Tag: Joseph Watt

Oingo Boingo – Dead Man’s Party (US 12″)

BURNING THE GROUND EXCLUSIVE 1986

A. Front

“Dead Man’s Party” is a song by American band Oingo Boingo released as the third single from their fifth studio album Dead Man’s Party.

The lyric “I hear the chauffeur coming to my door/Says there’s room for maybe just one more” is a reference to “The Bus-Conductor”, a short story involving a hearse driver by E. F. Benson, published in The Pall Mall Magazine in 1906. The story has been adapted several times and spawned an urban legend, with each version using the catchphrase, “Room for one more.”

The song is perhaps best known for its appearance in the 1986 film Back to School and its accompanying soundtrack; Oingo Boingo appears in the film performing the song.

PARTY ON THIS SIDE:
Dead Man’s Party (Party ‘Til You’re Dead Mix) 8:36
Remix – Joseph Watt

STAY ON THIS SIDE:
Stay (Stay Late Mix) 6:00
Engineer [Remix] – Dave Concors
Remix – Arthur Barrow

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: MCA Records ‎– MCA-23638
Format: Vinyl, 12″, 45 RPM, Single
Country: US
Released: 1986
Genre: Rock
Style: Alternative Rock, New Wave

CREDITS:
Producer – Danny Elfman, Steve Bartek
Written-By – D. Elfman*

NOTES:
From The Motion Picture Soundtrack Album “BACK TO SCHOOL”

Find the 12″ on DISCOGS

B. Back

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon OM Stylus 30
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Sharpe & Numan – Change Your Mind (US 12″ Promo)

GURNING THE GROUND EXCLUSIVE 1985

A. Front

 

REQUEST

“Change Your Mind” was a single released by Sharpe & Numan (a collaboration between Gary Numan and jazz keyboardist/producer Bill Sharpe, member of the jazz fusion group Shakatak).

“Change Your Mind” debuted on the UK singles chart on February 9. 1985 peaking ar #17. In the United States “Change Your Mind” debuted on the Billboard Dace chart on June 29, 1985 spending five weeks on the survey peaking at #35.

After the success of “Change Your Mind” further singles followed and an album “Automatic” was released in 1989.

This US 12″ features an exclusive Razormaid remix by Joseph Watt in addition to the Wally Brill mixes.

SIDE A:
Change Your Mind (Razormaid Version) 7:24
Edited By – Joseph Watt
Remix – Wally Brill

SIDE B:
Change Your Mind (Single Version) 4:04
Remix – Wally Brill

Change Your Mind (Extended Version) 8:20
Remix – Wally Brill

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1985 Change Your Mind U.S. Billboard Hot Dance Music/Club Play #35

 

RELEASE INFORMATION:
Label: Polydor ‎– 883 061-1 DJ
Format: Vinyl, 12″, 45 RPM, Promo
Country: US
Released: 1985
Genre: Electronic
Style: Synth-pop

CREDITS:
Producer – Bill Sharpe
Producer [Assistant], Mixed By – Nick Smith (4)
Written-By – W. Sharpe*, R. Odell*

NOTES:
Recorded at Rock City Studios.
Mastered at Sterling.

Find the 12″ on DISCOGS

B. Back

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon OM Stylus 30
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Various – The Record Mirror EP (UK 7″)

BURNING THE GROUND EXCLUSIVE 1986

A. Front

The UK music magazine Record Mirror was well-respected for its coverage of dance music. In the 1980s and up to its closure in 1991 it issued numerous 7″ EPs with rare and exclusive tracks, many by electronic artists. This solid 4 track EP was released on March 22, 1986.

Special thanks to the Free EP site and Wikipedia for the information.

SIDE A:
New Order – Sub-Culture (Exclusive Remix) 7:09
Producer, Written-By – New Order
Remix – John Robie
Remix [Uncredited] – Joseph Watt

A collector’s item for fans of one of the most collectable bands of their time. This is genuinely an exclusive remix which has never been officially released since. Sub-Culture began its life on New Order’s classic 1985 album ‘Low Life’. In 1986, the track was remixed by John Robie and released as a single. However, the mix was badly received and the single became a rare critical and commercial failure for the band, only hitting #63 in the UK chart. Factory graphic designer Peter Saville objected to the release of the remix of Sub-Culture to such an extent he refused to design a sleeve explaining why the single was only distributed in a plain black sleeve. As tends to be the norm with New Order releases, there has always been confusion over the source of this remix. The label credits Robie as being on remix duty again but it actually seems to be an edit of the first of several Razormaid remixes of the track. Razormaid being one of the largest DJ subscription remix services in the world, this became one of the very rare instances when such a remix was released outside the confines of their stringent subscription service. Despite being regarded as superior to the official Robie mixes, this EP is still the only legit place to find this.

Raymonde – Jennifer Wants (Exclusive Track) 2:06
Producer – Raymonde, Sexton
Written-By – Maker*, Huish*

Despite a huge Smiths connection – Raymonde frequently supported them and lead singer James Maker used to be their back up singer and dancer – the band only released on overlooked album in 1987, Babelogue. Although Raymonde never lived up to Record Mirror’s billing of them as one of the year’s most exciting newcomers, Maker made some money from his old mate nearly two decades on in 2004 when Morrissey not only covered Raymonde track No One Can Hold A Candle To You as a B side and live, but included the original version on his own compilation, the NME FreeEP ‘Songs To Save Your Life’ in 2004. “Jennifer Wants”, this track is absolutely exclusive to this EP so a must for all Morrissey fans.

SIDE B:
Hipsway – Bad Thing Longing (Preview From Their Forthcoming Album) 4:06
Producer – Hipsway, Paul Stavely O’Duffy*
Written-By – Skinner*, Travers*, McElhone*, Jones*

In between featuring in two hugely successful bands – Altered Images and Texas – guitarist Johnny Mcelhone formed Hipsway in 1984. The band’s eponymous debut album just missed out on a Top 40 place but single The Honeythief hit #17 in 1986. This track, at the time of this EP’s release an exclusive preview, was featured on their debut. Despite this early promise, the band folded in 1989.

Adventures, The – Walk Away Renee (Specially Recorded For Record Mirror) 3:16
Producer – Adventures, The
Written-By – Calilli*, Brown*, Sansoni*

The Adventures were an Irish folk rock band who briefly threatened to become one of the UK’s biggest bands. Backed by eventual Spice Girls guru Simon Fuller, he ensured The Adventures achieved plenty of airplay and music press attention. Despite a Top 20 hit in 1988 with Broken Land, it never really happened and The Adventures became one of the country’s best kept secrets instead. This faithful cover of The Left Banke’s Walk Away Renee, made famous by The Four Tops, was specially recorded for Record Mirror and remains exclusive to this release. Arguably, as the band had already released their album Theodore & Friends and its singles to little success, this was most likely an attempt by Fuller to keep them in the public eye in the absence of any new material.

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Record Mirror ?– rm 2
Format: Vinyl, 7″, 33 ? RPM, EP, Compilation
Country: UK
Released: 22 Mar 1986
Genre: Electronic, Pop
Style: Leftfield, Synth-pop

CREDITS:
Compiled By – Gill Smith
Cover – Graham Black (2)

NOTES:
Free with rm (Record Mirror, UK music magazine).
Not for resale.
Track A1 is an edit Of The Sarm West Remix (Razormaid).

Find the 7″ On DISCOGS

B. Back

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon OM Stylus 30
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removeal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Erasure – Heavenly Action (Yellow Brick Mix) (UK 12″)

BURNING THE GROUND EXCLUSIVE 1985

A. Front

“Heavenly Action” is a song by the British synthpop duo Erasure, released in November 1985 as their second single.

Issued by Mute Records in the UK and Sire Records in the U.S., the single proved to be the second commercial failure for the duo (following “Who Needs Love Like That”).

The mid-tempo pop song, written by Erasure members Vince Clarke and Andy Bell, is a straightforward ode to love. The music video features Clarke and Bell in an outer space/celestial setting, with several young children appearing as angels.

To this day, “Heavenly Action” remains Erasure’s lowest-charting single on the UK Singles Chart, peaking at number 100. In the United States, “Heavenly Action” was paired with “Who Needs Love Like That” on the 12 inch single and, as a double-sided hit, climbed to number eight on the U.S. Hot Dance Music/Club Play chart.

The song was later included on the duo’s debut album Wonderland, released in June 1986.

The UK only “Yellow Brick Mix” was at one time considered one of the rarest and most expensive commercially released Erasure items.

SIDE A:
Side One Heavenly Action (Yellow Brick Mix) 6:45
Bass – Dave Foster*
Remix – Joseph Watt

SIDE B:
Side Two Don’t Say No (Ruby Red Mix) 6:06
Remix – Colin Peter, Nick Titchener

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1985 Heavenly Action U.S. Billboard Hot Dance/Club Play #8

 

RELEASE INFORMATION:
Label: Mute‎– L12 mute 042
Format: Vinyl, 12″, Single, Limited Edition, 45 RPM
Country: UK
Released: 1985
Genre: Electronic
Style: Synth-pop

CREDITS:
Artwork [Sleeve Design & Illustration By] – Health And Efficiency
Producer – Flood
Producer [Assistant] – N. Hine*, P. Legg*
Written-By – Clarke*, Bell*

Find The 12″ On DISCOGS

B. Back

EQUIPMENT USED:
Turntable: Pro-Ject Debut III
Cartridge: Ortofon Super
Stylus: Ortofon OM Stylus 30
Platter: Pro-Ject Acryl-It platter
Speed Control: Pro-Ject Speed Box S
Phono Pre-amp: Bellari VP130 Tube Phono Preamp
Tube: Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard: ESI Juli@
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removeal: ClickRepair (DeClick Level 3)
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi