Tag: Mike Thorne

‘Til Tuesday – Love In A Vacuum (US 12″ Promo)

Burning The Ground Exclusive 1985

“Love in a Vacuum” is a song by American band, which was released in 1985 as the third and final single from their debut studio album Voices Carry. The song was written by Aimee Mann, Michael Hausman, Robert Holmes and Joey Pesce, and produced by Mike Thorne. “Love in a Vacuum” peaked at No. 88 on the US Cash Box Top 100 Pop Singles chart.

‘Til Tuesday first recorded “Love in a Vacuum” in 1983, before they had signed a record deal and shortly after winning the WBCN Rock ‘n’ Roll Rumble in Boston. The band sent producer and engineer Ian Taylor a demo tape in the hope he would be interested in recording a demo with the band and generate awareness of them through his connections in the music industry. Taylor produced the “Love in a Vacuum” demo which was independently released in 1983 and gained heavy rotation on Boston’s WBCN-FM.

The band’s victory in the Rock and Roll Rumble, along with the subsequent publicity and local airplay of “Love in a Vacuum”, helped gain the attention of Epic Records, who signed the band in 1984. The band’s debut album, Voices Carry, was recorded with producer Mike Thorne and included a new recording of “Love in a Vacuum”. As the album’s third and final single, “Love in a Vacuum” failed to enter the US Billboard Hot 100, but did reach No. 88 on the Cash Box Top 100 Pop Singles chart. Guitarist Robert Holmes told Rolling Stone in 1986, “‘Voices Carry’ didn’t sound like an obvious hit to me. If anything, I thought ‘Love in a Vacuum’ sounded like a big hit. And that totally died.”

SIDE A:
Love In A Vacuum (Single Remix) 3:20

SIDE B:
Love In A Vacuum (Long Version) 3:36

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Epic – EAS 2210
Format: Vinyl, 12″, Promo, 33 ⅓ RPM
Country: US
Released: 1985
Genre: Electronic, Rock
Style: Alternative Rock, Synth-pop

CREDITS:

NOTES:
Special Version from the Epic Lp: “Voices Carry”

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon 2M Black PnP MkII
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp: Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC: Alpha Design Labs GT40a USB DAC
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

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‘Til Tuesday – Voices Carry (US 12″ Promo)

BURNING THE GROUND EXCLUSIVE 1985

From the BTG Archives!

NEW 2021 Transfer!
Meticulously Remastered!

Originally posted September 30, 2011

“Voices Carry” is a song by the American rock band ‘Til Tuesday. It was produced by Mike Thorne for the band’s debut studio album, Voices Carry (1985). The accompanying music video, directed by D.J. Webster, received wide exposure on MTV and positive reactions from critics. It was nominated for numerous awards and is thought to be the reason behind the song’s success. It was released in North America in March 1985. “Voices Carry” became the band’s highest-charting single and their only top ten hit in the U.S., peaking at number eight on the Billboard Hot 100. Internationally it reached the top twenty in Canada and Australia.

SIDE A:
Voices Carry (Long Version) 4:21

SIDE B:
Voices Carry (Single Mix) 4:04

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1985 Voices Carry U.S. Billboard Hot 100 #8
1985 Voices Carry U.S. Billboard Hot Mainstream Rock Tracks #14

 

RELEASE INFORMATION:
Label:Epic ‎– AS 2010
Format: Vinyl, 12″, Promo, 33 ⅓ RPM
Country: US
Released: 1985
Genre: Electronic, Rock
Style: New Wave, Synth-pop

CREDITS:
Executive Producer – Dick Wingate
Producer – Mike Thorne
Remix – Bob Clearmountain
Written-By – A. Mann*, J. Pesce*, M. Hausman*, R. Holmes*

NOTES:
Taken from the Epic Lp: “Voices Carry” 
Demonstration Not For Sale

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge/Stylus: Ortofon 2M Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp: Pro-Jec Tube Box DS2
DAC: Alpha Design Labs GT40a USB DAC
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi


Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.

The Communards – Don’t Leave Me This Way (US 12″)

BURNING THE GROUND EXCLUSIVE 1986

“Don’t Leave Me This Way” is a song written by Kenneth Gamble, Leon Huff, and Cary Gilbert. First charting as a hit for Harold Melvin & the Blue Notes featuring Teddy Pendergrass, an act on Gamble & Huff’s Philadelphia International label in 1975, “Don’t Leave Me This Way” was later a disco hit for Motown artist Thelma Houston in 1977.

The song was covered by British group the Communards in a Hi-NRG version. This recording topped the UK charts for four weeks in September 1986, becoming the biggest selling record of the year in the process. The featured guest vocalist was the female jazz singer Sarah Jane Morris. The song became a Top 40 hit on the US Billboard Hot 100 and topped the Billboard Dance chart. In 2015 the song was voted by the British public as the nation’s 16th favorite 1980s number one in a poll for ITV.

The album liner notes dedicate the song to the GLC (Greater London Council).

SIDE A:
Don’t Leave Me This Way (Mega Mix) 11:32

SIDE B:
Don’t Leave Me This Way (The Gotham City Mix) 13:34
Don’t Leave Me This Way (LP Version) 4:50

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1986 Don’t Leave Me This Way U.S. Billboard Hot 100 #40
1986 Don’t Leave Me This Way U.S. Billboard Hot Gance Music/Club Play #1

 

RELEASE INFORMATION:
Label: MCA Records ‎– MCA-23665
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1986
Genre: Electronic
Style: Synth-pop, Hi NRG

CREDITS:
Design – Accident (8)
Engineer – Carl Beatty
Engineer [Assistant Engineer] – Fernando Kral
Featuring [With] – Sarah Jane Morris
Keyboards – Richard Coles
Lead Vocals – Jimmy Somerville, Sarah Jane Morris
Photography By – Mike Prior (2)
Producer – Mike Thorne
Written-By – Cary Gilbert, Kenneth Gamble, Leon A. Huff*

NOTES:
Original version appears on the MCA LP, MCA-5794, “Communards”
Recorded in England

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp: Schiit Mani
Soundcard: Novation Audiohub 2×4 Audio Interface
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Username: btg
Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.

Seona Dancing – More To Lose (Japan 7″)

BURNING THE GROUND EXCLUSIVE 1983

“More To Lose” was the debut single by British new wave group Seona Dancing, best known for providing comedian Ricky Gervais with his first experiences as a public performer. In June 1982, in his final year as a student at University College London, Ricky Gervais and his friend Bill Macrae formed Seona Dancing, with Macrae writing the songs and playing keyboards and Gervais writing and singing the lyrics. After recording a sixteen-song demo tape, they were signed by London Records. In June 1983, the duo performed “More to Lose” on the ITV syndicated children’s television show Razzmatazz. Yet, despite the promotion of the song “More To Lode” failed to break the top 40 only peaking at #117 on the UK singles chart.

The song, which utilizes an opening piano riff to convey the sound of falling teardrops, became a major radio and club hit as well as a favorite at high-school dances during the 1980s and beyond. Allmusic critic Michael Sutton wrote that the track was “the theme song of angst-ridden New Wave youths in the Philippines” and “an ’80s anthem as ubiquitous as Peter Gabriel’s ‘In Your Eyes’, but with the eternal hipster cool of Joy Division’s ‘Love Will Tear Us Apart’.”

This Japan 7″ pressing features the 7″ version housed in a unique picture sleeve. This edition also comes with a glossy 5″x6″ black and white promo photo.

SIDE A:
More To Lose (7″ Version) 3:48

SIDE B:
You’re On My Side 3:06

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: London Records ‎– S07P1042
Format: Vinyl, 7″, 45 RPM
Country: Japan
Released: Oct 1983
Genre: Electronic
Style: Synth-pop

CREDITS:
Producer – Mike Thorne
Written-By – MacRae*, Gervais*

Find the 7″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp: Bellari VP130 Tube Phono Preamp
Tube: Mullard 12AX7 Preamp Vacuum Tube Pins
Soundcard: Novation Audiohub 2×4 Audio Interface
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi