Tag: Hugh Padgham

Paul McCartney – Spies Like Us (US 12″) (1985)

Burning The Ground Exclusive

In late 1985, Paul McCartney added another unexpected entry to his eclectic catalog with the release of “Spies Like Us,” the theme song for the John Landis-directed comedy of the same name starring Chevy Chase and Dan Aykroyd. While not remembered as one of McCartney’s most celebrated singles, the track is an interesting snapshot of mid-80s pop production, Cold War paranoia dressed in pop satire, and a Beatle experimenting with the MTV era.

Background

The film Spies Like Us was a goofy Cold War buddy comedy, and Warner Bros. wanted a big-name theme song to match. Enter Paul McCartney, who had already proven with “Live and Let Die” that he could craft cinematic pop with flair. This time, though, instead of lush orchestrations, McCartney leaned heavily into synths, drum machines, and Fairlight sampling, hallmarks of the mid-80s studio sound.

The single was produced by McCartney himself, with Hugh Padgham (known for his work with Genesis, Phil Collins, and The Police) contributing his signature gated drum textures.

The Song

“Spies Like Us” is a quirky mix of playful lyrics, staccato vocal chants, and punchy electronic rhythms. McCartney doesn’t play it straight; instead, the song mirrors the slapstick tone of the movie. The hook, “Ooh ooh, what do you do, no one else can dance like you,” is pure Macca—catchy and cheeky at the same time.

While not universally loved by critics (some dismissed it as lightweight compared to his more serious work), the track’s off-kilter energy feels in line with the zany espionage antics of Chase and Aykroyd. It’s Paul having fun, and that spirit comes through.

Chart Performance

Despite mixed reviews, “Spies Like Us” did surprisingly well commercially. It peaked at #7 on the Billboard Hot 100 in early 1986, marking McCartney’s last U.S. Top 10 hit to date. In the UK, however, it stalled at #13.

The music video, directed by John Landis, featured McCartney performing the song intercut with clips from the film—though Chase and Aykroyd also appear goofing around as “backing musicians,” adding to the lightheartedness. MTV gave it steady rotation at the time.

Legacy

“Spies Like Us” is often overlooked when discussing McCartney’s career highlights, but it remains a fascinating curio. It captures a moment when one of the world’s greatest songwriters was still experimenting, still adapting, and still landing hits two decades after the Beatles.

Final thought: “Spies Like Us” may not sit alongside Band on the Run or Maybe I’m Amazed in McCartney’s pantheon, but it’s undeniably catchy, delightfully odd, and very much of its time. A Top 10 hit from a Cold War comedy—only Paul could pull that off.

SIDE A:
Spies Like Us (Party Mix) 7:13
Mixed By – John Potoker

Spies Like Us (Alternative Mix-Known To His Friends As “Tom”) 3:59
Mixed By – Art Of Noise*

SIDE B:
Spies Like Us (DJ Version) 3:48

My Carnival (Party Mix) 6:00
Mixed By – Gary Langan
Performed By – Paul McCartney And Wings*
Producer – Paul McCartney

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1985 Spies Like Us U.S. Billboard Hot 100 #7
1985 Spies Like Us U.S. Billboard Mainstream Rock Tracks #31

RELEASE INFORMATION:
Label: Capitol Records – V-15212MPL (2) – V-15212
Format: Vinyl, 12″, 33 ⅓ RPM, Single, Misprint
Country: US
Released: Nov 18, 1985
Genre: Electronic, Rock
Style: Pop Rock

CREDITS:

NOTES:
Title Song From the Warner Bros. Motion Picture

A1 Mixed in New York
A2 Mixed in London
A1 & A2: From The Warner Bros. Motion Picture “Spies Like US”
B2 Recorded in New Orleans and Dedicated to Professor Longhair

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.


Paul McCartney – Press (US 12″) (1986)

Burning The Ground Exclusive

In July 1986, Paul McCartney returned to the pop charts with “Press”, the lead single from his sixth solo studio album, Press to Play. Released on July 14, 1986, the song marked a distinct step into mid-80s production for McCartney, pairing his classic songwriting style with glossy, synth-driven textures and a bright pop sheen.

Produced by Hugh Padgham, who was well-known for his work with Genesis, The Police, and Phil Collins, “Press” blended jangly guitars, drum programming, and layered keyboards to create a contemporary sound. The song’s lyrics are a lighthearted metaphor, comparing love and communication to the simple act of pressing a button.

Chart Performance

“Press” had a modest chart run compared to McCartney’s earlier hits. In the U.S., it reached #21 on the Billboard Hot 100 and climbed to #10 on the Adult Contemporary chart, while in the U.K., it stalled at #25 on the Singles Chart. Though not one of his biggest successes, it remains a curious and charming entry in his catalog, capturing McCartney’s willingness to experiment with the evolving sounds of the 1980s.

Music Video

The “Press” music video by Paul McCartney was filmed entirely on the London Underground. Specifically, McCartney takes the tube from South Kensington to Piccadilly Circus. The video, directed by Philip Davey, features McCartney singing the song while traveling on the Jubilee line.

✨ While “Press” may not hold the same iconic status as McCartney’s earlier solo hits, it stands as an underrated gem from his 80s output—playful, catchy, and very much of its era. For fans of 12-inch singles and synth-infused pop, it’s a fun one to revisit.

SIDE A:
Press (Video Soundtrack) 4:44
It’s Not True 5:47

SIDE B:
Hanglide 5:16
Press (Dub Mix) 6:29

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1986 Press U.S. Billboard Hot 100 #21

RELEASE INFORMATION:
Label: Capitol Records – V-15235MPL (2) – V-15235
Format: Vinyl, 12″, 33 ⅓ RPM, Maxi-Single
Country: US
Released: Jul 16, 1986
Genre: Rock
Style: Pop Rock

CREDITS:

NOTES:
Tracks A1 and B2 are different mixes from the album version.
Track A2 was issued as a CD bonus track.
Track B1 was issued as a non-album track.

Buy the 12″ from DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.


Genesis – Land Of Confusion (US 12″ Promo)

BURNING THE GROUND EXCLUSIVE 1986


New 2020 Transfer!
Meticulously Remastered!

Originally posted December 12, 2012

“Land of Confusion” is a song by the English rock band Genesis from their 1986 album Invisible Touch. The song was the third track on the album and was the third track released as a single, reaching No. 4 in the U.S. and No. 14 in the UK in late 1986. It also reached No. 8 in the Netherlands. The music was written by the band, while the lyrics were written by guitarist Mike Rutherford. The song’s video featured puppets from the 1980s UK sketch show Spitting Image.

SIDE A:
Land Of Confusion (Vocal/Edit Of Remix)** 3:50
Remix – John “Tokes” Potoker*

Land Of Confusion (Vocal/LP Version) 4:45

SIDE B:
Land Of Confusion (Vocal/Extended Remix) 6:56
Remix – John “Tokes” Potoker*

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1986 Land Of Confusion U.S. Billboard Hot 100 #4
1986 Land Of Confusion U.S. Billboard Mainstream Rock Tracks #11

 

RELEASE INFORMATION:
Label: Atlantic ‎– PR 984
Format: Vinyl, 12″, Promo, 33 ⅓ RPM
Country: US
Released: 1986
Genre: Electronic, Rock
Style: Pop Rock, Synth-pop

CREDITS:
Producer – Genesis
Producer, Engineer – Hugh Padgham

NOTES:
**The Vocal/Edit Of Remix of Land Of Confusion is exclusive to this 12″.
LP Version from the Atlantic LP “INVISIBLE TOUCH”
Promotional copy Not For Sale

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck
DAC/Phono Pre-amp:
Alpha Design Labs GT40a USB DAC
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

Username: btg
Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.

Band Aid – Band Aid Special (Japan LP)

BURNING THE GROUND EXCLUSIVE 1985

Probably my biggest undertaking to date since I usually do not transfer full albums. I have been working on this off and on over the last rew days and I think it turned out nicely. The Japan pressings always sound very good. I realize this album was released on CD however I prefer vinyl and for those of you who share that love I really hope you enjoy this collection.

Happy, Merry Christmas! -DjPaulT

“Band Aid Special” is a 1985 album compiled by Mercury Records in Japan, released on March 31, 1985 a few months after the release of the single “Do They Know It’s Christmas?”. This compilation contains all three mixes of “Do They Know It’s Christmas?”that were originally released on 12” single. The rest of the album was filled artists that were involved with the recording of “Do They Know It’s Christmas?”, along with other artists to fill out the album.

The album was re-issued in December 1985 under the title “Rock ‘Now” 12 Hits!”.

Band Aid is a charity supergroup featuring mainly British and Irish musicians and recording artists.was founded in 1984 by Bob Geldof and Midge Ure to raise money for anti-famine efforts in Ethiopia by releasing the song “Do They Know It’s Christmas?” for the Christmas market that year. On 25 November 1984, the song was recorded at Sarm West Studios in Notting Hill, London, and was released in the UK four days later. The single surpassed the hopes of the producers to become the Christmas number one on that release. The 12″ version was mixed by Trevor Horn.

SIDE A:
Band AidDo They Know It’s Christmas? (12″ Mix) 6:13
Engineer – Trevor Horn
Producer – Midge Ure, Trevor Horn
Remix – Trevor Horn
Written-By – Geldof*, Ure*

Big CountryIn A Big Country 3:52
Producer – Steve Lillywhite
Written-By – Big Country

Marilyn Calling Your Name 4:04
Producer – Clive Langer & Alan Winstanley
Written-By – Marilyn, Caplin*

Status QuoMarguerita Time 3:27
Producer – Quo*
Written-By – Frost*, Rossi*

The Boomtown Rats Tonight 3:53
Producer – The Boomtown Rats
Written-By – Bob Geldof

GenesisThat’s All  4:23
Producer – Genesis, Hugh Padgham
Written-By – Genesis

SIDE B:
Band AidDo They Know It’s Christmas? 3:53
Engineer – Steve Lipsom*
Producer – Midge Ure, Trevor Horn
Written-By – Geldof*, Ure*

BBon JoviRunaway 3:51
Producer – Lance Quinn, Tony Bongiovi
Written-By – G. Karak*, J. Bon Jovi*

Elton JohnSad Songs (Say So Much) 4:48
Producer – Chris Thomas
Written-By – Elton John & Bernie Taupin

ABCThe Look Of Love 3:29
Producer – Trevor Horn
Written-By – ABC

Tears For FearsMothers Talk 3:54
Backing Vocals – Stevie Lange
Producer – Chris Hughes
Written-By – Ian Stanley

Band AidFeed The World 4:16
Engineer – Steve Lipsom*
Producer – Midge Ure, Trevor Horn
Written-By – Geldof*, Ure*

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint
OBI: Near Mint
Insert: Near Mint

RELEASE INFORMATION:
Label: Mercury – 25PP-161
Format: Vinyl, LP, Compilation
Country: Japan
Released: 1985
Genre: Electronic, Rock, Pop
Style: Alternative Rock, New Wave, Pop Rock, Synth-pop

NOTES:
Among super hits of prominent names included on this special compilation album are songs by The Boomtown Rats, Big Country, Genesis, Status Quo, and Marilyn who participated in the Band Aid project.

℗ 1985 Phonogram International, B.V.
Manufactured and Distributed by Nippon Phonogram Co., Ltd.
Made in Japan

Find the LP on DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7 TubeGold Pins
Soundcard:
Novation Audiohub 2×4 Audio Interface
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi