Tag: 1980

The Vapors – Turning Japanese (US 7″) (1980)

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Released in 1980, “Turning Japanese” by The Vapors remains one of the most distinctive and enduring singles of the early New Wave era. Built on a tight, nervy guitar riff and an urgent vocal from David Fenton, the track perfectly captures the anxious energy that defined the shift from punk into more melodic, radio-friendly territory.

Formed in Guildford, England in the late 1970s, The Vapors emerged from the same fertile UK scene that produced bands like The Jam. In fact, the group got an early break when they supported The Jam on tour—an opportunity that helped them gain industry attention and ultimately led to a recording contract. Their sound balanced punk’s raw edge with a cleaner, more structured pop sensibility, placing them squarely in the first wave of British New Wave acts.

Produced by Vic Coppersmith-Heaven and released on the band’s debut album New Clear Days, “Turning Japanese” quickly became an international hit—reaching #3 in the UK and cracking the US Top 40. Its success was driven by its instantly recognizable hook and slightly offbeat character, setting it apart from more conventional pop releases of the time.

Musically, the track thrives on tension. The clipped guitar lines, driving rhythm section, and Fenton’s almost obsessive vocal delivery create a sense of unease that never fully resolves. That tension mirrors the song’s true subject: emotional fixation and the psychological spiral that can follow a failed relationship.

Despite long-standing rumors suggesting a more provocative meaning, Fenton has consistently explained that the song is about obsession and identity loss—the feeling of becoming someone else when consumed by thoughts of another person. That emotional core, paired with a deceptively simple arrangement, gives the track its lasting resonance.

The accompanying video—later picked up by MTV in its early days—helped introduce the band to a wider audience and cemented the single as a defining moment of early ‘80s pop culture. Although The Vapors released a follow-up album (Magnets) in 1981, they were unable to replicate the success of their debut, and the band soon faded from the spotlight.

Of note: the artwork featured here is taken from my personal copy of the U.S. white, rectangular-shaped vinyl edition. Interestingly, there was no standard picture sleeve issued for the regular U.S. 7″ release, making this version a unique and visually distinctive alternative for collectors.

Still, “Turning Japanese” endures. More than four decades on, it remains a sharp, catchy, and emotionally charged snapshot of a time when pop music embraced both vulnerability and eccentricity—hallmarks of the New Wave era at its very best.

SIDE A:
Turning Japanese (Edited) 3:20

SIDE B:
Talk Talk 3:50

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

Chart Performance – The Vapors: Turning Japanese (1980)
Chart Peak Position Date
US Billboard Hot 100 #36 1980
US Billboard Hot Dance Club Play #34 1980
Australia (Kent Music Report) #1 1980
Canada Top Singles #6 1980
Ireland (RMA) #4 1980
New Zealand #9 1980
UK Singles #3 1980

RELEASE INFORMATION:
Label: United Artists Records – UA-X1364-Y
Format: Vinyl, 7″, 45 RPM, Single, Stereo
Country: US
Released: 1980
Genre: Rock
Style: New Wave, Punk

CREDITS:
Producer – Vic Coppersmith-Heaven
Written-By – David Fenton

NOTES:
From the United Artists Records LP “New Clear Days”

Buy the 7″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for BURNING THE GROUND

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon Concorde Music Black
Phono Pre-amp: Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
Audio Interface: MOTU M4
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Record Cleaning: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.


Spandau Ballet – To Cut A Long Story Short (UK 12″) (1980)

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NEW 2025 Transfer
NEW Meticulous Audio Restoration

Original post date: January 22, 2018

“To Cut a Long Story Short” was Spandau Ballet’s debut single, released on November 3, 1980, and it quickly became a defining anthem of the New Romantic movement, reaching No. 5 on the UK Singles Chart.

Origins and Release

Spandau Ballet emerged from London’s avant‑garde club scene—most famously the Blitz nightclub—where art, style, and music collided. The band had a devoted following before signing to Chrysalis. Written by guitarist Gary Kemp and produced by Richard James Burgess, the single was released on October 31, 1980 and later appeared on Journeys to Glory (1981).

The track set a template for their early sound: synth‑pop blended with art‑pop, new wave, and a touch of disco and funk—an aesthetic that matched the Blitz Kids’ future‑modern dressing and theatricality.

Musical Style

The 7″ single runs around 3:20; the 12″ expands the arrangement for club play, emphasizing rhythmic drive and layered textures. Tony Hadley’s baritone sits atop metallic synth lines and clipped percussion, producing a sound that is at once urgent and stylish. Burgess’s production foregrounds electronic timbres and a crisp sheen that became emblematic of the band’s early aesthetic.

Lyrics and Theme

Cryptic and evocative, the lyrics—lines like “War upon war, heat upon heat, to cut a long story short, I lost my mind”—suggest identity, disorientation, and psychological strain. Some readings place this language alongside images of post‑conflict confusion; others see it as a more personal, emotional unraveling. The ambiguity gives the song its haunting edge.

Cover Art

Part of Spandau Ballet’s deal with Chrysalis was that the band would have control over every aspect of how their music was marketed, including artwork, videos, and the selection of singles. They found much of their creative support at the Blitz club. Blitz regular and Camberwell College of Arts graphics student Graham Smith designed the sleeve for their debut single as well as the album Journeys to Glory and its accompanying singles: The Freeze, Muscle Bound, and Glow.

“I wanted to create an overall corporate visual package for Spandau that was cutting edge and reflected their aspirations. It had to have style,” Smith explained. The minimalist cover art for “To Cut A Long Story Short” reflected the lyric “I am beautiful and clean.” There was no photo of the band, which Gary Kemp thought would be “too risky, given the speed at which styles were changing.” Smith later remarked that this decision, seen as uncommercial by Chrysalis, gave the band mystique and reinforced their autonomy: “It added strength to Spandau as they were clearly stating they were not packaged by the record company but doing things on their terms.”

Reception and Legacy

Upon release the single peaked at No. 5 on the UK Singles Chart, and helped position Spandau Ballet as leaders of the New Romantic movement. While later singles — The Freeze, Musclebound, and then the more soulful True — explored different textures, this debut remains the clearest statement of the band’s early vision.

Cultural Impact

Fashion and music were inseparable around this record: sharp tailoring, theatrical staging, and club style were part of the package. The single became a Blitz fixture and helped elevate New Romantic aesthetics from underground to mainstream.

SIDE A:
To Cut A Long Story Short (Mix 1) 6:30

SIDE B:
To Cut A Long Story Short (Version) (Mix 2) 3:58

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

Chart Performance — Spandau Ballet: To Cut A Long Story Short (1980)
Chart Peak Position Date
US Billboard Dance Club Songs #28 1980
UK Singles #5 1980

RELEASE INFORMATION:
Label: Reformation – CHS 12 2473Chrysalis – CHS 12 2473
Format: Vinyl, 12″, Single, 45 RPM
Country: UK
Released: Nov 3, 1980
Genre: Electronic
Style: New wave, Synth-pop

CREDITS:

NOTES:
Alternate non die-cut embossed sleeve
Utopia Studios ‘lyre symbol’ etched on the runouts.

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for BURNING THE GROUND

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.


Loverde – Iko Iko (US 12″) (1980)

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This post kicks off our Mirrorball Memories series, where we’ll be spotlighting Disco and Hi-NRG singles that made dance floors light up. Think of it as the spiritual successor to Disco Friday, bringing vintage grooves and 12″ classics to the spotlight, one post at a time.

As the 1980s dawned, disco was evolving, and electronic dance music was taking over the clubs. Out of San Francisco emerged Frank Loverde—known professionally as Loverde—whose energetic Hi-NRG tracks captured the spirit of the era. One track that stands out is his electrifying rendition of “Iko Iko”, a classic reimagined for the dance floor.

A Classic Reimagined

Originally written by James “Sugar Boy” Crawford in 1953 as “Jock-A-Mo,” “Iko Iko” tells the playful tale of a Mardi Gras Indian confrontation. The Dixie Cups’ 1965 version turned it into a national hit, but Loverde’s take, produced by Patrick Cowley, brought it into the Hi-NRG era. Pulsing synthesizers and a driving beat transform the New Orleans classic into a dancefloor-ready anthem that still thrills DJs and collectors today.

Loverde and Hi-NRG Magic

Hi-NRG music—fast, energetic, and synth-driven—was booming in early ’80s clubs, and Loverde excelled in the style. His soaring vocals combined with Cowley’s electronic production gave “Iko Iko” a unique edge, perfectly bridging the gap between traditional rhythms and modern dance music. While it didn’t dominate mainstream charts, it became a beloved gem among club-goers.

Remembering Frank Loverde

Frank Loverde (1947–1990) made a lasting mark on San Francisco’s music scene, most notably with the 1982 Hi-NRG classic “Die Hard Lover.” Tragically, he contracted AIDS in the late 1980s, a disease that devastated the city’s music community. Loverde passed away on December 20, 1990, at age 43, with his family by his side. His music, however, continues to shine, keeping his legacy alive on dance floors and in Hi-NRG collections worldwide.

Why “Iko Iko” Matters

Loverde’s “Iko Iko” is a perfect example of how classic songs can be reinterpreted for new audiences without losing their original charm. It’s joyful, infectious, and full of energy—a reminder of why Hi-NRG and disco will always have a special place in music history.

SIDE A:
Iko Iko 7:01
Producer – Jeffrey CohenMegatron*
Synthesizer [Uncredited] – Patrick Cowley

SIDE B:
San Francisco Serenade 5:04
Arranged By – Frank LoverdeMike Finden*
Producer – Don MileyJeffrey Cohen

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Prism – PDS 406 RE
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1980
Genre: Funk / Soul
Style: Disco

NOTES:
GIANT SINGLE
Track Side B (P) 1979

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for BURNING THE GROUND

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.


Olivia Newton-John & Electric Light Orchestra – Xanadu (Europe 12″) (1980)

Burning The Ground Exclusive

Today’s Pride Month feature transports us straight to a fantasy realm of disco lights, roller skates, and synth-drenched euphoria—“Xanadu” by Olivia Newton-John & Electric Light Orchestra, the unforgettable title track from the 1980 cult musical film Xanadu.

I’m spotlighting the European 12” single, which includes the album version of “Xanadu” backed with “Fool Country,” a track featured in the film but not included on the official soundtrack. As a special treat, I’ve also added a bonus remix: the “Re-Glittered Mix” by Steve Anderson of DMC fame—a Pride-ready version that’s pure sparkle and spectacle.

🪩 Chart Success
“Xanadu” became a massive international hit. In the UK, it soared to #1 on the Singles Chart—making it ELO’s only UK #1 hit. In the U.S., it peaked at #8 on the Billboard Hot 100, earning both Olivia and ELO another top 10 pop smash. The song’s jubilant fusion of Jeff Lynne’s symphonic rock production with Olivia’s airy, crystalline vocals captured the hearts of both disco and pop fans alike.

🎶 Soundtrack Anniversary
Here’s something special: the Xanadu soundtrack turns 45 years old today! Released in the U.S. June 1980, the album has become a cult classic—featuring side A by Olivia Newton-John and side B by ELO. While the film itself polarized critics, the music became a beloved part of pop culture, especially within LGBTQ+ communities who embraced its theatricality, glam, and fantasy.

🌈 A Legendary Mardi Gras Performance
Another magical Pride moment: In 2008, Olivia performed “Xanadu” live at Sydney’s Mardi Gras, celebrating the 30th anniversary of the event. Wearing a dazzling disco sequin kimono, she took the stage at 4AM at the Royal Hall Of Industries before a crowd of over 18,000 fans—serving vocals, glam, and sheer joy. The remix she performed to? Yes, the very same Steve Anderson Re-Glittered Mix included here. The audience, as you’d expect, went wild.

Why “Xanadu” for Pride Month?
Because it’s joyful. It’s camp. It’s fantasy. And it’s a radiant reminder that escapism, glamour, and individuality are powerful tools of self-expression. Olivia Newton-John has always been a beloved icon in the LGBTQ+ community, and Xanadu is one of the glittering jewels in her crown.

This track is an open invitation to dream—to step out of the gray and into the neon. And during Pride, what could be more fitting?

🎶 “Now that I’m here, now that you’re near… in Xanadu.” 🎶

SIDE A:
Olivia Newton-John & Electric Light Orchestra –  Xanadu 3:30
Producer – Jeff Lynne
Written-By – Lynne*

SIDE B:
Olivia Newton-John –  Fool Country 2:28
Producer – John Farrar
Written-By – Farrar*

BONUS REMIX:
Olivia Newton-John & Electric Light Orchestra –  Xanadu (Re-Glittered Mix) 10:30
Remix – Steve Anderson And His Merry Mirrorball Men*

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1980 Xanadu U.S. Billboard Hot 100 #8
1980 Xanadu U.S. Billboard Adult Contemporary #2

RELEASE INFORMATION:
Label: Jet Records – JET 12.185Jet Records – 12.185
Format: Vinyl, 12″, 33 ⅓ RPM, Maxi-Single, Stereo
Country: Europe
Released: 1980
Genre: Electronic
Style: Synth-pop, Disco

NOTES:
Made in Holland

Side A Taken from the soundtrack album “Xanadu”

Bonus Remix taken from DMC Hit Mixes 195

Buy the 12″ at DISCOGS

VINYL TRANSFER & AUDIO RESTORATION:
-DjPaulT
for burningtheground.net

THE GEAR:
Turntable: Technics SL-1200MK7
Cartridge/Stylus:  Ortofon Concorde Music Black
Turntable Isolation Platform: ISO-Tone™ Turntable Isolation Platform
Platter: Pro Spin Acrylic Mat
Stabilizer: Pro-Ject Record Puck
Phono Pre-amp:
Pro-Jec Tube Box DS2
Tubes: Genalex Gold Lion 12AX7 ECC83/B759 Gold Pins Vacuum Tube – Matched Pair
DAC:
Alpha Design Labs GT40a USB DAC
Record Cleaning
: VPI HW 16.5 Record Cleaning Machine
Artwork Scans
: Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE:
Recording/Editing: Adobe Audition 25 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

**24bit FLAC Only Available For Seven Days!


Password: burningtheground

You can help show your support for this blog by donating using PayPal. I appreciate your help.