Wham! Featuring George Michael – Careless Whisper (Japan 12″)

BURNING THE GROUND EXCLUSIVE 1984

35 years ago today July 24, 1984, George Michael released ‘Careless Whisper’. The song went on to be a defining moment in his career.

“Careless Whisper” is a pop ballad written by George Michael and Andrew Ridgeley of Wham!. It was released on 24 July 1984 on the Wham! album Make It Big.

The song features a prominent saxophone riff, and has been covered by a number of artists since its first release. It was released as a single and became a huge commercial success around the world. It reached number one in nearly 25 countries, selling about 6 million copies worldwide—2 million of them in the United States.

The song went through at least two rounds of production. The first was during a trip Michael made to Muscle Shoals, Alabama, where he went to work with producer Jerry Wexler at Muscle Shoals Sound Studio. Michael was unhappy with the original version produced by Wexler, and decided to re-record and produce the song himself; the second version was the one ultimately released as a single.

After the backing track and George’s vocal had been recorded, Wexler had booked the top saxophone player from Los Angeles to fly in and do the solo. “He arrived at eleven and should have been gone by twelve”, recalled Wham! manager Simon Napier-Bell. “Instead, after two hours, he was still there while everyone in the studio shuddered with embarrassment. He just couldn’t play the opening riff the way George wanted it, the way it had been on the demo. But that had been made two years earlier by a friend of George’s who lived round the corner and played sax for fun in the pub.”

While the saxophonist appeared to be playing the part perfectly, Michael told him, “No, it’s still not right, you see …” and he would lower his head to the talkback microphone and patiently hum the part to him yet again. “It has to twitch upwards a little just there! See …? And not too much.”

Napier-Bell consulted with Wexler over Michael’s dispute with the sax sound. “Is there really something George wants that’s different from what the sax player is playing?” Napier-Bell asked.

“Definitely!” replied Wexler.

The version Wexler produced was released later in the year, as a B-side “Special Version” on 12″ in the UK and Japan.

The record label Innervision were going to put out the Wexler version of “Careless Whisper” after the Club Fantastic Megamix as far back as 1983. Song publisher Dick Leahy said that while he could not stop the release of the Club Fantastic Megamix, he could stop the release of this single on the basis that as a publisher they “have the right to grant the first license of the recording of a tune of which he controls the copyright”. He was unable to do anything about the Club Fantastic Megamix because it was already released material. He said: “We knew how big that song could be, so it was necessary to upset a few people to stop it.”

Michael later went back to London’s Sarm West’s Studio 2 to rework the track. According to English jazz musician Dan Forshaw, saxophonist Steve Gregory had received a call to re-record the song’s distinctive solo; he was the eleventh saxophone player to record the solo, for Michael was determined to get the sound he wanted. “Session musicians do not have much idea what they are going to be recording until they arrive, and this was the case for Steve and another saxophonist who was ahead of him in the (queue)”, Forshaw recalled.

The officially released single was issued in August 1984, entering the UK Singles Chart at number 12. Within two weeks it was at number one, ending a nine-week run at the top for “Two Tribes” by Frankie Goes to Hollywood. It stayed at number one for three weeks, going on to become the fifth best-selling single of 1984 in the United Kingdom; outsold only by the two Frankie Goes to Hollywood tracks, “Two Tribes” and “Relax”, Stevie Wonder with “I Just Called to Say I Love You”, and Band Aid’s “Do They Know It’s Christmas?”. The song also topped the charts in 25 other countries, including the Billboard Hot 100 in the United States in February 1985 under the credit “Wham! featuring George Michael”, Spending three weeks at the top in America, the song was later named Billboard’s number-one song of 1985.

Despite the success, Michael was never fond of the song. He said in 1991 that it “was not an integral part of my emotional development … it disappoints me that you can write a lyric very flippantly—and not a particularly good lyric—and it can mean so much to so many people. That’s disillusioning for a writer.”

SIDE A:
Careless Whisper (Extended Mix) 6:29
Arranged By, Producer – George Michael
Written-By – Andrew Ridgeley , George Michael

SIDE B:
Careless Whisper (Special Version) 4:42
Producer – Jerry Wexler
Written-By – Andrew Ridgeley , George Michael

Careless Whisper (Instrumental) 5:04
Arranged By, Producer – George Michael

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1985 Careless Whisper U.S. Billboard Hot 100 #1
1985 Careless Whisper U.S. Billboard Hot Black Singles #8
1985 Careless Whisper U.S. Billboard Hot Adult Contemporary Tracks #1

 

RELEASE INFORMATION:
Label: Epic ‎– 12・3P-570
Format: Vinyl, 12″, 45 RPM
Country: Japan
Released: 1984
Genre: Electronic, Pop
Style: Ballad, Synth-pop

NOTES:
Manufactured by Epic/Sony Inc., Tokyo, Japan
From the LP “MAKE IT BIG”

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Schiit Mani
Soundcard:
ESI Juli@ XTe Audio Interface
Monitiring:
Novation Audiohub 2×4 Audio Interface
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

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Password: burningtheground

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Jane Child – Welcome To The Real World (US 12″)

BURNING THE GROUND EXCLUSIVE 1990

“Welcome To The Real World” is the debut single by Canadian singer Jane Child taken from her 1989 eponymous album on the Warner Bros. label. The song was also featured on the soundtrack for the film “Married To The Mob”.  “Welcome To The Real World” peaked at #59 on the Canadian Pop singles chart and #49 on the U.S. Billboard Hot 100.

This is the second U.S. 12″ release which features the more obscure François Kevorkian, Goh Hotoda remixes.

SIDE A:
Welcome To The Real World (12″ Remix) 8:05
Welcome To The Real World (7″ Remix/Edit) 4:19

SIDE B:
Welcome To The Real World (The Illusion Dub) 7:44
World Lullabye (LP Version) 3:00

VINYL GRADE:
Vinyl: Near mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1990 Welcome To The Real World U.S. Billboard Hot 100 #49

 

RELEASE INFORMATION:
Label: Warner Bros. Records ‎– 9 21346-0
Format: Vinyl, 12″, 33 ⅓ RPM, Maxi-Single
Country: US
Released: 1990
Genre: Electronic
Style: Downtempo, Synth-pop

CREDITS:
Producer – François Kevorkian
Producer, Written-By –Jane Child
Remix – François Kevorkian, Goh Hotoda

NOTES:
Original versions available on the Warner Bros. album “Jane Child”, available on LP, cassette and compact disc.

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Schiit Mani
Soundcard:
ESI Juli@ XTe Audio Interface
Monitiring:
Novation Audiohub 2×4 Audio Interface
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Username: btg
Password: burningtheground

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Sinéad O’Connor With MC Lyte – I Want Your (Hands On Me) (US 12″)

BURNING THE GROUND EXCLUSIVE 1988

Due to the passing of Sinéad O’Connor, this is a re-upload of the original files. NOTE: This is NOT a NEW Transfer the files will only be available for seven days.

“I Want Your (Hands on Me)” was the fourth single taken from the debut album “The Lion and the Cobra” by Irish singer Sinéad O’Connor. The track also featured a rap by American rapper MC Lyte. The single peaked at #40 in New Zealand and #77 in the UK.

SIDE A:
I Want Your (Hands On Me) (Edit) 4:23
I Want Your (Hands On Me) (Street Mix) 4:20

SIDE B:
I Want Your (Hands On Me) (Dance Mix) 4:51
Just Call Me Joe 5:12

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Chrysalis ‎– 4V9 43256
Format: Vinyl, 12″, 33 ⅓ RPM, Single
Country: US
Released: 1988
Genre: Electronic
Style: Downtempo, Synth-pop

CREDITS:
Engineer – K. Maloney* (tracks: A1 to B1), Martyn Parker (tracks: B2)
Photography By – Paula Bulwinkle*
Producer – Paul Watts (tracks: B2), Sinéad O’Connor (tracks: A1 to B1)
Producer [Lyte Rap] – Audio Two (tracks: A1 to B1)
Rap [Featuring] – MC Lyte (tracks: A1 to B1)

NOTES:
B2: From a BBC radio one session, Winter ’87

From the LP “The Lion and the Cobra”

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Schiit Mani
Soundcard:
ESI Juli@ XTe Audio Interface
Monitiring:
Novation Audiohub 2×4 Audio Interface
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

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Alisha – Bounce Back (US 12″)

BURNING THE GROUND EXCLUSIVE 1990

“Bounce Back” is a song written by Michael Jay and Gregory Smith. The best-known version of the song is the 1990 version by American freestyle and dance-pop singer Alisha, from her same-titled album Bounce Back, although the track was also recorded by duo Fire on Blonde and American pop singer-songwriter Martika.

Michael Jay produced the track, as well as producing the entire album, whilst the song was released as the album’s lead single. It was Alisha’s last single to make any commercial impact.

Handing the song over to Alisha for her third album, Michael Jay also gave the singer the Fire on Blonde track “Wrong Number” for the album as well, and the song was also released as the second single. After the 1987 album Nightwalkin’ only gave Alisha some minor chart action, mainly on the Dance Charts, “Bounce Back”, released nearly two years after the previous single, gave the singer her biggest charting release on the American Billboard Hot 100, where it peaked at #54 in mid-1990 On the American Dance Music/Club Play Singles chart, the song peaked at #10 whilst also peaking at #26 on the Hot Dance Music/Maxi-Singles Sales chart.

SIDE A:
Bounce Back (LP Version) 3:54
Bounce Back (7″ Radio Remix) 3:50

SIDE B:
Bounce Back (12″ Vocal Remix) 7:07
Bounce Back (12″ Techno-Bounce Dub) 7:12

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1990 Bounce Back U.S. Billboard Hot 100 #54
1990 Bounce Back U.S. Billboard Hot Dance Music/Club Play #10
1990 Bounce Back U.S. Billboard Hot Dance Music/Maxi-Singles Sales #26

 

RELEASE INFORMATION:
Label: MCA Records ‎– MCA-24018
Format: Vinyl, 12″, 33 ⅓ RPM, Single
Country: US
Released: 1990
Genre: Electronic, Pop
Style: Freestyle, House, Synth-pop

CREDITS:
Edited By – Chep Nunez* (tracks: A2, B1, B2)
Keyboards – Eric Kupper (tracks: A2, B1, B2)
Producer [Additional], Remix – Justin Strauss (tracks: A2, B1, B2)
Producer, Written-By – Michael Jay
Remix, Engineer [Remix] – Hugo Dwyer (tracks: A2, B1, B2)
Written-By – Gregory Smith*

NOTES:
LP version appears on the MCA Album “BOUNCE BACK:

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Schiit Mani
Soundcard:
ESI Juli@ XTe Audio Interface
Monitiring:
Novation Audiohub 2×4 Audio Interface
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

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[/passster]

Username: btg
Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.