyes posts. You’re in a great position to clear up which version is which, and from your work we finally get to hear both 12″ versions correctly identified side by side here. What’s funny is that the UK release is the US (Jellybean) mix, while the US release is the UK (Mansfield) mix. The 7″ singles have the same issues. Your US promo post here has a “Short Version” on the flipside with the bell-tower/bomb intro; that is the UK single mix, and one that’s hard to find. Most releases/streaming these days use the US single mix with Jellybean’s… Read more »
Greetings, Paul! I came across your website years ago and have just been lurking all this time, never posting any comments, but I felt the need to comment on this one. First off, I want to thank you for all of the high quality vinyl recordings you’ve shared over the years. Secondly, rest in peace to Pete Byrne. I downloaded an MP3 of the Tony Mansfield remix years ago, which I think was sourced from a CD compilation of 1980s extended remixes, but the audio quality wasn’t great. I didn’t have the file backed up and the portable hard drive… Read more »
I’m really glad you clarified the difference because I see my iPhone has the Everything compilation ripped to it with the mix labeled incorrectly like the actual disc was! I absolutely HATE when things are labeled correctly!!!!
I was always partial to the version played on US radio with the kind of fast cascading start to it! But I do love some 12” 80’s! Always thought it was funny how the US would rearrange albums like theirs and retitle or delete songs or flip ordering tracks… although honestly the US cover art is cooler!
I’m familiar with this song but don’t recall ever hearing of Naked Eyes! This is common when I know a song but never knew who the band was. This got my attention because my Spotify recently played an extended mix. By the sound of it the American Remix is what I heard. I see a confusion on labelling has seen another post here. Another thing that used to annoy me was unlabelled mixes and unmarked time especially, as a 12 inch vinyl could have a mix that wasn’t named or timed. So, after reading about the confusion, I have a… Read more »
Thanks, Damien. I love your “quarter to six, Jellybean; quarter past six, Mansfield” solution. That might be the easiest way yet to remember these two mixes! I completely agree about unlabeled or untimed 12″ mixes too. It can turn identifying a version into detective work, especially when later compilations add another layer of incorrect credits. I can also see why you prefer the American Remix. Jellybean gives it more movement and drama, while the Mansfield Long Version stays closer to the structure and feel of the original recording. That anticipation before a big extended break is part of what makes… Read more »
Thank you, Paul. Truth me told, I have never heard this mix before. I like it! And, I do think there is room for both! Thank you for sharing this gem!
You’re very welcome, MusicMan3. I’m glad this one was new to you. That’s part of the fun of these old 12″ releases; there always seems to be another mix hiding somewhere.
And I agree, there is definitely room for both. Mansfield and Jellybean each give the song a different feel, so I’m happy to have both versions represented here. Thanks again for the great comment!
Hi Richard, I mentioned this below to another commenter. I found a clip of this exact 12″ on YouTube, and it has the same sound in the percussion. So I am thinking this is just how it was pressed and mastered. Here is the link to that: Always Something There To Remind Me (Long Version) – Naked Eyes
Caught by surprise indeed! I don’t recall a Saturday post before but I am sure they have happened! Thanks so much for sharing the “other” remix! This is like Nintendo vs Sega, Playstation vs Xbox! They are both great, I think I do have to give a little edge to the Jellybean remix myself. The rebuilding and reinterpretation almost seem to give it more life. There is something to be said for a more standard extended version at times, but given the choice it’s clear which is my go to remix. What a way to take the weekend by storm,… Read more »
Thank you, JP. I knew the Saturday post might catch a few people off guard, but these two mixes really belonged together. Believe it or not, during the early days of BTG, I used to post seven days a week. Back then I was also offering MP3, FLAC, and 24-bit versions, so things were pretty full-on around here. And I love the Nintendo vs. Sega comparison. That fits perfectly. Both are good, but they appeal in different ways. I can understand giving Jellybean the edge too. His remix feels more like a true reconstruction, while the Mansfield version is closer… Read more »
Thank you,Paul. I was totally surprised…I hadn’t expected an upload on a Saturday. And now you’ve uploaded the second 12″ version as well. I have to admit-after comparing both versions and the album version-that I like the Jellybean mix the best. You’ve really awakened a dormant memory in me, as I haven’t heard this song in such a long time.
You’re very welcome, Toxicaudio. I thought the Saturday post might catch a few people by surprise. Since the two mixes are so closely connected, it felt right to post them back-to-back while the first one was still fresh. I can understand choosing the Jellybean mix too. It has a little more punch and a different energy than the Mansfield version. That’s what made comparing all three so much fun. And I love hearing that the song brought back a memory you hadn’t visited in years. That’s one of the best things music can do. Thanks again, and enjoy rediscovering Naked… Read more »
There is definitely room for both!! What a nice surprise this is Paul! I had a suspicion this week might spill over into Saturday and you don’t disappoint! What a fitting continued tribute to Pete Byrne. You’ve made a lot of people happy with these two posts. I’m looking forward to distinguishing between Tony Mansfield and Jellybean’s remixes! Enjoy the weekend Paul and everyone here!
Thank you, Retro Hound. I agree, there is definitely room for both. They each bring something different to the song, and posting them back-to-back seemed like the best way to hear just how different Tony Mansfield and Jellybean approached it.
I’m glad the Saturday surprise landed well too. After the sad news about Pete Byrne, it felt right to keep the tribute going one more day.
Thanks again for all the kind words, and I hope you have a great weekend too!
A huge thank you for sharing both of these singles. I’m going to download later so to clarify, we have the two extended versions here and I guess the short version is the one with no drums on the intro? I also have the Burning Bridges 2025 reissue which has the drums intro version and because why not, and edit of the Jellybean extended version. Do i have them all now?
Thank you, Matt! You’re pretty close to having the whole puzzle now. The 6:13 version posted today is the Tony Mansfield “Long Version,” while the 5:43 version from yesterday is the Jellybean remix. The 3:40 “Short Version” on today’s promo belongs with that earlier Mansfield version and does not have Jellybean’s drums-only opening. Your 2025 reissue adds the Jellybean Extended Remix and the 4:14 Jellybean Remix Single Edit, so you have the major versions covered. There is one little rabbit hole left, though. Some U.S. 3:40 singles appeared with different intros, including a thunder/chimes opening and a drums opening. So… Read more »
Oh, awesome! Thanks so much Paul! I had this single back in the day, but lost it over time. Glad to have the 12″ version!
You’re very welcome, Ashley. I’m glad this one brought back a record you once had. That makes sharing these old 12″ singles even more worthwhile. Enjoy having the extended version back in your collection!
Thank you as always for your posts. Can you check these Flac files? The percussion does not sound right starting at 34 seconds in the short version, and throughout the long version.
I found a clip of this exact 12″ on YouTube and it has the same sound in the percussion. So I am thinking this is just how it was pressed and mastered. Here is the link to that: Always Something There To Remind Me (Long Version) – Naked Eyes
Thank you, Paul, for the clarification and demonstration regarding the different mixes between yesterday’s and today’s postings. You teach us so well! (And your transfers and restorations are sounding awesome!)
Thank you so much, David. I’m really glad posting the two mixes back-to-back helped clear up the confusion. It’s much easier to hear the differences when you can compare them directly from the original vinyl. And thank you for the kind words about the transfers and restorations too. I really appreciate that!
Saturday postings are so wonderful and special! Paul, you’re a LOVE for posting this! It’s so nice to have a person who knows their stuff when it comes to music, especially one who knows their way around a twelve inch! (I should really rephrase this one differently, but I think you know what I mean!) I can’t wait to compare the mixes as I’m always looking to find the best one, in my opinion, to use on a new CD compilation!! Speaking of which, I hear the compact disc is coming back! To me it never went away, but for… Read more »
Thank you, Jeff! And yes, I knew exactly what you meant about knowing my way around a twelve-inch. I’ll leave that one right there! I’m really glad you’re looking forward to comparing the two mixes. That is part of the fun for me too, especially when two versions take such different approaches to the same song. And I’m with you on CDs. They never went away in my house either. Even though I am more of a vinyl guy. It’s great seeing younger listeners discover physical media again and realize there is something special about actually owning the music. Thanks… Read more »
Thank you for giving us the history of these mixes. I had them both floating around on different collections and was always getting confused about which is which. Confused no more!
You’re very welcome, VanceMan. I’m glad these two posts finally cleared it up. The mix names and credits have been confusing for years, especially when different collections label them differently. Sometimes hearing the original vinyl versions side by side is the easiest way to sort it all out. Confused no more!
Thank you so much for also sharing the other remix you mentioned! This is definitely one of those songs that deserves multiple remixes.
You’re very welcome, Axel. I agree, this is one of those songs where having more than one remix really pays off because each version brings out something different. I’m glad I could put both of them up back-to-back so everyone can compare them properly.
I’m glad you posted both mixes. I was hoping that there was going to be a dub mix on the flip side, love those 80s dub mixes. Oh well…
Thanks, Kevin. I’m glad I could get both mixes posted too. I was hoping for a dub on one of these releases myself, because those ’80s dub mixes can be half the fun of collecting 12″ singles. Unfortunately, no such luck here. At least we get two very different extended takes on the song to compare.