Tag: 12″

Duran Duran – The Wild Boys (Japan 12″) (1984)

Burning The Ground Exclusive

NEW 2025 Transfer!
NEW Meticulous Audio Restoration!

Original post date: December 22, 2016

In late 1984, Duran Duran unleashed “The Wild Boys,” a pounding, futuristic anthem that marked a darker turn for the band and became one of their most iconic singles of the era. The track was conceived as part of a proposed film project based on the William S. Burroughs novel The Wild Boys: A Book of the Dead, with the idea pushed by director Russell Mulcahy (who had helmed many of the band’s most lavish videos). While the film never came to fruition, the song and its accompanying video pushed boundaries—and budgets—at the time.

Produced by the legendary Nile Rodgers, “Wild Boys” was the only studio track on the band’s live album Arena and perfectly fused the band’s pop sensibility with Rodgers’ cutting-edge production and dancefloor sensibilities. The result was a sonic assault of heavy synths, aggressive guitar stabs, tribal drums, and Simon Le Bon’s defiant vocal delivery.

The Extended Mix takes the drama up several notches, building the tension with a long, cinematic intro that recalls the dystopian atmosphere of the video. The breakdowns and effects-laden passages give the song more room to breathe and further highlight Rodgers’ intricate production.

Chart-wise, “Wild Boys” was a smash. It reached #2 in both the US and UK, blocked from the top in the US by Hall & Oates’ “Out of Touch.” It also gave Duran Duran their first #1 in Germany and South Africa, proving the band’s international staying power as they transitioned from New Romantic heartthrobs into global pop powerhouses.

Fun fact: Simon Le Bon nearly drowned during the filming of the video, which featured the band tied to a windmill and submerged in a water tank. It’s a miracle the band made it out intact—both literally and figuratively.

The B-side, “(I’m Looking For) Cracks In The Pavement (Live),” was recorded during the band’s 5 March 1984 show at Maple Leaf Gardens in Toronto. This is the same concert where the video for “The Reflex” was filmed—capturing the band at the height of their early-’80s hysteria with screaming fans and high-voltage energy. The live track offers a grittier, rawer take on the Seven and the Ragged Tiger album cut, giving fans a peek into the band’s powerful live presence during their Sing Blue Silver tour.

“Wild Boys” remains a touchstone of mid-80s maximalism: all attitude, danger, and style. It’s the sound of a band pushing their limits—and taking us along for the ride.

SIDE A:
The Wild Boys (Wilder Than Wild Boys) (Extended Mix) 8:00
Producer – Nile Rodgers

SIDE B:
The Wild Boys (45) 4:18
Producer – Nile Rodgers

(I’m Looking For) Cracks In The Pavement (1984) 4:10
Engineer [Live Recording] – George Tutko
Engineer, Mixed By – Jason Corsaro

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint
OBI Strip: Near Mint
Insert: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1984 The Wild Boys U.S. Billboard Hot 100 #2
1984 The Wild Boys U.S. Billboard Hot Dance Music / Club Play #27

RELEASE INFORMATION:
Label: EMI ‎– S14-102
Format: Vinyl, 12″, 45 RPM, Maxi-Single
Country: Japan
Released: Nov 21, 1984
Genre: Electronic, Pop
Style: Synth-pop

CREDITS:

NOTES:
From the LP “ARENA”

Track B2 was recorded live on tour 1984.
Mastered at Masterdisk.

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon 2M Black PnP MkII
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.



Double Entente – Sleeping Dogs Lie (US 12″) (1984)

Burning The Ground Exclusive

I’m taking a short break from my Shep Pettibone run to fill a few requests. The first is another rare gem to add to my “Closet 80s” series—a track that never got its due but still shines in all the right ways.

“Sleeping Dogs Lie” by the short-lived duo Double Entente. Released in 1984, this atmospheric track was crafted by Chuck Fuller and Elyse Schiller, a synth-pop pairing that only released two singles before fading into obscurity.

The record was produced by none other than Randy “King” Jackson, the Grammy-winning musician and producer—long before his days as a judge on American Idol. Jackson’s touch is evident in the track’s sleek, polished sound: brooding synth layers, a pulsing electronic beat, and a cool, detached vocal performance that creates a haunting sense of emotional distance.

While Double Entente didn’t stay together long enough to release a full album, “Sleeping Dogs Lie” remains a standout—a moody, intelligent slice of early electronic pop that wouldn’t feel out of place alongside the likes of Yazoo, The The, or early Berlin.

SIDE A:
Sleeping Dogs Lie (Long Version) 6:16

SIDE B:
Sleeping Dogs Lie (Short Version) 4:46

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1984 Sleeping Dogs Lie U.S. Billboard Hot Dance Music / Club Play #4

RELEASE INFORMATION:
Label: Columbia – 44-05113
Format: Vinyl, 12″, 33 ⅓ RPM, Single, Stereo
Country: US
Released: 1984
Genre: Electronic, Funk / Soul
Style: Synth-pop, Electro, Soul

CREDITS:

NOTES:
Recorded at THE AUTOMATT, San Francisco, CA

Printed in U.S.A.

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon 2M Black PnP MkII
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.



Janet Jackson – Alright (US 12″ Promo) (1990)

Burning The Ground Exclusive

By the time “Alright” dropped as the fourth single from Janet Jackson’s landmark Rhythm Nation 1814, she was already in full superstar mode. The track, with its nostalgic swing samples and Janet’s bright, confident vocals, was another standout from the groundbreaking album. But for remix heads and club DJs, it was the U.S. 12″ promo that truly brought the heat.

The U.S. 12″ Promo features four unique versions of “Alright,” with three of them—the LP Remix, 12″ R&B Edit, and 12″ House Edit—being completely exclusive to this release.enthusiasts.

For serious Janet fans, this promo is a must-have. With three exclusive mixes and Shep Pettibone in full remix mode.

SIDE A:
Alright (12” R&B Edit) 7:18
Alright (LP Remix) 6:30

SIDE B:
Alright (12” House Edit) 7:12
Alright (House Dub) 5:58

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: A&M Records – SP-18021
Format: Vinyl, 12″, 33 ⅓ RPM, Promo
Country: US
Released: 1990
Genre: Electronic, Hip Hop, Funk / Soul
Style: RnB/Swing, Soul, House

CREDITS:

NOTES:
Promotional copy not for sale

Tracks A1, A2 , and B1 are exclusive to this release

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon 2M Black PnP MkII
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.



Janet Jackson – Alright (US 12″) (1990)

Burning The Ground Exclusive

12″ Single Released: March 4, 1990

“Alright” was the fourth single released from Janet Jackson’s groundbreaking Rhythm Nation 1814 album, and it brought with it a joyful, funky energy that stood out among the album’s harder-edged, socially conscious tracks. With bright horns, a classic swing vibe, and Janet’s signature layered vocals, “Alright” is a celebration of love and positivity wrapped in irresistible grooves.

The 12″ release is particularly special—packed with six different mixes, including standout work by remix legend Shep Pettibone, this record is a true gem for collectors and remix fans alike. Some of these versions, as far as I know, are vinyl-only, and getting them cleaned up properly was a labor of love.

I spent three days working on this 12″—most of the time went into visually removing clicks, pops, and other anomalies from the audio. It’s a meticulous process, but one I’m passionate about, and the end result is something I’m really proud of. In fact, I took most of yesterday off from posting just to focus entirely on this record.

I hope you enjoy the results as much as I do.

The song itself reached #4 on the Billboard Hot 100 and became Janet’s fourth consecutive #1 on the Billboard R&B chart. Its iconic video—directed by Julien Temple—was a loving tribute to 1930s musicals, featuring cameos from legends like Cab Calloway, Cyd Charisse, and the Nicholas Brothers. Stylish, timeless, and loaded with charm, “Alright” remains a highlight of Janet’s incredible career.

Whether you’re hearing these mixes for the first time or rediscovering them, I think you’ll agree—Janet sounds more than alright. She sounds phenomenal.

SIDE A:
Alright (12″ R&B Mix) 7:18
Vocals [Additional Vocals] – Heavy D.*

Alright (7″ R&B Mix) 4:34

Alright (A Cappella) 3:28

SIDE B:
Alright (12″ House Mix) 8:27
Vocals [Additional Vocals] – Heavy D.*

Alright (Hip House Dub) 6:36
Vocals [Additional Vocals] – Heavy D.*

Alright (House Dub) 5:58

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1990 Alright U.S. Billboard Hot 100 #4
1990 Alright U.S. Billboard Hot Dance Club Songs #1
1990 Alright U.S. Billboard Hot Dance Singles Sales #2
1990 alright U.S. Billboard Hot R&B / Hip-Hop Songs #2

RELEASE INFORMATION:
Label: A&M Records – SP-12351A&M Records – SP 12351
Format: Vinyl, 12″, 33 ⅓ RPM, Single
Country: US
Released: Mar 4, 1990
Genre: Electronic, Funk / Soul
Style: House, Hip-House, New Jack Swing, Contemporary R&B

CREDITS:

NOTES:
From the LP “Rhythm Nation 1814”

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon 2M Black PnP MkII
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.