Tag: Mike Hedges

Siouxsie & The Banshees – This Wheel’s On Fire (US 12″) (1987)

Burning The Ground Exclusive

“If your memory serves you well…”

Gothic meets psychedelic in this swirling, cinematic cover of the Dylan/Hudson classic.

In 1987, Siouxsie & The Banshees released a haunting, otherworldly take on “This Wheel’s On Fire,” a song co-written by Bob Dylan and The Band’s Rick Danko. Originally recorded during the Basement Tapes era, the song has always had a mysterious and foreboding undercurrent. But in the hands of Siouxsie Sioux and company, it becomes something entirely different—decadent, surreal, and even apocalyptic.

Released as a standalone single, This Wheel’s On Fire was part of a larger project: the soundtrack to the BBC series The Life and Loves of a She-Devil. The Banshees’ version climbed into the UK Top 20, peaking at #14, and marked one of the band’s most visible moments in the late ’80s, during a period of experimentation and reinvention.

The track opens with swirling backwards guitars and a slow-building tribal rhythm before Siouxsie’s commanding voice enters, dripping with theatrical menace. Producer Mike Hedges gives the mix a hazy, dreamlike quality—layers of reverb, echo, and glimmering effects wrap around the instrumentation like smoke.

The 12″ version (clocking in at 7:28) stretches the psychedelic elements even further. It’s more spacious, more hypnotic, and lets the slow burn of the arrangement unfurl at its own pace. It’s not just a cover—it’s a reimagining. Siouxsie takes Dylan’s cryptic lyrics and steers them into a post-punk fever dream that fits seamlessly into the Banshees’ sonic universe.

The B-sides are worth the needle drop as well. “Shooting Sun” is a glimmering, textured track that leans into the band’s experimental tendencies, while “Sleepwalking (On The High Wire)” plays like a surreal lullaby—both adding depth to this single’s dark beauty.

For fans of Siouxsie’s rich catalog, this track is a highlight from their “late period”—sophisticated, gothic, and still fiercely original. Nearly four decades on, This Wheel’s On Fire continues to burn.

SIDE A:
This Wheel’s On Fire (Incendiary Mix) 7:28
Written-By – DylanDanko

SIDE B:
Shooting Sun 4:46
Written-By – Siouxsie & The Banshees

Sleepwalking (On The High Wire) 5:10
Written-By – Siouxsie & The Banshees

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Geffen Records – 0-20609Geffen Records – 9 20609-0 A
Format: Vinyl, 12″, 45 RPM, Maxi-Single
Country: US
Released: 1987
Genre: Rock
Style: New Wave, Goth Rock

CREDITS:

NOTES:
Track A: Original version available on the forthcoming Siouxsie & The Banshees album “Through The Looking Glass” on Geffen Records

Made in U.S.A.

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

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The Associates – Party Fears Two (UK 12″)

Burning The Ground Exclusive 1982

NEW 2021 Transfer!
Meticulous NEW Restoration!

Originally posted September 10, 2015

“Party Fears Two” is a 1982 single by Scottish post-punk/new wave band The Associates, released from their second studio (and third album in total) Sulk. The song became their breakthrough Top 20 and best-known hit, peaking at #9 on the UK Singles Chart.  The song also charted on the Irish Singles Chart at #16. With its iconic honky-tonk piano line, “Party Fears Two” was a magnificent song about dealing with the perils of schizophrenia.

The band performed the song on the BBC television show Top of the Pops.

“Party Fears Two” has been covered by several artists, including The Divine Comedy, Heaven 17, King Creosote, and Dan Bryk. “Party Fears Two” was used as an instrumental section for the theme music on BBC Radio 4 satirical current affairs series Week Ending.

The b-side “It’s Better This Way” is an alternate version from both the UK and US album versions.

SIDE A:
Party Fears Two (Extended Mix) 5:34

SIDE B:
It’s Better This Way (Alternate Version) 3:39

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Associates – asc1t, Associates – ASC 1 T
Format: Vinyl, 12″, 45 RPM
Country: UK
Released: 28 Jan 1982
Genre: Electronic, Rock, Pop
Style: New Wave, Synth-pop

CREDITS:
Composed By – RankineMcKenzie
Producer – HedgesAssociates

NOTES:
“Party Fears Two” is an uncredited extended mix.

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge/Stylus: Ortofon 2M Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

The Cure – Primary (UK 12″)

BURNING THE GROUND EXCLUSIVE 1981

“Primary” is a song by English rock band The Cure, released as the sole single from their third studio album Faith (1981).

The song is unusual in that both Simon Gallup and Robert Smith play bass, with the effects pedals on Smith’s giving the leads a unique sound. There are no guitars or keyboards played in the song.

“Primary” was released as a single on March 20, 1981. It reached number 43 in the UK Singles Chart.

“Primary” was the first song by The Cure to be remixed as a separate extended mix for release on 12″ single (and not co-released on other formats, in the way the 12″ version of “A Forest” was also the album version appearing on Seventeen Seconds, for example). In fact, the original 12″ extended mix is, to this day, still only available on the original 12″ single, which has never been reproduced on any other album, making it quite a rare item. The main difference between the 7″ mix (also the album mix) and the 12″ mix is that the extended mix lengthens the instrumental introductions to the song’s verses.

This cover art is the first visual collaboration between the band & Porl and Undy, later better known as Parched Art.

SIDE A:
Primary (Extended Mix) 5:57

SIDE B:
Descent 3:09

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Fiction Records ‎– FICSX 12, Fiction Records ‎– 2141 338
Format: Vinyl, 12″, 45 RPM, Single
Country: UK
Released: Mar 1981
Genre: Rock
Style: Alternative Rock, New Wave, Post-Punk

CREDITS:
Artwork – Undy*, Porl*
Producer – Mike Hedges, Robert Smith
Written-By – Tolhurst*, Smith*, Gallup*

NOTES:
Cover by Porl and Undy

Rear sleeve says “Produced by Mike Hedges And The Cure”, labels say “Mike Hedges/Robert Smith”.

Find the 12″ on DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Marc Almond – Tenderness Is A Weakness (UK 10″)

BURNING THE GROUND EXCLUSIVE 1984

“Tenderness Is A Weakness” is the third single released by British singer/songwriter Marc Almond from his début solo studio album Vermin in Ermine. The song reached #88 on the UK singles chart in November 1984.

“Tenderness Is A Weakness (With Instrumental Overture)” did not appear on the recently released Marc Almond box set Trials Of Eyeliner (The Anthology 1979/2016).I am unsure about the other tracks on this 10″.

SIDE A:
Tenderness Is A Weakness (With Instrumental Overture) 7:14
Written-By – Almond*

SIDE B:
Love For Sale 3:25
Written-By – C. Porter*

Pink Shack Blues 6:02
Written-By – Almond*

The Heel 3:19
Written-By – Wilson*, Ferre*, Robinson*

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Some Bizzare ‎– BZS 2510
Format: Vinyl, 10″, 45 RPM, 33 ⅓ RPM
Country: UK
Released: Oct 1984
Genre: Rock
Style: Lounge, Pop Rock

CREDITS:
Arranged By [Strings] – Bill*, Gini*, Martin*
Bass – Billy McGee
Cello – Martin McCarrick
Design – Huw Feather
Drums – Steven Humphries*
Engineer – Tom Thiel
Featuring – The Willing Sinners
Guitar – Richard Riley
Percussion – Martin Ditcham
Photography By [Cover Photos] – Peter Ashworth
Piano – Annie Hogan
Producer – Mike Hedges
Trumpet – Enrico Tomasso
Violin – Gini Ball

NOTES:
A-side plays at 45rpm.
B-side plays at 33rpm.

Recorded at Hartmann Digital, Bavaria

On this release, The Willing Sinners are:
Annie Hogan, Billy McGee, Martin McCarrick, Richard Riley, Stephen Humphries.

Thanx to all who helped in some way.

Fins the 10″ on DISCOGS

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi