Tag: Japan

Pet Shop Boys – West End Girls (Japan 12″)

BURNING THE GROUND EXCLUSIVE 1986

“West End Girls” is a song by the British pop duo Pet Shop Boys. Written by Neil Tennant and Chris Lowe, the song was released twice as a single. The song is influenced by hip hop music, with lyrics concerned with class and the pressures of inner-city life which were inspired partly by T. S. Eliot’s poem The Waste Land. It was generally well received by contemporary music critics and has been frequently cited as a highlight in the duo’s career.

The first version of the song was produced by Bobby Orlando and was released on Columbia Records’ Bobcat Records imprint in April 1984, becoming a club hit in the United States and some European countries. After the duo signed with EMI, the song was re-recorded with producer Stephen Hague for their first studio album, Please. In October 1985, the new version was released, reaching number one in the United Kingdom and the United States in 1986.

SIDE A:
West End Girls (Dance Mix) 6:30
Engineer – David Jacob
Producer – Stephen Hague
Remix – Frank Roszak, Pet Shop Boys
Vocals [Additional] – Helena Springs

SIDE B:
A Man Could Get Arrested 4:18
Producer – Bobby Orlando, Pet Shop Boys
Remix – Frank Roszak, Pet Shop Boys

West End Girls 3:57
Engineer – David Jacob
Producer – Stephen Hague
Vocals [Additional] – Helena Springs

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint
OBI Strip: Near Mint
Insert: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1986 West End Girls U.S. Billboard Hot 100 #1
1986 West End Girls U.S. Billboard Adult Contemporary #26
1986 West End Girls U.S. Billboard Hot Dance Club Songs #1
1986 West End Girls U.S. Billboard Hot R&B/Hip-Hop Songs #36
1986 West End Girls U.S. Billboard Mainstream Rock #37

 

RELEASE INFORMATION:
Label: EMI ‎– S14-133
Format: Vinyl, 12″, 45 RPM, Single
Country: Japan
Released: 20 Mar 1986
Genre: Electronic
Style: Synth-pop

CREDITS:
Design – C.S. Lowe*, XL*
Photography By – Eric Watson (3)
Written-By – Tennant/Lowe*

NOTES:
Comes with obi strip and lyric sheet.
Made In Japan.

Manufactured By Toshiba EMI

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp: Schiit Mani
Soundcard: Novation Audiohub 2×4 Audio Interface
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Username: btg
Password: burningtheground

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Spandau Ballet – Communication (Japan 7″)

BURNING THE GROUND EXCLUSIVE 1983

“Communication” was the third single taken from the third studio album “True” by British band Spandau Ballet. In the UK “Communication spent ten weeks on the singles chart peaking at #12. In the United States “Communication” spent seven weeks on the Billboard Hot 100 peaking at #59 on April 21, 1984.

The Japan 7″ features a unique picture sleeve one of two that were released in that country.

SIDE A:
Communication 3:25

SIDE B:
Communication (Edited Club) 2:41

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1984 Communication U.S. Billboard Hot 100 #59

 

RELEASE INFORMATION:
Label: Chrysalis ‎– WWS-17344
Format: Vinyl, 7″, Single, 45 RPM
Country: Japan
Released: 1983
Genre: Electronic, Rock, Pop
Style: New wave, Synth-pop

CREDITS:
Producer – Spandau Ballet, Steve Jolley & Tony Swain

NOTES:
From the LP “TRUE”

Find the 7″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp: Bellari VP130 Tube Phono Preamp
Tube: Mullard 12AX7 Preamp Vacuum Tube Pins
Soundcard: Novation Audiohub 2×4 Audio Interface
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Cyndi Lauper – Boy Blue (Remix) (Japan 7″)

BURNING THE GROUND EXCLUSIVE 1987

“Boy Blue” is a pop song written by Cyndi Lauper, Stephen Broughton Lunt, and Jeff Bova for Lauper’s second album True Colors (1986).

It was released as the album’s fourth single in 1987. The single version is a remix (which cuts much of Lauper’s more impressive vocal wailing, presumably an effort to make it more commercially accessible). Charting at #71 on the US Billboard Hot 100, it was Lauper’s first solo single that failed to make a real impact on the charts. Proceeds from the sale of the single were donated to AIDS organizations.

The official video was a live clip of the song in Paris, France and it was pulled from the concert video of Cyndi Lauper in Paris. The video received heavy airplay on MTV when the single was released (during June and July 1987) and was rarely played after. A live version of “Boy Blue” was later released as the B-side of her single “Hole in My Heart (All the Way to China)”.

Thematically like “True Colors” on the album, Lauper wrote this song for a friend who died of AIDS, and the title comes from a poem by Eugene Field called “Little Boy Blue”.

SIDE A:
Boy Blue (Remix) 3:56
Mixed By – Alex Sadkin, Phillip Thornalley*

SIDE B:
The Faraway Nearby 3:00

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1987 Boy Blue U.S. Billboard Hot 100 #71

 

RELEASE INFORMATION:
Label: Portrait ‎– 07・5P-482
Format: Vinyl, 7″, 45 RPM
Country: Japan
Released: 22 Jul 1987
Genre: electronic
Style: Pop/Rock, Synth-pop

CREDITS:
Executive-Producer – David Wolff
Producer – Cyndi Lauper, Lennie Petze

NOTES:
Remixed From the LP “TRUE COLORS”

Find the 7″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp: Bellari VP130 Tube Phono Preamp
Tube: Mullard 12AX7 Preamp Vacuum Tube Pins
Soundcard: Novation Audiohub 2×4 Audio Interface
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Seona Dancing – Bitter Heart (Japan 7″)

BURNING THE GROUND EXCLUSIVE 1983

“Bitter Heart” was the second and final single released by British new wave duo Seona Dancing. The song was produced by British songwriter, producer, engineer and mixer,Phil Thornalley he is perhaps best known for co-writing (with Scott Cutler and Anne Preven) the song “Torn” (made famous by Natalie Imbruglia’s cover version, which he also produced) and the number one hits “Mama Do”, “Boys and Girls” and “Cry Me Out” for Pixie Lott. He also produced The Cure’s 1982 album Pornography and was later their bass player for eighteen months, producing and performing the distinctive double bass line on their 1983 single The Love Cats. He was nominated for a Grammy Award for Best Engineered Album, Non-Classical in 1984 for Into the Gap by the Thompson Twins.

“Bitter Heart” reached #79 on the UK singles chart after spending three weeks on the chart.

A video was made in 1983. It has had considerable play in recent years on talk shows interviewing Ricky Gervais and has been played on “’80s flashback” shows. The video is most known for Gervais looking almost exactly like David Bowie. The plot of the video is a girl in a wedding dress who was about to get married and has just had her husband leave her, after which she becomes angry and destroys most of the objects in the room.

This Japan 7″ is housed in a unique picture sleeve and includes the 7″ mixes of both tracks.

SIDE A:
Bitter Heart (7″ Version) 3:57

SIDE B:
Tell Her (7″ Version) 2:52

RELEASE INFORMATION:
Label: London Records ?– S07P 1046
Format: Vinyl, 7″, 45 RPM
Country: Japan
Released: 1983
Genre: Electronic
Style: New Wave, Synth-pop

CREDITS:
Photography By – Sheila Rock
Producer – Phil Thornalley
Written-By – MacRae*, Gervais*

Find the 7″ on DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp: Bellari VP130 Tube Phono Preamp
Tube: Mullard 12AX7 Preamp Vacuum Tube Pins
Soundcard: Novation Audiohub 2×4 Audio Interface
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi