Tag: Jonathan Elias

Duran Duran – I Don’t Want Your Love (UK 12″ Promo) (1988)

Burning The Ground Exclusive

NEW 2025 Transfer
NEW Meticulous Audio Restoration

Original post date: June 17, 2014, February 21, 2018

Rhythm Is The Power

In 1988, Duran Duran returned to the dancefloor with a bold and funky new single that marked a sharp evolution in their sound: “I Don’t Want Your Love.” Released as the lead single from their Big Thing album, the track showed the band embracing a tougher, more club-oriented edge, blending their signature synth-pop sensibilities with house and funk elements that fit right into the late-’80s musical landscape.

Produced by Jonathan Elias and Duran Duran, and mixed by Shep Pettibone, this post features the UK 12″ promo, which includes the extended “Big Mix” and the rare “Dub Mix,” the latter of which remained exclusive to this promo for over a decade until it finally saw CD release on 1999’s Strange Behaviour remix compilation. The Big Mix, handled by the legendary Shep Pettibone, stretches out the track’s groove with bold synth layers, tight guitar riffs, and an elastic bassline that’s pure club gold. Meanwhile, the Dub Mix strips things down, zeroing in on rhythm and texture—essential for DJs and remix heads alike.

Lyrically, “I Don’t Want Your Love” was a defiant departure from the romanticism of earlier hits like “Save A Prayer.” Here, Simon Le Bon delivers a pointed, almost confrontational message, distancing himself from a manipulative relationship. The attitude was matched by a sleek, high-concept video directed by Steve Lowe, with courtroom drama imagery underscoring the song’s themes of judgment and rejection.

Despite—or perhaps because of—its shift in tone and style, “I Don’t Want Your Love” became a commercial success. It peaked at #4 on the US Billboard Hot 100 and #14 in the UK, giving the band one of their last major Top 10 hits in the States. For longtime fans, it signaled that Duran Duran wasn’t content to rest on their New Romantic laurels—they were ready to evolve with the times and challenge expectations.

This marks the third time I’ve transferred this 12″ for Burning the Ground—but with the benefit of time, experience, and cutting-edge tech, I truly believe the third time’s the charm. This brand-new 2025 transfer was done using my latest high-end setup, including the phenomenal Ortofon Concorde Music Black cartridge, delivering every nuance with stunning clarity and depth.

SIDE A:
I Don’t Want Your Love (Big Mix) 7:34
Engineer [Mix] – Bob Rosa
Producer [Additional], Mixed By – Shep Pettibone
Programmed By [Uncredited] – Alan Friedman

SIDE B:
I Don’t Want Your Love (Dub Mix) 7:36
Engineer [Mix] – Bob Rosa
Producer [Additional], Mixed By – Shep Pettibone
Programmed By [Uncredited] – Alan Friedman

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1988 I Don’t Want Your Love U.S. Billboard Hot 100 #4
1988 I Don’t Want Your Love U.S. Billboard Modern Rock Tracks #13
1988 I Don’t Want Your Love U.S. Billboard Hot Dance Music/Club Play #1

RELEASE INFORMATION:
Label: EMI ‎– 12 YOUR DJ 1
Format: Vinyl, 12″, Promo, 45 RPM
Country: UK
Released: 1988
Genre: Electronic, Pop
Style: House, Synth-pop

CREDITS:

NOTES:
Recorded and mixed for White Falcon Productions.
Additionally produced and mixed for Mastermix Productions.
Mastered at Sterling.

From the Duranduran album “BIG THING”

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.


Duran Duran – All She Wants Is (US 12″ Promo) (1988)

Burning The Ground Exclusive

By 1988, Duran Duran had moved well beyond their early-’80s new wave roots. Their album Big Thing signaled a shift toward a more experimental, club-oriented sound, and All She Wants Is, one of its standout singles, exemplified this transformation.

Released as the second single from Big Thing, All She Wants Is was one of the band’s most unconventional and daring tracks. Stripping away the glossy pop sheen of their earlier hits, the song embraced a darker, industrial-infused groove inspired by the house and dance music trends of the late ’80s. Produced by Duran Duran alongside Jonathan Elias and Daniel Abraham, it featured pulsing beats, distorted vocals, and an eerie, hypnotic atmosphere that set it apart from anything they had done before.

Despite its departure from their signature sound, All She Wants Is proved successful. It reached #9 on the UK Singles Chart and #22 on the Billboard Hot 100 in the U.S., reaffirming the band’s ability to evolve while still making compelling music. On the U.S. Billboard Dance chart, it soared to #1, thanks in part to Shep Pettibone’s remixes, which amplified its club appeal. The song’s hypnotic rhythm and haunting chorus made it a favorite on dance floors, while its surreal music video—directed by Dean Chamberlain—added to its mystique with stop-motion animation and eerie lighting effects.

Beyond its chart performance, All She Wants Is showcased Duran Duran’s willingness to push creative boundaries—a trait that has helped them stay relevant for decades. Even today, the track remains a striking entry in their discography, a bold electronic departure that still captures the essence of what made Duran Duran one of the most exciting bands of their era.

For fans of late-’80s dance music and darker, edgier pop, All She Wants Is remains a fascinating listen—proof that Duran Duran was far more than just their early MTV-era hits. The track was ahead of its time and still sounds fresh today.

Official Remixes

The U.S. 12″ promo featured five remixes by Shep Pettibone, including the exclusive Euro House Dub II, which remains a vinyl-only track. Below is a breakdown of the various official remixes, with mix titles varying slightly by country:

  • 45 Version / 7″ Version – Slight early fades of the album version, varying by release but only a few seconds shorter.

  • Euro House Mix / Euro Dub Mix – The same vocal house remix.

  • Euro House Dub I / House Dub – Identical instrumental house remixes.

  • Euro House Dub II – Exclusive to the U.S. promo 12″.

  • U.S. Master Mix – An electro/freestyle-inspired vocal remix.

  • U.S. Master Dub / Latino Dub – Identical instrumental remixes.

*Vinyl-only exclusive

SIDE A:
All She Wants Is (U.S. Master Mix) 7:21
All She Wants Is (U.S. Master Dub) 6:45

SIDE B:
All She Wants Is (Euro House Mix) 7:35
All She Wants Is (Euro House Dub I) 7:09
All She Wants Is (Euro House Dub II)* 5:44

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1988 All She Wants Is U.S. Billboard Hot 100 #22
1988 All She Wants Is U.S. Billboard Modern Rock Tracks #24
1988 All She Wants Is U.S. Billboard Hot Dance Music / Club Play #1

RELEASE INFORMATION:
Label: Capitol Records – SPRO-79482Capitol Records – SPRO-79483
Format: Vinyl, 12″, 33 ⅓ RPM, Promo, Gold sleeve
Country: US
Released: 1988
Genre: Electronic, Pop
Style: House, Synth-pop

CREDITS:

NOTES:
Issued in plain white, silver or gold generic die-cut jacket with info sticker.

Mix titles on sticker vary slightly from what is on the labels; the tracklist here is a combination of the two.

Info on sticker:
New Mixes by Shep Pettibone
Promotional use only. Not for sale.

Info on labels:
Remixed by Shep Pettibone for MasterMix Productions.
(Original version appears on the LP “Big Thing” C1-90958)

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon 2M Black PnP MkII
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.



John Taylor – I Do What I Do (Theme For 9 ½ Weeks) (US 12″)

Burning The Ground Exclusive 1986

NEW 2021 Transfer!
NEW Meticulous Restoration!

Originally posted December 20, 2011

“I Do What I Do (Theme For 9½ Weeks)” was a single performed by Duran Duran bassist John Taylor released in February 1986, the song was his first solo singing performance during a hiatus in Duran Duran’s career and also features Michael Brecker performing saxophone. It was the main single released from the 9½ Weeks Original Soundtrack.

“I Do What I Do” was co-written by Jonathan Elias, Michael Des Barres and John Taylor, after Des Barres was approached about writing a song for the movie’s soundtrack. It was originally intended to be sung by Lisa Dalbello, but she bowed out at the last minute and John decided he could do the song instead.

The video features John Taylor in a tuxedo, singing the words while watching a private screening of the movie 9½ Weeks. It was directed by Taylor himself.

“I Do What I Do” reached #23 on the Billboard Hot 100 and #42 on the UK Singles Chart.

It was also nominated in the 1986 Golden Raspberry Awards for “Worst Original Song”, but lost to “Love or Money” by Prince.

SIDE A:
I Do What I Do (Theme For 9 ½ Weeks) (The Final Cut) 8:02
Remix – Jason CorsaroJohn TaylorJonathan Elias

SIDE B:
I Do What I Do (Theme For 9 ½ Weeks) (Film Mix) 4:20
Mixed By – Jason CorsaroJohn TaylorJonathan Elias
Vocals – Lisa Dalbello (Uncredited)

I Do What I Do (Theme For 9 ½ Weeks) (The Single Mix) 3:44
Mixed By – Jason CorsaroJohn TaylorJonathan Elias

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

CHARTS:

Year Single Chart Position
1986 I Do What I Do (Theme For 9 ½ Weeks) U.S. Billboard Hot 100 #23

RELEASE INFORMATION:
Label: Capitol Records ‎– V-15223
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1986
Genre: Electronic
Style: Pop Rock

CREDITS:
Design [Cover] – Frank Olinsky
Engineer – Bruce Darby, Larry Alexander, Michael Montes
Percussion [Electronic] – Jimmy Bralower
Photography – Rebecca Blake
Producer – Jason Corsaro, John Taylor, Jonathan Elias
Saxophone – Michael Brecker
Written By – John Taylor, Jonathan Elias, Michael DesBarres

NOTES:
From the Motion Picture “9 ½ Weeks”

Find the 12″ at DISCOGS

VINYL RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge/Stylus: Ortofon 2M Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi


Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.

Duran Duran – Do You Believe In Shame? (UK 10″ Limited Edition)


BURNING THE GROUND EXCLUSIVE 1989

I originally had something else planned for today but after waking to the news of the unconscionable act of terrorism in Las Vegas my plans quickly changed. I wanted to post something to convey the heart break and sadness that so many of us are feeling on this awful day. I don’t have any profound words to say except that I am sending Love & Light to all of those who are suffering.

-Paul

“Do You Believe In Shame?” is a song by Duran Duran. Released on 10 April 1989, it was the third and final single from the Big Thing album.

The song was dedicated to three of the band’s dead friends: record producer Alex Sadkin, artist Andy Warhol and Simon Le Bon’s childhood friend David Miles. Le Bon has since said that “Shame” is the first part of a trilogy of songs written as a tribute to Miles, the other songs being “Ordinary World” and “Out of My Mind”.

The LSD Edit”, a previously promo-only edit of Big Thing album tracks “The Edge Of America” and “Lake Shore Driving” finally had its commercial debut, “LSD” presumably an acronym for “Lake Shore Driving”. The song was renamed “The Krush Brothers LSD Edit” for release on the “Do You Believe In Shame?” single.

“Notorious (Live)”, recorded in Rotterdam, which was previously from the promo-only 12″ EP Duran Goes Dutch ‘Strange Behaviour’ Tour.

SIDE A:
Do You Believe In Shame? 4:23
The Krush Brothers LSD Edit 3:29

SIDE B:
Notorious (Live) 4:14

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: EMI ‎– 10 DDA 12
Format: Vinyl, 10″, 45 RPM, Single, Limited Edition, Numbered
Country: UK
Released: 1989
Genre: Electronic, Rock, Pop
Style: Synth-pop, Pop Rock

CREDITS:
Design – Hans Arnold
Producer – Daniel Abraham (tracks: A1, A2), Duranduran* (tracks: A1, A2), Jonathan Elias (tracks: A1, A2)
Recorded By, Mixed By – Daniel Abraham
Written-By – Taylor*, Rhodes*, Lebon*

NOTES:
Each copy is individually numbered.

[Cover, front, sticker]
Special limited edition numbered 10″ includes live version of “Notorious”

A side produced by Duranduran, Jonathan Elias and Daniel Abraham
Notorious (live) recorded at the Ahoy, Rotterdam on the 1987 ‘Strange Behaviour’ Tour
Recorded and mixed by Daniel Abrahams for White Falcon Productions

Find the 10″ on DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Sovtek 12AX7LPS Vacuum Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi