Johnny Hates Jazz – Me And My Foolish Heart (UK 12″)

BURNING THE GROUND EXCLUSIVE 1986

Me and My Foolish Heart” was the debut single by English group Johnny Hates Jazz. The song was taken from the LP “Turn Back The Clock” although “Me and My Foolish Heart” failed to chart the band would find success with their follow up single “Shattered Dreams”.

SIDE A:
Me And My Foolish Heart (12″ Mix) 5:52
Written-By – C. Hayes*, Ian MacDonald (2), L. Da Vinci, M. Nocito*

SIDE B:
Living In The Past 3:37
Written-By – C. Hayes*, Mike Nocito

Me And My Foolish Heart (7″ Mix) 3:38
Written-By – C. Hayes*, Ian MacDonald (2), L. Da Vinci, M. Nocito. Hayes

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: RAK ‎– 12 RAK 388
Format: Vinyl, 12″, 45 RPM
Country: UK
Released: 1986
Genre: Electronic, Rock, Pop
Style: New Wave

CREDITS:
Design [Sleeve] – Shoot That Tiger!
Producer – Calvin Hayes

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Mullard 12AX7 Preamp Vacuum Tube Pins
Soundcard:
Novation Audiohub 2×4 Audio Interface
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Duran Duran – New Moon On Monday (UK 12″)

BURNING THE GROUND EXCLUSIVE 1984

“New Moon on Monday” is the tenth single by the English new wave band Duran Duran, released on 23 January 1984 in the United Kingdom.

The second single to be taken from the band’s third album Seven and the Ragged Tiger (1983), the song was another success, reaching the top-ten on both the UK and US charts. On 11 February 1984, the single reached number nine on the UK Singles Chart and on 17 March, it reached number ten on the US Billboard Hot 100, after entering on 14 January 1984 at number 56. It did not chart well in Australia and Scandinavia, territories where its predecessor, “Union of the Snake”, had been a big hit. This trend was reversed with the next single, “The Reflex”, which became a worldwide number-one hit.

In a retrospective review, “New Moon on Monday” was praised by Allmusic journalist Donald A. Guarisco, who wrote: “The music holds the unusual lyrics together by wedding effervescent verse melodies that bounce high and low to a triumphant-sounding chorus with a rousing feel.”

The music video for “New Moon on Monday” was filmed by director Brian Grant during the icy first week of January 1984, in the village of Noyers in France. It has a loosely sketched storyline in which the band appear as members of an underground rebellion called “La Luna” (the name is one of the few connections between the video’s content and the song lyrics), organizing a revolt against a modern (1980s-era computers are used) oppressive militaristic regime, apparently in France.

“We set out to make a little movie”, recalled Grant. “I’m not sure we succeeded.” He was not the first choice to shoot the video, as Russell Mulcahy, director of many of the band’s other videos, was unavailable.

Several versions of this video exist. The longest is a 17-minute “movie version” which includes an extended introduction before the song starts (including a scene of dialogue between Simon Le Bon and the story’s female lead, played by Patricia Barzyk, winner of the Miss France title in 1980; a brief snippet of “Union of the Snake” is also heard on a radio), and is set to an extended remix of the song. A shorter version, with a spoken French-dialogue intro, was originally submitted to MTV, who then later requested an even shorter version without the prologue.

Yet another version was produced for the Dancing on the Valentine video collection, showing blue-lit scenes of the band members in front of a full-moon backdrop. All but one of the versions were included as easter eggs on the 2004 DVD compilation Greatest.

Both Andy Taylor and Nick Rhodes say this is the band’s least favorite video. “Everybody … hates it, particularly the dreadful scene at the end where we all dance together”, Taylor wrote in his memoirs. “Even today, I cringe and leave the room if anyone plays [it].” He recalls that they were miserable since their Christmas holiday had been cut short to shoot the video, and spent most of the day on the dark and cold set drinking, to the point that he was “half cut” by the time the last scenes were shot. “It’s one of the few times I’ve seen Nick dance”.

“New Moon on Monday” was backed with a remix of the instrumental “Tiger Tiger” done by Ian Little. The original version of the instrumental was found on the Seven and the Ragged Tiger album. The release was rounded out by an extended version of the title track.

SIDE A:
New Moon On Monday (Remix) 6:04
Remix – Ian Little

SIDE B:
Tiger Tiger (Remix) 3:25
Remix – Ian LittleIan Little
Saxophone – Andy Hamilton (7)

New Moon On Monday 4:16

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1984 New Moon On Monday U.S. Billboard Hot 100 #10

 

RELEASE INFORMATION:
Label: EMI ‎– 12 DURAN 1
Format: Vinyl, 12″, 45 RPM, Single
Country: UK
Released: 04 Feb 1984
Genre: Electronic, Rock, Pop
Style: New Wave, Synth-pop

CREDITS:
Arranged By, Written-By – Duran Duran
Photography By – Rebecca Blake (2)
Producer – Alex Sadkin, Duran Duran, Ian Little
Sleeve [Sleeve Produced By] – Assorted iMaGes

NOTES:
From the DURAN DURAN LP “SEVEN AND THE RAGGED TIGER”

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7 TubeGold Pins
Soundcard:
Novation Audiohub 2×4 Audio Interface
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

The Cure – In Between Days (Canada 12″)

BURNING THE GROUND EXCLUSIVE 1985

“In Between Days” (sometimes listed as “Inbetween Days” or “In-Between Days”) is a song by the English rock band The Cure, released in July 1985 as the first single from the band’s sixth album The Head on the Door.

The song was a big international success. In the UK, it was the band’s ninth chart single and their fourth consecutive Top 20 hit; while in the US it was their first single to reach the Billboard Hot 100, where it peaked at number 99. It was a Top 20 hit in Australia and New Zealand and also charted in several European countries, increasing the popularity of the band.

The song is poppy and upbeat, featuring strummed acoustic guitars under a snappy synthesizer riff, although the song’s lyrical themes of aging, loss and fear do not particularly reflect the upbeat tempo of the music. It features a distinctive drum intro by Boris Williams and a bass line reminiscent of “Dreams Never End” by New Order. The extended version, only released on the 12″ single in North America, features a longer introduction to the song.

SIDE A:
In Between Days (LP Version) 2:58

SIDE B:
In Between Days (Extended Version) 4:00

Stop Dead (Previously Unreleased) 4:03
Mixed By [Uncredited] – Howard Gray

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1985 In Between Days U.S. Billboard Hot 100 #99

 

RELEASE INFORMATION:
Label: Elektra ‎– 96 68820
Format: Vinyl, 12″, 33 ⅓ RPM, Single
Country: Canada
Released: 1985
Genre: Electronic, Rock
Style: Alternative Rock, New Wave, Pop Rock, Synth-pop

CREDITS:
Cover – Parched Art
Other [Make Up By] – Yashi
Producer – Dave Allen*, Robert Smith
Written-By – Robert Smith

NOTES:
[Track A] From the Elektra LP “The Head On The Door”

[Track B2] Previously unreleased

Find the 12″ at DISCOGS

VINYL RESTOATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7 TubeGold Pins
Soundcard:
Novation Audiohub 2×4 Audio Interface
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

The Smiths – This Charming Man (New York) (UK 12″)

BURNING THE GROUND EXCLUSIVE 1983

“This Charming Man” is a song by the English band the Smiths, written by guitarist Johnny Marr and singer Morrissey. Released as the group’s second single in October 1983 on the independent record label Rough Trade, it is defined by Marr’s jangle pop guitar riff and Morrissey’s characteristically morose lyrics, which revolve around the recurrent Smiths themes of sexual ambiguity and lust.

Feeling detached from the early 1980s mainstream gay culture, Morrissey wrote “This Charming Man” to evoke an older, more coded and self-aware underground scene. The singer said of the song’s lyrics: “I really like the idea of the male voice being quite vulnerable, of it being taken and slightly manipulated, rather than there being always this heavy machismo thing that just bores everybody.”

Although only moderately successful on first release—the single peaked at number 25 on the UK Singles Chart, “This Charming Man” has been widely praised in both the music and mainstream press. Re-issued in 1992, it reached number 8 on the UK Singles Chart (making it the Smiths’ biggest UK hit by chart position). In 2004, BBC Radio 2 listeners voted it number 97 on the station’s “Sold on Song Top 100” poll. Mojo magazine journalists placed the track at number 1 on their 2008 “50 Greatest UK Indie Records of All Time” feature. It was certified Silver by the British Phonographic Industry in 2015.

SIDE A:
This Charming Man (New York Vocal) 5:34

SIDE B:
This Charming Man (New York Instrumental) 4:18

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Rough Trade ‎– RTT 136 NY, Rough Trade ‎– RTT 136 (NY)
Format: Vinyl, 12″, 45 RPM
Country: UK
Released: 1983
Genre: Rock
Style: Pop Rock, Indie Rock

CREDITS:
Mastered By – timtom*
Producer – John Porter
Remix – Francois Kevorkian*
Written-By – Marr*, Morrissey

NOTES:
Remixed at Right Track Studios New York.
Mastered at CBS Studios, UK.

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7 TubeGold Pins
Soundcard:
Novation Audiohub 2×4 Audio Interface
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi