Category: Nik Kershaw

Nik Kershaw – I Won’t Let The Sun Go Down On Me (Extended Dance Mix) (UK 12″)

BURNING THE GROUND EXCLUSIVE 1983

“I Won’t Let the Sun Go Down on Me” is a song written and performed by the English singer-songwriter Nik Kershaw. It was his first single, released in 1983 to little success, but was re-released in 1984 and became his highest-charting hit, peaking at no. 2 in the UK. The song was included on Kershaw’s debut album Human Racing.

“I Won’t Let the Sun Go Down on Me” first charted in November 1983, though despite spending 8 weeks in the UK Top 100, only reached number 47.

Released on September 16, 1983, this 12″ includes the rare first release of the song remixed by Mickey Modern and Phil Harding.

SIDE A:
I Won’t Let The Sun Go Down On Me (Extended Dance Mix) 6:00
Mixed By – Mickey ModernPhil Harding

SIDE B:
Dark Glasses 4:17

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: MCA Records ‎– MCAT 816
Format: Vinyl, 12″, Single, 45 RPM
Country: UK
Released: 1983
Genre: Electronic
Style: Synth-pop

CREDITS:
Producer – Peter Collins
Written-By –Nik Kershaw

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck
DAC/Phono Pre-amp:
Alpha Design Labs GT40a USB DAC
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

Username: btg
Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.

Nik Kershaw – Wouldn’t It Be Good (Germany 12″)

BURNING THE GROUND EXCLUSIVE 1984

NEW 2020 Transfer!
Meticulously Remastered!

Originally posted May 11, 2010

“Wouldn’t It Be Good” is a song by English singer-songwriter Nik Kershaw. It was released one month prior to his debut studio album Human Racing. The release was Kershaw’s second single and features the non-album track “Monkey Business” as the B-side.

“Wouldn’t It Be Good” was the second single from Kershaw’s debut solo album Human Racing and turned out to be among his more popular single releases. It spent three weeks at #4 in the UK charts and became a hit throughout Europe, as well as a top 10 hit in Canada and Australia. Kershaw is also most closely associated with this song in the U.S., where it narrowly missed going Top 40. Kershaw performed this song at Live Aid in London’s Wembley Stadium in July 1985.

Kershaw’s first single from this album had failed to be a major hit, and it was on the strength of this recording’s success that the earlier single, “I Won’t Let the Sun Go Down on Me”, was promoted for a re-release. This time the single went all the way to #2 in the UK, becoming his highest-charting single there to date but not the most known.

SIDE A:
Wouldn’t It Be Good (Special Extended Mix) 6:40

SIDE B:
Monkey Business 3:28

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1984 Wouldn’t It Be Good U.S. Billboard Hot 100 #46

 

RELEASE INFORMATION:
Label: MCA Records ‎– 259 605-0
Format: Vinyl, 12″, 45 RPM, Maxi-Single
Country: Europe
Released: 1984
Genre: Electronic
Style: Synth-pop

CREDITS:
Photography By – Iain McKell
Producer – Peter Collins
Written-By – Nik Kershaw

NOTES:
Taken from the album “Human Racing”

Made in Germany by WEA Musik GmbH

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck
DAC/Phono Pre-amp:
Alpha Design Labs GT40a USB DAC
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling/Dither: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
Artwork scanned at 600dpi

Username: btg
Password: burningtheground

You can help show your support for this blog by making a donation using PayPal. Thank you for your help.

Elton John – Nikita (US 12″ Promo)

BURNING THE GROUND EXCLUSIVE 1985

“Nikita” is a song by English singer Elton John set in the Cold War from his 1985 album Ice on Fire. Released late in the year, the song was successful in many countries and was a top ten hit in almost all of them.

In the song, Elton John describes his crush on a person called Nikita, an East German border guard whom he cannot meet because he is not allowed into the country. It features George Michael on backing vocals with Nik Kershaw on electric guitar and is notable for a distinctive synthesizer solo. The song charted at number 3 on the UK Singles Chart, and at number 7 in the US.

SIDE A:
Nikita (LP Version) 5:42

SIDE B:
Nikita (U.K. Edit) 4:54

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

U.S. CHART HISTORY:

Year Single Chart Position
1985 Nikita U.S. Billboard Hot 100 #7
1985 Nikita U.S. Billboard Hot Adult Contemporary Tracks #3

 

RELEASE INFORMATION:
Label: Geffen Records ‎– PRO-A-2440
Format: Vinyl, 12″, Single, 33 ⅓ RPM, Promo
Country: US
Released: 1985
Genre: Pop
Style: Pop Rock, Synth-pop

CREDITS:
Backing Vocals – Davey Johnstone, Elton*, George Michael
Electric Guitar – Nik Kershaw
Engineer – Stuart Epps
Producer – Gus Dudgeon
Written-By – Elton John / Taupin*

NOTES:
From the LP “ICE ON FIRE”
In custom promo sleeve.

Find the 12″ at DISCOGS

VINYL RESTORATION BY:
-DjPaulT
burningtheground.net

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7 TubeGold Pins
Soundcard:
Novation Audiohub 2×4 Audio Interface
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2, ocenaudio
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi

Ferry Aid – Let It Be (US 12″)

BURNING THE GROUND EXCLUSIVE 1987

Although this single was recorded to help victims of a 1987 tragedy. Today we pray for those affected in Manchester, England.

Ferry Aid were a British-American ensemble group, brought together to record the song “Let It Be” in 1987. The single was released following the Zeebrugge Disaster, which had occurred on 6 March 1987 involving the capsizing of the MS Herald of Free Enterprise ferry, which killed 193 passengers and crew. All proceeds from sales of the single were donated to the charity set up in the aftermath of the disaster. The recording was organised by The Sun newspaper, after it had sold cheap tickets for the ferry on that day. “Let It Be” was written by Lennon–McCartney and originally recorded by The Beatles in 1969.

Garry Bushell, then with The Sun newspaper, organised the recording of the song by recruiting record producers Stock, Aitken and Waterman. They then put an invitation out to the music industry for artists to contribute their vocals to the song. Although many stars were initially reluctant to join forces with the newspaper, eventually artists such as Boy George, Kate Bush, Gary Moore and Mark Knopfler agreed to take part. Original writer, Paul McCartney also contributed to the song, although his performance (and section in the accompanying video) were recorded independently in his own studios. In fact, it was later revealed that McCartney used his voice of the original recording of the 1970 Beatles track and added it to the Ferry Aid recording. The song was recorded over three days between 14 and 16 March 1987 and the single was released on Monday 23 March 1987. The first artist to record his part was Mark King (who also played bass guitar on the song) on the Saturday morning, while the last was Paul King on Monday evening.

In the original Beatles recording George Harrison did the guitar solo but for the purposes of this song – as shown in the video – the solo was divided with Gary Moore first, then Mark Knopfler, then back to Gary Moore with Moore’s parts being more ‘rock’ and Knopfler’s being more laid-back.

“Let It Be” reached #1 in the UK Singles Chart in its first week on 4 April 1987, and remained at that position for three weeks. It was the 13th best selling single of the year in the UK; it was certified gold for shipping over 500,000 copies. The single was also a number one hit in Norway and Switzerland, and reached the top 10 in several European countries.

Artists to have contributed and performed solo spots on the song are as follows:

Paul McCartney
Boy George
Keren Woodward and Nick Kamen
Paul King
Mark King
Jaki Graham
Taffy
Mark Knopfler (guitar solo)
Andy Bell
Pepsi & Shirlie
Mel and Kim
Gary Moore (guitar solo)
Kim Wilde and Nik Kershaw
Edwin Starr
Ben Volpeliere-Pierrot
Ruby Turner
Kate Bush

The closing choruses of the song feature an ensemble choir featuring many of the above performers as well other recording artists. The back-up chorus consisted of:

The Alarm, John Altman, Debee Ashby, Al Ashton, Rick Astley, Bananarama, Simon Bates, Alison Bettles, Jenny Blythe, Errol Brown, Miquel Brown, Bucks Fizz, Jay Carly, The Christians, Nick Conway, Linda Davidson, Hazell Dean, Anne Diamond, Difford and Tilbrook, Doctor and the Medics, The Drifters, Drum Theatre, Frankie Goes to Hollywood, Roy Gayle, Go West, Carol Hitchcock, Felix Howard, Gloria Hunniford, Imagination, Jenny Jay, Ellie Laine, Annabel Lamb, Stephanie Lawrence, Loose Ends, Linda Lusardi, Ruth Madoc, Bobby McVey, Suzanne Mizzi, The New Seekers, Sadie Nine, The Nolans, Hazel O’Connor, Mike Osman, Su Pollard, Tim Polley, Pamela Power, Maxi Priest, Princess, Jimmy Pursey, Suzi Quatro, Mike Read, Sally Sagoe, Nejdet Salih, Ray Shell, Mandy Smith, Neville Stapleton, Alvin Stardust, Steve Strange, Sylvia Tella, Terraplane, Bonnie Tyler, Maria Whittaker, Working Week.

SIDE A:
Let It Be 6:30
Engineer – Mark McGuire
Mixed By – Burni Adams, Jamie Bromfield

SIDE B:
Let It Be (Mega Message Mix) 6:11
Mixed By – Jamie Bromfield

VINYL GRADE:
Vinyl: Near Mint
Sleeve: Near Mint

RELEASE INFORMATION:
Label: Profile Records ‎– PRO-7147
Format: Vinyl, 12″, 33 ⅓ RPM
Country: US
Released: 1987
Genre: Pop
Style: Pop/Rock

CREDITS:
Bass – Mark King
Drums – A. Lynn
Guitar – Gary Moore, Mark Knopfler
Keyboards – Matt Aitken, Mike Stock
Producer – Stock/Aitken/Waterman*
Written-By – Lennon/McCartney*

NOTES:
Recorded at PWL Studios.
Special thanks to: Michael Jackson and Paul McCartney

Find the 12″ on DISCOGS

EQUIPMENT USED:
Turntable: Pro-Ject Debut Carbon (DC)
Cartridge: Ortofon 2M
Stylus: Ortofon 2M Bronze
Isolation: Auralex Acoustics ISO-Tone Turntable Isolation Platform
Platter: Pro-Ject Acryl-It platter
Stabilizer: Pro-Ject Record Puck 
Phono Pre-amp:
Bellari VP130 Tube Phono Preamp
Tube:
Tung-Sol 12AX7ECC803-S Gold Electron Tube
Soundcard:
ESI Juli@
Record Cleaning:
VPI HW 16.5 Record Cleaning Machine
Artwork Scans:
Epson Workforce WF-7610 Professional Printer/Scanner

SOFTWARE USED:
Recording/Editing: Adobe Audition 3.0 (Recording)
Down Sampling: iZotope RX Advanced 2
Artwork Editor: Adobe Photoshop CS5
Click Removal: Manual
FLAC/MP3 Conversion: dBpoweramp
M3U Playlist: Playlist Creator

RESTORATION NOTES:
All vinyl rips are recorded @ 32bit/float
FLAC (Level Eight)
MP3 (320kbps)
Artwork scanned at 600dpi