Tag: Ivan Ivan

Digette – Fred From Jupiter (UK 12″) (1984)

Burning The Ground Exclusive

Every so often, a record comes along that feels like it beamed in from another planet—quirky, charming, slightly off-center, and completely irresistible. “Fred From Jupiter” by Digette is one of those hidden gems that perfectly embodies the playful, anything-goes spirit of the early ‘80s underground.

Released in 1984 on Sire Records, Digette was a short-lived but fascinating project featuring Lisa Michaelis (vocals, keyboards), Min Thometz (vocals), and Ivan Ivan (vocals, keyboards, percussion). If Ivan Ivan’s name rings a bell, it should—he was already making waves behind the scenes producing and working within the downtown New York scene, and this project carries that same artsy, left-of-center energy.

“Fred From Jupiter” is a delicious slice of minimalist synth-pop with a wink. Built around a simple, hypnotic keyboard line and deadpan, almost detached vocals, the track tells the oddball tale of an alien visitor—Fred—who seems both mysterious and oddly mundane. It’s that contrast that gives the song its charm. There’s no dramatic build, no big chorus—just a cool, repetitive groove that pulls you into its strange little universe.

What makes this even more interesting is that Digette’s version is actually a cover. The song was originally recorded in 1981 by the German group Die Doraus Und Die Marinas as “Fred Vom Jupiter.” That original version leans even further into the naïve, lo-fi aesthetic of the Neue Deutsche Welle movement, with a kind of childlike innocence that feels almost like a surreal art project.

Digette’s take smooths things out slightly for a wider audience while still retaining the offbeat personality that made the original so special. It’s a perfect example of how ideas traveled across borders in the early ‘80s—mutating and evolving as they went, but always keeping that experimental edge intact.

This is exactly the kind of track that fits right at home in the Closet 80s series—slightly obscure, endlessly interesting, and guaranteed to make you ask, “How did I miss this the first time around?”

💿 This transfer is a NEW 2026 Meticulous Audio Restoration and Transfer, bringing this quirky cult favorite back to life with the clarity and care it deserves. I originally posted this track on December 12, 2013, and I’m excited to revisit it with a fresh upgrade.

And in true offbeat ‘80s fashion, the record itself comes with one of the most delightfully eccentric special thanks lists you’ll ever read. Shout-outs go to Seymour Stein, Shirley Divers, Richard and Jean Wilson, Elliot Spears, Danny Heaps, Mark Josephson, Mark Fotiadis, Mark Kamins, all other Marks in this galaxy, Justin Strauss, Annette von Spreckelsen, Keith Haring, Ron Pameri, WLIR, NASA, ESA, and even The Russian Rocket Force—a perfectly surreal roll call that mirrors the song’s interstellar whimsy.

If you were digging through the bins in 1984, this might have been one of those records you passed over in favor of something more familiar. But give it a spin now, and you’ll find a quirky little treasure that captures a very specific moment in time—when pop music wasn’t afraid to be weird.

And honestly… we could use a little more of that.

SIDE A:
Fred From Jupiter (Long Version) 4:13
Written-By – DorauMaurischat

SIDE B:
Fred From Jupiter (Short Version) 2:35
Written-By – DorauMaurischat

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Sire – W9166TSire – W 9166 (T)Sire – 920279-0
Format: Vinyl, 12″, 45 RPM
Country: UK
Released: 1984
Genre: Electronic
Style: Synth-pop

CREDITS:

NOTES:
Art Direction and Design for Studio Zed
Final Mix
Recorded at Cronex
Mixed at “Recordland” Berlin

This record is dedicated to the memory of Michael Stewart

Special thanks to Seymour Stein, Shirley Divers, Richard and Jean Wilson, Elliot Spears, Danny Heaps, Mark Josephson, Mark Fotiadis, Mark Kamins, all other Marks in this galaxy, Justin Strauss, Annette von Spreckelsen, Keith Haring, Ron Pameri, WLIR, NASA, ESA, The Russian Rocket Force.

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for BURNING THE GROUND

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon Concorde Music Black
Phono Pre-amp: Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
Audio Interface: MOTU M4
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.


Book Of Love – I Touch Roses (US 12″) (1985)

Burning The Ground Exclusive

NEW 2026 Transfer
NEW Meticulous Audio Restoration

Original post date: November 18, 2015

In 1985, American synth-pop quartet Book of Love released what would become their signature song — the luminous and emotionally charged “I Touch Roses.” Issued as the band’s second single, the track solidified their place in the mid-’80s alternative dance scene and helped secure their future with Sire Records.

“I Touch Roses” would later appear on the group’s eponymous debut album, Book of Love, released in 1986. But its initial impact came a year earlier, when the single quietly bloomed in clubs across the country.

From Underground Buzz to Dancefloor Staple

Written by Theodore “Ted” Ottaviano, the song perfectly captured the band’s ethereal aesthetic — romantic, slightly mysterious, and driven by shimmering sequencers. Following the modest success of their debut single “Boy,” “I Touch Roses” followed a similar upward trajectory, but this time the response was stronger.

Although the track did not break into the Billboard Hot 100, it made a significant impact where it mattered most for a synth-driven act in 1985 — the dancefloor. “I Touch Roses” climbed into the Top 10 on the Billboard Hot Dance Club Play chart, peaking at No. 8. In an era dominated by high-energy Hi-NRG and post-disco productions, its dreamy minimalism stood apart.

The single’s B-side, “Lost Souls,” offered fans another glimpse into the band’s atmospheric world. A remixed version of “Lost Souls” would also appear on the debut album, reinforcing the cohesive sonic identity the group was developing. The 7″ version included on the US 12″ is the original version of the song before being remixed by Mark Kamins.

No Grand Plan — Just Momentum

Looking back in 2009, Ted Ottaviano reflected on how organically the song’s success unfolded:

“We didn’t know it at the time, but thankfully, with ‘I Touch Roses’, it was not preordained that Sire was developing us at the time. There was no grand scheme. It was more à la carte. But then people started picking up on ‘Roses,’ and then the album happened.”

That “à la carte” momentum proved pivotal. The growing club response to “I Touch Roses” convinced Sire that Book of Love warranted a full-length album. What began as a promising single became the foundation for a career-defining debut.

The Sound of Vulnerable Synth-Pop

Musically, “I Touch Roses” thrives on restraint. The production is airy and uncluttered — gentle drum programming, cascading keyboard lines, and Susan Ottaviano’s breathy, intimate vocal delivery. There’s a fragility to it that contrasts beautifully with the mechanical precision of the electronics.

It’s that emotional vulnerability that continues to resonate. While many mid-’80s dance tracks chased bombast, “I Touch Roses” created atmosphere. It felt personal, almost secretive — the kind of record discovered late at night on college radio or under mirror balls in alternative clubs.

Four decades later, the song remains a cornerstone of American synth-pop history. It didn’t need a Hot 100 placement to endure. The dancefloor embraced it, and listeners never let it go.

For many of us, when those opening notes begin, “I Touch Roses” still feels like stepping back into a beautifully preserved moment — when underground club culture, romantic minimalism, and pure synth emotion intersected perfectly.

A 2026 Revival

I originally shared this 12″ back in November 2015, but over the years my gear has improved, and my experience in the art of vinyl transferring has grown. Now, in 2026, I’m proud to present this record with a Brand NEW Meticulous Audio Restoration — giving I Touch Roses the attention to detail it truly deserves. Every shimmer, every echo, and every whispered note has been preserved and enhanced, so the track shines like never before.

Whether you’re rediscovering it after all these years or hearing it for the first time, this version captures the ethereal magic of Book of Love in its full glory — just as it should be heard on the dancefloor or through your favorite headphones.

SIDE A:
I Touch Roses (Long Stemmed Version) 5:43

SIDE B:
I Touch Roses 3:24

Lost Souls (7″ Version) 4:13

VINYL GRADE:
Vinyl: Near Mint
SleeveL Near Mint

Chart Performance – Book Of Love: I Touch Roses (1985)
Chart Peak Position Date
US Billboard Dance Club Songs #8 1985

RELEASE INFORMATION:
Label: Sire – 0-20381I Square Records – 0-20381Sire – 9 20381-0 AI Square Records – 9 20381-0 A
Format: Vinyl, 12″, Maxi-Single, 45 RPM
Country: US
Released: 1985
Genre: Electronic
Style: Synth-pop

CREDITS:

NOTES:
Recorded and mixed at Unique Recording, NYC
Mastered at Frankford Wayne, NYC.

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for BURNING THE GROUND


THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.


Innocence In Danger – Violate The Video (US 12″)

Burning The Ground Exclusive 1983

“Violate The Video” was the debut single by the New Wave group Innocence In Danger, released on Epic Records in 1983. The group comprised Angela Bond and Steve Parry.
DISCOGS

In 1984, they released a self-titled EP featuring five tracks, with contributions from guitarist Carlos Alomar.

Their music is characterized by a blend of synthpop and New Wave elements, reflecting the early 1980s musical landscape.

SIDE A:
Violate The Video (Long Version) 5:33
Violate The Video (Short Version) 4:27

SIDE B:
Violate The Video (Extended Spanish Version) 5:23

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Epic – 49-04157
Format: Vinyl, 12″, 33 ⅓ RPM, Single
Country: US
Released: 1983
Genre: Electronic, Rock
Style: New Wave

CREDITS:

NOTES:
Recorded at Rockin’ Reel Studios
Mixed at Street Sound Studio

Buy the 12″ at DISCOGS

VINYL TRANSFER && AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon 2M Black PnP MkII
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.



The Hood – Tough Guys Don’t Dance (Belgium 12″)

Burning The Ground Exclusive 1986

“Tough Guys Don’t Dance” is a 1986 New Wave/Industrial Belgium only 12″ single released by music project The Hood which consisted of legendary NYC party promoter-doorman and writer John Hood. The Hood released one LP titled “Cooler Than Thou” along with three singles and appeared on the 1988 soundtrack for the film Salvation!

“Tough Guys Don’t Dance” was remixed by keyboardist and Arthur Baker’s right-hand man, John Robie with production by Ivan Ivan. This rarely-heard obscure 80s track did not chart and there was no music video released.

SIDE A:
Tough Guys Don’t Dance (Mix 1) 4:21
Tough Guys Don’t Dance (Dub) 4:32

SIDE B:
Tough Guys Don’t Dance (Mix 2) 4:29

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Les Disques Du Crépuscule – TWI 687
Format: Vinyl, 12″, 45 RPM
Country: Belgium
Released: 1986
Genre: Electronic, Rock
Style: New Wave, Industrial

CREDITS:

NOTES:
Comes in a one-sided picture sleeve.

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon 2M Black PnP MkII
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.