Time Bandits – Endless Road (And I Want You To Know My Love) (Re-mixed Version) (UK 12″)

BURNING THE GROUND EXCLUSIVE 1985

“Endless Road” is a 1985 single by Dutch new wave band Time Bandits. The song was hugely successful in Australia where it’s music video was filmed reaching #5 on Australian singles chart. “Endless Road” was was also a top twenty hit in Belgium #19 and #18 on the Dutch singles chart. In New Zealand, the song reached #41.

The “Endless Road” music video was filmed in Australia during the band’s 1985 tour. The band are seen driving in a Toyota Tarago minivan, driving on country roads and through the streets of the Gold Coast in Queensland, Australia, where the pedestrian overpass and exterior of the Paradise Centre and the waterslides at Grundy’s in Surfers Paradise, and shots of the band performing at the Seagulls Club in Tweed Heads are featured. Other brief shots show them at the Big Pineapple, in a banana plantation, and viewing the Sydney Opera House and Sydney Harbour Bridge from a boat on Sydney Harbour.

The b-side “Fiction” does not appear on the album “Fiction”.

SIDE A:
Endless Road (Re-mixed Version) 7:16
Remix – D.J. Jolink, Willem Ennes
Edited By – D. J. Jolink*, W. Ennes*

SIDE B:
Fiction 4:50

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: CBS ‎– TX 6233
Format: Vinyl, 12″, 45 RPM
Country: UK
Released: 1985
Genre: Electronic
Style: Synth-pop

CREDITS:
Engineer – John Smit
Producer – Alides Hidding, Willem Ennes
Written-By – A. Hidding*

NOTES:
Made in England.
From the LP “FICTION”

Find the 12″ on DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7 TubeGold Pins
Soundcard:
Novation Audiohub 2×4 Audio Interface
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Limahl – Tar Beach (The City Blues Mix) (Germany 12″)

BURNING THE GROUND EXLUSIVE1984

“Tar Beach” was the fourth single taken from the debut solo album Don’t Suppose by English pop singer and former Kajagoogoo frontman Limahl.

“Tar Beach” was only released in Germany where it peaked at #30.

The b-side “The Greenhouse Effect” was a track recorded live in 1983 and included on the first pressings of the album “Don’t Suppose”, on later pressings the song was replaced with the international hit “The Never Ending Story”.

SIDE A:
Tar Beach (The City Blues Mix) 6:00

SIDE B:
Tar Beach 3:49
The Greenhouse Effect 4:35

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: EMI ‎– 1C K 062 20 0393 6
Format: Vinyl, 12″, Maxi-Single, 45 RPM
Country: Germany
Released: 1984
Genre: Electronic
Style: Synth-pop

CREDITS:
Producer – De Harris, Tim Palmer
Written-By – Limahl

NOTES:
“TAR BEACH” taken from the LP “DON’T SUPPOSE”

Find the 12″ on DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7 TubeGold Pins
Soundcard:
Novation Audiohub 2×4 Audio Interface
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Bow Wow Wow – See Jungle! (Jungle Boy) (Re-Mixed Version) (UK 12″)

BURNING THE GROUND EXCLUSIVE 1982

“See Jungle! (Jungle Boy)” is a song by English new wave band Bow Wow Wow. It was released as the third single from their album See Jungle! See Jungle! Go Join Your Gang, Yeah. City All Over! Go Ape Crazy.

It was first released in 1982 and entered the UK Singles Chart in May, reaching #45.

“See Jungle! (Jungle Boy)” was written by Dave Barbarossa, Leigh Gorman, Malcolm McLaren and Matthew Ashman.

SIDE A:
See Jungle! (Jungle Boy) (Re-Mixed Version) 5:13

SIDE B:
(I’m A) TV Savage 2:36

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: RCA ‎– RCAT 220, RCA ‎– PC 5491
Format: Vinyl, 12″, 45 RPM
Country: UK
Released: 1982
Genre: Rock
Style: New Wave

CREDITS:
Design [Graphic Design] – Nick Egan
Producer – Brian Tench
Written-By – Barbarossa*, Gorman* (tracks: B), McLaren*, Ashman*

Find the 12″ on DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7 TubeGold Pins
Soundcard:
Novation Audiohub 2×4 Audio Interface
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Gene Loves Jezebel – Twenty Killer Hurts (US 12″ Promo)

BURNING THE GROUND EXCLUSIVE 1987

“Twenty Killer Hurts” is a song performed by British rock band Gene Loves Jezebel, recorded on the album The House Of Dolls in 1987. The song was only released in the U.S. as a 12″ promo with exclusive U.S. only remixes. The Killer 12″ was also issued on the b-side of the “Suspicion” 12″ single.

The song appeared in the Miami Vice episode “Baseballs of Death”.

SIDE A:
Twenty Killer Hurts (Killer 12″) 6:35

SIDE B:
Twenty Killer Hurts (Killer Dub) 5:51
Twenty Killer Hurts (Killer Instr.) 3:40

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Geffen Records ‎– PRO-A-2998
Format: Vinyl, 12″, 33 ⅓ RPM, Promo
Country: US
Released: 1987
Genre: Rock
Style: Goth Rock

CREDITS:
Edited By – Roger Pauletta
Engineer [Mix Engineer] – Hugo Dwyer
Producer, Engineer – Peter Walsh
Remix – Ivan Ivan
Written-By – C. Bell*, J. Stevenson*, J. Aston*, M. Aston*, P. Rizzo*

NOTES:
Promotional Copy.
Not For Sale.

From the Geffen album “The House Of Dolls”

Find the 12″ on DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7 TubeGold Pins
Soundcard:
Novation Audiohub 2×4 Audio Interface
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi