Phil Collins – 12″-ers (Japan 12″)

BURNING THE GROUND EXCLUSIVE 1985

A. Front

REQUEST

“12”-ers” is a remix EP released on November 28, 1985 by English singer and drummer Phil Collins.The EP was originally only released in Japan on Cassette and 12″ vinyl formats containing four tracks. In 1987/88 the EP was re-issued on CD containing six tracks. All of the songs were remixes taken from the hit album “No Jacket Required”.

The original Japanese vinyl and cassette pressings feature an exclusive version of “Take Me Home” not found on the CD re-issues or the original 12″ single. This exclusive version has a running time of 6″46 instead of 8:03 found on CD and 12″.

SIDE A:
Sussudio (Extended Mix) 6:33

Take Me Home (Extended Mix) 6:46
Remix – John “Tokes” Potoker*

SIDE B:
Don’t Lose My Number (Extended Mix) 6:34
Remix – John “Tokes” Potoker*

One More Night (Extended Mix) 6:20
Arranged By [Strings Arrangement] – Arif Mardin

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint
OBI: Near Mint
Insert: Near Mint

RELEASE INFORMATION:
Label: WEA ‎– P-6218
Format: Vinyl, 12″, 45 RPM, Compilation
Country: Japan
Released: 28 Nov 1985
Genre: Electronic, Rock, Pop
Style: Synth-pop, Pop Rock, Soft Rock

CREDITS:
Liner Notes [対訳] – 加納一美*
Producer – Hugh Padgham
Producer, Written-By – Phil Collins

NOTES:
“Take Me Home (Extended Mix)” is an exclusive version.

Find the 12″ on DISCOGS

B. Back

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon OM Stylus 30
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Bow Wow Wow – I Want Candy (UK 12″)

BURNING THE GROUND EXCLUSIVE 1982

A. Front

“I Want Candy” is a song written and originally recorded by the Strangeloves in 1965 that went to number 11 in the United States. It is a famous example of a song that uses the Bo Diddley beat.

English new wave group Bow Wow Wow released their version as the first and only single from their EP The Last of the Mohicans. For many in America, “I Want Candy” was their first introduction to young lead singer Annabella Lwin and the band. The song barely scraped the Top 50, but became an enduring new wave classic. The song gave its name to the band’s 1982 release, I Want Candy, which was mainly a compilation, but included a couple of new cuts produced by Kenny Laguna (Joan Jett & the Blackhearts).

The popularity of Bow Wow Wow’s recording, highly associated with 1980s pop music, is partly due to the memorable video that got heavy play in the early days of MTV.

The Bow Wow Wow recording appeared on two VH1 countdowns:

  • No. 86 on VH1’s “100 Greatest Songs of the ’80s”
    No. 8 on VH1’s “100 Greatest One Hit Wonders of the ’80s”

The 12″ single release contains the longer “Remix” version.

SIDE A:
I Want Candy (Remix) 3:33
Written-By – Berns*, Feldman*, Goldstein*, Gottehrer*

SIDE B:
Cowboy 3:32
Written-By – Barbarossa*, Gorman*, Ashman*, Grillet*, Pietri*

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1982 I Want Candy U.S. Billboard Hot 100 #62
1982 I Want Candy U.S. Billboard Mainstream Rock Tracks #22
1982 I Want Candy U.S. Billboard Hot Dance Music/Club Play #36

 

RELEASE INFORMATION:
Label: RCA ‎– RCAT 238
Format: Vinyl, 12″, 45 RPM
Country: UK
Released: 1982
Genre: Electronic
Style: New Wave

CREDITS:
Producer – Kenny Laguna

NOTES:
Side A is a Remix but not listed as such on sleeve or label

Find the 12″ on DISCOGS

B. Back

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon OM Stylus 30
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Van McCoy – The Hustle (Disco Mix) (UK 12″)

BURNING THE GROUND EXCLUSIVE 1979

A. Front

“The Hustle” is a disco song by songwriter/arranger Van McCoy and the Soul City Symphony. It went to number 1 on the Billboard Hot 100 and Hot Soul Singles charts during the summer of 1975. It also peaked at number 9 on the Australian Singles Chart (Kent Music Report) and number 3 in the UK. It would eventually sell over one million copies and is one of the most popular songs of the disco era. The song won the Grammy Award for Best Pop Instrumental Performance in 1976.

While in New York City to make an album, McCoy composed the song after his music partner, Charles Kipps, watched patrons do a dance known as “the Hustle” in the nightclub Adam’s Apple. The sessions were done at New York’s Media Sound studio with pianist McCoy, bassist Gordon Edwards, drummer Steve Gadd, keyboardist Richard Tee, guitarists Eric Gale and John Tropea, and orchestra leader Gene Orloff. Producer Hugo Peretti contracted piccolo player Philip Bodner to play the lead melody.

According to producers Hugo Peretti and Luigi Creatore, who owned the Avco record label that originally released “The Hustle”, McCoy met with them shortly before his death in 1979 to discuss ideas for a new, longer version of the song, in order to appease Avco’s UK and German affiliates who were clamoring for a 12″ disco single release. The new version, clocking in at just under 6-and-a-half minutes, was assembled posthumously as a remix, using parts of the original recording plus new parts, including drum, Syndrum, and a “little” Moog synthesizer. It was credited to Van McCoy alone or with an unnamed orchestra, mixed by “The Mix Masters”, identity unknown.

The b-side “Love Is The Answer” is also an extended “Disco Mix” but not credited as such on sleeve.

SIDE A:
The Hustle (Disco Mix) 6:27

SIDE B:
Love Is The Answer (Disaco Mix) 8:12

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1976 The Hustle U.S. Billboard Hot 100 #1
1976 The Hustle U.S. Billboard Hot Soul Singles #1

 

RELEASE INFORMATION:
Label: H & L Records ‎– 9198 436
Format: Vinyl, 12″, 45 RPM
Country: UK
Released: 1979
Genre: Electronic
Style: Disco

CREDITS:
Disco Mix By – The Mix Masters
Arranged By – Van McCoy
Conductor – Van McCoy

Find the 12″ on DISCOGS

B. Back

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon OM Stylus 30
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Madhouse – 6 (US 12″)

BURNING THE GROUND EXCLUSIVE 1987

A. Front

princehype

Madhouse is a jazz fusion band from Minneapolis that was created by Prince.

“6” was the first and only single to be released from Madhouse’s first album 8. It was released one week before the album, marking the first official release of any kind by Madhouse.

The single also contained an edit and an extended version of Six, as well as a non-album track, Six And ½. As with the accompanying album, the single’s name is written numerically (6), while the title track is written in full (Six), although the extended version (6 (End Of The World Mix)) is written numerically.

The single failed to enter the US Billboard Hot 100 Chart, but reached number 5 on the Billboard Hot Black Singles Chart, number 14 on the Billboard Crossover 30 Chart and number 24 on the 12-inch Singles Sales Chart.

SIDE A:
6 (End Of The World Mix) 6:12

SIDE B:
Six 3:37
Six And 1/2 2:30

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1987 6 U.S. Billboard Hot Black singles #5

 

RELEASE INFORMATION:
Label: Paisley Park ‎– 9 20608-0 A, Paisley Park ‎– 0-20608
Format: Vinyl, 12″, 45 RPM, Maxi-Single
Country: US
Released: 14 Jan 1987
Genre: Jazz, Funk / Soul
Style: Jazz-Funk, Funk

CREDITS:
Design – Laura LiPuma
Photography By – Richard Litt
Recorded By, Mixed By – Susan Rogers
Written-By – Madhouse

Find the 12″ on DISCOGS

B. Back

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon OM Stylus 30
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Brother MFC-6490CW Professional Series Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi