Tag: Daniel Abraham

Belinda Carlisle – Summer Rain (US 12″)

BURNING THE GROUND EXCLUSIVE 1990

“Summer Rain” is a song written by Robbie Seidman and Maria Vidal, produced by Rick Nowels for Belinda Carlisle’s third album Runaway Horses (1989).

“Summer Rain” achieved moderate commercial success in North America, where it was released as the second single from Runaway Horses (1989). In January 1990, the song entered the Billboard Hot 100, the main US chart, at number 86. Within seven weeks of its release, it peaked at number 30 and stayed at that position for two weeks. The single spent 13 weeks on the Billboard Hot 100, six of which were in the top 50. The single was Carlisle’s second to the last song to chart on the Billboard Hot 100. It also peaked at number 29 on the US Billboard Adult Contemporary chart, where it spent eight weeks on the chart.

In Australia, the song had the most commercial success, where it was released as the album’s third single on March 19, 1990. In early April 1990, it debuted at number 42. Within two months of its release, it reached the top 10, where it stayed for five weeks. The song reached a peak at number six on May 20 and remained there for two more weeks, spending a total of 16 weeks in the top 50. It became the 40th highest-selling single in Australia in 1990.

The song was released in the United Kingdom in December 1990 as the sixth and final release from Runaway Horses, peaking at number 23 at the end of January 1991 and spending 10 weeks in the chart.

SIDE A:
Summer Rain (Extended Version) 8:01

SIDE B:
Summer Rain (Dub) 6:52

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1990 Summer Rain U.S. Billboard Hot 100 #30
1990 Summer Rain U.S. Billboard Hot Adult Contemporary Singles #29

 

RELEASE INFORMATION:
Label: MCA Records ‎– MCA-24011
Format: Vinyl, 12″, Single, 33 ⅓ RPM
Country: US
Released: 1990
Genre: Electronic, Pop
Style: Garage House

CREDITS:
Art Direction, Design – Norman Moore
Edited By – Chip Nunez*
Engineer [Remix] – Daniel Abraham
Management – Danny Goldberg, Ron Stone
Photography – Ken Nahoum
Producer – Rick Nowels
Producer [Additional Production] – Justin Strauss
Programmed By [Additional Keyboard Programming] – Eric Kupper
Remix – Daniel Abraham, Justin Strauss
Written-By – Maria Vidal, Robbie Seidman

NOTES:
Original version appears on the Belinda Carlisle album, “Runaway Horses”
Additional Production for Just Right Productions.
Mastered at Precision.
Management for Gold Mountain Entertainment.

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Rolls Bellar VP-130
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

Username: btg
Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.

Yazz And The Plastic Population – The Only Way Is Up (US 12″)

BURNING THE GROUND EXCLUSIVE 1988

“The Only Way Is Up” is a song written by George Jackson and Johnny Henderson and originally released in 1980 as a single by soul singer Otis Clay.

In 1988, it became a chart-topping single for Yazz and the Plastic Population. The Yazz version was produced by Jonathan More and Matt Black (better known as dance duo Coldcut, who had worked with Yazz on their hit single “Doctorin’ the House”). “The Only Way Is Up” was Yazz’s first solo single, credited to her under the name Yazz and the Plastic Population. Released as a single in July 1988, the song became an instant smash hit, spending five weeks at number one in the United Kingdom, and ultimately becoming the second biggest-selling single of the year. In the United States, it reached number two on the Billboard dance chart, although only making number 96 on the Billboard Hot 100 singles chart.

The opening horn blast is a sample from Sharon Redd’s 1982 dance classic “Beat the Street”.

SIDE A:
The Only Way Is Up (U.K. Extended Club Mix) 6:48

The Only Way Is Up (The Up Up Up Mix) 7:04
Remix – Bam Bam

SIDE B:
The Only Way Is Up (Acid Dub) 5:52
Producer [Additional], Remix – Justin StraussMurray Elias

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1988 The Only Way Is Up U.S. Billboard Hot 100 #96
1988 The Only Way Is Up U.S. Billboard Hot Dance Music/Club Play #2

 

RELEASE INFORMATION:
Label: Elektra ‎– 0-66732
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1988
Genre: Electronic
Style: House, Acid House

CREDITS:
Edited By – Tuta Aquino
Engineer [Remix] – Daniel Abraham
Producer – Coldcut
Programmed By [Additional] – Eric Kupper
Sleeve – Pat RodgerPointblanc London*, Seán Quinn
Written-By – George Jackson (3)Johnny Henderson

NOTES:
B side additional production and remix for Popstand Productions.

Printed in U.S.A.

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck
DAC/Phono Pre-amp:
Alpha Design Labs GT40a USB DAC
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

Username: btg
Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.

Bangles – In Your Room (US 12″)

BURNING THE GROUND EXCLUSIVE 1988

“In Your Room” is a 1988 song by American rock group The Bangles, written by Susanna Hoffs, Tom Kelly and Billy Steinberg. The song was released as the first single from the band’s third album, Everything. It reached the top five of the US singles chart, and also charted in Australia, New Zealand, and the United Kingdom.

According to songwriter Billy Steinberg, “In Your Room” was written in the same batch of songs as “Eternal Flame”. Steinberg recalled, “The Bangles” liked everything from Petula Clark to The Beatles and all the Sixties music they loved. So when we got together to write with Susanna it was right up our alley because of course Tom and I grew up in the sixties and that was what we loved. So we had that in common with Susanna”. He added that the song’s style was somewhat similar to “Mony Mony”, the 1968 hit single by Tommy James and the Shondells.

Released in October 1988, “In Your Room” entered the Billboard Hot 100 the following month and peaked at number five in January. It reached number four on the Singles Sales chart, number nine on the Hot 100 Airplay chart, and number five on the Modern Rock chart. The song also peaked at number 11 in New Zealand, number 41 in Australia, and number 35 in the United Kingdom.

AllMusic writer Matthew Greenwald praised the band’s rhythm section for the song’s chorus and bridge sections, and noted that the song’s lyrics were ideal for Hoffs’ “kittenish sexuality”. Rolling Stone writer Jim Freek said “In Your Room” was perhaps the band’s best song to be released after their debut album.

In the United States and Canada exclusive remixes were released on 12″ vinyl.

Track B2 actually plays a 7″ Instrumental Version, not the 12″ Instrumental as stated on labels.

SIDE A:
In Your Room (12″ Extended Version) 5:14
In Your Room (7″ Remix) 3:25

SIDE B:
In Your Room (7″ Single Version) 3:28
In Your Room (7″ Instrumental) 3:23

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1988 In Your Room U.S. Billboard Hot 100 #5
1988 In Your Room U.S. Billboard Mainstream Rock Tracks #5

 

RELEASE INFORMATION:
Label: Columbia ‎– 44 08170
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1988
Genre: Rock, Pop
Style: Pop Rock

CREDITS:
Edited By – Tuta Aquino
Mixed By – Frank Filipetti (tracks: A1, A2, B2)
Producer – Davitt Sigerson
Producer [Additional Production], Mixed By – Daniel Abraham
Programmed By [Additional Keyboard Programming] – Fred McFarlane
Written-By – B. Steinberg*, S. Hoffs*, T. Kelly*

NOTES:
Special Version From The Columbia LP: “EVERYTHING”

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Schiit Mani
Soundcard:
ESI Juli@ XTe Audio Interface
Monitiring:
Novation Audiohub 2×4 Audio Interface
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Username: btg
Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.

Kon Kan – Harry Houdini (US 12″)

BURNING THE GROUND EXCLUSIVE 1989

“Harry Houdini” (also titled as “Arts in ‘D’ Minor/Harry Houdini”) is a song by Canadian synthpop band Kon Kan, released as the second single from their 1989 debut album Move to Move. The song did not match the success of their previous single “I Beg Your Pardon”, managing to just scrape into the top forty in their native Canada at #39. In the UK, the song reached #88. In New Zealand, the song peaked at #14 in September 1989. In the U.S. the single failed to chart.

The song contains a sample of “White Lines” by Grandmaster Melle Mel and an interpolation of Blondie’s “The Tide Is High”.

**As a bonus I have included three tracks taken from the U.S. Promo 12″ that did not appear on the standard 12″ single release.

SIDE A:
Harry Houdini (The Justin Strauss Remix) 6:51
Harry Houdini (7″ Edit) 3:52

SIDE B:
Harry Houdini (Deep Underground Mix) 7:09

**BONUS PROMO MIXES:
Harry Houdini (Just Right Dub) 5:13
Harry Houdini (Bass Mix aka Miami Mix) 5:44
Harry Houdini (Deep Underground Dub) 4:56

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Atlantic ‎– 0-86416
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1989
Genre: Electronic
Style: House, Synth-pop

CREDITS:
Edited By – Todd Culver
Engineer [Remix] – Daniel Abraham
Producer – Barry Harris, Jon Lind
Programmed By [Additional Keyboard Programming] – Eric Kupper
Remix, Producer [Additional Production] – Justin Strauss
Written-By – Barry Harris

NOTES:
From the KON KAN LP “MOVE TO MOVE”

Find the 12″ at DISCOGS

Find the 12″ Promo at DISCOGS

VINYL RESTORATION BT:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7 TubeGold Pins
Soundcard:
Novation Audiohub 2×4 Audio Interface
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi