Bow Wow Wow – Love, Peace And Harmony (US 12″ Promo)

BURNING THE GROUND EXCLUSIVE 1983

I Want Candy, and to a lesser extent Go Wild in the Country!, and Do You Wanna Hold Me? may be well known singles among new wave fans, but Bow Wow Wow’s 1983 single “Love, Peace and Harmony” is a bit more obscure. In fact, I the single only made it to the promo satge and did not have any chart impact.

“Love, Peace And Harmony” was taken from the bands third and final album “When the Going Gets Tough, the Tough Get Going”.

SIDE A:
Love, Peace And Harmony  4:21

SIDE B:
Love, Peace And Harmony 2:51

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: RCA – JD-13595
Format: Vinyl, 12″, 45 RPM, Promo
Country: US
Released: 1983
Genre: Electronic
Style: New Wave
Credits: Remix – Ivan IvanKurt Munkacsi
Producer – Mike Chapman

NOTES:
From the “When the Going Gets Tough, the Tough Get Going” album.

Find The 12″ On DISCOGS

EQUIPMENT USED:
Turntable: Pro-Ject Debut III
Cartridge: Ortofon Super
Stylus: Ortofon OM Stylus 30
Bellari VP130 Tube Phono Preamp
Soundcard: ESI Juli@
VPI HW 16.5 Record Cleaning Machine
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Adobe Audition 3.0 (Recording)
Adobe Photoshop CS5
ClickRepair
dBpoweramp
Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
Downsampled to 24bit/96kHz and16bit /44kHz using iZotope RX Advanced 2
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Whitney Houston – One Moment In Time (UK 12″)

BURNING THE GROUND EXCLUSIVE 1988

“One Moment in Time” is an Emmy Award winning song written by Albert Hammond and John Bettis, produced by Narada Michael Walden and recorded by American singer Whitney Houston for the 1988 Summer Olympics and the 1988 Summer Paralympics held in Seoul, South Korea.

The song’s melody was inspired by the timeless figure of Elvis Presley, with Hammond imagining it as being sung by Presley at the opening of the Olympics. It appeared on the album 1988 Summer Olympics Album: One Moment in Time, produced in conjunction with NBC Sports’ coverage of the Seoul games and which, in addition to Whitney Houston who sang it live at the main ceremony, also featured artists such as: The Four Tops, The Bee Gees, Eric Carmen, Taylor Dayne and the film composer John Williams. The track is an anthem for believing in yourself against all odds as Houston asks for “One moment in time/when I’m racing with destiny/Then, in that one moment of time, I will feel eternity”.

The video for the song does not show Houston performing the song but is a basic collage of clips from previous Olympic ceremonies. It opens with footage of Olympic games from 1924 and 1964 until the lighting of the cauldron from the 1988 games is shown which fades from black and white to color. As the song plays throughout, footage from the games in 1988 and 1984 are shown. When the chorus is sung for the last time, midway through it, scenes of the awarding from 1984 and 1988 are shown. The song video ends with the 1988 Olympic Cauldron blazing.

“One Moment in Time” was released by Arista Records in August 1988 as the first single from The 1988 Summer Olympics Album: One Moment in Time, the soundtrack to the Games in Seoul, South Korea. The song debuted at number 57 on the Billboard Hot 100, the issue dated September 10, 1988. Nine weeks later, it peaked at number five on the chart, the issue date of November 12, 1988, becoming Houston’s tenth top 10 hit on the Hot 100, and spent 17 weeks on the chart. It also debuted on the Billboard Hot R&B/Hip-Hop Songs (formerly “Hot Black Singles”) at number 78, the issue dated September 17, 1988, and six weeks later reached a peak of 22, her lowest position on the R&B chart at the time. On the issue date of November 5, 1988, the single peaked at number one on the Billboard Hot Adult Contemporary chart, making it her seventh number-one single on the chart, and stayed on the top for two weeks. It ranked number 89 on the Billboard Hot 100 Year-End chart of 1988.

Worldwide, it was a big hit. In the United Kingdom, the song entered the UK Singles Chart at number 24, the week ending date of September 24, 1988, and within four weeks of its release reached the top position, a peak it maintained for two weeks, becoming Houston’s third UK number-one single.

This UK 12″ contains a super rare mix of “Love Will Save the Day”! This mix is an early version of the slightly easier to find Jellybean & Morales Mix, but this contains some vocal adlibs that never appeared in any other version of the song. And this 12″ is the only release it ever appeared on. 

SIDE A:
Whitney Houston With London Symphony Orchestra* – One Moment In Time 4:44
Conductor – Michael Gibbs
Producer, Arranged By – Narada Michael Walden
Written-By – Hammond*, Bettis*

SIDE B:
Whitney Houston – Love Will Save The Day (Jellybean Remix) 7:26
Remix, Producer – Jellybean*
Written-By – Tony C*

Kashif – Olympic Joy (Instrumental) 4:02
Executive Producer – Clive Davis
Music By [Executive Music Supervisor] – Gary Borman
Producer, Written-By – Kashif

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

CHARTS:

Year Single Chart Position
1988 One Moment in Time U.S. Billboard Hot 100 #5
1988 One Moment in Time U.S. Billboard Hot R&B/Hip-Hop Songs #22
1988 One Moment in Time U.S. Billboard Hot Adult Contemporary Tracks #1

 

RELEASE INFORMATION:
Label: Arista – 611 866
Format: Vinyl, 12″, 45 RPM
Country: UK
Released: 1988
Genre: Electronic
Style: House, Downtempo

NOTES:
From the album “One Moment In Time”

Find The 12″ On DISCOGS

EQUIPMENT USED:
Turntable: Pro-Ject Debut III
Cartridge: Ortofon Super
Stylus: Ortofon OM Stylus 30
Bellari VP130 Tube Phono Preamp
Soundcard: ESI Juli@
VPI HW 16.5 Record Cleaning Machine
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Adobe Audition 3.0 (Recording)
Adobe Photoshop CS5
ClickRepair
dBpoweramp
Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
Downsampled to 24bit/96kHz and16bit /44kHz using iZotope RX Advanced 2
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Dead Or Alive – Son Of A Gun (Japan 7″)

BURNING THE GROUND EXCLUSIVE 1986

Although the UK received the most releases form Dead Or Alive, Japan somehow managed to make its mark in collectors eyes. As Dead Or Alive have received much adoration from the Japanese, the releases there have carried them far beyond Radio One. “Son Of A Gun” is one of those items released only in Japan. The track would become the fifth and final single released from “Mad, Bad And Dangerous To Know. The single was released just prior to the “Rip It Up” album and tour hence the picture sleeve. It is rumoured that the single is slightly remixed because Pete and the band always remixed their 7″ singles much like their 12″ counterparts. The track durations are a little different than the LP versions but not much.

This is a pretty rare Japanese item and one of my favorites from my collection.

SIDE A:
Son Of A Gun 4:17

SIDE B:
Come Inside 4:21

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Epic/Sony – 07•5P-499
Format: Vinyl, 7″, Stereo, 45 RPM
Country: Japan
Released: 1986
Genre: Electronic
Style: Synth-pop
Credits: Mixed By [Mix Master] – Phil Harding
Producer – Stock, Aitken & Waterman
Written-By – Dead Or Alive

NOTES:
Taken from the LP “Mad, Bad And Dangerous To Know”

Find The 7″ On DISCOGS

EQUIPMENT USED:
Turntable: Pro-Ject Debut III
Cartridge: Ortofon Super
Stylus: Ortofon OM Stylus 30
Bellari VP130 Tube Phono Preamp
Soundcard: ESI Juli@
VPI HW 16.5 Record Cleaning Machine
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Adobe Audition 3.0 (Recording)
Adobe Photoshop CS5
ClickRepair
dBpoweramp
Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
Downsampled to 24bit/96kHz and16bit /44kHz using iZotope RX Advanced 2
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Dead Or Alive – Hooked On Love (Japan 12″)

BURNING THE GROUND EXCLUSIVE 1987

Re-Rip Remaster + Bonus Track

“Hooked On Love” was the third single released from Dead Or Alive’s third album “Mad, Bad and Dangerous To Know” continuing their association with the Stock Aitken Waterman production team.

“Hooked on Love”, suffered from very little promotion due to what the record company felt was a “Gothic” overtone that had been added to the song in a post-production remix. The single barely managed to scrape into the UK top 70 peaking at #69. “Hooked On Love” was only released in Europe, Australia and Japan.

As a bonus track I have added the live version of “Cake And Eat It” taken from the Ltd. Edition UK “Brand New Lover” 12″. All of the live tracks were recorded in 1985 at the Hammersmith Odeon.

This japanese first pressing contains a large fold out poster.

SIDE A:
Hooked On Love (The Big Revolver Mix) 8:17
Remix – Dead Or Alive , Phil Harding

Hooked On Love (La Vie En Rose Mix) 3:54
Remix – Dead Or Alive , Phil Harding

SIDE B:
You Spin Me Round (Like A Record) (Live) 6:51
Engineer – Karen Hewitt

Big Daddy Of The Rhythm (Live) 3:26
Mixed By – Stock, Aitken & Waterman

In Too Deep (Live) 4:35
Mixed By [Mix Master] – Phil Harding

Cake And eat It (Live) (Bonus Track) 5:36
Mixed By [Mix Master] – Phil Harding

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint
Poster: Mint

RELEASE INFORMATION:
Label: Epic – 18 3P 810
Format: Vinyl, 12″, 33 RPM
Country: Japan
Released: 1987
Genre: Electronic
Style: Synth-pop
Credits; Producer – Stock, Aitken & Waterman
Written-By – Dead Or Alive

NOTES:
B Side tracks recorded live at the Hammersmith Odeon, July 1985. Includes Poster and Japanese Lyrics insert.

Find The 12″ On DISCOGS

EQUIPMENT USED:
Turntable: Pro-Ject Debut III
Cartridge: Ortofon Super
Stylus: Ortofon OM Stylus 30
Bellari VP130 Tube Phono Preamp
Soundcard: ESI Juli@
VPI HW 16.5 Record Cleaning Machine
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Adobe Audition 3.0 (Recording)
Adobe Photoshop CS5
ClickRepair
dBpoweramp
Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
Downsampled to 24bit/96kHz and16bit /44kHz using iZotope RX Advanced 2
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi