Tag: 12″

Madleen Kane – You Can (US 12″) (1981)

Burning The Ground Exclusive

A Disco Classic with Moroder’s Magic

Some songs capture the spirit of an era so perfectly that they remain timeless. You Can, the 1981 single by Madleen Kane, is one of those tracks—an irresistible blend of disco and early ’80s dance energy, fueled by the legendary production of Giorgio Moroder.

Kane, a Swedish-born model-turned-singer, had already made a name for herself in the disco scene, but You Can became one of her biggest hits. Co-written by Yolanda Yvette Adams, Donald Ray Atkins, and Marcus Ecby, the song soared to the top of the dance charts, spending three weeks at number one. It was a defining moment for Kane, as it became her only Billboard Hot 100 entry, peaking at #77.

The track pulsates with Moroder’s signature electronic rhythms and hypnotic synth lines, creating an infectious groove that made it a dancefloor staple. The B-side, Fire in My Heart, was also a fan favorite, further cementing Kane’s status in the club scene.

While You Can may not have reached mainstream pop stardom, its impact on dance music is undeniable. It’s a song that still shines on retro club playlists and remains a cherished piece of the early ’80s dance movement.

Crank up the volume and let Madleen Kane remind you why the disco beat never truly fades.

SIDE A:
You Can (Special 12 Inch Version) 5:35
Remix – Brian ReevesJean-Claude Friederich
Written-By – G. MoroderP. Bellotte

SIDE B:
Fire In My Heart (Special 12 Inch Version) 6:46
Remix – Sylvester LevayWill Crocker
Written-By – G. MoroderS. Levay

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1981 You Can U.S. Billboard Hot 100 #77
1981 You Can U.S. Billboard Hot Dance / Disco #1

RELEASE INFORMATION:
Label: Chalet Records – CH802
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1981
Genre: Electronic
Style: Synth-pop, Disco

CREDITS:
Producer – Giorgio Moroder

NOTES:
Produced for Friederich Prod. S.A.

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon 2M Black PnP MkII
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.



Stevie B – Spring Love (Come Back to Me) (US 12″) (1988)

Burning The Ground Exclusive

Few songs capture the energy and emotion of late 80s Freestyle quite like “Spring Love (Come Back to Me)” by Stevie B. Released in 1988 as the third single from his debut album, Party Your Body, the track became a defining moment in his career, helping solidify his place as one of the genre’s biggest stars.

“Spring Love” saw greater chart success than Stevie B’s previous singles, almost breaking into the Top 40 of the Billboard Hot 100, peaking at No. 43. More importantly, it became his first major hit on the Dance charts, reaching No. 5—a sign of bigger things to come. The following year, Stevie B would break through with “I Wanna Be the One,” a song that carried the same irresistible blend of Latin Freestyle beats, soaring synths, and heartfelt lyrics.

With its pulsating drum machines, lush keyboard arrangements, and Stevie B’s yearning vocals, “Spring Love” perfectly captures the bittersweet longing for a lost romance. It became a staple in nightclubs, roller rinks, and freestyle dance floors, earning a permanent place in the hearts of fans.

The song’s enduring popularity led to a 2007 remake featuring Pitbull, introducing it to a new generation while keeping the nostalgic vibe alive. To this day, “Spring Love” remains one of Stevie B’s most beloved tracks and a true classic of the Freestyle era.

SIDE A:
Spring Love (Come Back To Me) (Club Mix) 5:57
Spring Love (Come Back To Me) (Radio Mix) 4:57

SIDE B:
Spring Love (Come Back To Me) (Dub) 6:20
Spring Love (Come Back To Me) (Per Capella & Bonus Beats) 3:34

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1988 Spring Love (Come Back To Me) U.S. Billboard Hot 100 #43
1988 Spring Love (Come Back To Me) U.S. Billboard Hot Dance / Club Play #5
1988 Spring Love (Come Back To Me) U.S. Billboard Hot Dance / Maxi-Singles Sales #2

RELEASE INFORMATION:
Label: LMR (Lefrak-Moelis Records) – LMR 4002
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1988
Genre: Electronic
Style: Freestyle, Latin

CREDITS:

NOTES:
Side B: Remixed & Edited for Straight A’s Productions

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon 2M Black PnP MkII
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.



Helen Reddy – Surrender (The Remix) (US 12”) (1998)

Burning The Ground Exclusive

Helen Reddy, best known for her empowering anthem “I Am Woman,” surprised fans in 1998 with a stunning rendition of “Surrender.” Originally from Andrew Lloyd Webber’s musical Sunset Boulevard, Reddy’s take on the song was featured on her final studio album Center Stage (1998), which showcased her deep appreciation for theatrical compositions.

Released as a single on September 15, 1998, “Surrender” came with a remix that transformed the dramatic ballad into a dancefloor-ready track. This high-energy remix infused a pulsating beat with Reddy’s powerful vocals, creating an electrifying experience that resonated with both longtime fans and club-goers alike. Many have drawn comparisons between this remix and classic disco hits, noting its ability to captivate audiences with its infectious rhythm.

The remix single, titled Surrender (The Remix), was released under the Varèse Sarabande label, further cementing Reddy’s versatility as an artist. While she was primarily known for her soft rock and pop ballads, this remix demonstrated her ability to embrace new sounds and appeal to a fresh generation of listeners.

Helen Reddy’s performance in “Surrender” is a testament to her enduring talent, seamlessly blending theatrical elegance with contemporary energy. Whether you prefer the original theatrical version or the dance remix, this track remains a fascinating part of her musical legacy.

SIDE A1:
Surrender (The Remix) 5:01
Producer – Andy Zulla
Producer – Andy Zulla

SIDE A2:
Surrender (Album Version) 3:43
Arranged By – Ron Abel
Orchestrated By – Steven Orich
Producer – Bruce Kimmel

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Varèse Sarabande – VS12-5818
Format: Vinyl, 12″, 33 ⅓ RPM, Single Sided
Country: US
Released: Sept 15, 1998
Genre: Electronic, Pop
Style: Downtempo, Synth-pop

CREDITS:

NOTES:
Single-sided 12″ single

Track 1 for SAZ Productions Inc., New York City

“Surrender” is from The Broadway Musical “Sunset Blvd.”
Album Version taken from the Helen Reddy 1998 Album “Center Stage”.

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon 2M Black PnP MkII
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.



Gwen Guthrie – Ain’t Nothin’ Goin’ On But The Rent (US 12″ Promo) (1986)

Burning The Ground Exclusive

Ain’t Nothin’ Goin’ On but the Rent is a song by American singer-songwriter Gwen Guthrie, released in 1986 as the lead single from her fourth studio album, Good to Go Lover. Written and produced by Guthrie herself, the song became the biggest hit of her career, delivering a bold message of financial independence and self-worth wrapped in an irresistibly funky groove.

Blending smooth R&B, dancefloor-ready beats, and assertive lyrics, Ain’t Nothin’ Goin’ On but the Rent set clear expectations for financial responsibility in relationships. With its unforgettable hook—“You got to have a J-O-B if you wanna be with me”—the track quickly became an anthem of empowerment, particularly resonating with women in the workforce during the mid-’80s.

Chart Performance

Chart-wise, the song had a moderate impact on the U.S. pop chart, peaking at #42 on the Billboard Hot 100, but it dominated the R&B and dance scenes, spending one week at #1 on the Billboard R&B chart and two weeks at #1 on the Billboard Hot Dance Club Play chart. Internationally, the track reached #1 in New Zealand and Zimbabwe and performed well across Europe, peaking at #5 on the UK Singles Chart. A 1993 remix of the song also saw success, reaching #8 on the UK Dance Singles Chart.

Gwen Guthrie’s Legacy

Known for her powerhouse vocals and songwriting talents (she penned hits for Sister Sledge, Ben E. King, and Roberta Flack), left us too soon in 1999, but her music lives on. Ain’t Nothin’ Goin’ On But The Rent remains a staple of ‘80s dance and R&B culture—a track that demands respect and keeps dancefloors moving to this day.

SIDE A:
Ain’t Nothin’ Goin’ On But The Rent (12″ Club Mix) 7:16
Edited By – Tony Prendatt
Producer [Additional Production], Remix [Remix By], Edited By [Edits By] – Mark S. Berry*Tony Prendatt

Ain’t Nothin’ Goin’ On But The Rent (Dub Mix) 7:43
Edited By – Tony Prendatt
Producer [Additional Production], Remix [Remix By], Edited By [Edits By] – Mark S. Berry*Tony Prendatt

SIDE B:
Ain’t Nothin’ Goin’ On But The Rent (Larry Levan 12″ Club Mix) 5:59
Engineer – Matthew “Krash” Kasha*
Mixed By, Edited By – Larry Levan

Ain’t Nothin’ Goin’ On But The Rent (Larry Levan Dub Mix) 7:04
Engineer – Matthew “Krash” Kasha*
Mixed By, Edited By – Larry Levan

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1986 Ain’t Nothin’ Goin’ On But The Rent U.S. Billboard Hot 100 #42
1986 Ain’t Nothin’ Goin’ On But The Rent U.S. Billboard Dance Club Songs #1
1986 Ain’t Nothin’ Goin’ On But The Rent U.S. Billboard Hot Dance Singles Sales #3
1986 Ain’t Nothin’ Goin’ On But The Rent U.S. Billboard Hot R&B / Hip-Hop Songs #1

RELEASE INFORMATION:
Label: Polydor – 885 106-1
Format: Vinyl, 12″, 33 ⅓ RPM, Single, Promo, Stereo
Country: US
Released: 1986
Genre: Electronic, Funk, Soul
Style: Soul, Funk, Garage House

CREDITS:

NOTES:

From the Polydor LP “Good To Go”

“Promotional Copy Not for Sale” is printed on the labels above catalog number.

Additional information:
The title “Passion Eyes” which is given on the back cover, is actually not present.

Some promo copies were pressed on translucent vinyl which appears gray or brown when held in front of a strong light.

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon 2M Black PnP MkII
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.